Sentences with phrase «artists in the exhibition push»

Black art is as complicated as that so, of course, it's a term some people push against, many of the artists in this exhibition push against it.
As it is now widely understood, drawing is not simply a preliminary activity or working process within an artist's practice; indeed, some of the artists in this exhibition push drawing towards extreme limits of finish.

Not exact matches

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?
LIBRARY STREET COLLECTIVE Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.
In this video, the exhibition's curator Tess Jaray RA talks about some of the techniques used by these artists as they push the boundaries of what printmaking means and what it can do.
With the push for recognizing heretofore undervalued black artists animating museums these days, this exhibition — organized by Ruth Fine, a former curator at the National Gallery of Art, in Washington — offers an excellent occasion not only to assess the significance of Mr. Lewis and his art.
This exhibition, though not claiming to be a historical or academic in - depth study, aims to help trace the evolution of this vibrant exchange from Japan's post-World-War-II economic boom to the present, from mid-century avant - gardes to emerging contemporary artists pushing new boundaries.
Uniting the artists in the exhibition is an underlying interest in how geometric shapes, planes and compositions can push representations of land and city into a world beyond reality.
Throughout the exhibition, visitors will see the particular ways in which Japanese artists have contributed to the betterment of New York City's cultural landscape — from mid-century avant - gardes to emerging contemporary artists pushing new boundaries.
In Los Angeles, Overduin & Co. presents «Seven Reeds,» a group exhibition that includes an international cast of five of the most talked about emerging artists on the planet — including Jacob Kassay, Julia Rommel and Fredrik Vaerslev - each of whom are pushing abstraction to new places.
This exhibition pushes the boundaries for viewers accustomed to finding meaning in visual images and for artists who use words as inspiration, commentary, design and poetic dialogue.
The artist makes sure to push himself not only creatively but moreover, mindfully — constantly presenting and addressing new ideas and concepts to the viewer, resulting in a diverse and complex yet energetic body of work, turning each art ashow and gallery exhibition into a new experience while staying impressively and consistently recognizeable.
With a particular focus on painting, this exhibition brings together seminal works that provide an overview of the artistic, socio - economic and political concerns of artists in Germany, during a time period when these artists were reconciling with the trauma of war, finding a national identity, struggling for freedom of expression and constantly pushing the limits of modern and contemporary art.
In this week's roundup you'll find two island exhibitions, some curiosities of Monaco, a photographer who pushes buttons, and a group of artists who keep it real: Indianapolis Island, a floating...
The exhibition explores the artist's collaborations with printers, publishers, woodcarvers, and papermakers that pushed the medium in new directions.
As a sculpture and ceramic artist, Ronit Baranga continues to push the line between living and still in this new exhibition by exploring the untamed facets of her imagination.
To this end, the exhibition will highlight Pousette - Dart's intellectual curiosity and open - minded engagement with a broad range of cultural, intellectual, and even technological stimuli as he continued to push his practice as a visual artist forward in ever - ambitious new directions.
Resident artists are encouraged to push their creative practice that must result in a new exhibition.
Jeff has pushed that legacy further than any other artist in terms of the standards and level of detail with which he produces his work, and there's an essay in the exhibition catalogue by [Artforum editor] Michelle Kuo that argues that he is producing objects at a level that's higher even than science or industry today, with elements of his sculptures that are more exacting and complicated than equipment made by the aerospace industry.
Drawing from the four pillars of design — shape, form, pattern, and color — each artist in the exhibition uses various medium and technique resulting in a range of works that expand upon thought - generative concepts that push against assumptions of design.
Her work was included in the recent exhibitions Elles: SAM Gallery, Featuring Northwest Women Artists and Push at G. Gibson Gallery.
MFTA is pleased to join the fray with WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipients Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.
MFTA Gallery is pleased to present WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipients Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.
All the artists in this exhibition play with their materials and push the boundaries of what it means to paint.
In conjunction with «Extreme Measures,» Chris Burden's museum - wide exhibition, «Pushing the Limits» is presentation of artist drawings, correspondence, ephemera, photographs, and video footage culled from the New Museum's rich archival collection.
The Israeli Opera pushes the boundaries of the medium of opera with a unique and groundbreaking project marking the opera season opening: OPERART — an exhibition of artistic photography in which seven Israeli artists present their personal interpretation to seven operas that will be performed by the Israeli Opera in the 2017 - 2018 season.
Most recently in the form of a February solo show at Greene Naftali in New York, and its inclusion in the summer group exhibition Push Pins in Elastic Space curated by the artist Gabriel Kuri at Galerie Nelson - Freeman, Paris.
Art fairs helped the gallery get greater international reach, push their brand and meet new clients, but artists prefer the showcase of the gallery exhibition rather than the art fair, as do collectors, who get to see the work «in context», he said, rather than one piece per artist in a fair - booth group show.
