Sentences with phrase «artistic vision by»

With the assistance of Location One staff, they are attempting to expand their artistic vision by experimenting with new ideas or means of production and sometimes through novel collaborations with other artists.

Not exact matches

Based on the best - selling novel by Ayn Rand, «The Fountainhead» tells the story of Howard Roark, an architect who prefers to struggle rather than compromise his artistic vision.

Although both records were very different in sound and vision, they carried the similar sense that the pure artistic vision of Jars of Clay had somehow been compromised by the production influences of the different producers.

This is not something the atheists of earlier ages would have been very likely to say, if only because they still lived in a culture whose every dimension (artistic, philosophical, ethical, social, cosmological) was shaped by a religious vision of the world.

Darling and Juliet of the Spirits, originally rated A - «morally unobjectionable for adults, with reservations,» by the old Legion of Decency, were cited by the National Catholic Office on the Motion Picture for their «artistic vision» and «expression of authentic human values.»

This season, she says she was mainly inspired by her recent trip to Haiti with the Ethical Fashion Initiative Team, where she met and worked with metalsmiths, papier - mà cents chà © and horn artisans to produce jewellery for her new Stella Jean Spring Summer 2015 collection and to help bring about female empowerment and poverty reduction by employing women artisans to help her realise her artistic vision.

As artistic director and head buyer — a role previously held by her mother — Avsadjanashvili is the vision behind Babockha's carefully curated edit, which has seen the store named one of the most beautiful boutiques in the world by Forbes.

Batman Ninja is perhaps the most artistic vision of the Caped Crusader released yet, and should be sought out by fans.

A World Cinema Dramatic Special Jury Prize for Artistic Vision was presented to Can (from Turkey), written and directed by Rasit Celikezer — A young married couple live happily in Istanbul, but their decision to illegally procure a child threatens their future together.

The acclaimed series, with Lois Vossen as executive producer, features documentaries united by the creative freedom, artistic achievement, and unflinching visions of independent filmmakers.

A truly unique collection of intriguing design hotels, each SO / Sofitel is an artistic vision brought to life by a celebrated name from the sophisticated world of fashion and design.

The 4.6 - hectare stretch of land found just a bit to the south from Estació Sants — the largest railway station in the area, which provides you with very convenient means of moving around the city (just like the nearby Placa d'Espanya)-- is taken by a very spectacular mixture of natural landscape and modern artistic vision.

(I have since encountered artists with a completely different model of commissions, in which the artwork is entirely the artist's artistic vision, and no art direction by the client is involved.

Manister's artistic worldview and method is underpinned by the humanist vision of the older generation, but his commitment to forging an individual practice is not hampered by the same kind of high - seriousness and obdurate self - belief often found with other painters working «after the fall.»

In his landmark essay «The Hedgehog and the Fox,» Isaiah Berlin carved out two intellectual and artistic temperaments: those who view the world by relating everything to a central, singular and specific vision, and those who thrive on a broad mélange of experiences.

From the seminal performance work by Rachel Rosenthal, the early queer video work of EZTV, boundary breaking art installations by Barbara T. Smith, the pioneering media explorations by Electronic Café International, to the feminist media interventions of Suzanne Lacy and Leslie Labowitz - Starus, these five influential and often overlooked artists and collaborative arts groups were fundamental to charting the course for the artist space movement and its vision of egalitarian artistic production and reception.

Sound and Vision — The Screenings, curated by FotoFocus Artistic Director, Kevin Moore, will be on display April 25 - 27 at Paramount Pictures Studios as part of Paris Photo Los Angeles.

Coming of age as an artist during the 1960s, on the heels of abstract expressionism during a period when the art - world was dominated by men, she succeeded in expressing her unique artistic vision and voice and continues to do so to this day.

The gauntlet was laid down by the biennial's artistic director, Thierry Raspail, who instructed Rugoff to shape his curatorial vision around the heavily loaded concept.

The book also includes 16 photographs by Jack Shear of Kelly's studio as he left it on his final day of painting — a poignant record of his seven - decade advancement of a singular artistic vision.

The many remarkable prints here represent significant innovations in printmaking, developed by master printers specifically to accommodate Kelly's focused artistic vision.

From Group Material co-founder Julie Ault's personal art collection from the 1980s and»90s on view at Artists Space to Fiona Tan's film of the Sir John Soane Museum's antiquities collection at the Philadelphia Museum of Art (echoing Alain Resnais's great 1956 documentary of Paris's national library, «Toute la mémoire du monde») to the Museum of the City of New York's upcoming show of graffiti art collected by the late artist Martin Wong, artists and institutions are devoting considerable efforts to showing groups of historical art objects gathered through an idiosyncratic personal vision — with that act of curation being foregrounded as an artistic gesture.

Loring Randolph, Artistic Director, Frieze Fairs added: «Following the fund's exceptional acquisition last year by Virginia Jarmaillo — the work of which has been touring from Tate Modern to Crystal Bridges Museum of American Art, and soon will be at the Brooklyn Museum — it is not surprising to me that LIFEWTR has the vision and desire this year to deepen its commitment to the fund with a $ 100,000.00 contribution.

