Sentences with phrase «artists in the exhibition express»

Not exact matches

Just about everything you need to know about Dennis Oppenheim and his work is expressed in the touching video piece Star Exchange (1970) on view in the indoor gallery at Storm King — part of the expansive indoor and outdoor exhibition of the artist's work, Terrestrial Studio.

Nothing is deeper than the skin, London - based multidisciplinary artist Shirazeh Houshiary's current exhibition at the Lisson Gallery in New York, combines aesthetics and the history of art, physics and poetry as a way to express her recurrent theme of a universe in flux, in disintegration.

Ninety local artists come together to express political angst in group exhibition What's Next?

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstIn the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Gallery artist Simone Shubuck is featured in this exhibition that offers the notion that there are different ways, methods, and styles in which a person expresses themselves depending on their motivation, circumstance, influences, or simply by conscious choice.

Embracing the linear, abstract and geometric, and the human desire to locate order and beauty in a world that often provides neither, Dahlgren's solo exhibition — his second here — features works (many site - specific or performative) that express how an artist can cultivate awe - inspiring impressions stemming from deliberation and recurring tasks, and from the alteration of domestic objects and common items such as weighing scales, coloured pencils and darts.

In her review of the ICA Boston's current exhibition, Art in the Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.&raquIn her review of the ICA Boston's current exhibition, Art in the Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.&raquin the Age of the Internet: 1989 to Today, Megan Driscoll (PhD candidate in contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.&raquin contemporary and African American art at the University of California Los Angeles) attends to the conflicted responses that the featured artists and exhibition curators alike express toward the ubiquity of computer networks, unpacking exhibition subthemes ranging from «states of surveillance» to «performing the self.»

The exhibition also shows how this spirit in painting was fostered by the previous generation, from Walter Sickert to David Bomberg, and how contemporary artists continue to express the tangible reality of life through paint.

The «Lit» exhibition features contemporary artists who use light in some way to express their creative vision.

Denver Art Museum: Mi Tierra: Contemporary Artists Explore Place is an exhibition of site - specific installations by emerging and mid-career Latino artists that express experiences of contemporary life in the American West -LArtists Explore Place is an exhibition of site - specific installations by emerging and mid-career Latino artists that express experiences of contemporary life in the American West -Lartists that express experiences of contemporary life in the American West -LSB-...]

As a 1969 architecture graduate from Melli University (National University), Mousavi mounted his first painting exhibition in the late nineteen - sixties, and he expressed his opinions on art in forms of writing and open discussions mostly held at the avant - garde artist - run Ghandriz Gallery in Tehran.

The Denver Art Museum (DAM) presents Mi Tierra: Contemporary Artists Explore Place, an exhibition of site - specific installations by emerging and mid-career Latino artists that express experiences of contemporary life in the AmericaArtists Explore Place, an exhibition of site - specific installations by emerging and mid-career Latino artists that express experiences of contemporary life in the Americaartists that express experiences of contemporary life in the American West.

In this review of the exhibition Bob Rauschenberg at Charles Egan Gallery, New York (December 1954 — January 1955), Frank O'Hara, a poet and a friend of Rauschenberg's, expresses buoyant enthusiasm for the artist's work.

In 1990, I participated in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»In 1990, I participated in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»in the exhibition hall «Express Avangard» with five works with avant - garde artists of the USSR, and then I was shown in Moscow, Vienna, New York, in the Art Gallery «Avangard»in Moscow, Vienna, New York, in the Art Gallery «Avangard»in the Art Gallery «Avangard».

Looking at these pictures it is easy to catch some fundamental aspects that recur throughout the exhibition: performance, sculpture, painting, objects, film and photography converge, all equally plausible mediums for expressing her bodily and material position in the world as an artist, woman, worker, lover.

By selecting certain artwork in various media and including artists interviews by artists not presenting work in the show, the curators of the exhibition argue that each artist included expresses their identity in these works on view.

In the SUPERMAX exhibition the artist presented a claustrophobic installation that expressed the feeling of being incarcerated or trapped.

Adrian Searle, art critic for the Guardian Newspaper has expressed regret at the lack of female artists represented in the Royal Academy's exhibition, especially the above mentioned Lee Krasner — one of only four female artists to have a retrospective show at the Museum of Modern Art in New York (the others being Helen Frankenthaler, Louise Bourgeois and Elizabeth Murray).