This exhibition demonstrates his protean reach as an artist, pushing not only the boundaries of abstraction but also bringing modern vitality and innovation to landscape, cityscape, and portraiture, themes that preoccupied him throughout his working life in Barcelona, New York, Paris, Madrid, and Montevideo.
On New Year's Day, January 1, 2018, Chinati Foundation artist in residence Kate Newby will host an open studio and exhibition, Swift little verbs pushing the big nouns around, at the Locker Plant on East Oak Street from 3:00 to 6:00 PM.
From playground antics to mathematical strategy, the artists in Push Play mine the significance of games, reinventing them to create experiences that involve the viewer and reflect on the nature of participation in art and art exhibitions.
The second exhibition in the 2017 — 2018 season of the SOMArts Curatorial Residency, this group exhibition centers artists whose identities as queer, trans *, gender non-conforming and Muslim have consistently pushed them to the margins of...
In conjunction with the exhibition's last stop at Haverford College, a two - day conversation has been organized to delve deeper into questions about regionalism, display, and structures of support for under - recognized artists in ways that push the boundaries of curatorial, artistic, and institutional innovatioIn conjunction with the exhibition's last stop at Haverford College, a two - day conversation has been organized to delve deeper into questions about regionalism, display, and structures of support for under - recognized artists in ways that push the boundaries of curatorial, artistic, and institutional innovatioin ways that push the boundaries of curatorial, artistic, and institutional innovation.
The work by each of the artists included in this exhibition pushes the viewer to fill in information, to question their assumptions, question what they see, think, and feel.
Organized thematically and chronologically to explore Gutai's inventive approach to materials, process, and performativity, the exhibition explores the group's radical experimentation across a range of media and styles and demonstrates how individual artists pushed the limits of what art could be in a postatomic age.
Materials for the Arts Gallery presents WasteDiversions: Sculpture and Collage from New York's Waste Stream, an exhibition of new work by artists from MFTA recipient groups Culture Push and Vaudeville Park, as well as participants in Friends of MFTA's open studio program.
Loosely inspired by the liminality — the interfacing of the threshold between two planes — of such an imagined space, Indian artist Surendran Nair's new body of work in «Cuckoonebulopolis: (Flora and) Fauna,» presented in the artist's first solo exhibition at Aicon Gallery, explores notions of indeterminacy and ambiguity, while intending to push the viewer to consider new hypothetical realms of possibilities.»
In this exhibition alone, the artist produced three site - specific installations — including a fantastic public artwork — that convey a sense of urgency, risk, imagination, and a deep passion for pushing physical and conceptual boundaries of place, space, and time.
Library Street Collective specializes in cutting edge contemporary fine art with a focus on emerging and established artists who have pushed the boundaries of traditional medium and exhibition space.
The interactive exhibition brings together (for the first time in the UK) a selection of artists who push the boundaries of their fields using digital media, including architects, filmmakers, designers, musicians and game developers.
The exhibition includes at least 15 more artists engaged in the push and pull of political irony, including Matthew Lusk's, «Untitled Encampment» (2006), which includes tents, netting, and American flags blown by small electric fans in the outdoor courtyard.
The artists in this exhibition embrace the irreversibility of pushing themselves through the most narrow of passage ways.
2011 Postcards from the Edge, CRG Gallery, New York, US Litos Grafere, Danish Art Center Silkeborg Bad, Silkeborg, DE; Museum of Stavanger, NO Freeriding, East / West Galleries, Woman's University, Denton, Texas, US Sculpture in So Many Words: Text Pieces 1960 - 75, Ziehersmith, New York, US Intrusions, Galerie Michèle Chomette, Paris, FR Compagni Di Viaggio - Traveling Companions, Mestna Galerija Ljubliana, SI L'Insoutenable Légéreté de L'Être, Yvon Lambert, VIP Art Fair, Online Art Fair, New York, US Box is a Box is a Box, Librairie Florence Loewy, Paris, FR Drawn / Taped / Burned Abstraction on Paper, Kotonah Museum of Art, Kotonah, New York, US As Long as it Lasts, Galerie Sonja Junkers, Munich, DE Works from the Pentti Kouri Collection, Tracy Williams Ltd, New York, US Picasso: Guitars 1912 - 1914, Museum of Modern Art (MoMA), New York, US Berlin International Film Festival, various theaters around Potsdamer Platz, Berlin, DE Observadores - Revelaҫões, Trânsitos e Distâncias, Museu Colecção