Comprising photographs and paintings by Sheeler along with fashions of the era, Charles Sheeler: Fashion, Photography and Sculptural Form evokes the personalities, glamour, and promise of the Jazz Age, and reveals for the first time how Sheeler's «day job» at Condé Nast shaped his aesthetic vision and artistic career.

Set over two locations, Villa Paloma and Villa Sauber, the NMNM — initially led by Jean - Michel Bouhours (MNAM, Pompidou Centre) until 2008 — established its name through the artistic vision of its current director, Marie - Claude Beaud, who inaugurated the Villa Paloma in 2010 and has been the driving force...

Fig's artistic vision is characterized by a conceptual and aesthetic interest in the day - to - day creative practices of fellow artists.

And here we are, 50 years later, celebrating Clyfford Still for his steadfast artistic integrity embodied by this story and honoring the unquestioning support of Seymour Knox and Gordon Smith who took the first steps in making Still's wild vision a reality.

Later joined by fellow German artist Günther Uecker in 1961, the three sought to reinvent art in the postwar era and create a vision toward a transformed future through myriad artistic forms: performance, painting, sculpture, exhibition, publication, film, and installation.

«In selecting Anicka Yi as the winner from an exceptionally strong group of nominated artists, we wish to highlight the singularity of her vision and the generative new possibilities for artistic production offered by her practice», read a statement issued by the jury.

And his signature artistic vision, it's worth remembering, remains provocative, as demonstrated by the right - wing fuss that greeted his nude bronze sculptures commemorating both Arthur Ashe (2000) and 9/11 (2002).

The irony, of course, is this change was so largely brought about by a man who was a consummate European himself — Tom Wolfe once called Castelli «the eternal Continental diplomat» — and who credited his own artistic vision to the influence of a Frenchman.

On display are 14 works that trace the transformation of the art object from static image to fluid light projection within two artistic lineages: the unconventional optical techniques of the 1920s Neue Optik (New Vision) generation of artists, among them El Lissitzky, László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Robert Irwin, Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.

This exhibition considers the transformation of the art object from static image to light projection within two distinct artistic lineages: the unconventional optical techniques and social analyses of the 1920s Neue Optik, or «New Vision,» generation of artists, among them László Moholy - Nagy, Hans Richter, and Marcel Duchamp; and the situational aesthetics advanced by Gordon Matta - Clark, Robert Smithson, and Anthony McCall in the 1970s.

With the subsequent confiscation of the artist's passport by Chinese authorities in 2011, Weiwei's artistic vision for this solo - exhibition has thus been restricted to a virtual navigation of the RA's Main Galleries from his studio in Beijing.

Partly co-produced with the Museo Nacional Centro de Arte Reina Sofía (Madrid, Spain) and the Museu de Arte Contemporânea de Serralves (Porto, Portugal), the solo exhibition of works by Cildo Meireles is a unique opportunity to venture into the lyrical vision of this extraordinary connoisseur of artistic languages, giving us a view of a very diverse, always unpredictable world.

You don't need to know this — from room to room it's very evident, you can see it with your own eyes in the varied ideas and artistic approaches: Roy deCarava's intoxicating photographs of Malcolm X and Ornette Coleman, or David Hammons's response to Black Panther founder Bobby Seale's trial in 1970, abstract expressionist paintings by William T.Williams and Frank Bowling, or Faith Ringgold's amplified vision of what she witnessed in New York, inspired by Guernica,

In Franz's introduction in which he discusses Rilke's artistic vision, he says, «I think his behavior and statements on artistic practice can be summed up by the words necessity, love, and self - discipline...»

