Sentences with phrase «artists early highlighting»

Know for excellent artists early highlighting Feminism movement — These are current ceramic works by Ann Agee that are inspired by Italian folk pottery and are all unique pieces called Hand Warmers and have a hole in the back to reference their historical precedent.

Not exact matches

This classic disturbing thriller, which highlights a group of circus sideshow acts who take vengeance on their leader when a beautiful trapeze artist does him wrong, was banned in the UK for 30 years and wasn't available in the country until a home - video version was approved in the early 1990s.

Radisson Blu is further growing the European portfolio — recent highlights include the very first Radisson Blu hotel in Madrid, and flagship of the year 2010 will be the Radisson Royal Hotel Moscow which is scheduled to open in May: Also known as «Hotel Ukraina» the building is part of Stalin's legendary Soviet skyscrapers «Seven Sisters» and will offer 506 luxurious rooms and suites as well as 38 apartments, world class restaurants including dinner river cruise boats, and a unique art collection featuring 1,200 original paintings by leading Russian artists of the early XX.

Additional highlights include Helen Frankenthaler's Belfry and February Turn (both 1979), which mimic the look and feel of Abstract Expressionism yet in truth represent a rupture with that tradition through the use of a staining technique that seemingly minimizes the artist's role in the process; Frank Stella's Double Scramble (1978), whose nested squares, color contrasts, and pulsing optical effects bridge the artist's early minimalism and later illusionism; and Robert Rauschenberg's Golden Chalice (1989) which, insofar as it marries abstraction and representation and juxtaposes gestural brushwork and photographic media, affords a crucial link to late 20th - century abstraction.

Highlights range from the artist's Social Realist paintings and drawings of the 1930s and 1940s, to major Abstract Expressionist canvases of the 1950s and 1960s, and finally to the geometrically inspired paintings of the 1970s and early 1980s.

Other highlights include Fawn and Snag, two remarkable bronze works from 1944, and earlier works such as the untitled brightly coloured standing mobile from around 1942 that Calder gifted to his good friend, the artist Jean Hélion.

Italienische Landschaft belongs to the group of early photo - paintings of faraway places that art historian Dietmar Elger specifically highlighted as exemplary for the dichotomy they presented «between the objectifiable distance generated by black and white painting and the artist's personal interest in the motifs» (Dietmar Elger, Gerhard Richter Landscapes, exh.

The presentation at The Art Show will highlight the artist's early assemblages, objects and boxes.

He spoke with me by phone about Swann's influence on the market, sought - after artists and scarce works, and highlights from the forthcoming Feb. 13 sale of 19th and early 20th century art.

The gallery's longstanding relationship with many of its artists will be highlighted by focusing on important early solo exhibitions at Art Projects International: Jian - Jun Zhang: Water and Fire (1995); Gwenn Thomas: Recent Work (1996); Il Lee - Line and Form: Drawings 1984 - 1996 (1997); Pouran Jinchi: Recent Paintings (2000).

Display highlights include a portrait painting of a young woman in profile by Armenian - Egyptian artist Ervand Demirdjian titled Nubian Girl, which is believed to be one of the earliest works in the collection made between 1900 - 10.

The exhibition also highlights the Zabludowicz Collection's ongoing commitment to supporting artists» early in their careers through multiple installations and an events programme.

My earlier allusions to Bushwick art spaces weren't to draw similarities between the two locales, but rather meant to highlight the rarity of comparably mature artist - run spaces in New York — remember the late 2000s, when the term «pop - up» was coined (and then consequently overused to death)?

Similarly, Bosland and Langa highlights younger artists or early work, undercutting the general high finish of the show.

They see familiar highlights in the very contexts from which they so often diverged — such as Early Sunday Morning by Edward Hopper within Surrealism, The Artist and His Mother by Arshile Gorky within the realism of America's heartland, or Three Flags by Jasper Johns within Pop Art.

Goodman Gallery Cape Town is pleased to present History Doesn't Laugh, a solo exhibition by Hank Willis Thomas first seen in our Johannesburg gallery earlier this year, which highlights the artist's interest in representing photographic ideas through unconventional materials.

A range of techniques including painting, sculpture, graphic arts and photography will be showcased thematically rather than chronologically, aiming to highlight dialogue between eras, revealing how certain artists have been prompted to reinterpret earlier works.

Highlighting Qatari artist Yousef Ahmad's most striking artworks, from 1970s to today, this exhibition showcased three phases in Ahmad's artistic career, from early oil paintings to mixed media calligraphic pieces, to his latest contemporary pieces derived from the medium he creates.