Berardo, Lisbon, PT Market Art Fair, The Royal Swedish Academy of Fine Arts, Stockholm, SE Feuille à Feuille, Musée de Vence, FR TextVideo / Female: Art after 60's, PKM Gallery, Seoul, KR Topography / Topography, Brooke Alexander Editions, New York, US Bidoun Project, Mercer Street, New York, US Temporary Stedelijk 2 - Making Histories: Changing Views of the Collection, The Temporary Stedelijk at the Stedelijk Museum, Amsterdam, NL Push Pull, Rijksmuseum, Amsterdam, NL Bild / Objekt: Neuere Amerikanische Kunst aus der Sammlung, Kunstmuseum Winterthur, Winterthur, CH Tod's Art Plus Drama Party 2011, Whitechapel Gallery, London, UK Shelf Ramp Wedge Bridge, Fitzroy Gallery, New York, US CLAP, Hessel Museum of Art, Annandale - on - Hudson, New York, US 100 Briques Pour Madagascar Œuvres Contemporaines, Hotel Marcel Dassault, Paris, FR Bomb 30th Anniversary Gala and Silent Auction, Capitale, New York, US Benefit Auction from the Icelandic Wetlands, The Culture House, Reykjavik, IS Locations, Paula Cooper Gallery, New York, US As Long as it Lasts, Arratia, Beer Gallery, Berlin, DE After Hours: Murals on the Bowery, Festival of Ideas for a New City, New Museum and Art Production Fund, New York, US A Place to Which We Can Come, St. Cecilia Convent, Brooklyn, New York, US The End of Money, Witte de With, Rotterdam, NL Designing the Whitney of the Future, Hurst Gallery, Whitney Museum of American Art, New York, US Hong Kong International Art Fair, Hong Kong Convention and Exhibition Center, Hong Kong, CN Made in Italy, Gagosian Gallery, Rome, IT Jeff Wall The Crooked Path, Center for Fine Arts, Brussels, BE Through the Warp, Regina Rex, Ridgewood, New York, US Interloqui, National Glass Center, The University of Sunderland, Sunderland, UK Personal Structures, Palazzo Bembo, Venice, IT Arte in Movimento, La Galleria, Venice, IT Middle Age, Leo Castelli Gallery, New York, US Brooke Alexander Editions, Helga Maria Klosterfelde Edition, Berlin, DE Void if Removed: Concrete Erudition 4, Le Plateau - Fonds Régional d'art Contemporaind «Ile - de-France, Paris, FR As Far as the Eye Can See, The Field Sculpture Park, Omi International Art Center, Ghent, New York, US 20 Jahre Gegenwart, Museum für Moderne Kunst (MMK), Frankfurt am Main, DE Anarchism Without Adjectives: On the Work of Christopher D'Arcangelo, 1975 - 1979, Centre d'Art Contemporain de Brétigny, Brétigny, FR Play Time, Lieu D'art Contemporain, Sigean, FR Plot: Plan: Process Works on Paper from the 1960's to Now, Leslie Tonkonow, New York, US Distant Star / Estrella Distante, Regen Projects, Los Angeles, US 15 Minutes Homage to Andy Warhol, Pollock - Krasner House and Study Center, East Hampton, New York, US Seoul International New Media Festival, various cinemas in Seoul, KR Art = Text = Art: Works by Contemporary Artists, Joel and Lila Harnett Museum of Art, University of Richmond Museums, Henrico, US Melanchotopia, Witte de With, Rotterdam, NL Belvedere.
Fostering «creative sustainability» for future generations of artists seeking non-traditional career progressions, these opportunistic frontiersman have pushed out numerous exhibitions in New York, Los Angeles and Miami and continue to host residencies and exhibitions alongside the facilitation and promotion of work by its key members.
From exhibitions of renowned and trailblazing artists such as Georgia O'Keeffe and Marilyn Minter, to a breakthrough survey of lesser - known artist Beverly Buchanan; from a long - overdue account of the centrality of women of color in second - wave feminism, to exhibitions with contemporary artists contemplating a future of equality, A Year of Yes pushes back against conventional barriers while expanding the canon.
This is a one - night exhibition of emerging ceramic artists currently enrolled in MFA programs at the School of the Art Institute of Chicago and Cranbrook Academy of Art, hosted by Mana Contemporary: a diverse exchange of different artists pushing and exploring the boundaries of contemporary ceramics in sculpture and installation.
This year's exhibition expands on this theme by «celebrating the position of women as artists and citizens who are central in pushing critical issues forward.»
The artists featured in the exhibition Family Pictures — LaToya Ruby Frazier, Deana Lawson, Carrie Mae Weems, John Edmonds, and Gordon Parks among them — work in a similar vein, pushing against traditional notions of documentary photography in radical and intimate depictions of domestic life.
The artists featured in the exhibition use non-traditional visual media such as video, performance, and photo - installation to push the limits of art production at a time when the concept of a singular culture was under scrutiny.
For over a decade, Main Line Art Center has presented an exhibition each spring in memory of Teaching Artist Betsy Meyer featuring the work of forward - thinking artists who are pushing boundaries within their artistic practice.
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