Sentences with phrase «artists as touchstones»

He cites the sexual tension of Egon Schiele, Oskar Kokoschka, Ernst Ludwig Kirchner, Otto Mueller, and other Die Brücke artists as touchstones for this body of work.

Not exact matches

The HP owned webOS based handset arrives as of October 7th on pre pay, with a free # 30 Artist series touchstone cover just as long as there's an initial # 10 top - up.
For younger artists today, Hendricks's work provides an important touchstone as they articulate their own identities and question perceptions of race in America.
2016 «Cadence,» Three - Person Exhibit of Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art as Politics,» Touchstone Gallery, Washington DC «Not a Box» Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.
Invisible Adversaries was chosen as a touchstone for the exhibition because the condition it describes, where a hostile force (what EXPORT in her film describes as «Hyksos») circles around the protagonist and also infiltrates her mind, connects with the ways artists approach their adversaries: not as obvious enemies to overthrow but as complex relationships that are a profound part of our history and personal lives.
Join Touchstone Gallery to meet the artists, Rob Goebel and Rosemary Luckett, as they discuss the work in their current exhibitions.
De Kooning is probably the last touchstone for a variety of artists who have little else in common, and his status as a painter approaches legend.
The artist's delight in surface textures and fashion — as with von Bonin's repeated use of Yves Saint Laurent as a touchstone appropriation and material surface in her work — implies a positioning of the dandy in absentia.
Immovable, a ballet choreographed by Julia K. Gleich and created in collaboration with artist Rachel Beach, is coming to the Visual Arts Center of New Jersey on Sunday, March 19, as part of the closing reception of Beach's exhibition, Touchstone.
Since his death he has become a touchstone for contemporary artists such as Dan Flavin, who made his own «monuments» to Tatlin in a famous series of fluorescent light tubes.
Alongside vibrant illustrations of works by such iconic artists as Alexander Calder, Marc Chagall, Vasily Kandinsky, Paul Klee, Piet Mondrian, Pablo Picasso and Jackson Pollock, Visionaries also features essays by six curators examining touchstone works from the foundation collection.
It seems that at this time Johns had come, as artists tend to do, to brood on sex, death and religion, those touchstones of human existence.
What interests you about that painting, do you see it differently over time, and what other works or artists serve as touchstones in your work?
There are such touchstones as Alexander Calder's «Circus» (1926 - 31), Arshile Gorky's «The Artist and His Mother» (1926 - 36), Jasper Johns's «Three Flags» (1958), Jay DeFeo's massive relief «The Rose» (1958 - 66), Willem de Kooning's «Door to the River» (1960), Nan Goldin's slide - show installation «The Ballad of Sexual Dependency» (1979 - 96), and Mike Kelley's caustic stuffed - animal array «More Love Hours Than Can Ever Be Repaid» (1987).
What began as a dialogue regarding the undeniable aesthetic connections between John Wesley and the tradition of the Japanese erotic prints, morphed into the concept for an exhibition that would include a wide range of modern and contemporary artists as catalysts and / or touchstones for the very comparisons and contradictions that were under initial discussion.
The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs.
The final exhibition for Sharon Lockhart's season at The Artist's Institute takes darkness as a point of departure, bringing together a night painting from Alex Katz's personal collection with the pioneering flash photography of Harold Edgerton, two artists whose works have been touchstones for Sharon's latest series of photographs, When You're Free, You Run in the Dark.
Claire Barclay's installation Perching Two was acquired with the support of The Art Fund and has links to other artists whose work is represented in Touchstones Rochdale's collection who adopt craft and sculptural elements in their practice, such as Alison Britton, Taslim Martin, Cornelia Parker and Nicholas Pope.
An essay by curator Sarah Suzuki uses an extended investigation of «Snow» (1964 — 1969), a complex book - sculpture, as a touchstone from which to further investigate Roth's use of language, iconography, technical innovations and relationships to other artists.
Also, Louise Bourgeois has been a touchstone, as has Eva Hesse, between numerous generations of women artists.
The Touchstones Rochdale collection includes a range of work from 16th and 17th Century Northern European artists to a substantial collection of Victorian genre and landscape painting and Modern work by Vanessa Bell and local artists such as Benjamin C. Brierley, John Collier and Charles Donald Taylor.
