Sentences with phrase «artists in large buildings»

Not exact matches

«As content consumption continues to evolve, Daniel Ek and his team are well - positioned to build the leading marketplace for consumers, artists, and the music industry at large,» TPG partner David Trujillo said in a statement.

From label execs to music bloggers to managers and beyond, there's a long list of people who an artist must build relationships with in order to reach larger audiences and expand their brand.

On a local level: Alex Lucas, a talented Bristol artist whose large illustrative paintings of animal characters adorn the walls of buildings around the city; and Ged Palmer, a lettering artist and sign painter based in London.

When artists in the early Italian Renaissance began applying egg tempera to large wooden panels instead of manuscript pages, they had to build up their images from tiny brush strokes.

Walk, we are building the largest pet and people cancer community in the world; from business people to artists to scientists and humanitarians, a partnership forged with the singular purpose of ridding the world of its deadliest disease.

if you sell one or two pieces to a person that is one thing — but to become of interest to a serious collector who is interested in investing large sums of money in a piece or a group of pieces to add to his collection — there must be some consistent history where the body of work that the artist has created along with the existence of a sufficient aftermarket for the work — has been built up — will make anything that you are selling eventually obtain great value --

Italian artist Edoardo Tresoldi has designed and built a series of incredible large - scale artworks for a royal event in Abu Dhabi, in collaboration with Dubai - based studio Designlab Experience.

A self - taught artist, Ward began his career as a teenager on the streets of Belfast in Northern Ireland, creating large - scale graffiti work on bridges and derelict buildings.

Also as part of this exhibition, the artist's Chicago works have been reproduced in large scale and installed on the exterior of the the Chicago Cultural Center building through the summer of 2019.

This is a major exhibition of works by a New York artist who died in 1978 at the age of 35; and, literally, made a mark on NYC in the 70s by cutting into — and at times removing — large chunks of buildings.

MASS MoCA's new collaboration with the Rauschenberg Foundation builds on convictions central to both organizations» missions: the importance of the relationship between the fine and performing arts, of nurturing new works by established and emerging artists, and of the ability of the arts to affect real change in the world at large.

That's the number of new buildings in downtown Miami by Arquitectonica International Corporation and the Related Group that also feature large - scale works by world - renowned artists.

BOB ADELMAN (1930 - 2016) Roy Lichtenstein in front of «Bauhaus Stairway; Large Version,» a mural for I. M. Pei's new building for the Creative Artists Agency, Inc, Los Angeles photograph 1989 (printed later) archival pigment print, edition 1/20, signed paper size > 30 x 22.25 inches

This artist - designed book will explore Ritchie's large - scale artistic «interventions» in buildings designed by Morphosis among others, including the Guggenheim Museum and MIT.

As a community activist and artist in Detroit focusing on city history and neighborhood empowerment, Nicole creates large - scale paintings for installation on abandoned buildings.

In this building, dating back to the 16th century and designed by the Venetian architect Jacopo Sansovina, the artist Å 1/2 ilvinas Kempinas presents his large - scale installation, TUBE.

As an artist, Sirlin is known internationally for large - scale installations that have covered the sides of buildings from Atlanta to Venice, Italy, and many points in between.

In partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectivelyIn partnership with Phong Bui and the Brooklyn Rail's Rail Curatorial Projects, Mana Contemporary will open two large group exhibitions, Artists Need to Create on the Same Scale That Society Has the Capacity to Destroy, Part I and OCCUPY MANA: 1/2 = 1/2, PART I, installed in the Glass Gallery and throughout Mana's main building (respectivelyin the Glass Gallery and throughout Mana's main building (respectively).

UD artists explore art as social practice at Front Street By Brittany Erwin Photo: Joel Whitaker's «Alternative Processes» class exhibits at the Index Gallery Front Street Building Co., «home to the largest Community of Artists and Artisans in the Dayton area» has a newly branded University of Dayton - owned resident, Index Gartists explore art as social practice at Front Street By Brittany Erwin Photo: Joel Whitaker's «Alternative Processes» class exhibits at the Index Gallery Front Street Building Co., «home to the largest Community of Artists and Artisans in the Dayton area» has a newly branded University of Dayton - owned resident, Index GArtists and Artisans in the Dayton area» has a newly branded University of Dayton - owned resident, Index Gallery.

Travels to Washington on 3 May for march to the Pentagon in protest of Reagan foreign policy; teaches at Yale Summer School of Music and Art; Mazurs build a summer home overlooking Wakeby Pond in Mashpee on Cape Cod after Gail Mazur's family summer home there is destroyed by fire (1979); after dissolution of the Harcus - Krakow Gallery, continues regular exhibitions at the Barbara Krakow Gallery, Boston (also 1984, 1987, 1989, 1990, 1993, 1995, 1996, and 1998); solo exhibitions: Rutgers University Art Gallery (now the Jane Vorhees Zimmerli Art Museum), New Brunswick, New Jersey (in conjunction with a large acquisition of the artist's work); John Stoller Gallery, Minneapolis; Greenberg Gallery, St. Louis; Andrews Gallery, College of William and Mary, Williamsburg, Virginia; group exhibition: American Prints: Process and Proofs, Whitney Museum of American Art, New York.

