Sentences with phrase «artists approach their work»

Even though this description is quite broad, these artists approach their work with romantic ambiguity while still remaining earnest.

Iwona Blazwick, Director of the Whitechapel Gallery, had a more eclectic list of British traditions which she felt still informed the way that artists approached their work: small rooms, rain, cloudy skies, colonialism, civil rights, the Reformation and iconoclasm — a culture of the word not the image.

Not exact matches

They approached the work of artists with sensitivity and respect.

Professionally composed by Dr. Steven Halpern - the world's leading composer and recording artist for relaxation, wellness and «sound health» - this sound comes from Dr. Halpern's vast work on how his unique approach to composing and recording music can quickly and effectively relax babies and their loving parents.

But Witmer's work, and the work of a handful of other young paleontologists who are approaching the soft - tissue questions with scientific methods, may ultimately allow artists to flesh out dinosaurs with more hard data.

Manoosh offers an innovative approach to fashion with a line of lightweight scarves featuring the work of local Houston artists.

Last Summer marked Eleanor's debut as a solo artist, though it retained much of the avant - garde experimental approach of her work in the duo.

Critics Consensus: Burden is no groundbreaker, but its straightforward approach allows the eccentric artists» work to speak for itself, warts and all.

Critic Consensus: Burden is no groundbreaker, but its straightforward approach allows the eccentric artists» work to speak for itself, warts and all.

Indicative of Brewer's own interests as a young white artist in tune with black culture, it's an overarching melting - pot approach, and it somehow works, even if it kowtows to the unspoken Hollywood rule that the color not apply to the marquee characters or their families.

He discusses his appreciation of The Wire, how he approached «the best worst movie ever made,» telling the universal story about dreamers on the outside, the soul of The Room's Tommy Wiseau, choosing to honour other artists, Basquiat, Pollock, the addiction and pitfalls of public persona, relieving ego to find happiness, recognizing workaholic and escapism tendencies to find happiness and what's on his work - out playlist (Jonathan Richman, Jamie XX, Mura Masa, A$ AP Rocky).

Of the six features on this set, all but Playtime make their respective American Blu - ray debuts and two appear on disc for the first time in the U.S.. From his debut feature Jour de Fête (1949) to the birth of both M. Hulot and the distinctive Tati directorial approach in his brilliant and loving Monsieur Hulot's Holiday (1953) through the sublime Playtime (1967) to his post-script feature Parade (1974), this set presents the development of an artist who took comedy seriously and sculpted his films like works of kinetic art driven by eccentric engines of personality.

This approach worked in Midnight in Paris, when Owen Wilson's character kept going back in time and meeting famous writers and artists.

Abrams revealed that his approach to Cloverfield comes from the work of renowned illustrator and Broadway caricature artist Al Hirschfeld, who managed to draw his daughter's name, Nina, into every single piece he did, along with the number of times her name appeared in each drawing next to his signature.

The dreaded second album syndrome is something that haunts artists working in any medium, so it's curious that Dayton and Faris decided to approach the subject head - on by making a film about that very thing.

In our Sundance approach, the voice of the artist is nurtured while varying viewpoints are presented when developing a piece of work.

Its a nice variation on art history research approaches and focuses the students more on what they are looking at in the work of an artist over their life.

Students who gravitate toward an engineering or STEM approach to problem solving may get fresh ideas from watching artists work out solutions (and visa versa).

This approach provides an ideal opportunity to see and hear about the impact of this kind of work from teachers and teaching artists.

Teaching Artists show students different approaches to writing, often using pieces by acclaimed contemporary poets and lyricists as a starting point, and give students writing prompts to begin the work of crafting individual and group poems.

Guided by professional teaching artists, actors will approach the Bard's most famous work from the perspective of actor - directors.

This approach made it difficult for teachers to see a role for them in their students» art practice and the artist did not articulate how teachers could support student work in this lens.

They had to write and they approached their work with the diligence and sensitivity of artists.

«I approach the possibility of concern with great respect and humility,» Winters tells me, «and with an understanding that there has been a history of white artists appropriating black voices and black works for their own ends.

