Sentences with phrase «artists feel even»

Not exact matches

Art can transform a space and buying art that is artist originated through Minted and Etsy makes your space feel even more stylish and special.

A patented applicator mimics the look and feel of a \ «makeup artist's \» pinky finger, allowing for precise and even application.

I feel even more so when it's labeled» Christian» People are more inclined to take advantage of people's faith and more con artists, scammers or now known as «Cat Fishing» goes on.

Everyone from scammers to pick up artists and professional pro-daters are setting up profiles, often making your regular guy feel like a failure before he even begins.

Unfortunately, it feels like the artist was a bit too ambitious, trying to incorporate every popular sound out there, from electronic sounds, vintage 80's vibes, raw southern rock, to even some Chance the Rapper gospel feelings.

Even in a time when black pop artists have grown especially political, the work feels critical.

Thankfully, he's enough of a careful, diligent, and experienced artist to make even the lackluster experiments feel vital and significant in the larger scope of his oeuvre.

The film follows Alan Parker (Jonathan Jackson) a university student and artist who feels misunderstood by everyone, even though that is obviously not true.

Even better, those close - knit feelings are reflected in the warmly supportive relationship shared by Marge and her stay - at - home artist spouse, Norm.

The feeling that without even knowing it, the artist has made space for you.

With an effort that proves Richard Linklater to be indefinable as an artist even as it feels a natural evolution of his best work, Boyhood is a movie like no other.

It feels like it was important for him to get Tommy and Greg's story right and even seems like the story hit close to home for him as a creative artist.

The Disaster Artist screened at SXSW as a work in progress, even though it felt like a completed projected just waiting for a release date.

Is it just us or can the Academy's infatuation with The Artist be felt even in categories where the film isn't nominated?

Though the mileage on its provocation will vary, he's not wrong, even if it feels like artists of color are in a unique position (if by no means must they bear the responsibility) to create reflexive portraits of the way in which their work has been absorbed and commoditized by the white mainstream.

It made me feel even better about myself as an artist - writer.

Eve, the protagonist of this beautiful, tender novel, is an artist intoxicated by colors: the way light plays with them, how they work together, how they make her feel, even by their names.

Flashpoint # 4 Writer: Geoff Johns Artists: Andy Kubert and Sandra Hope Cover Artists: Andy Kubert, Ivan Reis, and George Perez Publisher: DC With one issue left to go, I'm back to feeling the same as I felt when this even...

Skill challenges is an excellent design choice as it is a highly effective set of tutorials that provide a genuine feeling of how it would be for a mixed martial artist to practice in a multitude of sparring sessions in the gym; even to the realism of having a variety of other fighters training throughout the gym.

The more you can put your demographics in touch with the work and the artists that make it, the better: That way, even if a fan can't make it to the space, they can still feel connected to the shows and the artist.

Yet at the same time Rosa Bonheur is forced to admit: «My trousers have been my great protectors... Many times I have congratulated myself for having dared to break with traditions which would have forced me to abstain from certain kinds of work, due to the obligation to drag my skirts everywhere...» Yet the famous artist again feels obliged to qualify her honest admission with an ill - assumed «femininity»: «Despite my metamorphoses of costume, there is not a daughter of Eve who appreciates the niceties more than I do; my brusque and even slightly unsociable nature has never prevented my heart from remaining completely feminine.»

Even with only thirty - five artists, most with a single work, it spills up onto the balcony and feels larger still, as well as unfocused.

For his part, Sandler felt that too much criticism and art history were written for the writers» sakes — not truly for the art, or the artists, or even, really, the readers.

Minjae Lee is a young South Korean artist whose work expresses a semi-disturbing inner tension that is tough to ignore, even if you feel that you'd like to.

These artists explore a great many ways of making art, but what characterizes their production is the utmost importance they lend to sensibility and feeling, pushing often even towards the edge of meaninglessness, which is one of the most precious assets we can cultivate in a culture that tends to package any and all activities into sensational or publicizeable instant explanations.

Woman I (1950 - 52) is given a wall, but the spot it occupies in the narrative marks the point in the show where the installation becomes confusing, loses concentration, and where large rooms turn into vast halls where even great works seem like orphans (the scale of the David Smith and Franz Kline room does these artists a disservice as the temperature drops and the corporate quality rises although the same works in another context would feel very different).

But many artists are making a kind of figurative sculpture that feels new and transgressive, even though they're using forms and techniques associated with academic realism.

After much debate and feedback from artists, we feel that holding GOS to coincide with The Other Art Fair will give us even more of an opportunity to present our work to an audience of art buyers and enthusiasts that will be in the neighborhood during this time.

