I loved the Hammer Museum in Los Angeles, for their brilliant and varied program mixing shows by
artists at different points in their careers.
The Creative Alliance presents more than 20 exhibitions per year, featuring work by
artists at different points in their careers who work in a range of styles and media.
Fountain Street now has three levels of membership, with benefits and responsibilities designed to fit with
artists at different points in their careers and development.
Not exact matches
I hold out hope that this unifying attitude, in place of finger -
pointing, I'm - right - you're - wrong anger, could help push the entertainment industry
at large to a place where it celebrates diversity and gives
artists daring to be
different the recognition they deserve.
NOAH BAUMBACH: Well
at different points in my life it's been
different people and I — as an adolescent, I sort of had that experience in movies that Walt had with Pink Floyd, this kind of vicarious, sort of collaborative feeling in that listening or watching became sort of a work in progress: a journey you were taking along with an
artist to create something new.
Each
artist brings a distinctive perspective with work that was created in
different locales,
different media, and
at different points in time.
7
artists / Ali Demirel, Ceren Oykut, Ezgi Kilincarslan, Gözde Ilkin, Mustafa Pancar, Lerna Babikyan, Özgür Erkök Moroder) from Turkey who work on
different fields and with
different mediums realise their own projects, they will interact
at some
point to intersect their issues to each other.
A studio visit could be having coffee and conversation with someone outside of the studio because
artists are always
at different points of production.
Through installations, paintings, sculpture, photographs, video, and audio, the 22 featured
artists arrive
at humor from many
different points of view.
RNG acknowledges the perception «that
artists might not be as good
at running the business side of the gallery, but this ultimately
points to a
different set of values that
artist - run spaces like RNG have — one that prioritizes and deals in creative capital over financial capital.»
Traditional definitions of what art can be become less and less meaningful as more
artists around the world are creating work that straddles several
different fences
at once,
pointing the way to a future in which art may become something else entirely.
SOHO20 welcomes women, transgender and gender non-conforming
artists of all ages and
at all
different points in their careers to become part of our community.
And so, Raad's astringent performance and sizable exhibition of works associated with the long - term project Scratching on Things I Could Disavow (2007 — ongoing) delve into the after - effects of violence in the Middle East that are not only political but also economic, such as the creation of a retirement fund for
artists that blithely hops across the major fault line of the Arab — Israeli conflict, or the construction of new museum projects in the Gulf, or the movement of Raad's own work in relation to art - historical narratives in
different places and times that exert various pressures on him, which
at one
point appear to drive the
artist - as - performer insane.
Although each series emerged
at different times during the
artist's career, he now often works simultaneously on all three in an organic manner, as he
points out: «when I was working on Terrazzo, Coffin Paint, and Untitled, I didn't distinguish much between them, though they developed a complementary relationship as I worked.»
It involves his entire body dominating the wide expanse of paper surface that he employs to create large - format prints, which can measure up to 5m x 3m... For the
artist, even the wooden plank that generates many
different prints has a lifespan and
at a certain
point deserves to become an artwork itself.
With its
point of departure set through two
artists which are
at the core of the Soledad Lorenzo Collection — Pablo Palazuelo and Antoni Tàpies — this survey spans in
different formats by eminent
artists with ties to the gallerist's career, for instance Soledad Sevilla, Ángeles Marcos and the so - called Basque Group (Txomin Badiola, Peio Irazu, Sergio Prego and Jon Mikel Euba).
His new body of work, debuting
at Los Angeles» KP PROJECTS / MK gallery this weekend, represents a
different direction for the
artist who up to this
point has mostly worked with collectives.
From the experimental video game designer Jason Rohrer's two - person game «Sleep is Death», to the destabilised serality of Allen Grubesic's straight - faced jokes, the
artists gathered in «The Ha - Ha Crystal» use
different methods to look
at the breaking
point of (visual) narrative.
The
artist followed the route of the railway, using a high - definition camera
at different points along the route to capture the train speeding across the Tibetan Plateau that lies between the two countries.
The exhibition features an array of paintings, each completed
at different points in Tibebe's life, and signifying for the
artist the distillation of a distinct moment's meditation.
In 1988, the
artist Marina Abramovic and Ulay, her longtime lover and collaborator on many of her most important works, decided to conclude their increasingly conflicted relationship by setting out on foot from
different ends of the Great Wall of China and meeting in the middle,
at which
point they would separate or go on together.
KW: I wanted to choose
artists who were
at different points in their careers, who came from a wide range of artistic practices and view
points.
This trio worked
at Crown
Point variously between 1963 and 2010, and each
artist demonstrates a radically
different approach to the creative process.
«They cultivate some of the most innovative and talented
artists,
at all
different price
points,» says Nash, who is especially fond of painter Karl Pilato.
«Originally one of the
artists, Andrew Norman Wilson, wanted us to put a smoke bomb in the ATM, which I loved the idea, right, I think it's a great idea,» Stanish, who has a shaved head and some minimal facial tattoos, said, «but
at this
point in my life, maybe if I had been like 18 or something it would be a
different scenario, but right now... Great idea, but execution-wise, maybe if we had an unpaid intern we could do it,» he joked.
Platow remarks, «We are excited about the
artist's return to the CAC
at such a
different point in his career, and in such a
different context.»