Sentences with phrase «artists by their relationship»

Not exact matches

If I had to rely on a relationship with God by gathering with a group of self riteous public prayer performance artists, I would never speak to God.

In episode 404, Bette deals with an artist (Marlee Matlin) whose work is politically incendiary, and fears the potential for disaster in the relationship between Phyllis and Alice; Tina is rejected by her friends at a softball game and joins the opposing team.

Based on the stories by Tama Janowitz, this film follows the relationships and problems of a group of artists struggling to survive in New York City.

Forced by her relationship with Hank to recuse herself as his lawyer, Abby pitches the case to a senior partner on the golf course; Hank is dismayed by Karen's growing relationship with artist Ben; Marcy and Stu ask Charlie to help them pitch a TV project.

Bored with the relationship, Lisa seduces Johnny's best friend, Mark, played by Wiseau's real - life best friend, Sestero, who went on to write the critically acclaimed memoir «The Disaster Artist.»

During her tenure at the Institute, she has represented Sundance internationally by serving on juries, speaking on panels, and working to cultivate relationships with film commissions, industry, and artists around the world.

Even better, those close - knit feelings are reflected in the warmly supportive relationship shared by Marge and her stay - at - home artist spouse, Norm.

In Belgium, two bluegrass enthusiasts — a tattoo artist and a banjo player — fall in love, but their relationship is tested by an unexpected tragedy.

But screenwriters Scott Neustadter and Michael H. Weber have a special knack for telling stories about relationships — the pair previously wrote 500 Days of Summer, The Fault in Our Stars, and The Spectacular Now — and that's what The Disaster Artist is centered on: the relationship between Wiseau and Sestero (played by Franco's brother Dave) as they embark on their endeavor to make The Room.

«LOVE IS THE DEVIL,» written and directed by John Maybury, details the tumultuous relationship between artist Francis Bacon (Derek Jacobi) and his lover George Dyer (Daniel Craig).

Inspired by the more than 700 letters the Van Gogh brothers wrote to each other, Heiligman uncovers fresh insights into Vincent's development as an artist and his relationship with the brother who supported him emotionally and financially throughout his life

The expanded relationship will give SPG members in Europe, Asia and the Middle East substantially similar benefits enjoyed by SPG members in North America including premium ticket access and priority seating, music - inspired promotions, exclusive access to top artists for select Live Nation concerts and retail discounts for artist merchandise.

The Castle is home to several exhibitions, including «The Queen» by light artist Chris Levine and holographer Rob Munday, which features, «Equanimity», a world - renowned holographic portrait of Her Majesty commissioned as part of Jersey's celebrations of its 800 - year - old relationship with the monarchy.

Artists know that understanding the relationships between your work, sales, contacts and showings are important, yet feel burdened by old, outdated or just plain confusing tools to track these things.

They develop relationships with the press that ensure that their artists are the ones that get written up by the major reviewers.

With recent protests by professional football players in mind, the young Chicago - based artist Samuel Levi Jones has curated this group show, which brings together several artists from different generations whose work meditates on the relationship between power structures and persons of color in America.

Along with selected works by Toni Tully, including watercolors, fabric, and paintings, the show will feature works by her daughter, Rebecca Tully Fulmer, as well as the following prominent artists who had close professional relationships with Tully: Sara Garden Armstrong, Catherine Cabaniss, Carol Cooper, Carolyn Goldsmith, Beverly Erdreich, Scott Fuller, Betty Kent (deceased), Scott Stephens, Cumbee Tyndal, Ellen de Mello Weiland (deceased), and Maralyn Wilson.

The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.

By engaging the discourse of sculpture through the tools of cinema, the video follows the lives of «related» artworks and recounts the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms.

The tie dyed wooden, metal and fabric sculptures by the celebrated artist Sarah Braman are not only a major highlight of the exhibition, but also tell the story of Rubenstein's friendship and working relationship with Braman.

With over 4,000 objects representing more than two dozen collectors, including contemporary artists making art conceived by collecting, Massimiliano Gioni, the museum's artistic director, and his team of curators have mounted a remarkable series of object lessons about what it means to «keep,» the relationship of possession to loss, the madness inherent in love, and the undeniable importance of the individual's voice in recording and interpreting history and its sweep.

Black Light: The exhibition created by California College of the Art graduate students in curatorial practice addresses the relationship between cultural institutions and black artists.

Body Language is a group exhibition in video format that focuses on two emerging artists whose video works explore the ways in which language determines and is eluded by our relationships to our bodies.

MASS MoCA's new collaboration with the Rauschenberg Foundation builds on convictions central to both organizations» missions: the importance of the relationship between the fine and performing arts, of nurturing new works by established and emerging artists, and of the ability of the arts to affect real change in the world at large.