Such feelings are very difficult to express with words alone; the artists in the exhibition have elected abstract visual expression as the best medium of representation for these complex and uniquely human realities.

Celebrating 25 years of Parkett gives us a welcome opportunity to express our delight in the numerous exhibitions currently devoted to this artist's clear, serene and complex oeuvre.

«In his first solo exhibition in Washington, artist Justin D. Strom presents seductive surfaces that express an aesthetic based on the human image as shaped by, and reflecting, our digital age: an age that attempts to dissolve the distinction between the virtual and the corporeaIn his first solo exhibition in Washington, artist Justin D. Strom presents seductive surfaces that express an aesthetic based on the human image as shaped by, and reflecting, our digital age: an age that attempts to dissolve the distinction between the virtual and the corporeain Washington, artist Justin D. Strom presents seductive surfaces that express an aesthetic based on the human image as shaped by, and reflecting, our digital age: an age that attempts to dissolve the distinction between the virtual and the corporeal.

As expressed in his artist statement for The Museum of Modern Art's Fourteen Americans exhibition, Noguchi firmly believed «it is the sculptor who orders and animates space, gives it meaning.»

The artists included in the exhibition — Ginger Brooks Takahashi, Nicole Eisenman, Wynne Greenwood, K8 Hardy, Ulrike Müller, Emily Roysdon, and A.L. Steiner — are engaged in artistic practices informed by the history of feminism, while also expressing a desire to reinvent their relationship to feminist strategies in both their individual and collective endeavors.

In this exhibition, prominent artists from Asia, Europe and the United States, who in various ways express themselves through the video medium, will be represented with their key workIn this exhibition, prominent artists from Asia, Europe and the United States, who in various ways express themselves through the video medium, will be represented with their key workin various ways express themselves through the video medium, will be represented with their key works.

In the exploration of new mediums, generated by Abstract Expressionism and Color Field Painting, several of the artists in the exhibition explored a realm of the spiritual and sought to express emotive intensitieIn the exploration of new mediums, generated by Abstract Expressionism and Color Field Painting, several of the artists in the exhibition explored a realm of the spiritual and sought to express emotive intensitiein the exhibition explored a realm of the spiritual and sought to express emotive intensities.

For some Asian artists who live in the West, including those participating in this exhibition, traditional techniques have become strategies by which to express their Eastern identities.

The only female artist represented in the Museum of Modern Art's legendary The New American Painting exhibition that toured Europe in the 1950s, Grace Hartigan sought to express the spirit of her age through her emphasis on the creative process.

Among the year's Middle East - themed exhibitions, several Saudi artists participated in «Arab Express: The Latest Art from the Arab World» (6/16 — 10/28) at Mori Art Museum in Tokyo, in «Light from the Middle East: New Photography» (11/13 — 4/7/13) at London's Victoria & Albert Museum and in «Hajj — Journey to the Heart of Islam» (1/26 — 4/15) at the British Museum.

As a cross-disciplinary artist, Gates» expresses his meaningful and empowering works through an array of artistic practices including painting, sculpture, audio, and performance art.The title of the exhibition references The Souls of Black Folk by W.E.B. Du Bois», a publication considered among the most important work in African American literary history and sociology.

Exhibition curator, Noah Klersfeld, says the show serves as a jumping off point for the artists to express in numerous ways how objective truth may be unattainable or undesirable.

Part of NSU Art Museum's Regeneration Exhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visuaExhibition Series, and featuring works from its Golda and Meyer Marks Cobra Collection, the largest Cobra art collection in America, this exhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visuaexhibition explores Cobra artists» innovative use of animal images and how they expressed elements of popular visual culture.

In the works included in the exhibition, twenty - eight artists express a varied fascination with city planning, failing modernity and its utopias, social and economic pressure, and the anonymity of everyday life and its worn - out routinIn the works included in the exhibition, twenty - eight artists express a varied fascination with city planning, failing modernity and its utopias, social and economic pressure, and the anonymity of everyday life and its worn - out routinin the exhibition, twenty - eight artists express a varied fascination with city planning, failing modernity and its utopias, social and economic pressure, and the anonymity of everyday life and its worn - out routine.

