Sentences with phrase «artistic works such»

In North America, graffiti is changing to include more artistic works such as murals, but it's generally associated with spray painted tags and defaced walls.

The Star Trek corpus is all covered by copyright including all of the artistic work such as the images of characters, starships, phasors etc. as well as the narrative including characterisation, organisational descriptions, narrative history etc..

Not exact matches

Accentuated with picture - perfect skylines that inspire Renaissance masters such as Giovanni Battista Cima to feature them in his work, the hills that punctuate this area not only make for exceptional artistic elements — they also provide the ideal exposure to the environmental elements.

Its objective is to encourage work of great value to humanity, of a mainly scientific, educational or artistic nature, and to reward such work by means of prizes or study grants, excluding any profit motive and regardless of political, trade union, philosophical or religious convictions.

Embroideries, Kashmiri works, artistic prints, adornments, stonework, glass work, Motifs and many other such embellishments are seen in each set.

My artistic abilities are those such as painting, sketching, and some small craft projects, whereas in graphic design I have worked on...

Over the years, they have adapted novels by such writers as Henry James, E. M. Forster, and Kazuo Ishiguro into sophisticated works in their own right — their multiple - Oscar - winning Howards End (1992) is often considered their artistic pinnacle.

«I am honored to be working with such an incredible artist whose work has been so inspirational, and whose artistic themes align with those we explore in the film,» Coogler added.

Even the somewhat cartoony games such as Super Mario Odyssey, Pyre, and Cuphead bring with them a strong artistic style that makes the screen pop and truly helps define the game as a work of art.

The refutation of such artistic credit, however, occupies a fundamental role in Agnès Varda and JR's Faces Places, in which the pair traverse the French countryside seeking memorable encounters with working - class people.

Among the findings: (1) art activities can be integrated into classroom content and used to encourage rehearsal - type activities (such as songs) that incorporate relevant subject matter, (2) incorporating information into story, poem, song, or art form may place the knowledge in context, which can help students remember it, especially if the students are creating art that relates subject matter to themselves, (3) through artistic activities like writing a story or creating a drawing, students generate information they might otherwise have simply read, which will very likely lead to better long - term retention of that information, (4) physically acting out material, such as in a play, helps learners recall information, (5) speaking words aloud results in better retention than reading words in silence, (6) increasing the amount of effort involved in learning new information (such as being asked to discern meaning from an ambiguous sentence or to interpret a work of art) is positively associated with its retention, (7) emotionally charged content is easier to remember than content linked to events that are emotionally neutral, and (8) information presented as pictures is retained better than the same information presented as words.

The term Intellectual Property basically refers to creations of the mind, whether it's industrial property, inventions and trademarks or literary and artistic works, such as novels, plays, films, paintings, photographs and music.

Such creative works include literary, dramatic, musical and artistic works including books, plays, lyrics, paintings, video games and software.

Instead of focusing primarily on a narrative of political or diplomatic events, with an occasional new philosophy or artistic style thrown in, the discipline has come to emphasize changes in the behavior and outlook of ordinary people and the way groups and societies define activities such as work, lovemaking, or crime.

In response to this change, FTA advised that while works of art not integral to a facility, such as sculptures, would no longer be eligible, transit agencies could continue to use FTA funds to support the employment of an artist as a member of a design team, or other costs associated with art, provided that the artistic elements were integrally related to the facility or served a functional transit - related purpose.

Which isn't to say that you should make such a decision solely from an artistic perspective, just that practical limitations on the work (like having only glossy covers available) or meta - commentary play a part.

How this brave, driven young woman overcame prejudice and trauma to pursue her artistic calling to the highest level — her work, once dismissed as démodé for its neoclassicism, now resides in top museums — is a story that warrants such artful retelling.

Copyright, a form of intellectual property law, protects original works of authorship including literary, dramatic, musical, and artistic works, such as poetry, novels, movies, songs, computer software, and architecture.

