Sentences with phrase «artists experimented with colors»

The invention of new pigments accompanied the developments of art history's greatest movements — from the Renaissance to Impressionism — as artists experimented with colors never before seen in the history of painting.

The treatment of space by the New York group results in a more calculated rather than intuitive feeling, even though the New York artists experimented with their color choices like the DC and LA artists.

Not exact matches

The show features works by Charlene Broudy who finds inspiration in the vibrant colors of Costa Rica, new works by Carolyn Fox featuring luxuriously wide flowing lines suggesting rock, water, sand and sky, and Steven Gilbar, a self - taught artist who experiments with mixed media and collage on paper and canvas, drawing from this histories of both mediums.

More than many of White's contemporaries, the artist enjoys the spatial illusion of paint, creating areas of color that read completely flat while other passages extrude and recede, impressions often complicated by the introduction of objects and her recent experiments with text.

From close up the work seems abstract, as if the artist is concentrating on experiments with different colors and brushstrokes.

Both artists experimented with the emotional, even spiritual power of color and invited slow, contemplative looking.

Dating from the 1970s to 2005, the 11 quilts included in the Souls Grown Deep Foundation gift / purchase triple the High's existing holdings of works by these celebrated women artists and demonstrate the incredible legacy of their artistic production, which parallels many of the experiments with color, flatness and abstraction associated with postwar American painting.

With 6 large 60 × 40 inch images, along with some 11 small 30 × 20 images on aluminum, the scientist that the artist is experiments with both color and the fragmentation of a building and of a tWith 6 large 60 × 40 inch images, along with some 11 small 30 × 20 images on aluminum, the scientist that the artist is experiments with both color and the fragmentation of a building and of a twith some 11 small 30 × 20 images on aluminum, the scientist that the artist is experiments with both color and the fragmentation of a building and of a twith both color and the fragmentation of a building and of a tree.

An important feminist icon, Benglis expanded the purview of minimalism, a genre dominated by male artists, by experimenting with color and form and engaging explicitly with the body.

The corridors allowed the artist to extend his experiments with intermingling and contrasting background and foreground colors in a contained environment.

This style, with its decorative patterns and colors, departed from the artist's earlier experiments with Duco industrial paint, as well as his previous volumetrically rendered allegorical paintings.

Inspired by a visit with artist Larry Rivers's pregnant wife, the Nanas ultimately signaled a major shift in Saint Phalle's artistic practice: although she had experimented with conceptual art in the»60s, Saint Phalle gravitated toward creating brightly colored, whimsical, and imaginative humanoid sculptures.

Both artists experimented with single colored canvases and geometric patterns, but while Kelly's shaped canvases were often irregular, Youngerman sought to explore a radical symmetry of form.

The artist experiments with special color combinations, saturations and a variety of different effects to capture an innocent and intimate sense of beauty.

Donald Judd: Paintings marks the first museum exhibition dedicated to 14 rarely exhibited or published paintings, created from 1959 to 1961, crucial transitional years when the artist was experimenting with form and color in order to further develop his ideas on specific objects.

Their «New Sculpture» pushed beyond Minimalism and called all previous conceptions of the art form into question by employing unusual materials that had never before been used.Throughout his career, Sonnier has experimented with materials as varied as latex, satin, bamboo, found objects, satellite transmitters, and video.In 1968, the artist began working with neon, which quickly became a defining element of his work.The linear quality of neon allows Sonnier to draw in space with light and color, while the diffuseness of the light enables his work to interact on various architectural planes.Sonnier's architectural neon installations in public spaces have earned him wide acclaim in an international context.

Dan Christensen, Serpens, 1968 Acrylic on canvas, 112 x 173.5 inches Courtesy of Spanierman Modern, NY May 15 — August 30, 2009 For more than forty years, American artist Dan Christensen — long associated with the Color Field movement — experimented with colors, shapes, and forms in his large - scale paintings.

Torres - García was friends with the most notable artists of avant - garde circles in Paris and New York during the 1920s and experimented with color, form, and mythologies on canvases that appear to be broken up into tiny cells, some of which contain simple - looking people and things.

What draws you to experiment with color, and do you think how artists relate to color has changed over time?

About the Artist Maurice Prendergast (American, 1858 — 1924) made a name for himself in Boston and New York as a cutting - edgewatercolorist who experimented with color monotypes.

The path forward in art - historical terms was split between those artistic movements more aligned with deeper investigations into the increasingly essential properties of a particular medium or reductive practices (e.g., Abstract Expressionism, Color Field painting, Minimalism) and those movements that actively sought an expansion of the arts into a plurality of new forms, hybrid media, and interactive experience (e.g., expanded cinema, intermedia, installation art, performance).13 Of these choices, hippie modernism would follow the latter course through experiments that drew upon the theatrical qualities and the participatory actions of the Happening, embraced Fluxus's democratic spirit in its everyone - is - an - artist philosophy, explored the work of experimental filmmakers seeking to expand cinematic experience, and experimented with the fluid nature of light and sound as well as the interactive qualities of kinetic art.

By employing a range of mediums, expanding spatial capabilities, and experimenting with abstraction and structure, the artists of this exhibition explore the visual information — the light, color, tones and shapes — we encounter from moment to moment, offering new translations of these optic experiences.

