Sentences with phrase «artists about the practice»

On the eve of the opening of Tracey Emin's exhibition I Cried Because I Love You (21 March — 21 May 2016) at Lehmann Maupin and White Cube in Hong Kong, Ocula interviewed the artist about her practice.

I'm particularly excited about this edition because Susan Hiller will be teaching a master class at Zabludowicz Collection in London, where leading international artists advise a small group of emerging artists about their practices.

It is an amazing opportunity to see what's going on at Stanfords graduate program and have a chance to speak with the artists about their practice and enjoy some food and drinks too.

Art Radar talks to the artist about his practice and his latest exhibition, on display at TARQ in Mumbai.

On the first day of the Aesthetica Art Prize Exhibition, there is a unique opportunity to hear directly from a selection of shortlisted artists about their practice.

All three artists will be present to discuss their work and the show, which developed out of conversations between the artists about their practices over the years.

Join us for a dialogue with the artists about the practice of art as life.

Not exact matches

Tucked into an epic leak of 13.4 million financial documents that exposed the offshore tax - evasion practices of politicians, billionaires, celebrities and blue - chip companies were details about a company Bono invested in called Nude Estates, which owned a stake in a shopping mall in eastern Lithuania, a country the Grammy Award - winning artist has reportedly never visited.

He said the weird thing about practicing for a show is that most performers, athletes, artists, etc, prepare to display their skills openly for everyone to see, whereas magicians practice on hiding what they're doing.

Many people may resonate with this, but to be honest, you don't have to be artistic and you don't have to give a hoot about philosophy to practice Yoga, although you may just feel like a performing artist when you're fluidly floating through space and holding power poses.

And the real beauty of this notion is that the culture, craft and life that 22 ° N talks about is not limited to practicing artists but open to anyone interested in becoming involved.

About Blog Urban Sketchers are an all - volunteer nonprofit dedicated to fostering a global community of artists who practice on - location drawing.

Seattle, WA About Blog My art practice is rooted in the traditions of contemplative art, influenced greatly by my years as a student of Asian calligraphy and my ongoing design career as a calligrapher and letterform artist.

About Blog The Weave Shed is a website for weave designers with a portfolio practice, payee, mills, independent, designer makers, tapestry, artists, educators and students.

Additionally, all students can benefit from hearing about the professional practice of working artists.

Collaborate with other artists from different disciplines and engage in critical dialogue about contemporary arts practices.

As a former practicing attorney and current business strategist, Lisa is passionate about helping creative artists become savvy entrepreneurs.

About Blog Urban Sketchers are an all - volunteer nonprofit dedicated to fostering a global community of artists who practice on - location drawing.

These tours enable small groups to learn about the music, art, spiritual practices and architecture through discussions with local artists, dancers, teachers, musicians and more — through 14 - guided tours.

Artist to Artist features interviews and studio visits conducted by artist bloggers - artists talking to fellow artists about their studio practice, influences, andArtist to Artist features interviews and studio visits conducted by artist bloggers - artists talking to fellow artists about their studio practice, influences, andArtist features interviews and studio visits conducted by artist bloggers - artists talking to fellow artists about their studio practice, influences, andartist bloggers - artists talking to fellow artists about their studio practice, influences, and work.

When the artist launched into a carefully practiced presentation about the work, it was clear which lines were excerpted from press releases or articles.

So you need to be able to effectively communicate your vision as an artist and speak about your practice in an intelligent way, both verbally and in writing.

Its July 2004 newsletter, largely devoted to the subject, issued a call to «individual artists to learn about safe practices, to use nontoxic materials wherever possible, and to set up safe, environmentally responsible studios.»

I explained to the artist in an e-mail that I didn't «have any specific exhibition project in mind, but just want to have an opportunity to learn more about your practice.»

There are faces, but they are depicted in ways that seem to cancel themselves out: a quick, semi-abstract mark, furtive smudges of paint, a collaged face cut out from another painting... Certainly these works present an accomplished artist asking questions about her own practice, questions such as: How can I paint the body in a more immediate way?

Even as artists embrace environmental practices, they ignore or remain uninformed about the toxic materials in their own studios.

A conversation with exhibition artist, Katya Tepper, about her practice and mural, How Does the External Shape Shape the Internal Shape, on view through July 29th.

