Sentences with phrase «artists double take»

By showing Gertrude Jekyll's photographs alongside work by contemporary artists Double Take: Photography and the Garden will explore the richness of Jekyll's artistic vision and her enthusiastic embrace of photography's potential.

Not exact matches

Artists like you two, surely make our Artist / Creator laugh, cough, scratch His head, do double takes, and blink in astonishment and gasp with pleasure.

Double Take is an exhibition which looks at the theme of appropriation and how it has been explored by different generations of artists using photography.

In Josh Smith's new double exhibition at both Luhring Augustine galleries, the artist takes bold colors to sobering and eerie places.

One of his Rope Drawings is currently on display, for example, as part of a group exhibition at The Lewis Glucksman Gallery in Cork, entitled «Double Take,» that also features emerging artists such as Fiona Kelly, Suzanne Mooney and Sonia Shiel.

The book includes film scripts and a selection of interviews and essays about three of the artist's most influential works: Double Take, Dial H - I - S - T - O - R - Y and Kobarweng or Where is Your Helicopter?.

Like many women artists whose careers took off in the 1960s, before second wave feminism had fully taken hold, to a certain extent she suffered from a rather cruel type of double invisibility, overlooked in relation to her male peers — particularly those associated with Pop art — but also not slotting in easily to the politicised feminist networks of the 1970s.

Double exposure of two photos taken during walk - through of our current exhibit in the main gallery, «Radio Imagination: Artists in the Archive of Octavia E. Butler» (Photo by Joan Dooley, Director of Studio Programs) #armoryarts.

Whether taking images of existing artworks in the case of Louise Lawler, or challenging the verisimilar qualities of images propagated in the mass media in Richard Prince's case, each of the artists featured in Double Take use photography as a tool to re-frame and re-contextualise.

Weekly Approximate Screening Times for DOUBLE TAKE: Tuesday - Friday - 11:00 am, 12:20 pm, 1:40 pm, 3:00 pm, 4:20 pm Saturday - 10:00 am, 11:20 am, 12:40 pm, 2:00 pm, 3:20 pm, 4:40 pm Special Evening Screenings, 6:30 pm: • Wednesday, February 25 (Screening and Q&A with the Artist) • Tuesday, March 3rd • Wednesday, March 11th • Tuesday, March 17th (A Double Feature Screening *) * A screening of two Grimonprez films: dial H - I - S - T - O - R - Y and DOUBLE TAKE Sean Kelly Gallery is delighted to announce a major exhibition of new work by Belgian artist Johan Grimonprez - his first since joining the gaDOUBLE TAKE: Tuesday - Friday - 11:00 am, 12:20 pm, 1:40 pm, 3:00 pm, 4:20 pm Saturday - 10:00 am, 11:20 am, 12:40 pm, 2:00 pm, 3:20 pm, 4:40 pm Special Evening Screenings, 6:30 pm: • Wednesday, February 25 (Screening and Q&A with the Artist) • Tuesday, March 3rd • Wednesday, March 11th • Tuesday, March 17th (A Double Feature Screening *) * A screening of two Grimonprez films: dial H - I - S - T - O - R - Y and DOUBLE TAKE Sean Kelly Gallery is delighted to announce a major exhibition of new work by Belgian artist Johan Grimonprez - his first since joining the gaArtist) • Tuesday, March 3rd • Wednesday, March 11th • Tuesday, March 17th (A Double Feature Screening *) * A screening of two Grimonprez films: dial H - I - S - T - O - R - Y and DOUBLE TAKE Sean Kelly Gallery is delighted to announce a major exhibition of new work by Belgian artist Johan Grimonprez - his first since joining the gaDouble Feature Screening *) * A screening of two Grimonprez films: dial H - I - S - T - O - R - Y and DOUBLE TAKE Sean Kelly Gallery is delighted to announce a major exhibition of new work by Belgian artist Johan Grimonprez - his first since joining the gaDOUBLE TAKE Sean Kelly Gallery is delighted to announce a major exhibition of new work by Belgian artist Johan Grimonprez - his first since joining the gaartist Johan Grimonprez - his first since joining the gallery.