Sol LeWitt is another artist who experimented with color values to whom you can look for inspiration.

Good Senses will run through February 21st at the 101 / EXHIBIT West Hollywood space, located at 8920 Melrose Ave on the corner of North Almont Drive, one block south of Santa Monica Blvd. Embracing the freedom of working on paper — in sketches, collages, gouaches — the artists in Good Senses experiment with color, pattern, and shape.

In the wreckage of New Orleans, Fein found his new calling as an artist, experimenting with color and composition of the detritus of Katrina.

Building on the theoretical base of the essay Chromophilia from David Batchelor's book Chromophobia, the exhibition experiments with how contemporary artists play, destroy, and reveal in the tension between post-1960's use of industrial colors and the advent of the color chart.

This exhibition explores the highly formulated and transitional status of geometrical abstraction in the work of women artists from three generations: beginning with (Neo) concrete works on paper from the 1950s by Lygia Pape, to Minimal and Color Field paintings from the 1960s by Rosemarie Castoro and Gina Pane, the 1960 - 80s Pop Art influenced pattern paintings by Barbro Östlihn, to post-Concretist installations, structural and systemic experiments and text pieces from the 1970s and 80s by Lydia Okumura, Lenora de Barros, Martha Araújo, Dóra Maurer and Samia Halaby, to the original contemporary formulations of this history by Paloma Bosquê.

Gilliam's Out, 1969, showcases the 82 year old artist's early experiments with poured paint on unprimed canvases, resulting in a vibrant composition of saturated colors.

In her works, Belgian artist Joëlle Tuerlinckx (1958) experiments with pieces of paper, paper snippets, paper balls, confetti and colored plasticine, placing them on her studio floor and observing how they react to light, crumble, disintegrate, expand, and shrink.

The later, colorful paintings were executed by assistants, following designs by the artist made after her extensive experiments with colored paper strips.

The artist experiments with a variety of geometrical shapes and neon colors which differ from the softer and more blended tones used by many abstract expressionist artists.

The museum has an extensive collection of large - scale paintings by Washington Color School artists, who were conducting innovative experiments with color and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma ThColor School artists, who were conducting innovative experiments with color and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma Thcolor and form between the mid-1950s and mid-1970s, including Leon Berkowitz, Gene Davis, Thomas Downing, Sam Gilliam, Fel Hines, Jacob Kainen, Howard Mehring, Paul Reed, and Alma Thomas.

The artist's new ORRA paintings take their cues from the color experiments of Mikhail Matyushin, a leading figure of the Russian avant - garde who worked closely with Malevich in the 1920s.

The artist then creates digital studies on his computer in order to experiment with color, turning them into acrylic paintings on canvas through air - brushing and traditional brushwork.

From Maurice Prendergast and Stuart Davis to Andy Warhol and Faith Ringgold, generations of artists have taken cues from Matisse to experiment with wild colors, fluid lines, strong structural components and varied subjects, as manifested in this exhibition of 19 works by Matisse and 44 by Americans.

More recently, Sahib has experimented with relief and reflections of color; in works like Three in One (2013), the artist applies a bright color to the wall - facing side of a sculpture, which then reflects in a soft glow on the wall.

Artists injected a new sense of confidence in painting, experimenting with improvisation, spontaneity and color.

Under Guston's guidance, Whitney, who felt drawn to the basic formal qualities of Abstract Expressionism, the pure chroma of the Color Field movement, and the minimalist approach of such artists as Donald Judd, began to experiment with abstraction.

As the artists have explained, The exhibition brings the sense of alchemy that began when we experimented with different combinations of substances and colors at our studio, to the gallery, where the spectator becomes part of a similar experience.

This new wave of artists expanded the boundaries of abstraction, experimenting with space, optics, color and materials.

While Art Student League instructors such as Charles Alston, Richard Pousette - Dart, and Theodoros Stamos continued experimenting with elements of Abstract Expressionism, younger artists such as Bruce Dorfman, Helen Frankenthaler, Peter Golfinopoulos, Stephen Greene, Paul Jenkins, Ronnie Landfield, Larry Poons, and Peter Reginato, was engaged with alternative movements including color field painting, lyrical abstraction, pop art and assemblage.

As one of the most important among the Post-Impressionist artists, Paul Gauguin experimented with symbolism and color.

Hair Stylist — Sharper Cuts, Nashville, TN — 8/2016 to 9/2017 • Provided services for up to 10 clients per day • Maintained impeccable records and a clean workstation • Brainstormed new products to showcase on shelves • Cut and styled hair with precision and according to client preferencesHair Stylist — One for the Road, Nashville, TN — 6/2015 to 8/2016 • Specialized in unique and contemporary cuts and colors • Experimented under client guidance with satisfactory results • Catered to repeat customers, including band members and professional artists • Acted on call for special clients

Sloan's free - spirited line drawings (and two portraits of the artist at work) illustrate her tips and suggested projects throughout the 112 - page, full - color workbook, as she invites one and all to experiment with colors, ideas, sketching, collecting fabric samples, magazine clipping and whatever inspires you.