Sentences with phrase «artists in the exhibition engage»

Organized in a collaborative effort between curator Julie Fishkin, and artist Saya Woolfalk, the fifteen artists in the exhibition engage the dichotomy between communal pasts and the individual experience, intertwining them visually through the manipulation of common materials and reexamination of time - honored aesthetic practices.

Each artist in the exhibition engages with the medium of thread in a variety of ways and yet shares a common focus of elevating this simple and multifaceted material through the manipulation of its natural qualities.

An international group of artists in the exhibition engage in practices that challenge and upend our expectations for the continuity of performative compositions, lines of movement, and thought.

The artists in the exhibition engage with the term queer not only as an identity that embraces different sexualities, genders, international and transnational backgrounds, but as a verb: as in queering or rethinking the familiar ways citizenship and belonging are defined.

While a number of artists in the exhibition engage directly with Broodthaers's piece, Eric Zboya's The Depths of a Shipwreck (2012) was one of the most captivating.

The artists in the exhibition engage with a variety of media, drawing inspiration from diverse sources — such as everyday objects, childhood memories, current and historic events, and the body — often creating parallel or alternate narratives that complicate fact, fiction and memory.

Not exact matches

The artists in this exhibition employ a diversity of media to create intriguing experiences that engage the senses, activate the imagination, and provide connections between the viewer and the work of art.

This exhibition and programming will continue Wave Hill's efforts to examine the ways that artists engage in ecological projects that present a call to action.

The Arthur Ross Gallery reaches across disciplines to engage faculty, students, artists, and the public in its multicultural exhibitions.

Building on Artists Space's history as an institution whose program has increasingly emphasized community participation and political organization (see last year's Decolonize This Place, which turned the gallery into a weekly activist meeting hub), Coop Fund foregoes traditional media like painting or sculpture in favor of video, art - science hybrids, updated junk sculpture, and institutional critique, making an implicit statement about these media that, for their associations with high - modernist seriousness, are appropriate to a politically engaged exhibition.

«What makes «The Sea is the Limit» a unique exhibition is the fact that each participating artist has been addressing the theme of refugees and engaging with migration, immigration, dispossession and rootlessness for some years, and in some cases, for example as in the case of the renown Irish artist Brian Maguire, for some decades.

The paintings included in this exhibition have a darker palette, Ruby's garish colors are covered with layers of black paint, as if the artist were now engaged in defacing his own works.

Founded in 1973 as an alternative to the more established art and culture hierarchy — Atlanta Contemporary was founded on the principles of engaging in experimentation and risk - taking through varying exhibitions, programming, and support of working artists.

There are currently several small one - person and group exhibitions of women artists and installations of discrete works by women artists scattered around MoMA although perhaps secreted might more accurately reflect the stealth approach to the serious engagement with curation, presentation, and acquisition of works by women artists that the museum is currently engaged in.

Situating itself within current art historical and political debates, the exhibition considers work by self - taught, spiritually inspired and incarcerated artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent reference to place.

Join ArtTable for a tour of L.A. landmark exhibition conducted by Jens Daehner in which leading contemporary artists engage with ancient philosopher Plato's legacy.

In 2015, she organized the museum's largest exhibition to date, Strange Pilgrims, a fourteen - artist, thematic exhibition on experiential art that engaged three venues and a catalogue in conjunction with the University of Texas PresIn 2015, she organized the museum's largest exhibition to date, Strange Pilgrims, a fourteen - artist, thematic exhibition on experiential art that engaged three venues and a catalogue in conjunction with the University of Texas Presin conjunction with the University of Texas Press.

First Floor Gallery Engages New York Artist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local arArtist NewsDay, November 3, 2012 As part of its educational programme designed to address the challenges facing young visual artists in Zimbabwe, First Floor Gallery has invited a senior New York - based artist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local arartist and mentor, Janet Goldner, to conduct workshops and a collaborative exhibition with the local artists.

Rather than get hung up on Isaac Julien's recitations of Das Kapital (which even Enwezor admits is «a book that nobody has read and yet everyone hates or quotes from,» [5]-RRB- a more engaged viewer might see these readings as part of a larger program of live performance [6] that periodically animates the installation, both in David Adjaye's massive red «Arena» and throughout both exhibition venues, with musical compositions arranged by artists including Charles Gaines, Jason Moran and Alicia Hall Moran, Jeremy Deller, and Jennifer Allora and Guillermo Calzadilla.

This past spring, the gallery relocated to a 4,000 - square - foot space in Hollywood with the capacity to support large - scale projects and exhibitions, aiming to represent both local and international contemporary artists and engage with the community to encourage cultural conversation.

This Annual Open Call exhibition challenges artists to create works in a box that engage one viewer at a time.

Engaging works of various minimalist artists and choreographers who emerged in the 60s and 70s are on display at the Moderna Muset exhibition.

This exhibition encourages students, colleagues, and the public to view, discuss and engage in critical dialogue regarding the exhibition with our teaching artists.

While Frankfort's work seems to eschew some of this historical weight in favor of a nuanced linguistic playfulness suggestive of the paintings of various other artists, including Ed Ruscha, Mel Bochner, Suzanne McClelland, and Kay Rosen, it nevertheless both engages with the physicality of paint and retains a certain conceptual directness evocative of Louise Fishman's groundbreaking «Angry Paintings» from 1973 (recently included in the exhibition «WACK!

As a response to the current social and political climate in the United States, the Strange Fire Collective is looking for work made by women, people of color, and LGBTQ artists that engages with issues of social justice and critically questions the dominant social hierarchy for our upcoming exhibition Call and Response: Art as Resistance.