Express yourself with activist poster - making, speak your truth in the Free Speech Machine, check out the local art scene at the latest MN Artist Exhibition Program opening, enjoy live music from Sarah White and take part in Rated T: Twin Cities Takeover, designed by teens, for teens.

Inspired by the exhibition in our main gallery Technologies of the Kitchen (Lasse Lau & Flo Maak), Pro Arts teaching artist, Paula Hansen organized an exhibition for Pro Arts» Project Space, in which OUSD TK - K students expressed their ideas about identity through art.

For their coming solo exhibition the artists are exploring the various ways in which they can express their significant style.

From the art world to the real world, artists in the exhibition collectively express what happens when culture is used as will to power.

Published to accompany a major exhibition at Tate Britain in London, All Too Human not only demonstrates how this spirit was passed down by artists of the previous generation, such as Walter Sickert and David Bomberg, but also explores how contemporary artists continue to express the complex intangible realities of life in paint today.

Established in 1979, the Baltic Triennial is a periodic exhibition of young Baltic artists, often expressing non-conformist attitudes, that has steadily grown to become a major international exhibition in all of Northern Europe.

14 Reesa Greenberg also expressed her appreciation for exhibitions, such as Telling Histories: An archive and three case studies in the Munich Kunstverein in 2003, which tried to breathe new life into the historical debate regarding controversial exhibitions with the explicit aim of revealing their relevance for contemporary, politically committed artists and institutions.

The desire for permanent exhibition premises was being separately expressed within the spheres of the Basler Kunstverein and the Basler Künstlergesellschaft (Basel Society of Artists) in as early as the 1840s.

Steve Cup (MFA 2015 Illustration as Visual Essay) Breaking Point Waterloo Arts Gallery 15605 Waterloo Road, Cleveland, Ohio Steve Cup is an experienced illustrator and printmaker with a focus on storytelling and in his latest exhibition, the artists expresses his viewpoint on the first year of the volatile Trump presidency.

Laszlo Révész and Andras Böröcz, two visiting artists from Budapest featured in this exhibition, express their concepts through a complex variety of art forms.

East Gallery: Laszlo Révész and Andras Böröcz, two visiting artists from Budapest featured in this exhibition, express their concepts through a complex variety of art forms.

Italian - Swedish street artist Alessandro Battisti also known as ETNIK opened last Tuesday FUN da MENTAL a new solo show at the GCA Gallery in Nice, France Not unlike ETNIK's «Prospective Cities» series, a project started in 2003, the new exhibition focuses on an interesting mix of floating architectonic structures, graffiti and illustration expressing this sense for balance and composition so characteristic of his work.

Although «Ai Weiwei» is an exhibition expressed with great subtlety, this sudden surge of solo exhibitions by the artist in his home city makes a powerful statement — that we can not deny his conspicuous presence in the art world, whether abroad or at home.

Alternatively, the other artists in the exhibition have either critically recollected history, quoting and appropriating at will, as do Houle and Poitras, or have expressed a kind of amnesia which reflects a particular specificity, as do Andrews, Leydon, and Ash Poitras.

Still, while speaking at a preview last week for her current exhibition at Hauser & Wirth's Upper East Side outpost, Anna Maria Maiolino: Between Senses (her debut at the gallery as well as her first solo in the US since one at the Drawing Center in 2002), the artist reverted to Italian, rather than Portuguese, when she couldn't find the right words to express herself in English.

e are told by Jennifer R. Gross, in the catalogue accompanying this focused exhibition of Jim Nutt's work (even with 70 paintings and drawings it is not a retrospective or a survey), that the artist «has expressed surprise that his unidentified women have been seen as male rather than as the clearly female subjects he intended.

He is currently in the museum exhibition «Transfer» at the Museu Santander Cultural, Porto Alegre, which features over 100 Brazilian and U.S. artists «who use the streets to express, created their own means of communication, distribution networks and aesthetic values,» alongside urban culture mavericks Mark Gonzalez, Herbert Baglione, Thomas Campbell, Cheryl Dunn, KAWS, Chris Johanson, Spike Jonze and Craig R. Stecyk III.

Turner, Monet, Twombly: Later Paintings celebrates three artists who employed paint to express their engagement with social and political issues, and human concerns that traditionally preoccupy men and women in later life, for this is an exhibition of works from the second half of their careers, from a period when the outward battles have been won but when the inner battles commence.