In addition, the artist's Sagaponack property features an outdoor «gallery» of large - scale sculpture as well as a drawing studio and two large buildings for cutting and welding steel.

Contemporary artist Jarrod Beck will create a large - scale drawing installation in the front gallery at M E N, incorporating charcoal and packing tape, underscoring the artist's interest in material impressions, memory and the human relationship to environments both natural and built.

Later, over email, Wagner reflected almost wistfully, «While [Founder] Austin Thomas wasn't the first Bushwick art presence (we were doing artist studio visits in the area before Pocket Utopia)... I can't think of the building — or of the larger Bushwick art scene — separate from her magical space and its mission».

Since its opening in 2000, Somerset House has built up a diverse and dynamic public programme of contemporary arts and culture, it is also home to a large community of creative businesses, artists and makers, including Somerset House Studios.

While participating in programs within the contemporary art world at large, Studio Society Members build meaningful relationships with fellow Members, as well as artists, curators and other leaders in our community and beyond.

Pablo Bronstein Large Building with Courtyard, 2006 ink on paper in artist's frame framed: 20 3/8 x 25 3/4 inches (51.8 x 65.4 cm) PB - 2

Utilizing an open floor plan in our largest gallery, Make Room brought together Karyn Olivier, Amanda Ross - Ho, and Lisa Sigal, artists whose works examine the built environment, real and represented space, and the orientation of the viewer.

Cited as the first truly Modernist building of the Americas, this large complex features contributions by a variety of Brazilian artists, architects, and designers (including the influential landscape architect Roberto Brule Marx, currently the subject of a solo show at the Jewish Museum in New York) all organized by the famed, controversial godfather of 20th - century architecture himself, Le Corbusier.

Placed in the Museum's Entrance Hall, this larger - than - life mirror incorporates the visitor and the surrounding building into the world of the artist, while the reflected question introduces the perceptual nuances inherent to Bourgeois» work.

Scrim veil — Black rectangle — Natural light, Whitney Museum of American Art, New York (1977), by California Light and Space artist Robert Irwin, is a large - scale installation that uniquely engages the Whitney's iconic Breuer building and the natural light that emanates from the large window in the fourth floor gallery space.

The PMA has deep holdings of his works spanning his entire career; it owns and operates the Winslow Homer Studio, a landmark building perched on the rocky coast of Maine in which the artist resided from 1884 until his death; and the museum's Charles Shipman Payson Building was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles Shipmanbuilding perched on the rocky coast of Maine in which the artist resided from 1884 until his death; and the museum's Charles Shipman Payson Building was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles ShipmanBuilding was built in 1983 in part to provide exhibition space for a large gift of Homer works from Charles Shipman Payson.

NORTH ADAMS, MASS. — The artist Nick Cave was standing, with a slightly awe - struck look, in the middle of the largest exhibition space at the Massachusetts Museum of Contemporary Art, a former factory known as Building 5 that is as long as a football field.

«The space itself is a spring board for creativity, inspiring artists across all genres to think and reconsider their work in the context of what is believed to be the largest building of its type in the country,» says Messum.

Seen together, this expansive body of Degas's works — one of the largest in the world — celebrates the artist's boundless enthusiasm for creation, and his insatiable impulse to build form.

The land is identified as Well Parks in official papers, but the artist knows it as «the field next to Tesco» - a branch of the supermarket chain was built in 2009 on what was a larger area of unfarmed land.

Over the past five years, the artist's large sculptures, often built from repurposed materials found in blighted urban neighborhoods, have featured in a rash of major surveys that gather the world's most progressive work — 2010's Whitney Biennial, 2013's dOCUMENTA, and 2015's Venice Biennale.

part of large - scale projects where artists participate in the design of a park, building or infrastructure; or artist - initiated, individual - scale projects reflecting the immediacy of pressing environmental concerns

Starting this month, the Whitney, in collaboration with TF Cornerstone and High Line Art, will install a series of large - scale works by American artists on the façade of the TF Cornerstone building, located at 95 Horatio Street, across from the museum's new site.

