Sentences with phrase «artists as historians»

In an interview with P.S. 1 Curatorial Advisor Phong Bui, MINUS SPACE founders Matthew Deleget and Rossana Martinez talk about artists as historians and how the Internet has enabled the diffusion of Reductive art.

PS: In an interview with P.S. 1 Curatorial Advisor Phong Bui in the 2008 fall issue of the P.S. 1 Newspaper, Minus Space founders Matthew Deleget and Rossana Martinez talk about artists as historians and how the Internet has enabled the diffusion of reductive art.

Not exact matches

In short, the student is emancipated from academic servility only as he has the opportunity in a real though often rudimentary fashion to be a practicing linguist, mathematician, scientist, artist or art critic, historian, philosopher, and theologian.

Deciding whether it's worth the effort to conserve what an artist obviously planned as an ephemeral form has given rise to a debate among critics and historians: Should art ever be allowed to die?

English landscape painter JMW Turner, commonly exalted as «the painter of light», was one of the great artists of the 19th century, his work considered by art historians something of a precursor to the impressionist movement.

It gains insight from a host of experts, including famous admirers like directors Martin Scorsese, Joe Dante, and Wes Craven and make - up artist Rick Baker, friends of director Andre de Toth such as animated 98 - year - old actor Norman Lloyd, Vincent Price's daughter Victoria, and 3D historian Eric Kurland.

Our learners work with designers, historians, artists, activists and engineers as they investigate and create solutions to real problems.

The best feedback therefore has three goals — to improve the student's product; to support the student's healthy view of himself or herself as an active learner; and to help the student learn what it means to be an artist, a writer, a scientist, a historian — in short, a learner and creator in any field.

As you'll see, Mirabelli has amassed a highly refined arsenal of skills, ranging from historian and artist, to master fabricator and racecar builder.

From formalized propaganda shots and portraits of Party leaders to the candid recordings of daily life in cities and rural regions, China offers readers incredible insight into the country's physical, emotional and spiritual infrastructures, an intimate perspective ably enhanced by cogent, well - researched captions and quotes from Chinese intellectuals and artists, as well as international historians, diplomats and academicians.

When Patricia Cornwell first named the artist Walter Sickert as Jack the Ripper, she sparked outrage from art historians and Ripperologists.

To vote, you must be a professional working in the comics or related industries as a creator (writer, artist, cartoonist, colorist, letterer), a publisher or editor, a retailer (comics store owner or manager), a graphic novels librarian, or a comics historian / educator.

Perhaps artists are as prophetic as some historians make them sound.

As an art - historian, presumably familiar with the scene, she should have had a much longer line - up of contemporary women artists.

Despite contemporary and localizing references in The Little Patriots, such as the dome of the Pantheon in the background or the paving - stone barricade to the left, the pall of the academic poncif hangs heavier over the painting than the smoke of revolutionary fervor; one is made all too aware, in the pose of the little patriot in the center — reminiscent of that of Donatello's David, and so appropriate in its iconographic implications — that Jeanron was an art historian as well as an artist.

Museum directors, art historians, collectors, dealers, all acted as though American artists didn't exist.

Body and Matter is accompanied by a fully - illustrated exhibition catalogue, Body and Matter: Kazuo Shiraga Satoru Hoshino, featuring poetic writings by both artists as well as original essays by curator Koichi Kawasaki and noted art historian John Rajchman.

P.S. 1 will also use the works in the exhibition as a basis for a symposium this spring to encourage a lively dialogue between artists and art historians in New York.

In an essay in the catalogue, Caitlin Julia Rubin (an assistant curator at the Rose who co-curated the show with art historian Katy Siegel, curator - at - large for the museum) writes that Home Sweet Home «suggests the duality of Drexler's home — the spaces where she lived never all that separate from the ones in which she worked — and her own, twinned role as homemaker and artist.»