The installation will provide a deeper look into Dwan Gallery's operations, highlighting its evolution as it shifted from a West Coast venue for established New York and European avant - garde artists in the early 1960s to become one of New York's leading galleries devoted to new movements including minimalism, conceptual art, and land art in the late 1960s and early 1970s.

My early 1960's visits to Norman Lewis» studio on 125th Street was a highlight of my life as a young artist.

To mark the 25th anniversary of Socrates Sculpture Park, we are highlighting Socrates» founding commitment to supporting artists at an early and seminal stages in their careers by completing a phased expansion of the EAF program to reach twenty fellowships as an annual number.

Off the Walls» annual summer show is a chance to catch up on earlier exhibitions but highlighting our most popular artists as well as showcasing some new artists.

Out of Line highlights nearly thirty historical works — including painting, drawing, works on paper, and sculpture — by thirteen artists, primarily South American, who spent the greater part of their lives investigating the language of reductive abstraction during one of its most fertile periods, from the late 1940s through the early 1980s.

Other highlights from the sweeping exhibition include Romare Bearden's Jazz 1930s — The Savoy (1964), South Korean artist Lee Lee - Nam's digital video Early Spring Drawing - Four Seasons 2 (2011), a pair of Lakota gauntlets (ca. 1890), photography by Manuel Álvarez Bravo, Roy DeCarava, and Gertrude Käsebier; paintings by Emile Bernard, Ed Blackburn, Archie Scott Gobber, and Albert Bloch, sculptures by James Henry Haseltine and Tip Toland; works on paper by Kara Walker, George Copeland Ault, Miguel Rivera, and Jules Olitski; and decorative arts including a Christopher Dresser claret jug and umbrella stand, a frame by Archibald Knox, and jewelry by the late artist Marjorie Schick.

The methodologies implemented in this early work can be found throughout his career, with the artist repurposing found objects and placing them in juxtapositions that highlight their functional purposes, cultural associations, and metaphorical potential.

Campany, who is an artist, editor, and writer as well as a curator, showed images from his earlier projects and highlighted ideas that relate to a Handful of Dust.

Highlights of Broad MSU exhibitions in 2015 include: Trevor Paglen: The Genres, the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; The Broad Gift, an exhibition of 18 works generously given to the Broad MSU by founding patrons Eli and Edythe Broad; Moving Time: Video Art at 50, 1965 — 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation to the present day; and Material Effects, bringing together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials.

As part of the larger project started in the early 80's with shows such as the Thin Black Line (1986) and Black Woman Time Now (1983) devised to highlight the contribution black artists have made to visual art in Britain, she has with Susan Walsh in collaboration with the Interpretation and Education Team at Tate Liverpool, produced and distributed Open Sesame (2005) and The Point of Collection (2007) These are two DVD / text research documents which examine and reveal the contribution made to the exhibition education and collecting strategies at Tate in recent decades by artists of African, African / American, Asian and Caribbean descent.

Highlighting the DMA's exceptional holdings of artwork by female artists working in Europe between the late 18th and early 20th centuries, this exhibition, a complement to Berthe Morisot, Female Impressionist, explores the challenges and limitations experienced by female artists seeking professional careers before women were admitted into fine art academies and / or gained widespread social acceptance.

Di Donna Galleries presents Nuvolo and Post-War Materiality 1950 — 1965, an exhibition curated by Germano Celant that highlights the early career of the Italian artist Nuvolo (né Giorgio Ascani; 1926 — 2008).

In February 2016, Lucian Freud's 1960 - 61 Pregnant Girl was the highlight of Sotheby's London Evening Auction of Contemporary Art, having been sold for $ 23.2 million and thus setting a new record for an early painting by the artist.

In one of her earliest performances (Museum Highlights), the artist posed as a tour guide at the Philadelphia Museum of Art and lead museum - goers on a verbose and theatrical tour of the museum, describing a common a water fountain as «a work of astonishing economy and monumentality» or the museum cafeteria as «regarded as one of the very finest of all American rooms.»

New York City (February 28, 2014)-- Presenting more than 125 works by five artists who launched their careers in a gritty San Francisco neighborhood in the early 1990s, ENERGY THAT IS ALL AROUND / Mission School is the first East Coast museum exhibition to highlight these artworks that have achieved cult - like status in the Bay Area and beyond.