2016 Tom Mc Glynn, Artist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUArtist, Writer & Independent Curator Nathalie Anglès, Co-Founder & Executive Director, Residency Unlimited Melanie Kress, Assistant Curator, High Line Art Magda Sawon, Owner & Director, Postmasters Gallery Gabriel de Guzman, Curator of Visual Arts, Wave Hill Annelie McGavin, Curator & Director, Studio10 Louise Hobson, Independent Curator, Wales Salome Asega, Artist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUArtist & Curator Shlomit Dror, Independent Curator Paolo Mele, Independent Curator, Italy Aliza Edelman, Curator and Critic, Modern and Contemporary Art of the Americas Matthew Deleget, Founder & Director, Minus Space Nicholas O'Brien, Net based artist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUartist, Curator & Writer Jennie Lamensdorf, Curator of Francis J. Greenburger Collection & Director and Curator of Art - in - Buildings Eva Pion, Independent Curator Vincent Como, Co-director, Tiger Strikes Asteroid Paul D'Agostino, Artist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUArtist, Writer, & Director of Centotto Gallery Andre Escarameia, Principal & Curator, Rooster Gallery Xavier Acarin, Independent Curator Claudio Zecchi, Independent Curator, Italy Weronika Trojanska, Artist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUArtist, Curator & Critic Sebastien Santamaria, Director of Operations, Residency Unlimited Loredana Paracciani, Independent Curator, UK and Thailand Daniela Kostova, Artist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUArtist & Director of Curatorial Projects, Radiator Gallery Alma Saladin, Project Assistant, AICA International (International Association of Art Critics) Zeljka Himbele Kozul, Independent Curator Marshall Price, Curator of Modern and Contemporary Art, Nasher Museum of Art at Duke University Matthew Lyons, Curator, The Kitchen Eugenia Delfini, Independent Curator Elizabeth Larison, Director of Programs, Apexart Anais Duplan, Independent Curator Rachel Steinberg, Director, SOHO20 Amanda Parmer, Curatorial Assistant, Vera List Center for Art and Politics Marco Antonini, Curator - at - large, NURTUREart.

The artist drips and meticulously builds layers of thick oil paint in her modestly scaled works, the largest of which measure three feet square and the smallest seven inches square.

Seen together, this expansive body of Degas's works — one of the largest collections of its kind in the world — celebrates the artist's boundless enthusiasm for creation and his insatiable impulse to build form.

The partnership builds on the expansive and important histories of both Pace and Futurecity, bridging Pace's extensive global resources with Futurecity's innovative approach to developing large scale commissions for artists in the public realm.

As the Institute of Contemporary Art, Miami launches its final exhibition in its temporary space in the landmark Moore Building, the museum has partnered with local developer Alex Karakhanian and his wife Rena Karakhanian to install a larger - than - life - sized mural featuring the work of artist Thomas Bayrle in the Miami Design District.

In the five decades since Marcel Breuer designed the Whitney's current building, the collection has expanded dramatically — from about 2,300 objects to more than 21,000 works — in large part due to donations from Museum trustees, collectors, foundations, and artistIn the five decades since Marcel Breuer designed the Whitney's current building, the collection has expanded dramatically — from about 2,300 objects to more than 21,000 works — in large part due to donations from Museum trustees, collectors, foundations, and artistin large part due to donations from Museum trustees, collectors, foundations, and artists.

Sonic Acts: Vertical Cinema February 20 — 23, 2014 During four consecutive days, ten large - scale commissioned film works by internationally renowned experimental filmmakers and audiovisual artists will be presented on 35 mm celluloid and projected vertically with a custom - built projector in the monumental staircase of the Stedelijk.

He creates one - of - a-kind photographs in a variety of hand - built cameras, the largest of which is a 50» x 80» field camera transported by the artist on a flatbed trailer.

9am - 1 pm Fountainheads Open Studios A large converted warehouse building in Little Haiti houses a complex of artist studios, including those of Dona Lambert, Juana Valdes, Lori Nozick, PJ Mills, Karen Starosta - Gilinski *, Temisan Okpaku, Nicole Doran *, Carla Fache, Julie Davidow *, Kerry Phillips *, Tom Bollinger, Marco Beria, Dona Altemus, Juan Raul Hoyos, Nereida Garcia - Ferraz, Andrea Nhuch, PaoloAmbu, Judith Robertson, Elaine Defibaugh, David Rohn *, Marisa Telleria, Martha Raoli, Jessy Nite, Ian Peter Hosfeld, ROberto Ojeda, Claudia Calle, Alexander Heria, Sandra Ramos, Santiago Rubino, Patricia Schnall Gutierrez, Typoe, Alex Tremino *, Nicole Burko, Sara Stites *, CarleneMunoz, Erni Vales, and Farley Aguilar.

DAVID&SCHWEITZER Contemporary is a large, open gallery space in the 56 Bogart loft building and takes over the recently defunct «Life on Mars» Gallery space run by artist and curator Michael David.

In 1966 - 68, the West coast pop artist, Tony Berlant built three large scale sculptures that lie somewhere between sculpture and architecture.

Many, like Regina Rex, founded in 2009, a white - box gallery on the third floor of an industrial building run by 13 artists, include the neighborhood rather than (only) catering to the larger institutional art world.