Sentences with phrase «artists build a stage»

Not exact matches

11 am: Doors open to Subscribers, FlexPass holders, and Community Members Ongoing: Self - guided backstage tours, Costume Corner, Scavenger Hunt 11:30 am: Props Activity: Build your own Rabbit Session # 1 (paint shop) 11:45 am: Cutting of the 30th Birthday cake 12 pm: Doors open to the general public 12 pm: 2012 - 2013 Season Talk with Managing Director Michael Maso 12:30 pm: Props Activity: Build your own Rabbit Session # 2 (paint shop) 1 pm: Audience - participatory reading of a 10 - minute play: The Pickup by HPF Lawrence Goodman (onstage) 1:30 pm: Shop Talk: Costumes, The Art of the Quick Change with Costume Director Nancy Brennan (onstage) 1:30 pm: Props Activity: Build your own Rabbit Session # 3 (paint shop) 2 pm: Audience - participatory reading of a scene from Our Town (on stage) 2:15 pm: Shop Talk: Paints, Marble Magic & Scenic Painting Technique with Scenic Charge Artists Kristin Krause (paint shop) 2:30 pm: Audience - participatory reading of 10 - minute play: Diamonds by HPF David Valdex - Greenwood (on stage) 2:45 pm: Raffle drawing 3 pm: Open House ends

Musion is building a reputation among performance artists trying to add new elements to their stage shows.

- dev starts with rough 3D models of a stage from the level directo - includes wireframe sketch of the sand - surfing section of the Jakku level - the team will open up the level into the game's engine and play it - that early concept is transformed with their 2D artists - artists can turn out images that capture the essence of what a level might look or feel like in a couple of days - might take six weeks to do a final pass on a level - feedback from designers and other members of the development team comes in every few days - once sketches are approved, the level is passed along to the environment artists - their job includes building the props and assets that fill levels - after the level is «built» Pick takes a look to ensure that it looks good and is consistent to the game as a whole - levels get played hundreds of time by the game's completion

- the game's shading mechanism has changed, which allows for increased gear texture quality - all graphical aspects and programming mechanisms have been built up from scratch for this sequel - maximum resolution is 1080p in TV mode - a bigger focus for Nintendo was the 60 frames per second - occasionally the resolution will be scaled down when there is too much ink displaying on the screen - Nintendo reduced the CPU load and refined the way to use CPU power effectively to maintain 60 fps in all matches - weapons were tweaked to let players be more creative by thinking about unique weapon characteristics and their best uses - weapons are designed to be effective when they are used during the right occasion - Special weapons are stronger than the original ones when used in the right situation, but weaker otherwise - the damage and effect of slowing down your movement when you step in the opponent's ink are reduced from original - you can jump up in rank if you're good enough, but only up until S - you can't jump up from C, B or A to S + - when you win battles in Ranked mode, the Ranked meter fills and your rank goes up when its fully filled - when you lose a battle, the gauge does not decrease, but the meter starts to crack - once the meter reaches its limit, it breaks - when the meter breaks, you have to start over again from the beginning or from a lower rank - highest rank is still S +, but if you fill up the Ranked meter, you get numbers after the alphabet such as «S +1», «S +2» and so on - maximum number is «S +50», but this number will not be displayed to your opponent - you are the only one to see it, and you can check it on your own status screen - Ranked Power is calculated by an algorithm to measure how strong each player is with minuteness - this will determine if a player's rank is worthy of receiving a big jump (like from «C» to «A»)- Ranked Power has no relation to your splat rate, and is more tied into to how well you lead your team to victory - you won't drop off more than one rank even if you play poorly - stage rotation time was changed to two hours - this was done because the devs expected people to play for an hour or so, but they found people play much longer - with Salmon Run, Nintendo considered how to implement a co-op oriented mode in a player - versus - player type of game - the devs will monitor how users are playing this mode to see if there's some tweaks they can throw in - more Salmon Run maps will be added in the future, but Nintendo wouldn't comment on adding more enemy types to the mode - rewards are changed each time Salmon Run is played - you can obtain rewards when playing locally, but not gear - originally Nintendo had an idea for this mode, but had no background setting, enemy designs, etc. - Inoue suggested that it should be salmon - themed - when Nintendo hosted the Splatfest that pit Callie against Marie, the development of Splatoon 2 had started - the devs had already decided to have the result reflected in the sequel - they even had an idea to announce the Splatfest with a phrase «Your choice will change the next Splatoon» - the timing to announce a sequel wasn't right, so they decided against this - they eventually released a series of short stories about the Squid Sisters to show how the Splatfest affected the sequel's story - Nintendo wouldn't say if Marina is an Octoling, and noted that Inklings are not paying attention to this too much - Inklings don't care about appearances, as long as everyone is doing something fresh - the Squid Sisters had composers who produced their songs, but Off the Hook are composing their music by themselves - Pearl is genius artist, but she couldn't find a right partner because she's a bit too edgy - she eventually found Marina as a partner though, and their chemistry is sparkling right now - Nintendo is planning a year of content updates for Splatoon 2 - when finished, the quantity of stages will be more than the original - some of the additional stages are totally new and some will be arranged stages from the first game - not all original stages will return and they are choosing stages based on the potential for them to be improved - Brella is shotgun-esque weapon, so the ink hits your opponent more if you are closer - it can shield damage when you open it, but the amount of damage has a limit and once it reaches it, it breaks - you can shoot ink, but you can't use the shield feature when it breaks - the shield won't prevent your allies ink - there are more new weapon categories which haven't been revealed yet - there are no other ranked modes outside of the three current options - the future holds any sort of possibility, but the devs didn't get specific about adding more content like that - for the modes, they adjusted the rule designs so that players will experience the more interesting aspects

