«Freedom Village» is Moon & Jeon's new series under the umbrella of their ongoing project «News from Nowhere», and is based on
their artistic research on the small farming community of Tae Sung Dong, otherwise known as Freedom Village.
This publication offers insight into the diverse
artistic research on this topic.
And yet, as
the artistic research on Dizziness — A Resource proposes, dizziness can also be seen as providing momentum for creative thinking and activity.
Not exact matches
As an Associate
Research Chef, Chef Rachel focuses
on recipe development for the McCormick Science Institute as well as utilizing her culinary and
artistic talents for the Culinary Team.
Volume XVII, Number 1 (Download) The Task of the College of Teachers: Part 2 — Roberto Trostli «Spirit is Never without Matter, Matter Never without Spirit» — Liz Beaven The
Artistic Meeting: Creating Space for Spirit — Holly Koteen - Soule Contemplative Practice and Intuition in a Collegial Context — Martyn Rawson Contemplative Work in the College Meeting — Elan Leibner Work of the
Research Fellows Review of The Social Animal by David Brooks — Dorit Winter Report
on the Online Waldorf Library — Marianne Alsop
Through my
artistic research and practice I am investigating light and shadow as stimuli to human emotions and memories as well as the optic science
on colored shadow.
Fellowship grants to individuals «made primarily to assist scholars and creative artists to carry
on their own works of
research and
artistic creation» for which the grantor has no control over the outcome of the
research were considered gifts (Stone v. Commissioner, 1954; 23 T.C. 254).
The winners of the 2013 Science Visualization Challenge present an
artistic spin
on scientific
research.
Now, researchers from the UNLV College of Sciences are showcasing the
artistic side of science by featuring their most captivating
research images in an exhibit
on campus.
In my lab alone, we have a concert pianist, a painter, an amazing violinist, and even a student who is doing her PhD in an
artistic laboratory, which is dedicated to the
research, learning, critique and hands -
on engagement with the life sciences.
In their sixth - grade social studies and language arts class, while doing a simulation
on the Maya, students take breaks for
research, close reading of articles (from secondary sources to primary documents written in the 1500s), and analyzing their own
artistic replicas of primary documents.
The exhibition investigates the use of color in art through
artistic movements and
research that stand apart from canonical histories
on color and abstraction, with multiple accounts relating to memory, politics, spirituality, storytelling, psychology and synesthesia.
The Breathe Artist in Residence programme offers artists of Chinese descent an ideal environment to reflect
on their
artistic practice,
research and make new work within an international setting.
She plays in the all - female, all - drum band Charismatic Megafauna; and collaborates
on Bedfellows; an
artistic research project with artists Chloe Cooper and Phoebe Davies advocating for life - long queer feminist sex - re-education.
In addition to her prolific
artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art
research project Making Histories Visible, reflecting critically
on the success and failures of the Black Arts Movement and participating in numerous conferences
on art of the diasporas.
Thanks to this award, I can expand my
research and keep
on developing my
artistic practice beyond my usual interests.
Physical and electrical phenomena have been at the heart of Micol Assaël's
artistic research since 2001, when she made the first version of Vorkuta, working
on her memories of a journey to the Vorkuta gulag in Siberia.
Artist Dorit Cypis» FabLab (looking for patterns), is a living laboratory centered around Cypis»
research and reflection
on her past 30 year
artistic practice of exploring the psycho, physical, social and political implications of identity and social relations.
Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis»
research and reflection
on her past 30 - year
artistic practice to actively explore models of personal and social engagement.
A-I-R Laboratory hosts up to 30 international artists a year and focuses
on production and
research based practices within the context of the residency treated as an
artistic medium.
Her
research focuses
on the
artistic interactions between Japan and China during the Meiji period.
This polyvalent project space focuses
on supporting and exhibiting
research projects from different
artistic disciplines.
Joined by the neuroscientific study lab, which will interact with visitors during the show, the exhibition investigates the use of color in art through
artistic movements and
research that stand apart from canonical histories
on color and abstraction.
The errorist laboratory «NO - WORK / NO - SHOP» will be focused
on researching and experimenting the diverse uses of
artistic actions and social imagination strategies regarding common problematics, through «trial and error», with the intention of creating collective public interventions around the specific context of Cittadellarte and the city of Biella.
Spanning practice and theory, Hockney's investigation of
artistic techniques has also developed through art - historical
research, resulting in Secret Knowledge (2001), his publication
on the optical devices used by the Old Masters, as well as A History of Pictures: From the Cave to the Computer Screen (2016), written in collaboration with art critic Martin Gayford and further exploring the many ways artists have pictured the world.
Both have the mission to preserve them, publicise their content and support
research on contemporary
artistic practices that draws
on these documents as its raw material.
Elizabeth Rooklidge, Associate Curator, Katonah Museum of Art Boshko Boshkovic, Program Director, Residency Unlimited Adele Eisenstein, Independent Curator &
Research Assistant, Alma
on Dobbin Jovana Stokic, Art Historian, Curator Ming - Jiun Tsai, Independent Curator, Taiwan Lisa Varghese, Senior Director, Luhring Augustine Zuzana Jakalova Artist, Curator, MeetFactory, Prague Jenny Jaskey, Director and Curator, The Artist's Institute Joshua Decter, Independent Curator & Critic Rachel Reese, Associate Curator of Modern and Contemporary Art, Telfair Museums in Savannah GA Zuzanna Foggt, Co-founder & President of the Contemporary Art Foundation In Situ, Sokołowsko, Poland Liz Blum, Artist & Curator Stamatina Gregory, Curator & Associate Dean, School of Art at Cooper Union Alise Tifentale, Art Historian, CUNY Grad Center Leah Dixon, Visual Artist and Co-Owner of Beverly's NYC Julia Geerlings, Independent Curator & Writer, Netherlands Sharon Matt - Atkins, Vice Director, Exhibitions and Collections Management Brooklyn Museum Asya Geisberg, Owner, Asya Geisberg Gallery Sebastian Sans de Santamaria, Director of Operations, Residency Unlimited Gu Chenlin, Director of
Artistic Department & Curator, Shanghai Photographers Association, China He Guyian, Deputy Director of Department of Art History & Director of the Contemporary School of Arts, Sichuan Fine Arts Institute, China
Visual + Digital Arts residency programs focus
on professional and
artistic development,
research, and creative production in digital and visual arts.
