Sentences with phrase «artists in new exhibitions»

Not exact matches

Sistrunk and 20 or so boys from his youth sports program recently marched outside the Chicago Public Library demanding that New York City artist Eric Fischl's oil painting Boys at Bat, which is hanging in the library's cultural center as part of a touring baseball art exhibition, be removed.

We are especially interested in this exhibition on artists creating new business models, an open house at City Hall, a talk on craft, and a tour of public art in Lynn.

He was the first German artist to be given a solo exhibition at the Guggenheim Museum in New York whilst at home in Germany his work was often still derided as the «most expensive trash of all time».

The new exhibition Moundverse Infants at Temple Contemporary in Philadelphia centers around artist Trenton Doyle Hancock's toy dolls.

The following installations will be featured in The VR works of Felix & Paul, a showcase of groundbreaking live - action virtual reality experiences by artists Félix Lajeunesse and Paul Raphaël in the Festival's New Frontier exhibition.

Berlin, Germany — May 25, 2016 — Lulu.com, the first and largest self - publishing platform in the world, is pairing again with the American artist Michael Mandiberg to upload the 3406 volumes of German Wikipedia to create Mandiberg's newest exhibition — PrintWikipedia: from Aachen to Zylinderduckpresse — to tell the story and show the incredible extent of Wikipedia in German.

His work has also been featured in a series of major outdoor exhibitions in cities since the early 1970s, including in 1975 the first exhibition of a living artist at the Tuilleries in Paris and then a citywide exhibition presenting work in all five boroughs in New York City.

The exhibition, the late Chicagoan artist's first institutional show in New York, brings together a selection of abstract paintings.

It may be sheer coincidence, but exhibitions at the Brooklyn Museum and the Kunsthalle Vienna this autumn both focus on the women artists who were identified with Pop art, while an exhibition at the Jewish Museum in New York tackles a related subject: painting and feminism (with a bit of Jewishness thrown into the mix).

Nash, whose interest in Diebenkorn was sparked after meeting the artist and his family in 1976, added, «I knew Richard Diebenkorn, and so it is an absolute privilege and honor to be elected to this position.We will strive to bring greater recognition and understanding to Richard Diebenkorn's remarkable output over a lengthy and highly productive career, and we will continue to support public exhibitions and foster new scholarship about the artist and his time.»

Jesus as a Weapon and a Tool» winks at the New Museum exhibition «Trigger: Gender as a Tool and a Weapon,» in which Bond features by way of an installation and an occasional performance piece for which the artist models in a museum window on open view from the street.

Among its programs is the annual Grants & Commission Program, for which artists, nominated by a network of CIFO - affiliated curators and artists, submit proposals for new work to be debuted at an annual exhibition in September.

In 1977, Douglas Crimp, then a grad student at the City University of New York, organized a group exhibition called «Pictures» at the small downtown New York alternative gallery Artists Space.

Pictures, an exhibition curated by Douglas Crimp, opens at Artists Space in New York City.

The artist has participated in numerous group exhibitions including Mirror Cells at the Whitney Museum of American Art, Moma PS1's Greater New Yorkand Sculpture Center's In Practice: Fantasy Can Invent Nothing Nein numerous group exhibitions including Mirror Cells at the Whitney Museum of American Art, Moma PS1's Greater New Yorkand Sculpture Center's In Practice: Fantasy Can Invent Nothing NeIn Practice: Fantasy Can Invent Nothing New.

As one of New York's longest running and best known artist run galleries, Blue Mountain always presents exciting discoveries in its invitational exhibitions, and this year's show will be a welcome addition to the many attractions in the area this summer.

Partially in response to an exhibition at the Jewish Museum, Artists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytArtists of the New York School: Second Generation (1957), organized by Meyer Schapiro, which included twenty - three artists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mytartists, not one of them affiliated with the Tanager, gallery members at the Tanager spent five years developing what they envisioned as their own New York project, a series of five two - week exhibitions organized around five themes: Old Masters, nature departed, natured observed, paint, and personal mythology.

Contemporary Arts Center New Orleans is pleased to present Jockum Nordström: Why Is Everything A Rag - the first solo museum exhibition of the Stockholm - based artist Jockum Nordström in the Americas.

This will be the artist's first solo exhibition in the US and will inaugurate the gallery's new space at 299 Grand Street (between Allen and Eldridge).