I don't know if such an approach will work for everyone, but some artists (musicians, comedians, and authors, at least) have done ok out of releasing their works for free and asking fans to pay what they think it's worth.

This approach works for those who, just like me, have a business oriented mind beside an artist's soul, who enjoy challenges and interacting with people.

3:30 pm — 4:30 pm THE FINE ART OF COMICS Locust Moon's Chris Stevens sits down with three of the most singular artists working today, Bill Sienkiewicz (New Mutants, Daredevil: End of Days), David Mack (Kabuki, Dream Logic), and Ronald Wimberly (Prince of Cats, Sunset Park), to discuss the particular approaches they bring to their comics work as it connects to the broader art world.

Mattias Snygg, co-founder and artist at Villa Gorilla, says the approach to building the island was inspired by Japanese animations, particularly the work of Studio Ghibli: «[Hayao] Miyazaki's work centres on the core idea of nature as a living, breathing thing.

The gallery owners responses to questions about «How To Work With Galleries» was helpful, but as an award winning fine art photographic artist, I would like more detailed information about how to find and approach successful galleries to represent the art of photography.

The success itself is questionable because of the means through which it often occurs: a dealer will buy a large number of works by a rising artist for himself (once again, male dealers seem particularly partial to this approach), and encourage others to do the same.

After starting the HTSYAO course in February, I finally believe I CAN be an artist, I CAN sell my work and I CAN approach people about my art.

The arts - based event showcases site - specific works by «established and emerging artists, whose projects will amplify and articulate global and local issues of a diverse range,» we're told, and as such the look and feel of the identity takes a suitably neutral and pared - back approach.

I work at a non-profit and we had an artist approach us recently to form a partnership.

With some notable exceptions (like Warhol and Courbet, who churned out work like machines), the most fascinating and important artists in history exemplify this approach by remaining true to what drove them to create, rather than caving to external responses.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

Hi Susie, I'm not suggesting that artists try the same approach — but that's not saying it doesn't work.

Famed for painting over iconic and medical packaging, from McDonald's to Dior, Australian artist Ben Frost's work forces us to look at our modern capitalist society, and our attitudes towards branding, advertisements and blasé approach to medications.

All of the artists have started making their mature work, if not lived their entire lives since the advent of Postmodernism; the interaction between the history of images and present production is ingrained in how they approach the canvas.»

I work for a small arts organization (budget under $ 200k) that has been approached by a property owner to consider creating an artist relocation program.

The sudden fusion of these disparate schools of thought and technique would birth a wide body of new works and approaches to painting and sculpture, with artists like Klee and Miró driving forward radical new ideologies in the creation of abstract works.»

His themes, processes, personas, and approach to making art are evident in everything from the ready - mades and Pop portraits of his direct descendents to the work of some of the most boundary - pushing conceptualists, abstract painters, and video artists working today.

Stearns became the first artist in residence at the company, which is working to create a constellation of Earth - observing satellites that the company hopes will generate imagery that will enable innovative new approaches to agriculture and environmental monitoring.

Through over one hundred works, American Abstraction offers real discoveries, intimate and personal encounters with the artists, and a way to approach American abstraction from another point of view.

David Wilkie was one of a number of British artists working between 1800 and 1820 who achieved professional success in direct proportion to their «Netherlandish» approach, combining observational accuracy, minute description and high finish.

The intergenerational and primarily European group of thirteen artists and artist teams approach documentary work through a variety of media that include sculpture, painting, film, and installation.

Featuring works — over a third of which are newly created — by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.

Her curatorial work focuses on artists of the African Diaspora and the Global South, including a recent Curatorial Fellowship awarded for Research supported by the Warhol Foundation to investigate approaches to experimentation in interdisciplinary art in Africa, and 1:54 PERFORMS for the 1:54 Contemporary African Art Fair.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

His work evolves from his deep interest and knowledge of Sesshu Toyo, a 15th Century Japanese artist and Zen monk, whose approach to ink painting introduced the concept of «emptiness» or the «marvelous void» into Japanese painting.

The exhibition highlights Chagoya's approach towards upending Modernist principles, featuring a range of the artist's work.