In certain faculties (such as fine or performance arts), the thesis may be presented in a form of an artistic performance, a written work (of music, or of fiction, for example), or a painting or other artistic production.

An abstract legal concept, suggesting that a person can legally own certain intangible items, such as artistic works, texts, discoveries and inventions, and designs.

Royalty Income includes the earnings obtained for the use and exploitation of intangible works such as intellectual property, artistic or literary works or creativity, patents and mineral rights.

As an artistic work, few could deny that The Last Guardian is a beautiful, evocative and often powerful piece, but where do we draw the line when it comes to critiquing this, or indeed any other such game?

Art buyers can read about your artistic background and see your work on your website, gallery site, and social media pages, such as Facebook, Twitter, Google +, or Instagram.

Some creative shops here tend towards the artistic, such Nynke Tynagel and Job Smeets of Studio Job, who are working to redefine the applied arts through highly expressive, one - off or limited - edition works.

The title of the show derives from a 1976 article, «The Apotheosis of the Crummy Space,» by Nancy Foote in Artforum, in which Foote celebrated the artistic use of spaces in abandoned buildings; her notion that such rooms in such buildings could be transformed by additions to or changes within them was, at the time, a powerful esthetic for Gordon Matta Clark's excavations of forsaken places in New York City, or by David Wojnarowicz's work a generation later.

Rhoades, like many of the artists working in the 1990s, was up against a backlash and outward judgement against the excessive and glamorously conceived artistic lifestyle furthered by notorious artists such as Jeff Koons and Damien Hirst.

Recognizing the Bronx's cultural contributions — including the birth of artistic movements such as hip hop, graffiti art and Latin Jazz, that served as inspiration to many contemporary artists — in 1999 the Museum expanded its collecting practice to include works by artists for whom the Bronx has been critical to their artistic practice and development.

Encompassing over 12,500 works made since 1900, the museum's collection includes works by such artistic luminaries as Pablo Picasso, Marcel Duchamp, Henri Matisse, and Georgia O'Keeffe, as well as 33 paintings, drawings, and collages by the acclaimed abstract - expressionist Robert Motherwell.

Through some 120 works and documents loaned by museums in Vitebsk and Minsk and major American and European collections, the exhibition will present the artistic output of three iconic figures — Marc Chagall, El Lissitzky and Kazimir Malevich — as well as works by students and teachers of the Vitebsk school, such as Lazar Khidekel, Nikolai Suetin, Il» ia Chashnik, David Yakerson, Vera Ermolaeva, and Yehuda (Yury) Pen, among others.

It takes a certain kind of artistic practice to be able to produce a body of work for such spaces.

Rosenfeld, like many great artists, produced many artistic series and his work was shown throughout New York at many prominent galleries, such as his «rag paintings» at Ivan Karp's OK Harris gallery on West Broadway during the 1980s.

Besides his own artistic work, Beer has also been involved in various projects such as «Galerie Im Regierungsviertel Berlin,» The Forgotten Bar,» and the Berlin Kreuzberg Biennale.

With attendance of more than 900,000 visitors throughout the year, 2017 saw such landmark presentations as No Place Like Home, which traced the artistic appropriation of domestic objects from the early 20th century through today; Ai Weiwei: Maybe, Maybe Not, examining notions of individuals» relationship to their social culture; as well as bodies of work by acclaimed Israeli photographers Ilit Azoulay and Micha Bar - Am.

It deals with collecting the multiple narratives of artists difficult to classify because they have a very personal speech often linked to topics such as subjective memory, identity play autobiography, poetic senses... His themes of artistic settings are linked to individual symbols and a peculiar structure of their experiences, which has a very significant role in the works of contemporary artists in the IVAM collection as Robert Frank, Bruce Nauman, Christian Boltanski, Cindy Sherman, James Lee Byars, Juan Muñoz or Cristina Iglesias.

He began his artistic explorations with visual experimentation inspired by the work of pioneers of geometric abstraction, such as Kazimir Malevich and Piet Mondrian, as well as by the playful and whimsical figuration of Paul Klee.