According to the artists on stage, there were other composers on the title, but Hiro's songs, written over twenty years ago, were the ones that best fit the mood of the game and so made it into the final build.

The works reveal how these artists stage their own bodies or self - reflections to examine the different ways that we build our sense of personal identity.

In the case of Hundertwasser, Walter takes the unusual decision to hang vast prints of the illustrations of the Austrian artist and architect's buildings, which give the impression of a fragmented stage set, or backdrop for the other work.

Minneapolis - based artist Chris Larson's surreal carpentry transforms ordinary buildings into sculptures, stage sets, musical instruments and performative...

Oakland artist Amy Ho has a practice based in conceptual spaces, building maquettes to stage photographs of imaginary architectural sites.

If you're in the beginning stages of building your collection, start off supporting smaller galleries that show emerging artists.

Twenty - five works from international artists including Pawel Althamer, Louise Bourgeois, André Breton and the Surrealists, Enrico David, Tracey Emin, Gilbert & George, Gabriel Kuri, Yayoi Kusama, Linder, Aditya Mandayam, Raqs Media Collective, Prem Sahib and Cindy Sherman, reveal how these artists stage their own bodies or self - reflections to examine the different ways that we build our sense of personal identity.

The historic architecture of Gallery 2 at the Whitechapel Gallery, originally built as the reading room of the former Whitechapel Library, will be transformed into a stage set by Russian artist Sergey Sapozhnikov (b. 1986).

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

May 10 — September 25 2011 The first special exhibition of the Daimler Art Collection to be held in the Mercedes - Benz Museum (built by UN Studio), which first opened its doors in 2006, showcases key exhibits from the collection as well as new work commissioned by renowned international artists in various thematic stages — integrated into the company's history on a floor area of 16,500 m ².

When abstract art burst onto the stage in the Western art world in the early 20th century, its practitioners quickly resolved themselves into two distinct camps: the gestural abstractionists, who built upon the liberatingly loose compositions of Post-Impressionists like Cezanne to create non-objective paintings emphasizing the artist's hand, and the geometric abstractionists, who seized on the it - is - what - it - is essentialism of Euclidean geometric shapes.

BARBARA KASTEN: STAGES The Institute of Contemporary Art in Philadelphia organized this major survey of the Chicago artist Barbara Kasten, whose photographs and videos are based on architectural models she builds and photographs in her studio.

Conceptual artist Hank Willis Thomas will recreate a city block with a series of 1:1 scale photographs of North Philadelphia's people and buildings, installed in the galleries of the PPAC, inviting audiences to consider issues related to gentrification, and setting the stage for public forums and a crowd - sourced neighborhood image archive and exhibition.

