Sentences with phrase «artists feel pressure»

Still, especially in a crowded market, artists feel the pressure to make the past their own.

Art galleries feel the pressure to go for splash and entertainment, and artists feel the pressure to make gestures worthy of their celebrity.

Not exact matches

Aside from the unique pressures you were feeling as an artist and as a songwriter, I think we're living in a really fearful day and age in our world.

I felt stressed and pressured because the time simply isn't enough to really admire the artist's full work before we are funneled through the next part of the exhibit.

The artist for this issue must have felt a lot of pressure to design wedding garments worthy of these characters, which is what Frank Cho did.

The chance to show children that some of history's greatest artists, leaders, and inventors were dyslexic (this helps relieve some of the pressure and shame that students feel).

In a way, this can be beneficial: It encourages contributors to get more involved with promoting the campaign, it eliminates a certain amount of risk, and it keeps artists from feeling pressure to get by on less than they actually need.

Artists feel comfortable experimenting in a shared production and / or fabrication process with MASS MoCA staff without fear of a high - pressure premiere schedule.

Galleries feel the pressure to insist on it at that, by boosting older artists who may have missed their fair share of the action.

With subtle shifts, repetitions, displacement or complete absence of features, and abundance of dark negative space, the artist is aiming to create a feeling of dissonance and pressure in the viewer.

Probably not, for no artist feels that much pressure to repeat a single image, not even Raphael with his Madonnas.

It's allowed artists over time to do the work that they want to do without feeling any commercial pressure to do one thing or the other.

We both felt the political pressure in making art as contemporary artists and the fear generated from censorship policies.

In seeking to explain why so few women gain the success as artists afforded their male peers, Thatcher concentrates on the restrictive pressures facing women: «Women... express anxiety at the prospect of having children, feeling that they must avoid visible obstacles to their career progression in a world in which one must appear continually available for residencies, commissions or even just networking.»

Hauptman and Suzuki make you feel the pressure of those times, the bewildering crosscurrents of a period when, as de Kooning once suggested, each artist was best off becoming a movement unto himself.

A jury of six selection committee members has increasingly dictated the art market for nearly a decade, and many artists feel immense pressure to produce «art fair art» in order to be considered for a coveted spot in the booth.