EXHIBITIONS / SCREENINGS / READINGS (* solo or two - person) Apparatus for a Utopian Image 2.0, Center and Foundation for Contemporary Arts, Prague, 2018 CV, YYZ Artist's Outlet, Toronto, 2017 * Artist's Rendering (DISTRESSED, RELAXED), AXENÉO7, Quebec, 2017 * You can tell that i'm alive and well because I weep continuously, Knockdown Center, New York, 2017 Apparatus for a Utopian Image, Elizabeth Foundation for the Arts Project Space, New York, 2016 Self - Titled (Materials for a 21st Century Room — or SWAMPED, EXHAUSTED, HESITATING), 8 - 11, Toronto, 2016 * Self - Titled (w / Aryen Hoesktra & Shane Krepakevich), Modern Fuel, Ontario, 2016 Local Tide (curated by PARALLELOGRAMS and Francesca Capone), S1, Portland OR, 2016 Double Visions, Elizabeth Foundation for the Arts Project Space, New York, 2015 From Line to Constellation, Granoff Center, Providence, 2015 Maximum Sideline: Postscript, Proxy, Providence, 2015 Use Values, SPRING / BREAK Art Show, New York, 2015 An Earthquake at the Race Tracks, Museo de la Cuidad, Santiago de Querétaro, Mexico, 2014 Classroom, NY Art Book Fair, PS1, New York, 2014 Almost Everything, Eric Arthur Gallery, Toronto, 2014 Milieu, Skol Centre des Arts Actuel, Montreal, 2013 * More Than Two (Let It Make Itself)[w / Josh Thorpe], The Power Plant, Toronto, 2013 Cultural Fluency, BRIC Rotunda Gallery, Brooklyn, 2013 Sediment, G Gallery, Toronto, 2012 Survive.Resist, CAFKA Biennial, Kitchener - Waterloo, Canada, 2011 On Printed Matter, [w / Josh Thorpe], Printed Matter, New York, 2011 * Around YYZ [w / Josh Thorpe], YYZ Artist's Outlet, Toronto, 2010 - 11 * House Broken, Flux Factory, NY 2010 Reading the Garden [w / Josh Thorpe], Toronto Sculpture Garden, Toronto, 2010 * Titles, Art Metropole, Toronto, 2009 On Convenience [w / Josh Thorpe], Convenience Gallery, Toronto, 2009 * Vehicle [organized by WayUpWayDown curatorial collective], Nuit Blanche, Toronto, 2008 ERI 3: Eyelevel Re-Shelving Initiative, Eyelevel Gallery, Halifax, 2008 AT WORK, Toronto Free Gallery, Toronto, 2007 Rip Current, Eyelevel Gallery, Halifax, 2007 Tales from the Cyclop's Library, Third Space Gallery, Saint John, 2007 Unsurprising Geographies [w / Andrea Williamson], Eyelevel Gallery, Halifax, 2006 Alectric 3, Alectric Audio [online exhibition] 2006 a / s / l, Anna Leonowens Gallery, Halifax, 2006 * RESIDENCIES Interrupt 3, Brown University, Rhode Island 2015 SHIFT, Elizabeth Foundation for the Arts, New York, 2014 - 15 Artist - in - Residence, Workspace, Lower Manhattan Cultural Council, 2013 - 14 Visiting Scholar, NYU Advanced Media Studio, 2013 - 14 The Decapitated Museum, The Banff Centre, 2012 Making Artistic Inquiry Visible, The Banff Centre, 2008 AWARDS Canada Council for the Arts, Research and Creation, 2018 - 19 Banff Centre, Residency Scholarship — The Decapitated Museum, 2012 Foundation for Contemporary Art, Emergency Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2011 Ontario Arts Council, Exhibition Assistance Grant, 2009 University of Toronto, Graduate Fellowship, 2007 - 09 Social Sciences and Humanities Research Council, Canada Graduate Scholarship, 2007 - 08 Banff Centre, Residency Scholarship — Making Artistic Inquiry Visible, 2008 University of Toronto, David Buller Memorial Scholarship, 2007 NSCAD University, Simon Chang and Phyllis Levine Foundation Scholarship, 2006 New Brunswick Arts Board, Arts Scholarship, 2005 WRITING «Panorama of Our,» Plot, Claudia Weber, ed., 2015 «Anodyne: or X of Demarcation,» Rearviews II, Xenia Benivolski & Danielle St - Amour, eds., 2014 «On Printed Matter» Artefact:, C Magazine C122, 2014 «Lana Turner Has Collapsed!

Time Capsules and Conditions of Now is an accumulative artistic research / production project initiated by curator & art critic Fatos Ustek under the framework of Vision Forum, Linkopings Universitet, Sweden.

When Rashid Johnson became fascinated with human structures being taken over by vegetation, he made it his artistic vision.

There, together with all the phases of the graphic creation — objects, furniture, audiovisuals, actions and tableaux vivant — there are visions and obsessions filled with philosophical, historical and artistic instances mixed with events, circumstances and coincidences by which the artificer likes to be surprised.

A reflection of pre-1916 Ireland, A Fair Land reveals a vision for society informed, and led by creativity and artistic practice — whether through a Ruskinian reconsideration of industry, a vision for education or culture as a mechanism for political activism — where the creative voice was central to new visions for modern society emerging in Ireland and internationally.

Her artistic vision was based upon an inter-disciplinary approach to fine art, uninhibited by preconceived notions and theories of the art movements of the past.

Funded by the Hong Kong Arts Development Council (HKADC) and private donations, it seeks to establish and maintain a platform for artists and other art practitioners to realize their vision in relation to their immediate and extended communities through the production of artistic works, exhibitions and curatorial projects as well as through dialogue, critical analysis, publications, research, education and cultural exchange.

Inspired by Robert Blackburn's vision of a culturally diverse artistic community, EFA RBPMW provides affordable workshop access, unique learning opportunities, and publishes the work of underrepresented and established artists to expand the creation, understanding and collection of fine art prints.

After his initial frustration as a graphic artist in New York, he became inspired by minimalist artists and decided to reorganize his artistic vision.

The artistic vision for the room was conceived by Robert Chanler, commissioned by Mrs. Whitney in 1917.

«He starts often from people's motives or customs, which he filters by his specific artistic vision «to give back to the people».

By referring to Celmins — who claimed representational neutrality for her image — Molloy declares the tone of his own artistic vision.

We will look at artists whose vision has been clearly shaped by an awareness that what we see is conditioned by who we are, and that our sexuality and personal histories play significant roles in the forming of our artistic statements.