Most artists want the creative freedom to merge feelings and ideas as they see fit, even if the results grow in complexity and meaning, not assuming purity is an end in itself.

Even Richard Misrach has felt the temptation to print his American landscapes larger than before, including his new beach pictures, like an overworked artist's summer vacation.

Rarely does such a potentially disruptive, capsule even violent architectural intervention feel as organic and sensitive as Canadian - born, click Los Angeles - based artist Sean Shim - Boyle's response to one of the historic Holman Street shotgun houses in Project Row Houses» Round 38.

Even the nexus of art and money, and I mean big money, can feel distant, all the more so in a neighborhood where artists struggle to survive.

The treatment of space by the New York group results in a more calculated rather than intuitive feeling, even though the New York artists experimented with their color choices like the DC and LA artists.

Even though I did not carry the banner of feminism, I certainly feel that I did through my work and through my example as an exhibiting artist.

Alert to the artist's capacity for merging with — one might say, feeling in concert with — his surroundings, we feel his presence, the texture of his awareness, even in the light that fills the Infinity Fields that first appeared in the 1970s.

CONTEXT Art Miami felt refreshing as was there was plenty of new art works, even from artists well - known on the art fair circuit.

Even the immigrant who feels only partially American can feel fully Alabamian; locality, with its rich specificity, tends to inspire artists more than nationality.

Even when Rob Pruitt displays his paintings after news clips of Barak Obama, one for every day of his presidency, it feels more like an artist's terminal self - indulgence than a statement.

However, even in a metro area with a population of about six million, the number of artists can feel small and the number of venues to show work has fallen over the past five years to just a handful.

The works include reenactments of Vito Acconci's Seedbed (1972), in which the artist occupied the space under a false floor, masturbating and speaking through a microphone to visitors above; Valie Export's Action Pants: Genital Panic (1969) in which Export walked through a movie theater in crotchless pants, challenging the audience to turn from the images of women on the screen to a real female body; and Abramovic's own Lips of Thomas (1975), in which she ate a kilogram of honey and drank a liter of red wine before breaking her glass with her hand, incising a star in her stomach with a razor blade, whipping herself until she «no longer felt pain,» then lying down on an ice cross while a space heater suspended above her caused her to bleed even more profusely.

The cocktail portion of the evening was almost as lengthy, but it gave the dealers present time to rub shoulders with the posses of artists, collectors, and foundation chiefs who moved across the floor in what felt like a reunion, though most saw each other often anyway.

The artist's Surrealist tendencies have often given her work a dreamlike, and even haunting feel, as her imaginative installations and anthropomorphized figures border between reality and otherworldly.

Probably not, for no artist feels that much pressure to repeat a single image, not even Raphael with his Madonnas.

Lots of artists are currently mining this territory (even Shaw's work makes reference to it), and it is beginning to feel a bit of a cliche.

Though meticulously rendered and featuring strict geometrical shapes, these works have that Urban Rustic or even Digital Bohemian feel known among Mission School artists that she's been associated with.

«Even though the artists are looking back at that post-WWII moment, when the magazines were starting, there is a very real, living feeling as well, connected to making art today with materials that aren't of this physical moment.»

In fact, with their opulence and rich details, her works harken back even further to the excesses of Golden Age Dutch still - life painting... In delineating her still - life objects, Fish draws with the paint in such a direct way the viewer practically feels the artist transcribing what is in front of her; we experience the decisions as to how she organizes her compositions.»

Heddaya writes: «From the outside, Weathersby's pieces straddle the clinical geometry of Op art and the organic architectural character of traditional room dividers and panels, like the Arab mashrabeya or the Japanese screen, and are unobtrusive, orderly, suggestive even of a painterly monasticism... Ken Weathersby is certainly not the first artist to have manipulated painting and denotation, or desecrated the ever - cooling corpse of canvas — the project has a distinctly vintage, Black Mountain College feel to it — but there is a focused and exploratory energy at work in his pieces, a maturity of purpose that stands at ascetic remove from the cloying color and sloppy corporeality that too often comes to the fore in Bushwick.»

Where strong feelings are involved, an artist may resort to quite unrealistic distortion, or even semi-abstract forms, while colour may be especially bold or garish.

Viewed through the glass, from underneath, the piece evinces the look and feel of some of today's most pathbreaking still life photography, the composition - bending, drag - and - drop, chopped - and - screwed work of artists like Lucas Blalock or even Michele Abeles (if only a nude model or two could be propped up there as a tableau vivant).