Sentences with phrase «artists challenge people»

Nancy Chodorow calls mothering a psychological necessity, even as artists challenge each person's identity and a woman's role.

Not exact matches

I think sometimes we artists write down the things that are challenging for us to say out loud, but we exist in an industry where you have to be able to articulate those ideas to many different people.

The artist has stated that she wants to observe in a person the nuances of gestures and expressions that may be particularly characteristic in that individual as «the challenge in painting portraits is to catch that essence of who a person is, their spirit and emotion, in a painting.»

Like graffiti, the cave paintings must have been tremendously challenging physical work, and, like most graffiti artists, the cave painters must have been young people.

This approach works for those who, just like me, have a business oriented mind beside an artist's soul, who enjoy challenges and interacting with people.

Executive Director and celebrated documentary photographer Ruth Morgan has collaborative with visual artist Dee Morizono to curate a site - specific installation of compelling large format photographs, video diaries, and multi-media artwork that challenges assumptions about people behind bars and their families.

Many visual artists, like myself have a tendency toward introversion which can make live social engagement in the flesh very challenging; one advantage to social media engagement is that it allows shy or socially awkward people to have some comfort space between themselves and other people while remaining in active relationship with «strangers».

We invite a guest artist / interesting - person to tackle a creative challenge with us.

With the daunting challenges of selling in person or in a gallery, how much more so are the challenges of selling online where one is buried by many, many artists eager to do same?

NEW YORK - As artists and also activists, Deana Lawson, Maya Stovall, and Cauleen Smith are challenging the dominant gaze by reexamining representation relating to the lives of people of the African diaspora.

This exhibition presents oversized, hyper - realistic portraits of people that challenge the viewer to consider the artist's rigorous technique.

An immersive experience, the exhibition will include continuous audio along with projected animation and video to show how Bowie was an innovative artist who revolutionized the way we experience music and inspired people to shape their own identities while challenging social traditions.

This new body of work presents oversized, hyper - realistic portraits of people that challenge the viewer to consider the artist's rigorous technique.

Critically recognized for her moody - hued paintings of people who sprout from her imagination (above), the British artist says the challenge is a good thing.

«This residency is a great opportunity to workshop your creative career ideas and challenges with people who really understand you - other artists.»

I'd like to think that people were there for the actual art exhibition, which was billed as an all - female, all - nude art show where 20 women artists, aged 21 to 60 - something, from Russia, Chile, and beyond, «explore a perspective less chartered, that of a woman's eye on another,» and in the process «challenge the status quo with a liberating and authentic beauty.»

«Sometimes the challenge is that when people hear the word «subversive» it can be thrown in with academic or student work, but there are so many artists who have made that their life's passion.

By deconstructing historical texts, the Chicago - based artist reimagines new works as patchworked paintings and installations to challenge people's perceptions of authority, exclusion, and equality.

Victoria Mayes, MK Gallery's Informal Learning Manager commented: «This project has given a group of young people a fantastic opportunity to work directly alongside professional artists, and also to work collaboratively, exploring new ideas and challenging themselves and their personal approaches to contemporary art along the way.

The Malaysian - born, London - based artist uses the overly precious setting of the gallery space to pull objects — cooking utensils, kitchen fittings, plastic tubs, sheets of jute, etc — out of their utilitarian context in such a way as to force viewers to think about them as discrete objects, or things in and of themselves, while in the process challenging the assumptions we make about their functionality and attendant concerns such as, for example, the social status of the person who might own such an object, its role in their lives and that relation in respect to one's own style of living.