This figure, often fragmented, sometimes even completely abstracted, takes on various forms, from the human face, at once raw material and object of symbolic representation, as with Benglis's objectifying caresses, to the full body as place and tool of the trial and pleasure of repetition, as with Nauman's amateur choreography, bordering on the absurd, to the traces and physical prints left by the artist - creator (or the «art worker» in his service), as with the irregular random geometry of LeWitt, to the peers (Donald Judd) and tutelary figures in the history of art who inspire Flavin's evanescent structures... Now a disenchanted statement «Double Eye Poke» offers a challenge to the being of perception and thought.

Brice Dellsperger: «Body Double: Vous N'en Croirez Pas Vos Yeux» (through Aug. 1) Taking cinephilia to absurdist extremes, this French artist makes ultra-low-budget films in which he and a few other actors, usually in drag, recreate scenes and full - length versions of well - known movies, retaining the original soundtracks.

I have really grown to love and believe in Bushwick's art scene, and the more I thought about that, the more I realized I should stick around, and in fact double down, on one of the last communities in New York where artists, and the galleries that support them, can still take risks, make mistakes, experiment, and let creativity flourish.

This year, the application process for the Visiting Artist Program took place entirely online, and we were delighted when the number of entries nearly doubled.

If you haven't already, then take the opportunity to see the phenomenal Matisse Cut - Outs exhibition at Tate Modern this season, while Bridget Riley's show is still fresh in your mind: these are artists who are strands on the same DNA double helix, and we are more than fortunate to have the chance to view both, in depth here in London this summer.

Postcards From The Edge, Metro Pictures, New York, US New York / New Drawing 1946 - 2007, Museo de Arte Contemporáneo Esteban Vicente, Segovia, ES Monuments With A Horizon Line II, Buchmann Galerie, Berlin, DE Desenhos [Drawings]: A-Z, Museu da Cidade, Pavilhão Preto, Lisbon, PT The Porn Identity, Kunsthalle Wien, Vienna, AT A Bit of Matter And A Little Bit More, screening Performatik 09, Cultuurcentrum Strombeek and Performatik, Brussels, BE Regift, The Swiss Institute, New York, US Cut & Paste, Galleri Susanne Ottesen, Copenhagen, DK Down To Earth (Ceramics), Cultuurcentrum Strombeek, Grimbergen, BE Double 40 Jahre Kabinett für Aktuelle Kunst, Bremerhaven, MMK, Frankfurt, DE The First Stop on the Super Highway, Nam June Paik Art Center, Gyeonggi - do, KR Feedbackstage, Galerie Thomas Schulte, Berlin, DE Sharjah Biennial 9: Provisions For The Future (curated by Isabel Carlos), Sharjah Arts Museum, Sharjah, UAE Two in One Contemporary Art from Witte De With & De Appel, Christie's, Amsterdam, NL 40th Anniversary Benefit Exhibition, White Columns, New York, USA Écritures Silencieuses, curated by Herve Mikaeloff, L'Éspace Louis Vuitton, Paris, FR Carnival Within - An Exhibition Made in America, curated by Sabine Russ, Gregory Volk, Uferhallen, BE Espèces d'Espaces, Yvon Lambert, New York, US Take The Money And Run, Brouwergracht 196, Appel, Amsterdam, NL Double Participation, Museum für Moderne Kunst, Frankfurt / Main, DE Beginnings, Middles, And Ends (cur.Gianni Jetzer), Christine Koenig Galerie, Vienna, AT Dematerialised: Jack Wendler Gallery 1971 to 1974, curated by Teresa Gleadowe, Chelsea Space, London, UK Time As Matter, MACBA, Barcelona, ES 15 Years of Collecting Against the Grain, Kunstmuseum Wolfsburg, Wolfsburg, DE Artist Rooms Tate St Ives Summer Season, Tate St.Ives, UK Au Pied De La Lettre, Centre d'Art Contemporain, Chamarande, FR Art - Athina, Galerie Hubert Winter, Faliro Pavillion, Athens, GRSerralves 2009 The Collection: An Exhibition in Three Parts and Permanent Works in the Park, Serralves 2009 - The Collection: Passage through the First Part of the Exhibition, Serralves Museum, Porto, PT Serralves 2009 - The Collection: Videos and Films in the City, 74 Rua Cândido dos Reis, Porto, PT As Long As It Lasts, curated by Tom Eccles, Marian Goodman Gallery, New York, US Close Encounter, Blokhuispoort, Leeuwarden, NL When Ideas Become Forms 30 Years of Gallery, La Galleria, Venice, IT; Galerie Dr.Dorothea van der Koelen, Mainz, IT The Poetics of Space, curated by Anja Isabel Schneider, Galerie Marian Goodman, Paris, FR Zidovi na Ulici / Walls in the Street, multiple locations around Belgrade, RS Target Practice: Painting Under Attack 1949 - 78, Seattle Art Museum, Washington, US Time, Konrad Fischer Galerie, Düsseldorf, DE This World & Nearer Ones, curated by Mark Beasley, Governors Island, New York, US Recontres International Paris / Berlin / Madrid, Haus der Kulturen der Welt, Berlin, DE Turning Some Pages, screening A House is not a Home, La Calmeleterie, Nazelles, Négrons, FR Printed Matter, Learn to Read Art (Aprender a Leer Arte), Museo de Arte Contemporáneo de Castilla y León, ES Collection History: Highlighting Recent Acquisitions, MOCA, Los Angeles, California, US In & Out of Amsterdam: Travels in Conceptual Art, 1960 - 1976, curated by Christophe Cherix, Museum of Modern Art, New York, US Memory Labyrinth.