Although Downey has become known for his multi-channel video works such as Video Trans Americas (1973 — 1976) and The Thinking Eye (1976 — 1977), which critique Eurocentric perspectives regarding Latin American identity, Juan Downey: Radiant Nature will consider his earlier artistic practice.

In an act to re-place historical content before contemporary audiences, Sherrie Levine's reprisal of iconic imagery, such as Stieglitz's Equivalents, provokes questions of authorship, originality, and artistic lineage, and encourages work to be experienced anew.

During the tour, Lynn Hershman Leeson gives an account of the conception, development and realization of works such as» Deep Contact «and, alongside less known facts and background information, also provides numerous anecdotes from her artistic creative period.

The emergence of the body as a medium of artistic realisation concerned various artists at the beginning of the 1970s, and their works remain as documents of actions memorialised in such testimonies.

Names such as Pablo Picasso, Marcel Duchamp, Piet Mondrian, Joan Miró, Max Ernst, Vieira da Silva, Francis Bacon, Andy Warhol, Donald Judd and Bruce Nauman, among many others, are presented within the framework of the artistic movements which their works allowed to define through a chronological succession that enables the spectator to take a trip through the period in question.

LAND supports dynamic and unconventional artistic practices using a tripartite approach: Commissioning public projects of site - and situation - specific works with national and international contemporary artists Collaborating with a variety of institutions and organizations, such as universities, museums, and theaters as well as other types of spaces, industries, and entities Offering additional programs such as performances, workshops, residencies, discussions, and publications LAND is an ongoing endeavor with three primary types of annual programming: LAND 1.0 projects are large - scale, multi-artist, multi-site exhibitions and single - site group exhibitions, LAND 2.0 projects feature a new commission by a single mid-career or established artist, and LAND 3.0 projects feature new work by lesser known or emerging artists

Casasempere states as follows: «Being in a open environment such as the UK, I have been able to see Latin American art or aspects more artistic from multiple points of view, and my curiosity and interest towards my own work has increased.»

Hamish Jenkinson, Art Curator at Lights of Soho and former Artistic Director of the Old Vic Tunnels states: «With Soho changing at such a rapid rate, it's a great privilege to bring together so many fantastic artists, working together to ensure Soho's creative legacy is upheld long into the future.

By the beginning of his professional artistic life in the late 1930s, Pasmore had quickly established himself as an assured painter of lyrical landscapes, figures and still - life studies in a style that drew upon his familiarity with the work and writings of a number of post-impressionist masters such as Pierre Bonnard.

Around the corner, Sigmar Polke, Lucas Samaras and Gerhard Richter — the old lions — hold court with insurgent works that run roughshod over such artistic orthodoxies as the viability of the picture plane or the integrity of the negative.

Sigmar Polke was one such German artist, and although he was mostly known for his paintings and photographs, his artistic oeuvre also contains films, performances, and works like large, three - dimensional light boxes.

His switch from painting to sculpture was coincident with a growing interest in architecture and in industrial processes and materials, such as galvanized steel, concrete, plywood and aluminum, which he used to create large, hollow, Minimalist sculptures.This decisive development is documented here for the first time, from the early work of the 1950s up to 1968, the point at which Judd's artistic vocabulary reached its complete formation.

Spanning media such as painting, graphics, collage, textile art, and sculpture, Ringgold's work captivates through the precise and masterly use of materials and artistic processes as well as the integration of their cultural and political significance.

Many portraits of her were breakthrough works like Marguerite (1916) that reveal an advance in Matisse's artistic vision, but she also appeared in pictures of family life and with other models such as in Two Women in a Landscape, Vallée du Loup (1922).

Although this artistic technique, in which materials are cut, torn, and layered to create new meanings and narratives, gained acclaim in the early twentieth century through the groundbreaking work of such artists as Pablo Picasso, Georges Braque, Kurt Schwitters, and Jean Arp, it experienced a renaissance (particularly in America) after World War II.