Sentences with phrase «artists felt there»

«I think these artists felt there was no room within that realm — Abstract Expressionism and abstract painting.

Not exact matches

But I was just amazed by how everyone, young and old wanted to be involved... and was so deeply enriched and touched by the experience and the laughter and the love I experienced from the people I met and how women would in particular open their hearts to me and tell me the stories of where they've come from, particularly because I have the language and was coming there as a woman and just how touched they were that I was there as a woman from England who's learned the language and who's an artist and running this project and come all the way to see them so they didn't feel forgotten I think that was pretty much what they felt... that their stories were being heard so they don't feel forgotten knowing the tents would be around the world.

Hey Jeremy, I listen to K - Love christian radio and there are times I can't take it anymore, feeling like all the artist are from the same mold.

Are there other ways being a Christian music artist feels like it pigeonholes you as an artist?

While there's no doubt that artists should push into new territory, many listeners may wonder why their favorite indie rock band seems to be leading them through this particular soundscape, which at times feels like the backing music to the 1971 action movie Shaft.

But you persist because there is a small band of artists who feel the same way you do and subversively continue to work within the system while at the same time sabotaging it because they feel that photography should be liberated from the Association's categories.

We also feel that there is an incredible online community of crafters, artists, writers and parents who would enjoy a place to showcase the amazing work that they create every day.

This is an artist's depiction of the estimated 10.4 percent of secondary school students in California who report missing school because they feel unsafe there.

At that time I felt like there weren't a lot of makeup options for darker skin tones available, and the makeup artists at the department store counters seemed to think that loading up the darkest shades of shadow, blush, and lipstick was the only way to go --(this is before YouTube changed the world of makeup for women of color)-- that's when I decided to take matters in to my own hands and I became sort of obsessed with playing with makeup.

While celebrity solo (in more ways than one) artists like Nicki Minaj are starting the new year just «focusing on their work,» other singles are «feeling refreshed and ready to put themselves out there,» Tinder's resident sociologist affirms.

Actors, writers and artists talk about feeling the «creative spark,» but when it comes to dating or finding a life partner, is there such thing as a «spark» that makes two people feel connected?

I feel there may be more scam artists on here than real people.

Densely woven as its sensory tapestry is, «White Shadow» never feels studied or affected in the way that films from artists graduating to the medium sometimes can do: There's plenty of room here for observational, seemingly ad hoc asides.

Unfortunately, it feels like the artist was a bit too ambitious, trying to incorporate every popular sound out there, from electronic sounds, vintage 80's vibes, raw southern rock, to even some Chance the Rapper gospel feelings.

Then there's the gleefully baffling Panda Bear spot, «Doin» It Right,» which feels like a perfect split between both artists» styles with the rhythmic focus, vocoder backing, and Noah Lennox's unmistakable vocal delivery.

These young adult movies have seen some impressive names step behind the director chair but Maze Runner finds itself as the feature debut of visual effects artist Wes Ball and there's no doubting the fact that this feels like a first - time effort of someone who can't bring the energy required to keep a film's pulse moving.

However, there's often the impression Ficarra and Requa somehow missed the mark, and Whiskey Tango Foxtrot's eventual meaningless feels akin to 2015's con - artist romance Focus.

There's a self - aware feel to the period pageantry, the alternatingly seductive and kinetic cinematography, and the actor's showcase this ramshackle contraption has been held together with spit and bailing wire to be (for what are con artists and undercover agents if not actors?).

Good thing Hollywood didn't bite, because if they'd made it big, Tommy and Greg wouldn't have felt put - out and desperate enough to make their own movie, in which case there'd be no cult of The Room to speak of and, thus, no excuse for James Franco to do whatever the hell it is he's is doing in The Disaster Artist.

Before SAG announced their nominations, there was a feeling of a conventional five that floated on the internet: Timothee Chalamet («Call Me by Your Name «-RRB-, Daniel Day - Lewis («Phantom Thread «-RRB-, James Franco («The Disaster Artist «-RRB-, Tom Hanks («The Post «-RRB-, and Gary Oldman («Darkest Hour «-RRB-.

A sense of gnawing inadequacy is a universal feeling, and The Disaster Artist certainly mines the notion that there's a little bit of the outsider in everybody — which is exactly the kind of magnanimity you'd expect.

And yet, as any filmmaker — or any other artist — will attest, there's no warmer feeling than being around when an audience connects with what you're trying to tell them.

We've always felt our core audience would be Christian youth, but we didn't want to start there because, like Christian musicians, its harder to go «mainstream» once you've been labelled a Christian artist.

An article on September 6, 2013 at DBW seemed to feel a comparison to Netflix was more appropriate, than to the music models (where I've read there's recent challenges to improve royalties to the artists at American Idol.)

I still feel the leftover tears from not being able to attend the years those artists were there.

Some of the IAA shows at the Arts Fund were wonderful, but I always felt that underneath, many of the visual artists who got the award were just there hoping that Frank Goss [owner of the Sullivan Goss Gallery on Anapamu St.] would walk in and offer them a real show.»

lots of learning and inspiration is there for all especially emerging artists like me.A week has passed that i joined in and awesome response is what i got.Friendly experience!i always feel like at home here.

