The day will conclude with a panel discussion with art historian and philanthropist Sarah Elson, who will talk about her project «Launch Pad» as a new model for exhibiting
artists in a domestic setting.
Not exact matches
The Los Angeles - based
artist's new solo show features works filled with
domestic imagery cast
in surreal
settings
Inspired by the generative learning that occurs during meals
in domestic, familial, and community
settings, Kameelah Janan Rasheed invites
artists, organizers, community members, and educators to two potluck...
As with much of her earlier work, the
domestic setting continues to be fertile ground for nuanced explorations of changes
in atmosphere, although for the first time the
artist has intervened
in the scene she previously had only observed.
But her scenes of
domestic life carry deep complexities
in both form and content, tracing the
artist's personal history as an immigrant, as a woman, and as an
artist to create arresting depictions of intimate life: whether it's a shared quiet moment with her husband (Her Widening Gyre, 2011) or a table
set for tea (Tea Time
in New Haven, Enugu, 2013).
Works by over 30 international designers and
artists working with new technologies and production methods were organized
in a range of
domestic settings.
Its once - lived -
in rooms, with their ornamental flourishes, offer the perfect
setting for an
artist preoccupied with the psychological, imaginative dimensions of
domestic spaces, objects, and rituals.
Safe As Houses is the Brooklyn - based
artist Dan Herschlein's second exhibition at JTT following 2015 The Enthusiast,
in which the
artist had started investigating the body's position as a territory of physical and mental transformation within
domestic setting.
The Museum's once - lived -
in rooms, with their ornamental flourishes, offer the perfect
setting for this
artist, so preoccupied with the psychological, imaginative dimensions of
domestic spaces, objects, and rituals.
In the second gallery, the
artist sets the stage for an intimate encounter within a
domestic tableau.
In addition to Brummer Society Member benefits, members of the Director's Circle also enjoy unlimited access to all special exhibitions; exclusive invitations for domestic and international travel with the museum director and curators including New York Sculpture Tour 2018, Spain 2019; exclusive opportunities to meet and dine with distinguished visiting artists, collectors and scholars in intimate settings; invitations to private, artist studio tours; and VIP art fair passes and tours with the curator
In addition to Brummer Society Member benefits, members of the Director's Circle also enjoy unlimited access to all special exhibitions; exclusive invitations for
domestic and international travel with the museum director and curators including New York Sculpture Tour 2018, Spain 2019; exclusive opportunities to meet and dine with distinguished visiting
artists, collectors and scholars
in intimate settings; invitations to private, artist studio tours; and VIP art fair passes and tours with the curator
in intimate
settings; invitations to private,
artist studio tours; and VIP art fair passes and tours with the curators.
Last August, Holland Cotter for the New York Times wrote up Martín Gutierrez's breakout photography collection of the
artist acting as life - size real dolls
in domestic settings.
Looking at the paintings, which feature teenagers having sex
in quotidian
domestic settings or en plein air, the viewer is compelled to ask whether the process, which breaks down the barrier between seeing and touching, is an erotic experience for the seventy - something
artist.
Artist and writer Andrea McGinty's sculptures showcase her interest
in liberating the female figure from oppressive and dogmatic
domestic settings.
Together they are three
artists who, working
in different periods, are variously connected by motifs alluding to invented worlds,
domestic objects and
settings, an interest
in assemblage and a sense of mystery.
Focusing primarily on solo presentations of
artists, as
in one
artist per space, the show is well - curated with more than one canny juxtaposition (two personal favorites were Leigh Ledare's 16 mm film Vokzal [2016] of the public around three Moscow train stations with John Divola's elegant «Abandoned Paintings» [2007 — 8] photos, which feature recuperated discarded student paintings
in derelict
domestic settings, and Henry Taylor's big brushy paintings of black communities next to Deana Lawson's elaborately staged, intimate portraits of black subjects).