And in between (literally), at Kai Matsumiya, is a kind of palette cleanser in the display of Rainer Ganahl's wonderfully random photographs of art world lectures being given by such luminaries as the art historian Linda Nochlin and the performance artist Andrea Fraser.

Published on the occasion of her first exhibition at David Zwirner in fall of 2010, this beautifully designed and produced catalogue — with a text by noted curator and art historian Joachim Pissarro — features Suzan Frecon's most recent large - scale oil paintings, along with newly commissioned color photography of exhibition and studio installation views, as well as the artist's notebooks and sketches.

In a provocative article titled «The Curious Case of Contemporary Ink Painting» (Art Journal, Fall 2010), art historian Joan Kee has recently suggested that despite being chosen to represent South Korea in international biennials in the 1960s, Suh and other Mungnimhoe painters were marginalized in their own country by being classed as «ink painters» rather than as contemporary artists.

Italienische Landschaft belongs to the group of early photo - paintings of faraway places that art historian Dietmar Elger specifically highlighted as exemplary for the dichotomy they presented «between the objectifiable distance generated by black and white painting and the artist's personal interest in the motifs» (Dietmar Elger, Gerhard Richter Landscapes, exh.

On Friday October 21, 2016, as one of the inaugural programs of the Center for Italian Modern Art's new season dedicated to the modern master Giorgio de Chirico and leading conceptual artist Giulio Paolini, CIMA welcomed the renowned art historian and curator Germano Celant in conversation with MoMA curator Christian Rattemeyer.

Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

The awards «honor the outstanding achievements and accomplishments of individual artists, art historians, authors, conservators, curators, and critics whose efforts transcend their individual disciplines and contribute to the profession as a whole and to the world at large,» and will be presented Feb. 15 at CAA's annual conference in New York City.

Kandinsky is generally regarded as the founding father of abstract art; however, Swedish artist Hilma af Klint may, according to art historians, have created the first abstract painting as early as 1906 — a whole five years before Kandinsky.

This group of exclusively male artists were often referred to as action painters, a term coined by Modernist art historian Robert Rosenblum, referring to the abstract, gestural painting style.

As noted by the late critic and historian Franz Roh — who coined the term «Magic Realism» in an essay in 1925 — artists are capable of acknowledging and expressing the idea that «the mystery does not descend to the represented world» as Surrealists would later contend, but rather «hides and palpitates behind it.&raquAs noted by the late critic and historian Franz Roh — who coined the term «Magic Realism» in an essay in 1925 — artists are capable of acknowledging and expressing the idea that «the mystery does not descend to the represented world» as Surrealists would later contend, but rather «hides and palpitates behind it.&raquas Surrealists would later contend, but rather «hides and palpitates behind it.»

B.A., Amherst College; creates An Image of Salomé for his senior thesis project, which is published by the artist and printed at Apiary Press, run by Baskin's students at Smith College; meets and becomes good friends with Baskin's assistant George Lockwood, who would later found Impressions Workshop in Boston; marries Gail Beckwith (later, the poet Gail Mazur), who was then a student at Smith College; begins graduate study at School of Art and Architecture, Yale University, New Haven; studies with Gabor Peterdi, Bernard Chaet, William Bailey, Rico Lebrun, Sewell Sillman, Neil Welliver, art historian Egbert Haverkamp - Begemann, and Asian - art historian Nelson Wu, as well as with visiting artists Fairfield Porter and John Scheuler; makes regular Thursday trips with other students to Peterdi's home / studio; works as a teaching assistant for both Peterdi and Bailey.

As of 2013, EZTV is now an online video gallery and resource to artists, historians, scholars, and anyone interested in the development and evolution of independent video and digital media.

In contrast to other prominent midcentury art critics — like the New York Times's John Canaday, who warned him against fraternizing with artists for fear of impairing his critical distance — Sandler purposefully immersed himself in his subjects» milieu, first in his days as a young reviewer for Artnews and later as an art historian.

It features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; and critic, curator, and artist Robert Storr; as well as an interview with Waters by artist Wolfgang Tillmans.

