Physical and electrical phenomena have been at the heart of Micol Assaël's
artistic research since 2001, when she made the first version of Vorkuta, working on her memories of a journey to the Vorkuta gulag in Siberia.
Not exact matches
Navigating the Unknown is the result of the
artistic -
research project Dizziness — A Resource, which is being implemented
since 2014 by Ruth Anderwald and Leonhard Grond at the Academy of Fine Arts in Vienna, in collaboration with the Institute of Psychology at the University of Graz.
Deaf
since the age of ten, Joseph Grigely has dedicated his fifteen - year
artistic practice to
researching the various translations and subsequent shifts in meaning that take place when music, language, and informal talk are communicated through visual form.
More than thirty works selected for Pontifex Maximus exhibition represent an eloquent synthesis of an
artistic research, accomplished during a career that spans more than twenty years, as well as a respectful and scholarly tribute to classical iconography, which has inspired a specific Russian artist ever
since his early training.
Since 2012 she has transformed Liverpool Biennial by expanding its organisational model to include and prioritise ongoing
research, education and production, developing a creative community, and building the city as a place of
artistic experimentation.
Since moving to Nottingham, she has collaborated in artist groups, including Institute of Boundary Interactions (formally LAB) and New
Research Trajectories on artistic research p
Research Trajectories on
artistic research p
research projects.
Since 2012, Tallant has transformed Liverpool Biennial by expanding its organizational model to include and prioritize ongoing
research, education and production, developing a creative community, and building the city as a place of
artistic experimentation.
Since 2011 she has worked in TEOR / éTica, conducting
research projects about local curatorial initiatives and the institution's archive, as well as facilitating educational and
artistic formation projects.
The exhibition dedicated to Plamen Dejanoff is part of the
research program titled Criticism that MAMbo has conducted
since 2006: a reflection on, and an investigation of,
artistic practices and the role of contemporary museums.
Sam Thorne is
Artistic Director of Tate St Ives,
since 2014, where he leads on the exhibitions and displays programme and on
research, as well as the wider public programme of learning and interpretation.
Since then, he has pursued
artistic research regarding the environment, culture, and social - affective relations in Bahia, especially in Salvador.
Since 2010, Daria has been working on the
research built around the relationship between political situations and
artistic practice in contemporary Iranian art.