Las Vegas Weekly, The Barrick's «Plural» Teams Local and International Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration

Drawing upon their complementary areas of expertise, they will work closely with Frank Stella and one another on exhibitions, publications, and other ambitious projects that fully engage the span of the artist's remarkable career, emphasizing his dynamic current studio practice and addressing its significance within in context.

Center, in turn, exists as an independent exhibition space founded by artist Lin May and home to coeval.gen.in, an internet - based platform for artists, writers and curators engaging with a critical use of technology and digital economy.

Bailey is from Australia and recently curated exhibitions for the AIDS 2014 conference including the exhibition Vital Signs - Interpreting the Archive at the Blindside Gallery in Melbourne which featured contemporary artists engaging with the collection of the Australian Lesbian and Gay Archives.

The exhibition brings to Gallery - Legacy Čolakovićy, a satellite venue of Belgrade's Museum of Contemporary Art, twenty - one artists whose works engage with the ways the visual arts are portrayed in movies.

Rather than describing the material world through models and representations, the artists in the exhibition work directly with matter, engaging processes that record material interactions while pointing to scales beyond the works.

His role at the Lunder Institute for American Art will be a three - year appointment, where Gates will convene artists and thinkers from around the world for retreats, provide opportunities for students and faculty to engage in his practice, and identify opportunities for additional artist residencies, projects, and exhibitions at the Institute, founded in 2017 at the Colby College Museum of Art.

Each of the museum's two current headline exhibitions — Anna Betbeze's Venus and Matthew Angelo Harrison's Dark Povera Part 1, both on view through December 17 — engage that complicated relationship in indirect but interesting ways: Betbeze is a Georgia native who continues to make work here despite now living in New York, and Detroit artist Harrison's show draws much of its source material from Atlanta - based collections of African art.

From that point on, the Brazilian forces were fully engaged in the war and interestingly so, an exact number of 70 artists decided to run the first Brazilian group exhibition in London in order to raise funds for the British troops.

Curated by Sara Reisman, Executive and Artistic Director of The Shelley & Donald Rubin Foundation, The Supper Club is comprised of three components: an ongoing series of socially - engaged dinners, an exhibition of 60 photographic portraits of the artists who participated in the dinner conversations, and a book scheduled for publication in 2018.

Belying the precision and stakes of the obscure engineering principle for which it is titled, the artists» open - ended approaches and the loose associations in their works engage the viewers» individual experience of touch, making it a very personal — and subjective — exhibition.

The exhibition features a diverse selection of 22 artists working in London and engaging with topical concerns; from the rapidly changing urban context, the environment, technology, gender and race to queer representation, human relations, activism and post-colonial histories.

A concurrent exhibition of new and recent work at Timothy Taylor Gallery, defiantly entitled An Ongoing Investigation reminds us that Hiller is an artist still very much engaged in her projects, collections and series, some of which have been accumulating since the very start of her career.

Eligibility: Applicants should be actively engaged in the visual arts and seriously interested in writing about or creating exhibitions of living artists from the region.

To illustrate their ongoing relevance in contemporary dialogues, MOCA Jacksonville invited a handful of artists to engage with the collection and participate by either the creation a new work of art or presenting an existing piece for inclusion in the exhibition.

In a spirit of cinematic dialogue with her three London exhibitions this Spring, Tacita Dean has invited Los Angeles - based curator and archivist Mark Toscano to select and present three programmes of 16 mm films by various artists, each one engaging with one of the themes of her exhibitions.

Given Müller's investment in content (which, it should be stated out front, never overwhelms the paintings» interlocking Cubist framework but rather engages it in a kind of communion), it is impossible to look at this exhibition of late paintings — almost all of them completed in the two years before the artist's death — without meditating on the extra 24 years of life (in Christopher Marlowe's version) that Faust received in exchange for his soul.

During their one - year residency, curators engage a broad range of artists to create a series of exhibitions in Disjecta's dynamic 3,500 - square - foot space.

Art in General gives selected artists the opportunity to create and present new work by providing them with a high level of organizational and conceptual support including artist fees, production fees, exhibition space, a solo exhibition, promotion, and opportunities to engage with audiences through free online and public programs.

The opportunity to present an exhibition in the dynamic Minnesota Street Project space aligns with the gallery's mission as it looks towards its next phase, when it will continue its tradition of exhibiting major works of historic significance international in scope alongside prominent local Bay Area artists, while also providing a platform for promoting and nurturing young artists with engaging new exhibitions and programming.

These commissioned pieces complement the second part of the exhibition that showcases the work of artists in residence at Dieu Donné, a New York - based nonprofit paper workshop that has been providing opportunities for artists to engage with the process of handmade paper since 1976.

Located in the Fields Corner neighborhood of Dorchester, DAP provides studio and communal space to artists, while programming our gallery space with regular exhibitions of critically engaged, emerging local artists, as well as artist talks and lectures.

Exhibitions include: a group exhibition curated by artist Nayland Blake that investigates queer identification through new communications technologies; the first comprehensive career survey and solo museum exhibition dedicated to Cary Leibowitz, whose bold text - based works address issues of identity, sexuality, and queer politics; and a focused exhibition on broadcast and video work, organized in partnership with Electronic Arts Intermix (EAI), that focuses on how artists have engaged with the legacy of broadcast media.

Pace Gallery is pleased to present a group exhibition featuring artists from across its program whose works engage in diverse ways with fundamental properties of mathematics.

Blackbox: An Afrofuturist Opus (April 28th, 2017 - May 17th, 2017) A discursive platform and group exhibition in three acts, that explored and made visible the multidimensional ways that artists are engaging with strategies of Afrofuturism.