The inaugural exhibition for Lisson Gallery Milan, «I Know About Creative Block And I Know Not To Call It By Name» (16 September — 5 November 2011), explored the ebb and flow of the creative process; the stumbling blocks artists face in their daily practice; the ideas hidden in distraction, detours and seemingly unproductive pursuits.

IF JANUARY IS ANY INDICATION, 2017 will present plenty of opportunities to see new work, new ideas, and learn more about the practices of a range of artists of African descent.

SKG artist and The New York Times Critic Teju Cole discusses his three practices: photography, writing, and writing about photography on April 5 at 12 pm.

In their respective practices, these three artists ask questions about what art objects are, how they work, and how they are perceived.

Contributions include essays by Steve Martin and artist Archie Rand; a fascinating interview with the artist, conducted by Lawrence Weschler, about her approach to her studio practice and her life; and a musical offering by composer Bruce Wolosoff, who has written a stunning work for piano and cello inspired by one of Gornik's drawings (available with purchase through iTunes).

The Foundation's Artist - Teachers are all practicing artists: learn more about them and their work here.

This exhibition film features leading British artist, Marcus Harvey, talking about his summer exhibition at Jerwood Gallery, his artistic practice and the painting that was the hot topic at the Sensations exhibition in 1997, the portrait of Myra Hindley.

is vital reading for arts professionals, art and curatorial studies students, art historians, practicing artists, and anyone curious about exhibition - making today.

Thinking about your sculptures such as Chance City, Wishing Well, and Everyday Monuments, I can't help but think how strongly your work is tied to the idea of «the city» — that your practice is one of a specifically metropolitan artist.

The second nests these ideas about abstraction and the sculptural in an emphatically feminist argument, one that asserts that the production, display, and reception of such art has been shaped by the personhood of the artists who tended to practice it, and by the sexist social and institutional conditions those individuals faced under modernism.

You, Me, Something Else is an exhibition about sculpture from Glasgow that presents exciting examples of current practice in the city by focusing on ten artists who are all at different stages of international careers.

We are inviting all neighboring artists and friends to come out and learn about the Center, while we learn more about you and your artistic practice.

Artists from Venus Fly will speak about their abstract artwork and studio practices.

The first solo show in an Italian museum of Chinese artist Ding Yi will propose a journey of about forty paintings and drawings, a sculpture and an installation that requires the interaction of visitors, which aims to bring the public closer to the man considered to be the most important abstract painter in contemporary China, by presenting his complex artistic practice and evolution from the nineties to the present day to the public.

As part of a new programming collaboration 18th Street Arts Center andOtis Graduate Public Practice program co-present a discussion about dOCUMENTA (13), featuring local artists and curators who attended the international exhibition held this past summer in Kassel, Germany.

Recently FAD caught up with artist Tim A Shaw RA to talk about Hospital Rooms, Winsor & Newton's Masterclass and his art practice.

This leads to an intensive dialogue about individual ideas and working practices, binding the artists temporarily within the group, which leads to a long - term network that exists even after the residency is over.

A range of texts about Riley's original and enduring practice grounds and contextualizes the images, including new scholarship by art historian Richard Shiff, texts on both the artist's wall paintings and newest body of work by Paul Moorhouse, Twentieth - Century Curator at the National Portrait Gallery in London, and a 1978 interview with Robert Kudielka, her longtime confidant and foremost critic.

Passing Thoughts and Making Plans is a conversation about the role of photography in each of the artists» practice and aims to give visitors a deeper understanding of the process of making work, through having a rare glimpse of the preparatory work behind a finished piece.

BLACKLEY: I'm interested in asking you about your situation at Participant now, with commercial galleries or other more institutionalized or long - standing nonprofits, such as White Columns or Artists Space, and this kind of peer group or any sort of commonality or common practice that you may share.

But each Art Now exhibition is about taking a curatorial risk on an artist, on a practice or tendency that feels relevant now, without knowing what will happen to it in the near future.

The common goal of the final group exhibition leads to intensive dialogue about individual ideas and practices, and binds each artist temporarily into a group, leading to a long term network that exists even after the residency is over.

The Program supports Bay Area artists, while also serving as the cornerstone of an education program that encourages children and adults to think about their consumption practices and how reuse and recycling helps protect the environment.