Sentences with phrase «artists employ»

Scam artists employ a range of confusing tricks to catch people off guard hoping to get credit card numbers and other personal data.

They four artists employ audio, video, craft and design however this year, for -LSB-...]

Both practitioners of «deep observation» of their surroundings, these artists employ similar artistic techniques as they explore the formal and abstract elements of color, shape, and light of still life objects and landscapes.

Combining both new and historical sources and materials, the artists employ hybridity not only as a conceptual framework but also as a way to blur the boundaries across media to address questions of representation, identity, invisibility and otherness.

An exhibition of drawings from the Getty's permanent collection looks at the ways in which artists employ revision and change in their works.

The artists employ story - based and poetic narratives, engage with popular culture, juxtapose text and image, distill and abstract various forms, and pay homage to God or denizens of the spirit world.

They four artists employ audio, video, craft and design however this year, for the first time traditional painters and sculptors have been left off the shortlist.

Other artists employ the irreverent, deadpan, and parodic in their works.

However, many artists employ a romantic, flowery way to describe their own work and this stinks of bad editing and inexperience.

All of these artists employ the undeniable beauty of their materials and abstract compositions to convey complex ideas about art history, social issues, and identity.

In «States of Surveillance,» artists employ a variety of strategies to examine the wide - reaching effects of surveillance technologies while pointing to paths of resistance.

Enlivening this timeless holiday symbol, the participating artists employ a variety of unusual materials like beer cans, eyeglasses, kitchen utensils, and gardening tools to examine themes ranging from climate change to family heritage.

All of the artists employ research - based practices, allowing the work to be experienced on multiple levels beyond the recurring symbolic themes of light and dark.

Both artists employ the medium of film.

The thirty - five participating artists employ various themes.

The artists employ various techniques to tear away and supplant the legibility of images, retooling mechanisms and pictorial conventions, all the while adding their own meanings in the process.

Works across different Media, ranging from painting to sculpture, installations and sound, explore the ways contemporary artists employ line to articulate an idea or a concept.

Both artists employ projections as the main visual component of their current work.

Among the varied strategies the artists employ are humour, visual and perceptual play, and the unexpected use of materials.

Working under the umbrella of photography, these artists each employ the use of portraiture in their greater practices to examine themes of individuality and community.

The artists employ distinct processes to translate the awesome experience of being next to the Palisades.

Both artists employ open spaces and vast horizons, cultivating a feeling of human commonality and oneness in the face of the harshest elements.

The artists employ various technological and hand - crafted systems that collide to reveal errors, glitches, hiccups, gaps in information, incomplete tessellations, and optical illusions.

The two artists employ «low resolution» both as a visual device and as a perceptual agent, rendering an embodied looking / seeing, seeking to grasp the technological and psychological intricacies of reality.

Whereas the painters in Nature Studies I may have found creative impetus from photographically - reproduced work or used it as part of their method, these eight artists employ a host of respective photographic processes that, for the most part, draw our attention to the concerns, formats and styles typically seen in and expected of painting such as the artifice of arrangement, the manipulation of formal elements, and the projection of symbolic meaning or narrative content.

With a range of traditional and nontraditional materials, including acrylic and oil paint, ceramic, paper, canvas, carpet, and larvae, as well as varying techniques — from painting, pouring, cutting to burning — the artists employ different degrees of chance, and some more than others.

Sourcing material from social media, countercultures, and the Internet, these artists employ the animated GIF, print, paint, and sculpture in multivalent ways.

Yet other artists employ spaces or metaphors that open up to other dualities or areas of conflict.

Working in a variety of media: painting, drawing, photography, sculpture, knitting, quilting, and book - making, these artists employ their specific visual strategies with text as they engage the viewer.

Describing the aesthetic tools that the artists employ to achieve their goals, the author writes: «By an exaggerated feminine aesthetic with colors such as pink and purple or by girlishly cute self - portrayals, the Netzkünstlerinnen draw attention to stereotypes.

«While many contemporary artists employ the tools of digital technology to alter photographic images, Diggory stands out for using photography and Photoshop as the catalyst for painting.

The artists employ disparate approaches in their responses to this historical moment: subversive humor and wit, practical guidance, documentation and conceptual analysis, poignant abstraction, emotional release.

These artists employ conventional modes of communication in unconventional ways, underscoring the rhetorical and performative techniques that render words effective.

Developed to shed light on the inspirations and processes in which artists employ that may not be immediatly apparent in their work, the series invites the community to discover a behind the scenes glimpse of artists» creative practice.

In the works featured in the exhibition, most created in the last two decades, artists employ the imagery of science fiction to suggest diverse modes of existence and represent «alienating» ways of being in the world.

Taking its cue from Ways of Seeing, John Berger's 1972 critical text on visual culture, this exhibition explores the various formalistic strategies that artists employ to re-configure our perception of the world.

Both artists employ Galkyd to layer their paintings, a medium that Abstract Expressionist Jackson Pollock used with oil color to create his famous drip paintings.

The artists employ a range of approaches and media, including painting, video, photography and performance.

The artists employ a wide range of resources, including fabric, wood, cardboard, plastic, plywood, plaster, and pre-fabricated materials.

The humours is an international group exhibition that brings together new and recent works to consider how artists employ strategies of comedy and absurdity.

To make present is to refuse to represent one's subject entirely — whether the artist employs a representational or a nonrepresentational, a clear or an obscuring, technique.

Major employers are keeping local artists employed.»

The trio speculated that these refinements contain information that our eyes recognize as the style of the artist: how often the artist employs lines of a certain shape or degree of tilt.

So I was absolutely amazed to find that said visuals are extremely appealing when viewed firsthand, mainly thanks to the gorgeous colors the artists employed.

The artist employs a constellation of everyday materials in her work, ranging from found objects and photographs to handmade sculptures and living plants, creating encyclopedic and accumulative landscapes that penetrate walls and stretch across museums.

Many different artists employed staining as the technique of choice to use in making their paintings.

In that half - way no - man's land, otherwise known as a hall, the artist employs a third presence.

The artist employs a variety of techniques to explore technological, scientific, and biological systems of perception and representation, instigating constructive conversations about the ways people see their bodies and minds, and construct their identities.

This mid-century dream is in contrast to the high - tech materials and amplified scale the artist employs.

For Sam Lewitt's first institutional solo exhibition in New York, «Less Light Warm Words,» the artist employs a similar tactic.