Dawn DeDeaux and Lonnie Holley: Thumbs Up For the Mothership An exhibition designed to give an extended public forum to two artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie artists who have participated in the Robert Rauschenberg Foundation Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Artists - in - Residence program in Captiva, Florida, Thumbs up for the Mothership features works by New Orleans conceptual artist Dawn DeDeaux and Atlanta - based sculptor and musician Lonnie Holley.

Seen / Unseen is an artist book and monograph documenting Strachan's 2011 survey exhibition «Seen / Unseen,» installed in an undisclosed New York City location and deliberately made inaccessible to the general public.

This comprehensive exhibition examines the full scope of the Kabakovs» career, from Ilya's work as a «unofficial artist» in the 1960s, to his move to New York in the 1980s and collaborative practice with Emilia thereafter.

Collaboration is central to Thomas» artistic practice; works like In Search of the Truth (Truth Booth), which the Museum hosted last summer, and a new project by Thomas's artist - run political action committee For Freedoms will take the exhibition out of the Museum and into direct contact with Portlanders.

In LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISIn LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISin Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISE.

The Whitney Museum in New York is currently showcasing the first solo museum exhibition by our very own artist and alumna Toyin Ojih Odutola.

Pore is an exhibition of new work by Brooklyn - based artist Martha Friedman at Locust Projects in Miami.

Since then, the Museum has published over forty catalogues on artists — Anthony Gormley, Mark Rothko, John Baldessari, and Louise Bourgeois, among others — and group exhibitions, including Futurologia / Russian Utopias, The New Décor, 100 Years of Performance, Personal Choice, and Performance in Russia 1910 — 2010.

New York, October 7, 2013 — C24 Gallery is pleased to announce the first solo exhibition in New York by New Orleans - based artist Regina Scully.

In October 2015, Mariann Boesky Gallery in New York announced it was representing Dial and the artist had his first exhibition at the gallery's Upper East Side location at the end of the yeaIn October 2015, Mariann Boesky Gallery in New York announced it was representing Dial and the artist had his first exhibition at the gallery's Upper East Side location at the end of the yeain New York announced it was representing Dial and the artist had his first exhibition at the gallery's Upper East Side location at the end of the year.

She is the recipient of the 2012/2103 MOCA GA Working Artist Project fellowship award, and has had solo exhibitions at American Contemporary and Rivington Arms in New York, Museum 52 in London, and Mikael Anderson in Copenhagen and Berlin.

Highlights of the exhibition include a rare Julia Margaret Cameron photograph made in Sri Lanka towards the end of her life; a self - portrait by Ellsworth Kelly drawn in Paris in 1949; the first collaborative work by Peter Fischli and David Weiss, a set of 10 photographs called the Sausage Series; a new painting on paper by Brice Marden; one of the art brut artist Adolph Wolfli's largest and most important drawings; a portrait of Lucian Freud by Walker Evans; and a mescaline drawing by Henri Michaux.

Beginning today, an online exhibition of 18 artworks by African - American artists in the BMA's collection can be viewed by people around the world thanks to a new partnership between the Google Cultural Institute and more than 40 other organizations with African - American artworks and historical artifacts.

Thomas Marks talks to artist Idris Khan as the largest exhibition of his works to date goes on display at the New Art Gallery in Walsall

A group exhibition of contemporary artists exploring 2 and 3 - dimensional sculpture curated by Indira Cesarine to take place at The Untitled Space gallery in New York City July 2018 and online on Artsy.

During this unique five - year project IMMA will present a series of different and exclusive Lucian Freud related exhibitions, with a new programme of events and openings each year, including works and new commissions by other modern and contemporary artists in response to Freud, and will reveal exciting new perspectives on this major artist today.

For her solo exhibition at Ameringer McEnery Yohe in New York, the artist has created the large - scale painting Untitled (2014), alongside six smaller paintings comprising extracts of the first.

Testament to this is an exhibition of the San Francisco - based artist's recent work, which is now on view at Ameringer McEnery Yohe in New York.

This exhibition of paintings, sculptures and drawings marks the London debut of American artist Justin Almquist, who was born in Minneapolis in 1976, received his BFA at Pratt Institute, New York in 1998 and his MFA at the Academy of Fine Arts in Munich in 2010.