The community there seemed to feel like artists were a dime a dozen, and I had a very hard time.

Ethics aside, what makes a project interesting is purely subjective; we're designers, not artists, and as a general rule we feel there is creative opportunity in most briefs, regardless of the sector or subject matter.

re: $ 100 What follows may be a babbling brainstorm... and I don't know if the $ 100 can kick - start this... but maybe, if the idea catches on... it will grow... to something else... I have felt for a very long time that there should be a «scholarship / grant» fund for artists to be able to apply for funding to go to something like WDS.

What matters is that if you're having a hard time, if you feel like a starving artist, there are financial tools that can help you do more with less, manage variable income, and run your business better.

Yet at the same time Rosa Bonheur is forced to admit: «My trousers have been my great protectors... Many times I have congratulated myself for having dared to break with traditions which would have forced me to abstain from certain kinds of work, due to the obligation to drag my skirts everywhere...» Yet the famous artist again feels obliged to qualify her honest admission with an ill - assumed «femininity»: «Despite my metamorphoses of costume, there is not a daughter of Eve who appreciates the niceties more than I do; my brusque and even slightly unsociable nature has never prevented my heart from remaining completely feminine.»

I think what's interesting is that the headline (of an email i didn't actually receive, but i did receive the follow - up) echoes how artists themselves feel... argg it's so scary when you put yourself out there and in the beginning get little response and the tendency is to take it personally...

And then there was Joseph Beuys, with his fixation on fat, felt and animals, though he advanced a sort of mythology that today's artists sidestep.

«David has fostered a culture in the gallery that spreads to the artists showing there that I feel creates an environment that results in one's best shows.»

He found 15 artists whose work he felt was making important contributions; he mentions in our interview in The Brooklyn Rail that there could have been many more.

The Painting Center was founded in 1993 by a group of artists who felt there was an urgent need for a space devoted entirely to the exhibition of painting.

Brooklyn - based artist and commercial - studio - building developer Stef Halmos talks about: How she feels about Greenpoint's gentrification arc, as a 12 - year resident there herself; her commercial development in Catskill, New York, two hours north of...

Soon after Rosen was showing other new artists, including Rita Ackermann, Ken Lum, Heimo Zobernig, Tony Feher, Andrea Zittel, Paula Hayes, Julia Scher, and Sean Landers — who had a breakthrough 1992 show there of a year's worth of his personal calendar entries wherein he recorded everything from being work - blocked, to feeling attracted to other women, to his professional rages and delusions of grandeur.

Because she feels there is so much interesting and exciting work being done today in photography and because part of Viridian's mission is to give exposure to outstanding under - known artists, the gallery's director, Vernita Nemec, selected the images of twenty - five photographers not selected by Blessing to be shown in an ongoing Power Point presentation during the exhibition.

Although I felt the warehouse would be filled with mangled metal, there was little to be found, so hopeful artists and educators will have to head to the scrap yard.

There is a playfulness embedded in the dinosaurs that at first feels distinct from the gravity of the figures, as the toy - size scale and papier - mâché are reminiscent of children's arts and crafts classes and the balata requires the artist to work quickly and intuitively to create the forms, which results in a raw, handmade quality.

There's a hermetic feel to the two films by Rosalind Nashashibi, one shot in the Gaza Strip in 2014 and another more recently in the Guatemalan home of mother and daughter artists, Elisabeth Wild and Vivian Suter.

And although [as an artist] you may see a realistic subject like a glass or table or chair, you have to... transform that into a picture, and my whole feeling is that to get the spectator involved, [art] has to extend his vision, not... verify that which he already knows, but extend his vision and his way of seeing so that there is a wider experience open... to him, and this is the way I work.»

American artist Helen Frankenthaler recalled her years in the New York art scene of the 1940s and 50s: «I was influenced by both Jackson Pollock and Willem de Kooning and eventually felt there were more possibilities for me out of the Pollock vocabulary.»

The influence of artists like Speer came up more than once during my studio visit, and I was left with the feeling that there was much more to say on the subject.

While the exhibition emphasizes Hofmann's drawings from the 1930s and»40s, there are a few highly suggestive late works in the exhibition, particularly several untitled pieces from 1961 in which the artist contrasts a few seemingly carefree drips and spatters of richly hued oil paint with delicate felt - marker traceries.

I started to feel that this place may not be much better than the Tate Modern, then I got to the picture below and stood there in indignant bemusement at the picture I've added below - unless the picture was an example of what an artist did when they were about 5 before they got good at art, then what is it doing in an art gallery??

The incredible story of Witz begins with his young ambitious aspiring artist self (he went to two top art schools RISD and then Cooper Union) who felt the need to turn to the streets as a mode of self - expression during a period when there seemed to be little (if any) value in the medium.

When I look at this Noah's Ark, I feel all the artists are navigating the same river, for the same reasons, as Christian Boltanski observed: «Whether Aloïse, myself, or a sixteenth - century painter, the same questions are raised: death, the quest for beauty, nature, sex... There are a limited number of subjects in art.