2017 Lilac Aura, Chandra Cerrito Contemporary, Oakland, CA 2016 Mel Prest & Martha Clippinger, c2c project space, San Francisco, CA (two person show) In Praise of Planetary Time, B Sakata Garo, Sacramento, CA 2015 COLOR CHANT, Chanda Cerrito Contemporary, Oakland, CA 2014 MoonBrightChime, Galleri Urbane, Dallas, TX 2013 ZeppelinMetroMashup, B Sakata Garo, Sacramento, CA 2011 Four Tokyo Metro Drawings, Candystore Collective, San Francisco, CA 2009 Station to Station, B Sakata Garo, Sacramento, CA (two person show, with Seth Koen) Sky Black Ray, Gregory Lind Gallery, San Francisco, CA 2006 Pacific Transmissions, Branch Gallery, Durham, NC Alignments, Gregory Lind Gallery, San Francisco, CA 2004 Chromatics, MH deYoung Artist Studio, San Francisco, CA 2003 Open Line, Gregory Lind Gallery, San Francisco, CA Bowerhaus, The Bower, San Antonio, TX Color and Line, Contra Costa College Gallery, San Pablo, CA Fresh Paint, Olive Hyde Gallery, Fremont, CA 1998 This is Why I Sing Birds, Ensemble Room, Mills College, Oakland, CA 1995 New Work, Vox Populi, Philadelphia, PA Challenge 1, Samuel B. Fleisher Art Memorial, Philadelphia, PA

«I am overwhelmed by the amazing people I meet that inspire me every day, who challenge me to be a better artist.»

In their two - person exhibition «Away From Keyboard» at Postmasters Gallery, New York - based artists Kristin Lucas and Joe McKay challenge viewers» perceptions through a wide range of engrossing user interfaces and innovative technology.

A bubbly, welcoming figure in person, the artist seems a far cry from the firebrand who challenges cultural perceptions of the female body (take her «Plush» series of photographs of women's pubic hair, a commission for Playboy that never ran), and the fashion and beauty industries (in erotically charged, lush yet disquieting paintings like 2007's Blue Poles, a close - up of heavily shadowed eyes).

«Just as artists will make work regardless of the challenges,» Ms. Moss said, «people who organize shows will also find ways to do them.»

At a time when nations and people were rebounding from the Second World War, emotionally and intellectually, artists who pushed boundaries and challenged the status quo were in high demand.

«It's good that the artists are digging deep,» he said, «challenging people's perceptions.»

female artists would be a challenge to so many people is shocking.

The artist may not be a household name, but he is hugely significant in the art world, making works which constantly challenge people's perceptions of what art is.

As an artist he likes to be challenged on a continual basis, and hopes that his work grabs people intimately, thoughtfully, and emotionally.

The materials have a history that artist Kay Hassan mines for meaning, envisioning how everyday people live, face challenges and find joy.

The work Rosenfeld shows challenges any limiting notion of what African - American art should look like, something artist Betye Saar notes has expanded over the years: «It's finally recognized that people of color make art — from abstract to conceptual to folk art.

For the helmet installation portion of the exhibition, 100 winter sport helmets have been artistically interpreted in celebration of the Games, with each of the 100 participating artists from New York and beyond creating their own unique artwork inspired by the officially designated Olympic keywords: harmony, people, passion, possibility, fairness, peace, advancement, movement, play, power, balance, joy, drama, challenge, and sports.

For artist Paul Stafford, the challenge is to harness an artist's technical ability as a draughtsman and allow that person to develop his or her own language.

Review — Düsseldorf - born Hans - Peter Feldmann started up an artist in the late 1960s, at a time when young people in America and in Europe were beginning to challenge authority and the prevailing social order.

Organized with unprecedented access to David Bowie's personal archive, this exhibition explores the creative process of an artist whose sustained reinventions, innovative collaborations, and bold characterizations revolutionized the way we see music, inspiring people to shape their own identities while challenging social traditions.

This exhibition, Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, will be bringing together for the first time three leading American artists from three different generations whose work challenges a Western painting tradition that historically erases or misrepresents people of color..

Although artists around the world are increasingly challenging it as a format, the fundamental appeal of the retrospective exhibition is that it offers viewers the chance to see and assess in person a coherent representation of an artist's practice otherwise dispersed across time and space.

Melanie Keen, Director of Iniva, said: «At this moment in time, artists who challenge and renew people's perceptions of diversity and globalisation are more needed than ever.

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas brings together three generations of contemporary American artists, whose work challenges a Western painting tradition that underrepresents people of color.

They are also the subjects of portraits by Venezuelan photographer / biologist Antonio Briceño celebrating successes and highlighting continuing challenges in the country that hosted this year's World Environment Day.In line with the WED theme focusing on «the central importance to humanity of the globe's wealth of species and ecosystems,» the nonprofit group Art Works for Change brought Briceño to Rwanda to photograph the land and the people, which the artist paired in diptychs showing individuals and the ecosystems they rely on.

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