Soutine's haunting imagery, energized brushstrokes, and rich paint have served as touchstones for subsequent generations of artists, from Francis Bacon, Willem de Kooning, and Jackson Pollock, to contemporary artists such as Frank Auerbach, Cecily Brown, and Damien Hirst.
Moreover, the exhibition sets the stage for major exhibitions to be presented at 18th Street in 2013 by three artists — Paul McCarthy, Roni Horn and Matthew Day Jackson — who claim Roth as their touchstone.
Odessa Straub, Ariel Dill, and Christian Sampson, all abstract artists, were asked to respond to the internal life of Gösta Peterson's image, which serves as the touchstone for the works seen in this show.
For our December issue, fellowship recipient Victoria Camblin wrote on the work of architect and real estate developer John Portman as a touchstone that artists react to as they intervene in Atlanta's urban sprawl.
Those pieces are all here, along with a painting by Surrealist René Magritte — a touchstone for Gober — as well as trompel» oeil tattered - book re-creations by San Francisco artist Steve Wolfe, the subject of a Menil show planned for April.
In 1906, the Whitechapel Art Gallery's exhibition of Jewish art made religion the touchstone of Jewish identity, as in Rothenstein's painting Jews Mourning in a Synagogue, but claimed that Jewish artists identified themselves completely with England, with no distinctive thought or differentiation of artistic sentiment.
This year, Tohme invited the Brussels - based Egyptian curator El Fetouh to participate, and the latter responded with a small but complex exhibition that used three historical exhibitions — the first Alexandria Biennial (1955); «China / Avant - Garde» (Beijing, 1989); and the First Biennale of Arab Art (Baghdad, 1974)-- as a conceptual springboard for probing the ways in which such historical touchstones have remained fertile territory for artists engaging with — and altering — narratives of modernity.
traces the continual and deliberate evolution in the artist's work from his early to late career and reveals Gottlieb's constant willingness to reevaluate his paintings throughout his lifetime.The eleven works on view, created between 1948 and 1972, focus on three specific series: the Pictographs, the Imaginary Landscapes and the Burst paintings.As Lilly Wei writes, «All three serve as deeply meaningful touchstones, sometimes serious in intent, other times playful, to which he returned to time and again, in one formulation or another, all his life.»
Titled The Beginning of Everything, the current Locks exhibition re ects on the artist's primary sources of inspiration such as Van Gogh's Wheat Field in Rain (1889), which has remained a major touchstone throughout Grassi's 30 + year painting career.
It's far from tongue and groove, but it works, and I didn't really understand how until last Saturday when Biennial commissioned artist, Marvin Gaye Chetwynd restaged her production in Touchstones, Rochdale's historic former public library, which has acted as a gallery since 1984.
One of the earliest works to explore this subject, Swamped has stood as an important touchstone for the artist in scores of major exhibitions, including the 1998 touring retrospective at Kunsthalle Kiel, Kunsthalle Nu ¨ rnberg and Whitechapel Art Gallery, London; Kunstaus Glarus, Switzerland, 1999; Le Musée d'Art Moderne de la Ville de Paris, Tate Britain, London and Schirn Kunsthalle, Frankfurt 2008 — 2009; and most recently Fondation Beyeler, Basel 2015.
Over the last few years he has come to embrace the current investigation of his work as a touchstone for Latinx Queer artists today.
When Rosemary Luckett was learning needlework and drawing pictures on envelopes as a child in her Idaho farmhouse, she couldn't have imagined where her interest in art would take her — but «Earth Blankets,» her new solo exhibition at Touchstone Gallery in downtown D.C., represents the wonderful visions that materialize when an artist pursues her interests, hones her skills, and embraces true versatility.
Rubinstein notes that the only artist who figures in both the «Provisional Painting» essays and Reinventing Abstraction is Mary Heilmann, but another shared touchstone for the two groups is Philip Guston, whose life intersects with the lives of many of the artists in this show, 1 and whose death in 1980 marks the beginning of the decade in question (As Rubinstein quotes Terry Winters: «in a way, the»80s began with Guston.»)
As a member owned and managed gallery, Touchstone artists enjoy the right to guide gallery policies and control their solo exhibitions.
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