Highlights from the collection include furniture by Charles and Ray Eames, ceramics by Beatrice Wood, and sculptures by Claire Falkenstein, George Rickney and Peter Voulokos; Early 20th Century European Modernist paintings by Vasily Kandinsky, Alexej Jawlensky and others from the Milton Wichner Collection; and contemporary artists such as James Jean, Sherrie Wolf, and Sandow Birk whose paintings have recently been added to the collection.

Ruben Ochoa brings together a focused selection of the artist's early and more recent artworks that highlight his long - standing interest in space and his interrogations of the processes that bring it to being.

Malone writes: «Ryman's work is often spoken of in terms of a pronounced quietude, but a full appreciation of its extended roots — effectively accomplished in the two Dia shows — can enrich the experience... The Chelsea show concentrates on color, highlighting the artist's early development of his exclusive and by now signature choice of white paint.

Highlights will include rarely seen works exploring tender and personal themes, from his early series of Love paintings and We Two Boys Together Clinging 1961 to delicate drawings of the artist's friends and family, including designer Celia Birtwell, poet W H Auden, artists Andy Warhol and R B Kitaj, and Hockney's own parents.

The exhibition presents early and recent work by both artists in dialogue to highlight the thematic similarities in their work.

By highlighting the early works of these five artists, this exhibition investigates how the «school» progressed internally, and reveals the deep impacts Chris Johanson, Margaret Kilgallen, Alicia McCarthy, Barry McGee, and Ruby Neri continue to impart on younger generations of contemporary artists.

New York (TADIAS)-- Earlier this year, as part of Black History Month — and in conjunction with displays of his paintings at Macy's stores nationwide, including works owned by Alitash Kebede Gallery — we had highlighted the distinguished African American artist and writer Romare Bearden.

The exhibition includes early and recent work by both artists in dialogue to highlight the thematic similarities in their work.

Showcasing fourteen of Helen Frankenthaler's paintings, dating from 1959 through 1962, and two earlier works on paper, this beautiful book highlights a radical and lesser - known body of works unique within the artist's oeuvre.

The Tantric Way highlights the parallels between Tantric art and the early twentieth - century modernist abstractions of Paul Klee, Piet Mondrian, Constantin Brancusi and Robert Delaunay, as well as the affinities between the post-war American painters Ad Reinhardt, Mark Rothko and Barnett Newman and the work of Indian artist Biren De.22 The latter was one of the leading members of a group of «neo-Tantric» artists newly promoted by New Delhi gallerist Virendra Kumar Jain, the older brother of Tantra Art's publisher, Ravi Kumar.23

Highlighting the importance of imagery from this early age the artist later reflected: «I had stacks of comics because I had sort of taught myself how to read, because I couldn't speak English.

Highlights of recent Broad MSU exhibitions include: Trevor Paglen: The Genres; the final installment of the exhibition series The Genres: Portraiture, Still, Life, Landscape, featuring works by social scientist, researcher, and writer Trevor Paglen; Moving Time: Video Art at 50, 1965 - 2015, one of the final exhibitions conceived by Founding Director Michael Rush exploring the development of video art from its earliest presentation, currently on view at the China Central Academy of Fine Arts, Beijing; Material Effects, which brought together six leading artists from West Africa and the diaspora whose work examines the circulation and currency of objects and materials; and The Artist as Activist: Tayeba Begum Lipi and Mahbubur Rahman, the first major museum exhibition to bring together a comprehensive body of work by two of Bangladeshi's foremost contemporary artists.

This volume highlights the work of American artist Leon Polk Smith (1906 — 96), one of the founders of the hard - edge style of minimalist art, who rose to prominence in the late 1950s and early 1960s with his distinctive shaped canvas series.

The collection contains notable works by artists living or working in the San Francisco Bay Area from mid-twentieth century to the early twenty - first century, highlighting a story of experimentation of the artists of the region.

«Energy That Is All Around: The Mission School,» which debuted at the San Francisco Art Institute in 2013, focused on the formative years of the Mission School in the early»90s, highlighting the importance of friendship and collaboration among then - unknown artists and their devotion to making non-monetized work with found materials in the streets of San Francisco before the tech booms.

Viewers can check out retrospectives to see earlier work of established artists, or check out new, innovative artists working today in shows highlighting visual dialogues, immersive environments, postwar art, feminist prints and sound as a medium.

The display of New Order's music video Bizarre Love Triangle (1986) by late American artist Gretchen Bender traces early appropriation with its rapidly edited images sourced from mass media, while Louise Lawler, another iconic American artist who came to prominence in the 80s, is also included for her work which highlights how artworks perform within their context.