Sentences with phrase «artists during the culture»

A strong commitment to freedom of artistic expression led the Foundation to play an active advocacy role for artists during the culture wars of the 1990s and continues to inform its support of organizations that fight censorship, protect artists» rights and defend their access to evolving technologies in the digital age.

Not exact matches

(Francisco Kjolseth The Salt Lake Tribune) The Culture Shift panel at Sundance Film Festival, discusses where artists and storytellers can change the culture at large which included actress Octavia Spencer (Hidden Figures), during the discussion at the Egyptian Theater in Park City on Friday, Jan. 19Culture Shift panel at Sundance Film Festival, discusses where artists and storytellers can change the culture at large which included actress Octavia Spencer (Hidden Figures), during the discussion at the Egyptian Theater in Park City on Friday, Jan. 19culture at large which included actress Octavia Spencer (Hidden Figures), during the discussion at the Egyptian Theater in Park City on Friday, Jan. 19, 2018.

All artists and those in the culture industry must boycott the White House as they did in South Africa during Apartheid.»)

Opening: «The Chicago Show» at the Chicago Show House Curated by Madeleine Mermall, this group exhibition pairs up - and - coming artists based in the Windy City with works by the Chicago Imagists, a group active during the late 1960s that was inspired by both Surrealist art and pop culture.

There's no better time to visit and get a taste of the current landscape than during the Triennial: This year's is co-curated by artist Ryan Trecartin and curator Lauren Cornell, gathering recent works from artists around the world that explore today's hyper - connected media culture.

As a tribute to the artist, P.S. 1 presents works created during the last five years of his life, all of which poetically articulate his knowledge of traditional Chinese culture and Western avant - garde art to engage Eastern and Western audiences.

Yoshitomo Nara and the Tokyo Pop art movement reflect the experiences of a generation of artists who grew up during the post-World War II economic boom in Japan that was characterized by, among other things, an influx of popular culture from the West, including the animation of Warner Bros and Walt Disney.

In conjunction with Galleri Image, Denmark, she is currently producing new work for FRESH EYES — International artists rethink Aarhus, which will be exhibited during Aarhus Capital of Culture, 2017.

Some years back, Henry Korn (who had served as Administrator of the Jewish Museum, Director of the Lower Manhattan Cultural Council and on Franklin Furnace's Board of Directors) asked me if I thought Franklin Furnace got in trouble during the Culture Wars because in my work as an artist I impersonated First Ladies (Nancy Reagan, Barbara Bush, Tipper Gore, now Barbara Bush again).

On view are many never before exhibited works, including watershed pieces from the AfriCOBRA period, as well as works reflective of the epiphany Williams had when first visiting Africa for Festac» 77, the Second World Black and African Festival of Arts and Culture, plus multi-media pieces created throughout the 1980s, 90s and early 2000s during the artist's time in Asia and Europe, along with select contemporary works.

This exhibition focuses on relationships among the photographic work of three artists active during the 1970s that drew on ideas of surrealist / Dada culture of the 1920s and 1930s and influenced succeeding generations of photographers and media artists.

[4] During the 1920s, American artists Patrick Henry Bruce, Gerald Murphy, Charles Demuth and Stuart Davis created paintings that contained pop culture imagery (mundane objects culled from American commercial products and advertising design), almost «prefiguring» the pop art movement.

It takes as its starting point Robert Heinecken's series Are You Rea (1964 — 1968), and features also works by leading «Pictures Generation» artists, including Prince, Barbara Kruger and Louise Lawler, who came of age during the consumer culture of the late 1970s and early 1980s.

During his undergraduate years, he was selected to serve as a Yale Art Gallery Tour Guide, for which he provided tours on material culture in Modern and Post-War works by artists such as Kurt Schwitters and Willem de Kooning.

The L.A. - based artist has made a name for himself with large - scale paintings and installations based on pop - culture and science fiction, including cartoons popular during his childhood (The Jetsons, The Flintstones).

Taken outside of the artist's house during a family party, the photograph is evidence of the little known equestrian culture of Compton and its urban cowboys.

There are five areas of deep focus within the Colección Patricia Phelps de Cisneros: modernist geometric abstraction from Latin America; artworks and documentation of traveler artists who explored and worked in Latin America and the Caribbean during the 17th, 18th and 19th centuries; ethnographic objects from and documentation of twelve of the indigenous tribes from the Orinoco river basin in Venezuela's state of Amazonas; material culture from Latin America's colonial era; and contemporary art from Latin America and beyond.

The themes, for the show, developed from the artist's experiences of migrant culture in Melbourne during the 1960's and extended on to issues integral to the European diaspora at the end of the 2nd World War.

NEW YORK — «I don't have any idea what culture is,» artist Richard Tuttle declared early in a panel discussion in the library of the Metropolitan Club in Manhattan during the Blouin Creative Leadership Summit yesterday.

The newest to be unveiled is by Miami artist Michelle Weinberg, measuring 168 by 24 feet, inspired by dazzle camouflage painting applied to warships during World War I and in conjunction with the exhibition, «Myth and Machine: The First World War in Visual Culture.»

Gallagher, who now lives between her native New York and Rotterdam, came to prominence during the 1990s, at a time when African - American artists including Glenn Ligon and Kara Walker were dismantling legacies of slavery and segregation as filtered through the channels of US pop - culture and folklore.

Featuring works by leading artists from the 1960s to the present day, the exhibition takes as its starting point Robert Heinecken's seminal series of photograms Are You Rea, 1964 — 68, as well as works by «Pictures Generation» artists, including Richard Prince, Barbara Kruger and Louise Lawler, who came of age during the media - driven consumer culture of the late 1970s and early 1980s.

