Sentences with phrase «artistic research projects»

Since moving to Nottingham, she has collaborated in artist groups, including Institute of Boundary Interactions (formally LAB) and New Research Trajectories on artistic research projects.

She plays in the all - female, all - drum band Charismatic Megafauna; and collaborates on Bedfellows; an artistic research project with artists Chloe Cooper and Phoebe Davies advocating for life - long queer feminist sex - re-education.

Laure Vigna's residency in 18th Street (October through December 2013) is inscribed within an artistic research project funded by CNAP (Centre National des Arts Plastiques), French Ministry of Culture and Communication.

The exhibition took shape in the context of Markus» artistic research project Markus & I, which departed from her own family history.

Some Things Hidden departed from an artistic research project by Markus that goes under the working title Markus & I, and which took its starting point in Markus» own family history.

She is the co-director of the artistic research project «IdentityLab» (Turkey & Sweden) consisting of journeys, meetings and public programs to create a dialogue and sense of community among artists and researchers working on identity issues.

The book is an artifact of Robert's ongoing artistic research project structures -LSB-...] which investigates the potentiality of sonic environments in the modern urban context.

Not exact matches

The Neotoma Paleoecology Database and Community — which takes its name from one of nature's premier accumulators, the pack rat — is one of many research projects based at the Springfield - based museum, which houses extensive collections showcasing the natural, cultural, and artistic history of the state.

What if they devised action research projects to collect data and illustrate the impact art - infusion and artistic - reflection had in implementing the school's goals?

As a research scholar and consultant for arts in education in the past, he has investigated artistic development in children at Harvard Project Zero from 1982 to 1994 and assessment of arts and general education programs from 1985 to 1995.

In fact, Gardner's colleagues at Project Zero at Harvard University spent years researching the habits of artists at work in their studios to discover how artistic processes may inform best practices in teaching and learning.

In addition to her prolific artistic practice, she holds the position of Professor of Contemporary Art at the University of Central Lancashire, where she leads the interdisciplinary visual art research project Making Histories Visible, reflecting critically on the success and failures of the Black Arts Movement and participating in numerous conferences on art of the diasporas.

Artist Dorit Cypis» project titled, FabLab (looking for patterns), is a three - month art laboratory centered around Cypis» research and reflection on her past 30 - year artistic practice to actively explore models of personal and social engagement.

This polyvalent project space focuses on supporting and exhibiting research projects from different artistic disciplines.

Recent staff exhibition and research projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by Victoriaresearch projects include Art and Conflict (led by Michaela Crimmin); No Puppet is dumber than its Puppeteer at the Chinese Academy of Fine Arts Museum Biennale (led by Kit Hammonds); Richard Hamilton: Growth and Form at Tate Modern, Cultural Value and the Digital with Tate Research and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch and Transfigurations: Curatorial and Artistic Research in an Age of Migrations at MACBA (led by VictoriaResearch in an Age of Migrations at MACBA (led by Victoria Walsh).

The project actively reassembles the terms of artistic exchange and collaboration, hosting international practitioners and institutions collectively engaged in research, theory, production, construction, performance, presentation, and documentation.

Nigerian - born, Berlin - based Otobong Nkanga's early training in the converging traditions of live arts and performance lend a decidedly wayward, playful charge to her research - heavy artistic practice, steering her work away from the dour academicism that so often cripples art projects invested in the production and dissemination of knowledge.

In the Days of a Dark Safari combines historical research with artistic photography to reflect the ideals projected onto the image of a stuffed giant sable antelope (Palanca).

Being an independent curator helps to expand Maria's artistic research when developing new projects for her own practice.

Residents are provided with administrative, curatorial, and professional support to explore and expand the scope of their artistic practice through research, dialogue, and production of new projects.

This ambitious project envisions an interdisciplinary center for artistic production and research, exhibitions, education, and archives.

Research support for new models of artistic collaboration based on Allen's work as director of Machine Project in Los Angeles.

«This project brings to light new research on an area whose enormous artistic interest and scholarly importance are just now coming to be recognized by art historians and scholars.

Navigating the Unknown is the result of the artistic - research project Dizziness — A Resource, which is being implemented since 2014 by Ruth Anderwald and Leonhard Grond at the Academy of Fine Arts in Vienna, in collaboration with the Institute of Psychology at the University of Graz.