2018 — Figurative Diaspora: The Migration of Academic Training from Russia to China in the Service of Progressive Art, Co-curated by Mark Tansey 2017 — Piss & Vinegar: Nina Chanel Abney, Robert Arneson, Sue Coe, Robert Colescott, R. Crumb, Nicole Eisenman, Natalie Frank, Hilary Harkness, Peter Saul, Robert Williams 2016 — Now and Then: Drawings from the 19th Century to the Present 2015 — Beautiful Beast: Ball, Cook, de Jong, Demetz, Dill, Dupont, Fischl, Fox, Mennin, King, Penny, Piccinini, Pondick, Silverthorne, Smith, Taplin, Wilkinson Gallery, New York, NY 2014 — The Big Picture, Desiderio, Fischl, Rauch, Saville, Tansey, Wilkinson Gallery, New York, NY 2011 — Iconomancy, Wilkinson Gallery, New York, NY 2011 — I've Got a Secret, The Forbes Galleries, New York, NY 2011 — Uncovered, Eden Rock Gallery, St. Barths 2010 — Just Off, Sloan Fine Art, New York, NY 2007 — Normal, Linda Warren Gallery, Chicago, IL 2006 — Uprising, Lower Manhattan Cultural Council Space, New York, NY 2005 — Primed, Parsons School of Design, New York, NY 2003 — The Burbs, DFN Gallery, New York, NY 2003 — Space Invaders, FishTank Gallery, New York, NY 1985 - 89 — The Drawing Center, New York, NY, Artist Curator, Responsible for interviewing artists, portfolio reviews and initial selections for group exhibitions.

To organize this exhibition, some 30 curatorial staff members from P.S. 1 and MoMA reviewed the work of more than 2000 artists, conducted extensive slide reviews, and visited more than 250 studios in the New York area.

P.S. 1 will also use the works in the exhibition as a basis for a symposium this spring to encourage a lively dialogue between artists and art historians in New York.

Originating at the New Museum in New York last fall, the exhibition features «The Holy Virgin Mary,» Ofili's most recognized and most controversial dung painting from the 1990s, which sold at Christie's London on June 30 for $ 4.5 million, a record for the artist.

Curated by Matthew Deleget, the exhibition surveys reductive strategies by 29 artists living in and around New York City.

Leading up to his two exhibitions later this autumn at David Zwirner's gallery spaces in London (October 5 — November 17) and New York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintinNew York (November 1 — December 19), I discussed with Tuymans a number of subjects that come out of his two new bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintinnew bodies of work, including the questions they raise around the romanticized life of artists, the recurring issue of otherness in his work, and how a talking parrot in a charmingly ramshackle tapas bar close to his studio inspired the title for a series of new paintinnew paintings.

He has written a number of essays on Donald Judd and organized several exhibitions of the artist's work including Judd's first major museum exhibition at the Whitney Museum of American Art, New York in 1968.

For his first solo exhibition at Simon Lee Gallery Hong Kong, the artist will present a selection of new works from Looking Up in Osaka, a series comprising of over 300 photographs of utility poles and cables taken...

The current exhibition at Gary Snyder — his first New York show in fourteen years — brought to mind the refrain that has been repeated since the artist died, not yet sixty, more than twenty years ago: a museum really ought to do his retrospective.

After leaving the Royal Academy Schools in 1960, he was included in the influential Situation group exhibitions in 1960 and»61 and selected as one of Robertson's New Generation artists at the Whitechapel Gallery in 1964.

by Nadiah Fellah Humor and irreverence mark Chicago artist Scott Reeder's new exhibition of paintings and sculptures at Lisa Cooley in New Yonew exhibition of paintings and sculptures at Lisa Cooley in New YoNew York.

IN 1988 — Certificate of Excellence, New York ’88 International Art Competition, Art Horizons Exhibition, Larchmont, NY 1986 — Certificate of Excellence, North Coast Collage Society Exhibition, Hudson, OH 1986 — Honorable Mention, Nepenthe Mundi Society Exhibition, Kansas City, MO 1986 — Certificate of Excellence, Metro Art International Exhibition, Greene Street Gallery, Scarsdale, NY 1986 — Favorable Review by art historian & New York Times critic Mr. Hilton Kramer, Ultrasound, R.H. Love Gallery, Chicago, IL 1985 — New Jersey Chapter Award, 2nd Place, American Artists Professional League Exhibition New York, NY 1985 — Personal invitation by internationally known modern master, Kenneth Nolan, to work on the installation of his show 1984 — MWS Letters Award, Midwest Watercolor Society, Neville Public Museum, Green Bay, WI 1983 — Internorth Foundation Award, Midwest Watercolor Society, Davenport Art Gallery, Davenport, IA 1982 — Daniel Smith Award, Midwest Watercolor Society, West Bend Museum of Art, West Bend, WI