The day will conclude with a panel discussion with art historian and philanthropist Sarah Elson, who will talk about her project «Launch Pad» as a new model for exhibiting artists in a domestic setting.

is indebted to the artists, art historians, and art patrons who contributed to this exhibition, and truly helped shape the BCMA as an institution, through their generous gifts over time that would be near impossible to acquire today,» continued Anne Goodyear, co-director of the Bowdoin College Museum of Art.

The High Museum of Art has named Lyle Ashton Harris as the recipient of its tenth annual David C. Driskell Prize, given to an African American artist or art historian.

Kat has won many awards for her art including Gold for Best of the Best East End Artist in 2016 and 2017 and The Award of Excellence by Juror Karen Marks, Director of Manhattan's Howard Greenberg Gallery, one of the world's leading photography galleries as well as Juror Dr. Naomi Rosenblum, eminent photographic historian and Juror Jennifer McGregor, Director of Arts and Senior Curator at Wave Hill Cultural Center.

By the time I became aware of her work she had become a minor celebrity — a relic of the depression era who had ignored Abstract Expressionism, Pop, Minimal and Conceptual art and was still painting traditional portraits of her family and friends, as well as art historians, critics, curators and artists.

Co-curated by Alfred Pacquement, former director of the Centre Pompidou, it will be accompanied by a fully - illustrated catalogue with essays by Mr. Pacquement and Robert Storr, art historian and Dean of the Yale School of Art, as well as an introduction by the artist's widow, Zsuzsa Hantaï.

In 2010 art historian Jean - Pierre Criqui wrote about Fritsch's depictions of animals: «The way the artist uses them, but also the situations in which she places them, gives them ambiguous powers at the intersection of several tendencies: humanity's ancestral fears and superstitions, as expressed, for example, in tales and legends; the intensities of totemic thought and of its images; and the uncanny and Freudian dream study.»

Frowned upon by generations of art historians as the last expression of irrationality (as opposed to perfect perspective) the primitive painters played a pivotal role in bridging Medieval styles with the resurgence of classicism characteristic of Renaissance artists and architects.

Considered in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes in the exhibition catalog, he was «among a small number of African - American painters in the nation working abstractly at the time, and he was among the few artists of color who were represented by a mainstream gallery in New York.»

«This exhibition takes a much - needed look at the artist's estimable career and reveals him as a modern artist of ambition and spirit,» explains independent curator and art historian Avis Berman.

And the show might persuade artists to log out of their email accounts and send handcrafted letters instead — which would be good news for the beleaguered US Postal Service as well as future artists and art historians.

Artists receive critiques when they are young and malleable and then later after they have passed, as historians sort their...

From shoptalk, like the issue of titling a work of art, to more broad concerns, such as audience and community, it is useful for artist and historian alike to have this primary source.

Historians have argued that the work stands as a precedent both for the artist's own performances in the 1960s and for the explosion of performative work in that decade.20 Paul Schimmel astutely places Automobile Tire Print on a trajectory of performative works based on the notion of capturing an indexical trace, reaching back to Pollock's drip paintings, moving up through Rauschenberg's blueprints, and on to Piero Manzoni's Lineas (1959 — 61), Paul McCarthy's video Face Painting — Floor, White Line (1972, fig. 5), and Ulay and Marina Abramovic's 1977 performance Relation in Movement, in which they drove a van in a circle for sixteen hours, leaving a circle of oil drips and tire marks on a public plaza in Paris.21

The program affords the Gallery the opportunity to work with young artists who might not otherwise not have the opportunity to show within the primary space as well as esteemed independent curators and art historians.

The Tyler School of Art educates, motivates and inspires individuals who will enter society as artists, architects, art historians, designers and educators with the highest aspirations for achievement, producing innovative work that is publicly presented and critically considered.

The film features numerous interviews with artists such as Marina Abramovic for instance, as well as art critics, historians and audio interviews with Peggy herself.