The artistic programme is defined by its focus on research and experimentation and by its particular emphasis on site - specific projects capable of interacting with their unique setting.

In addition to her artistic practice, Lubaina Himid is Professor of Contemporary Art at the University of Central Lancashire in Preston, where she leads Making Histories Visible, a Black Art archive and multidisciplinary contemporary arts research project.

In reference to his newly commissioned public artwork in Museum Park on the occasion of Fringe Projects, artist David Brooks will discuss how artistic inquiries, fieldwork, and research - based practice contribute to a broader «living» characteristic of his work and pProjects, artist David Brooks will discuss how artistic inquiries, fieldwork, and research - based practice contribute to a broader «living» characteristic of his work and projectsprojects.

Clugage acts as a director for the Craft Advanced Research Projects Agency (CARPA) and hosts a series of public salon dinners themed on the artistic production models and culinary histories of diverse times and places.

Autistica, the UK's leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to represent the human experience through highly detailed and laborious artistic techniques.

Jeff Robinson: Dummy Vexillography is the second exhibit at STNDRD, a gallery project curated by St. Louis artist Sage Dawson and temporarily located within the entrance of the Luminary, a space that facilitates artistic research, production, and presentation through residencies, studios, and exhibitions.

We value the physical process of hand and studio based making as well as project driven research to generate ideas and artistic solutions.

The performance project is facilitated by a guest artist and Lower Left who use their artistic process to frame the group's research into performance.

She is the founder of Temporary Art Platform, a curatorial platform that aims to shift artistic and curatorial discourse towards social and contextual concerns in Lebanon through residencies, research projects and commissions.

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Time Capsules and Conditions of Now is an accumulative artistic research / production project initiated by curator & art critic Fatos Ustek under the framework of Vision Forum, Linkopings Universitet, Sweden.

Through an engagement with some of the existing and on - going archival projects in South Asia and West Asia, this workshop examined the very practice of archiving in a digital world as it is conducted in research institutions as well as its appropriation in artistic practice.

URRA is an Argentine project whose objective is to favor artistic production and to generate spaces to encourage the reflection and research of contemporary art through different cultural projects.

Both view the organisation of a residency as a process of research and experiment in artistic practice, as opposed to aiming at obtaining a finished artistic «product» in exhibition or project form from the venture.

Her current research project examines how artistic and scientific inquiry intersect.

TEOR / éTica (San José, Costa Rica) is an independent project and nonprofit art space focusing on research and dissemination of contemporary artistic practices.

This is an exhibition project of authors with a cultural and artistic values built from experience, multidisciplinary research, developments in technology and the study of media and materials to culminate in the conception of a language and own aesthetic.

Anja Dreschke is media anthropologist, filmmaker and research fellow at the DFG project Trance Mediums and New Media at the University of Siegen, Regina Barunke is art historian and artistic director of the Temporary Gallery, Cologne.

Written by Baþak Þenova, the article focuses on the multi-dimensional artistic research and production process of the project concerning «violence against women».

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

In summer of 2014, she and artist Mark Clintberg launched a research project entitled Everyday Cooking, Cooking Every Day at the artist - run center Articule in Montréal, which made links between domestic cooking and artistic and curatorial practices.

Since 2011 she has worked in TEOR / éTica, conducting research projects about local curatorial initiatives and the institution's archive, as well as facilitating educational and artistic formation projects.

This OCAD University - lead research project will, under Mr. Julien's guidance and artistic inspiration, have students investigate his development as an artist, probe the important political and aesthetic themes that drive his practice, and experience first - hand dimensions of his artistic practice.

Splendour is co-curated by Joe Moran, Artistic Director of Dance Art Foundation, as part of Moran's Why Everyone Wants What We've Got research project, and supported by the Swedish Arts Council.

Henry Moore: Sculptural Process and Public Identity — a five - year research project, completed in 2015, which examined the artistic ideas, processes and reception of Henry Moore.

Through studio projects, readings, discussions, and case studies, students in this class will engage the immediate context of the University as source material for their artworks as a means to explore the effect that research and knowledge production might have on contemporary artistic practice.