In 2015, Swiss artist and curator Stefan Banz completed an impressive monograph dedicated to Eilshemius, compiling extensive
research, writing and historical documents pertinent to the understanding of his life,
artistic trajectory and influence
on Duchamp.
Research support for new models of
artistic collaboration based
on Allen's work as director of Machine Project in Los Angeles.
«This project brings to light new
research on an area whose enormous
artistic interest and scholarly importance are just now coming to be recognized by art historians and scholars.
research papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univ
research papers at the International Conference
on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univ
Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht University).
I have presented
research papers at the International Conference on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univ
research papers at the International Conference
on Artistic Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht Univ
Research (Royal Academy of Art, The Hague) and The Posthuman Glossary (Utrecht University).
The
artistic programme is defined by its focus
on research and experimentation and by its particular emphasis
on site - specific projects capable of interacting with their unique setting.
An interest in this
artistic current forms an important part of Marte Johnslien's
artistic practice and her
research on the relation between abstract art, spirituality, politics and social action.
In reference to his newly commissioned public artwork in Museum Park
on the occasion of Fringe Projects, artist David Brooks will discuss how
artistic inquiries, fieldwork, and
research - based practice contribute to a broader «living» characteristic of his work and projects.
Gaitán's presentation will contextualize the recent history of the Berlin Biennale, its international relevance and comprehensive impact
on the cultural life of Berlin, introducing his curatorial
research and the
artistic team he has invited for the 8th edition.
It disrupts the traditional
artistic mindset based
on individual and emotional expressions while emphasizing
on research and inquiry (in both cultural and technological terms) as the basis and prerequisite for contemporary
artistic practice.
Clugage acts as a director for the Craft Advanced
Research Projects Agency (CARPA) and hosts a series of public salon dinners themed
on the
artistic production models and culinary histories of diverse times and places.
Founded in Beirut in 1993, Ashkal Alwan is committed to the production,
research, and circulation of contemporary
artistic and intellectual practices, through initiatives such as Home Works: A Forum
on Cultural Practices (2002), a multidisciplinary platform bringing together artists, writers, thinkers, filmmakers, and choreographers, for a public program of exhibitions, panel discussions, film screenings, and performances, as well as the Home Workspace Program (2011), an annual tuition - free art - study program.
Random International, Leo Villareal, and teamLab will participate in The Future of Light Art, a symposium focused
on a new frontier of scientific
research on the nature of light, and the impact it will have
on artistic possibilities.
The catalogue published
on the occasion of the first institutional exhibition by Ana Navas at Galerie der Stadt Sindelfingen continues her
artistic research, which deals with phenomena such as memory, translation, interpretation and authorship and documents a wide exchange of images and ideas.
The
research exhibition MANNA is Hero4Hero's
artistic response to the Sikhote - Alin meteorite — one of the largest meteorites in the world — which fell
on the Sikhote - Alin Mountains in Primorye in 1947.
In the final minutes of Viral Representation:
On AIDS and Art, a day - long conference held at the University of Chicago's Logan Center that presented research on artistic responses to AIDS as part of the exhibition Art AIDS America, I found the nerve to raise my hand and pose a question to the roundtable that included all twelve speakers who presented or spoke that da
On AIDS and Art, a day - long conference held at the University of Chicago's Logan Center that presented
research on artistic responses to AIDS as part of the exhibition Art AIDS America, I found the nerve to raise my hand and pose a question to the roundtable that included all twelve speakers who presented or spoke that da
on artistic responses to AIDS as part of the exhibition Art AIDS America, I found the nerve to raise my hand and pose a question to the roundtable that included all twelve speakers who presented or spoke that day.
The Works presents a variety of Chicagoan approaches to this discourse: Marissa Lee Benedict & David Rueter, Theaster Gates, and Dan Peterman contextualize their multidisciplinary practices within a wider scope of
research and activism, reflecting first and foremost
on artistic production as a vehicle for ecological and social reflection.
EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011
On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009
On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making
Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts,
Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities
Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making
Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «
On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!
Its focus
on artistic programmes will enable different actors to expand
on present - day
research interests, modes of production and display, and how these curatorial practices can shape the institution that generates them.
Through an engagement with some of the existing and
on - going archival projects in South Asia and West Asia, this workshop examined the very practice of archiving in a digital world as it is conducted in
research institutions as well as its appropriation in
artistic practice.
Michelle Grabner,
Artistic Director of FRONT International: Cleveland Triennial for Contemporary Art, will present
on its inaugural edition, followed by a conversation with María del Carmen Carrión, ICI's Director of Public Programs &
Research.
Exhibitions, Events, and News Our Special Exhibitions Gallery presents important new
research on artists and
artistic practice, and our University Galleries are programmed in consultation with Harvard faculty to support coursework.