Works include American artist William Leavitt's scenic stage architectures, which are inspired by soap operas and the plays of Alain Robbe Grillet: sometimes they are built for plays, at other times they stand alone.

It is exactly the kind of large, light building (a former stage - flat painting studio), which might once have provided cheap artists» studios.

Organized in collaboration with the Stedelijk Museum, Amsterdam and their curator of photography Hripsimé Visser, in close dialogue with the artist's estate, Günther Förg: A Fragile Beauty builds on both institutions» histories with the artist, with each having staged seminal exhibitions of his work in 1992 and 1995, respectively.

In the Stedelijk's building, with its dramatic gestures and undeniable moments of theatricality, four artists explore the notion of «staging» further within the context of the art museum.

Taking inspiration from residential architecture, particularly 19th century farmhouses in Maine where the artist often resides, Commito's summative compositional arrangements follow a building - block type schema similar to the way these homes were built: interconnected and in stages.

Johnson invited conference visitors to paint, build, glue, and light various incarnations of an ever - evolving metropolis — as documented by Theo Jemison's mini documentary on Vimeo — and as a result, the artist has been invited to stage derivations of his project all around the world with the «Ideas worth spreading» crew.

Through our exhibitions, artist talks, studio art classes, international and local residency program, free public events, satellite class sites, and professional development opportunities we work to provide the space for artists at every age and stage to cultivate their practice, build connections, and impact our world.

In the early stages of his career Benton worked as an artist, educator, and building on his work as a painter became a pioneer in the bourgeoning field of kinetic sculpture.

Using the grandiose interior of Manchester's hitherto abandoned Albert Hall (a former Methodist mission) as main stage, the artist assembled a group of local residents, some with memories of the building, and filmed them inside.

Hosting the UK's most prestigious arts prize at Tramway in Glasgow is not only a reflection of the strength and diversity of the work of Scotland's artists over many years, but also stands testament to Scotland as the perfect stage for major cultural events and builds on our national and international reputation for cultural and creative excellence.»

AIRspace strives to build and serve a broad community of artists working on projects at various stages of development in a collective environment that promotes and encourages cross-disciplinary collaboration and spontaneous creative intersections.

Like a farmer who tills the soil, stirring up the landscape and setting the stage for future growth, the twenty - plus artists exhibited here seek to imprint their creative sensibilities on the very structure of the building.

He also plans to take the institute's activities beyond the building, both by podcasting talks and performances, and by staging an electronica festival with international artists in Trafalgar Square.

If you are an artist who has just begun to build a career, this is the right place to start, because Fons Welters Gallery's primary aim is to work with artists in the early stage in their professional development.

In an artist's statement for Choreograph, Welling notes: «To my surprise the buildings and landscapes that I used often seem to function like theatrical stages for the dancers.

These buildings often serve as sources of affordable housing and profit, while providing walls and stages for an underground circuit of artists and musicians.

For the artists, the natural and built environments are both a source of haptic pleasures and a playground for exploration and critical dissent in which landscape and architecture function as stage - like objects or ciphers for memory, social and political networks and Romantic artistic positions.

In this way, artists and galleries are given the opportunity to exhibit artworks on the world's largest digital art stage and build important relationships with these essential New York City arts organizations.

This year the multi-disciplinary artists from 1019WEST team up with artists from the Beacon Arts Building and guest performance artists to bring alive the entire site for an exciting evening of performance art, music, group exhibition, installations, and open studios staged at the massive retrofit bBuilding and guest performance artists to bring alive the entire site for an exciting evening of performance art, music, group exhibition, installations, and open studios staged at the massive retrofit buildingbuilding.

In this role he brought many other artists together to create collaborative works: Andy Warhol filled the stage with helium balloons for Rainforest (1986), Frank Stella built a rainbow - coloured pyramid with matching dancers» leotards in Scramble (1967), and Bruce Nauman placed ten huge electric fans between stage and audience for Tread (1970).

As long as he has been making paintings he has been building and designing stage sets with some of the most talented playwrights and artists in New York.