In the case of Alex Katz, This Is Now, In Focus will include, among other activities, a program of tours by artists whose work reflects a special relationship with nature: Juana García - Pozuelo, Lucía Onzain, and Juan Pérez Agirregoikoa will offer their reflections on the work of Alex Katz.

Edited by the exhibitions's co-curators Frances Morris and Tiffany Bell, and with essays by leading scholars that give a context for Martin's work — her life, relationship with other artists, the influence of South - Asian philosophy — alongside focused shorter pieces on particular paintings, this beautifully designed volume is the definitive publication on her oeuvre.

By opening the artist's production process, the viewer contributes to the work and is asked to question their relationship to Artificial Intelligence.

Artists like Warhol, Calder, Kandinsky, and O'Keeffe comment on humanity's intimate relationship with the cosmos, informed by modern technological advances of the late 19th and 20th centuries.

Inspired by European artists such as Mondrian and Kandinsky, their bold experiments with space, movement and colour radically transformed the relationship between art and viewer.

This Brooklyn show, curated by artist Matthew Mahler, focuses on a trio of artists who each consider space conceptually, and push viewers to reconsider spatial relationships.

The latest iteration of Bloom Projects, which will go on view the same day, debuts a newly commissioned site - specific installation by Brooklyn - based artist Michael DeLucia, whose work addresses the condition of sculpture and spatial relationships in the technological age.

More recently, Katz expanded his relationship with Colby, as well as several other Maine museums, with regular gifts of paintings and other works of art by contemporary artists through his own foundation.

The Contemporary Art Society has acquired an installation by Dineo Seshee Bopape at Frieze London for Towner Art Gallery in Eastbourne, inspired by her South African heritage and the artist's spiritual and physical relationship with her surroundings.

Due to prestigious Californian - art programmes at universities and art schools, and the close relationship with these educational institutions enjoyed by the many iconic artists who've worked there as professors, the art scene in L.A. has been considered the most significant part of American contemporary art on an academic level.

This group of intergenerational artists closely considers the process of art - making in their work by playing with scale, the ephemeral quality of their materials, the nature of time and language, and the relationships between the objects that they create.

Purple is an immersive six - channel video installation addressing man's relationship to nature and to the planet, created by the British artist and filmmaker John Akomfrah.

Paintings of this decade by Pablo Picasso, Philip Guston, and Faith Ringgold reflect how artists began to confront the relationship between their identities, their studio practices, and the tumultuous times in which they lived.

Through his relationship to Mr. Dial, Mr. Lockett came to the attention of William Arnett, an art historian and collector who began discovering and acquiring works by self - taught African - American artists throughout the South in the 1970s.

For instance, when I look at Scott's sculptures, I can not help but understand them by channeling my projection of the artist's own relationship her work.

For a recent project in France, Fletcher subverted the usual artist / institution relationship by engaging community members to generate ideas for a local sculpture park commission.

With an overarching focus on strengthening the relationship between creative practice and teaching practice, the Teaching Artist Summit will feature a keynote talk by College Art Association's Distinguished Teaching of Art Award recipient Sabina Ott.

The collaborative aspect of Hamilton's project is also inspired by Ede, whose collection, assembled over 50 years, emerged out of the close relationships he built with artists.

This publication explores the relationships between works by 21 contemporary women artists and the women writers they acknowledge and reference, from Mary Wollstonecraft to Octavia Butler.

A large, personal, and alluring collage - like installation of forty - six photos by Zackary Drucker and Rhys Ernst titled «Relationship» (2008 - 13) that, self - explanatorily, follows the couple through each artist's gender transition: Drucker's from male to female and Ernst's from female to male.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

About the Artists and Artworks Nari Ward, We the People, 2011 Inspired by becoming a naturalized U.S. citizen in 2011, We the People examines the relationship between the individual and the masses.

His work was not just about copying and the act of appropriation: it was also an existential gesture made by a realist artist, speaking through a figurative language of his relationship to his subject matter.

Focusing on the relationship with his friend and fellow artist Marcel Broodthaers, as well as artists ranging from George Condo, Gavin Turk and David Altmejd, the exhibition explores the way Magritte set into motion the concept of the «trashing of painting by painting itself», an idea still wilfully prevalent in art today.

Hive Culture presents diverse works by 18 contemporary artists who are preoccupied with the pivotal role that bees play in pollination, environmental health and our changing relationship to nature.

Both artists have extensive backgrounds with site - specific work, often addressing the history of a place and its cultural implications by illuminating its political and social context and exploring relationships among artist, audience, and institution.