To accompany the group exhibition Double Agent in 2008, Phil Collins has made the photographic print You'll Never Work In This Town Again (2009) for the ICA, featuring two of the images from his series you'll never work in this town again (2004 — on - going), which is a series of photographic portraits of curators, critics, dealers, collectors and other figures in the art world — photographed on the understanding that the image would be taken immediately after the artist had slapped each sitter hard around the face.

Double Take: Photography and the Garden brought together photographs by Gertrude Jekyll (1843 - 1932) with work by leading contemporary artists Sarah Jones, Helen Sear and Mark Edwards, all of whom have recorded a garden or returned to the theme of plants and gardens and whose work resonates with the historic gardens at Hestercombe.

Berlin - based Austrian artist Karina Nimmerfall, who spent the past year teaching at Art Center College of Design in Pasadena, California, delivered her «take» on Los Angeles via her three - channel video installation Double Location (The Ambassador Hotel), 2008/2011, just days before returning to Germany this fall.

Lothar Götz Double - take on show at Sunken Gallery, MAC Belfast, 2013 2013 Acrylic on wall Dimensions variable Photo: Jordan Hutchins Image courtesy of the artist

Iconic, immediately affecting and universally recognizable, Magritte's pictorial conundrums, trademark double - takes, and visual - verbal paradoxes are as pervasive as ever, as indicated by the appropriation of his imagery by subsequent artists, film directors, advertising agencies, and musicians — key examples include the logos of The Beatles» record label and CBS.

However, in comparison to the monumental permanent works of the North American land artists (for example Robert Smithson's Spiral Jetty 1970 or Michael Heizer's Double Negative 1969 — 70), which took significant amounts of mechanised labour to create, Long's intervention in the landscape was transient and humble.

Now that her third exhibition this year opened last week at New York's Lehmann Maupin gallery, Tracey Emin feels that she has earned a yearlong sabbatical, which she chose to announce, in the tradition of artists who wish to make an overt statement that doubles as an inside joke, by taking out an ad in Artforum: a photo of herself along with her four representatives, their contact information, and the message «If you need anything call one of these people» in the scrawl now so recognizable from her signature neons.

That's why the artist calls her Art League Gallery show «Double Takes.»

Hi Layla - We are in Montgomery, ALA - I'm fairly crafty, and take directions well - Hubby is an amazing artist, but we've never taken the time to do much with our bedroom (which also doubles as my workshop where I make hairbows as a little side biz.)