Sentences with phrase «artists in a broader context»

To place artists in a broader context, the museum's exhibitions include Georgia artists and artists from around the world.

To place its artists in a broader context, MOCA GA's exhibitions also include artists from around the world.

Not exact matches

Keva York explores Crispin Glover's directorial work in his «It» trilogy, Jasmine McGowan situates Bruce LaBruce's Gerontophilia (2013) in the context of his broader oeuvre, and Jack Sargeant interviews Iraqi - American filmmaker and artist Usama Alshaibi about his work (particularly his 2003 film The Amateurs).

One sees American artists of a certain age set in a broader, international context — a context still very much defined by Minimalism.

By exhibiting artists across multiple generations and continents, the gallery establishes a discursive critical voice in addressing diverse perspectives of art within a broader context of contemporary artistic practices.

The main focus is to create new experimental and sustainable dialogues in a broad context between Kunsthal NORD, the artists and the audience.

Although the artist showed with the Rosamund Felsen Gallery in Los Angeles in the 1980s (where gallery mates included Richard Jackson, Mike Kelley and Chris Burden) and received significant press and collector interest (works are in the collection of Eli Broad), after moving to New York Burkhart's independence and rigor confounded art world context.

The Contemporary Austin presents artist Jim Hodges and journalist Dan Rather in conversation on The Moody Rooftop, discussing Hodges's newly installed sculpture at the museum, With Liberty and Justice for All (A Work in Progress), the artist's body of work, and its broader context, meaning, and relevance.

The department provides a platform for innovative artists for the production of their work, and a forum for the larger community to examine the most recent developments in contemporary art and their relationships to broader cultural contexts.

Perhaps this is due to the fact that they are now being discussed in a broader context, in relation to artists from across Europe, Japan and the Americas, as we've seen in recent museum shows like «ZERO: Countdown to Tomorrow» at the Guggenheim in New York.

The conversation continues in the catalogue, which places dynamic artist contributions in the context of broader contemporary practices.

While a few recent publications — like the essays by Richard Flood, Frances Morris, Robert Lumley, and Karen Pinkus in the catalogue of the 2001 exhibition «Zero to Infinity: Arte Povera 1962 - 1972,» co-organized by the Walker Art Center and Tate Modern, or the overview Arte Povera (1999), edited and illuminatingly introduced by Carolyn Christov - Bakargiev — have begun to consider arte povera in a broader social context, the field is still plagued by the idea that its artists were primarily enamored of low, or literally «poor,» materials, and by the argument that arte povera's antitechnological bent is a misinterpretation of American Minimalism.

It also allows us to view his art in a broader context, including in collaboration with Juan de Flandes and other contemporary Netherlandish artists.

This exhibition — the first critical examination of the significant, albeit brief, work of the four artists in 1967 — seeks to reexamine the group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium.

Within this context, even artists who will likely be familiar to most viewers, such as Faith Ringgold, Bettye Saar, David Hammons, and Pindell, engage in a broader narrative of empowerment and the preservation of a history that was constantly under attack by political and artistic institutions during the 1960s and 1970s.

There will be a brief introduction in which the artist will discuss both films in the context of his broader ideas of art, his core practice of painting and put forward a model of practice that is multidisciplinary involving his work as a painter, filmmaker, musician, photographer, and independent curator.

«I look forward to collaborating with fellow curatorial and educational staff, deepening my knowledge of the collection, expanding the scholarship of historical Northwest art up to the present time, and actively engaging with regional artists in the context of a broader art scene.»

There will be a brief introduction in which the artist will discuss both films in the context of his broader ideas of art, his -LSB-...]

The show was curated to present iam's output in the context of other, object - based works that were also elements of the broader projects undertaken by each of our artist / authors — projects that iam is otherwise only able to represent via our publications and editions.

Through the gallery's longstanding reputation, ties with major museums, art foundations, curators and critics, SGA exposes its represented artists to broader audiences, thus fostering a greater understanding of their artistic strategies and the context in which their ideas arise.

Over the past years the gallery, situated in Hong Kong's Pedder Building, has presented a fully independent programme, working with artists from the Simon Lee stable, and inviting participation from other artists and curators to create a broader context and framework.

Although the phenomenon is gaining purchase among artists who appreciate being promoted and defended in a broad context and also among audiences who often feel excluded or marginalized and consequently disinclined to engage with galleries as a whole.

The programme consists of four exhibition formats: thematic group shows which examine the connection between the Stenersen Collection and a broader historical context; retrospective solo exhibitions of artists in the Stenersen Collection; solo exhibitions of younger Norwegian painters; and curatorial projects that draw parallels between contemporary artistic practice and the Stenersen Collection.

It kicks off by pairing an early Rothko with a Rembrandt, positioning the artist in a context far broader than modernism.

There she founded and managed the arts component in its broader regeneration with the intention of establishing a new paradigm for industrial redevelopment that would not displace workers, artists, local residents or industry but would instead build a sustainable community of working artists in a context that integrated cultural and industrial production.

The works of the exhibition act as a collaborative installation between the artists where the agency of each artist at times is blurred, at times visible, in an attempt to question the relation of object and agency in the gallery space as well as in a broader context of history writing.

The exhibition embeds these artists and prophets in a broad socio - historical context that spans a period of 100 years.

The accompanying catalog, designed by the Walker's award - winning design studio and available at the Walker Shop, places artists contributions in the context of broader contemporary practice.

Located in a rich urban context, PlatteForum's dynamic, artist - centered residences are built upon the notion of engaging the broader community in the creation of new work, where artists, youth, and the public collaborate.

But as rooms represent only one lens through which this artist's work can be viewed, it might first be helpful to illuminate the broader context in brief.

Interweaving their personal experiences and memories into broader historical contexts, these artists create work that is in strident opposition of passive acceptance.

The pioneering exhibition program at artist - run space Randolph Street Gallery (founded 1979) allowed many of the artists we now consider Chicago's finest, such as Jeanne Dunning, Iñigo Manglano - Ovalle, Dan Peterman, and Tony Tasset, both to exchange ideas and to position their works in a broader social and cultural context.

In this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for GrahaIn this volume, amply illustrated with many never - before - seen images from early in his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Grahain his career as well as new photography of his most recent works, scholarly essays provide a broad context for viewing: Cornelia Butler looks at Graham's relationship to landscape and Canadian identity, Lynne Cooke examines the construction of the artist's persona in works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Grahain works such as City Self / Country Self (2001), and Shep Steiner discusses the joke as a conceptual strategy for Graham.

Lu's book on the work of Chinese artist Wang Yin (born 1964) situates his work within the historical context of twentieth - century Chinese painting, as well as broader shifts in modern Chinese culture.

The exhibition offers a broad intellectual context for Op art and geometric abstraction, including a special focus on artwork from the Americas and features major artists from seventeen countries in Latin America and beyond.

Set for next Thursday, May 4th, the event invites a number of curators and academics — including PIPA Prize Curator Luiz Camillo Osorio — to talk about how this fundamental artist's work relates to the broader context in which she was situated.

In changing their context, the artist poses broader questions about how pictures are viewed and experienced.

While each artist creates discrete objects, these works act in direct dialogue with one another — at times alluding to furniture or other functional items — in order to generate a broader context that extends beyond their individual physical forms.

Beginning with the Spiral group, 15 artists who formed in the context of the March on Washington Bridge for Jobs and Freedom in 1963, the exhibition frames a broad selection of artists who took different directions in relation to aesthetics, politics and art - making in a time of extraordinary turbulence.