During National Women's History Month, please join us in honoring our community of Native Arts and Cultures Foundation women artists and culture bearers.

The Performance of Style will examine glam culture in New York during the period, tracing the evolution of camp and androgyny as evident in the work of artists such as Jack Smith and Peter Hujar, and considering Andy Warhol as a key figure relating to glam.

Takamatsu's career spanned over thirty years, during which time his considerable influence extended as an artist, theorist and teacher in Japanese postwar culture.

During Frieze Week, Canadian artist Jon Rafman stages his first major UK solo show, which includes Sticky Drama (2015), a wildly imaginative short film featuring over 35 young Londoners and inspired by computer gaming culture.

Alloway, Richard Hamilton and Eduardo Paolozzi founded the Independent Group, a collective of artists, architects, and writers who explored radical approaches to contemporary visual culture during their meetings in London between 1952 and 1955.

During this period African American writers, performing artists, and visual artists made black culture and the political struggles of black peoples worldwide their raison d'être.

This exhibition, a curatorial project researched and developed by CAUSA (Collective for Advanced and Unified Studies in the Visual Arts), will address the work of these artists from both cross-cultural and interdisciplinary perspectives — specifically examining their respective contributions to the visual culture of Vancouver during the period 1941 to 1971.

This exhibition reconsidered the critical strategies of artists Lorna Brown, Margot Leigh Butler, Allyson Clay, Laiwan, Jin - me Yoon, and the collaborative groups Worksite and the Association for Noncommercial Culture in relation to shifts in feminist theory and practice during the 1980s.

The Indigenous Visual Culture program's Nigig Artist - in - Residence Rosalie Favell presented a curated selection of images made during her residency at OCAD University's Ada Slaight Gallery (Oct. 3 - 7, 2016).

Spanning the last 40 years, A Pen Of All Work reflects the artist's concern with the socio - economic issues plaguing American culture and informing his works during his career.

During her studies, she was elected president of the Student Culture Council of the University of Leuven based in the STUK Arts Centre in Leuven, with whom she organized a series of emerging artist projects (2003 - 2004).

It is during this process of absorbing and digesting the «heterogeneous culture» that the artist metaphorically raises a series of complicated issues that all the art practitioners are daily faced with.

reflects the artist's concern with the socio - economic issues plaguing American culture and informing his works during his career.

Indigenous Visual Culture's Nigig Visiting Artist Resident Joi Arcand will present new work made during her residency.

Like Ligon, these and other artists explored loaded questions around representations of race, gender and sexuality during the reactionary aftermath of the «Culture Wars ‟ and the AIDS crisis at the close of the Reagan era.

In conjunction with Galleri Image, Denmark, she has recently produced new work for FRESH EYES - International artists rethink Aarhus, which will be exhibited during Aarhus Capital of Culture, 2017 miriamoconnor.com

From his groundbreaking work on LGBTQ youth issues during the AIDS crisis, to his subversive writing in mainstream comic book companies such as Milestone Media, DC Comics, and Marvel, in addition to his independent work for queer and multicultural publishing, Ivan Velez: Bronx Haiku offers an engaging survey of one artist's desire to bring change and diversity into an art form that plays an indelible role in American popular culture.

Self - taught, James is an important figure amongst the generation of artists who have influenced popular culture on every level during the last two decades.

The Wayland Rudd Collection exhibition examines representations of Africans in Soviet culture during this time, taking as its departure point more than 200 images including paintings, movie stills, posters and graphics from the collection of New York - based, Moscow - born artist Yevgeniy Fiks.

Independently producing ten exhibitions across Los Angeles and Orange County during the nineties, the group's curatorial projects illustrate the crucial role of the artist's voice in shaping and sustaining contemporary art culture in Southern California.

In this series, which stayed «in the drawer» for the next quarter of a century, the artist used all of the elements of Soviet visual culture that he had come into contact with during the late socialist period in the small town of Viljandi.

Alongside these new paintings, visitors will be invited to participate in a museum - style «learning zone» where numerous resources and materials will be available for visitors to further explore the works that were visited during the workshops and the wider representation of black British artists within the UK's visual arts culture.

The project highlights the experimental ethos of artist book production as alternatives to gallery exhibitions during that period, as well as radical new approaches to the circulation of print culture through mass media.

The artists are setting up a complaints desk where visitors can go to moan about art and culture at large — during the busiest week in the U.K.'s commercial art calendar.

Each chapter focuses on an important aspect or phase of the artist's life in relation to his art and explores the many ways in which his activities as an artist, writer, and theorist helped to shape American culture during the second half of the twentieth century.

Given all the cribbing and quotation, and the speed with which it all appeared (Majerus produced something like 1,500 works during his short career), what's obvious to note, at least, as many have, in retrospect, is that Majerus brought the promiscuity of the Internet's image culture to bear on his artistic work in a manner that few artists have.

Canine E Cane (1987) uses an image that the artist captured during his travels in Venezuela for Rauschenberg Overseas Culture Interchange (ROCI), a self - funded artistic and philanthropic initiative that Rauschenberg carried out between 1984 and 1991 in ten countries to promote peace and cross-cultural communication.

Alongside Olivares's performances are Barbara T. Smith's Xerox poetry sets created during her dual life as a Pasadena housewife and emerging artist in the 60s, Mélanie Matranga disorienting sceneographies, and Dena Yago's flatbed scanner images, which she will discuss during a Culture Now talk with McLean - Ferris at the ICA on March 27.