However, one key original demand of the BECC was successfully implemented: a call for «at least five one - man shows for black
artists in the small gallery off the Whitney's lobby.»
Along these lines he became especially well known in art circles for his generosity, often showing with young
artists in small galleries to give them a boost; helping to found Printed Matter, the artists» organization that produces artists» books; and trading works with other, often needier artists, whose art he also bought.
Not exact matches
For
smaller, local
artists, you'll find
galleries in Over-the-Rhine.
At the time, she was an
artist living
in Old Town Spring, Texas, with her four - year - old son, Jeff, making a
small living selling watercolors out of a local
gallery.
You are like an
artist with your work hanging
in an art
gallery or a musician working a
small bar.
The collection features original works by
artists from all over Asia, Europe, and the Americas, all housed
in small, meticulously kept
galleries.
The cultural scene is alive and well with crafts and
artists galleries, community theater groups, and visitors love our local weekly newspaper which gives a glimpse into the bucolic life
in the
small town of Cambria.
Now
in its third year (and previously taking place at
smaller gallery spaces
in the Seattle area), IndieCade will feature panels, tools workshops, networking sessions, case studies, performances,
artist talks, and pitch sessions with notable game developers.
; this makes a
smaller * first * step
in trying to get one's head wrapped around a business plan as an
artist, especially for
artists who may not necessarily see themselves being sponsored by another's
gallery anytime soon, or ever.
It brought together a diverse band of scrappy
galleries, actually allowed a few to sell some art — putting money
in the pockets of
artists and dealers instead of fair backers — and engendered camaraderie, no
small feat
in this hypercompetitive field.
Unlike many contemporary
artists who have made their impression with giant - size works created, perhaps, to fill vast
galleries, Tuttle established his presence by thinking
small, often
in miniature, and then hanging his work very high or very low — or just very Tuttle.
«Thus, the art lover who visits Crested Butte will be amazed by the number of opportunities to meet
artists, take classes and visit
galleries in this
small mountain town.»
In 1977, Douglas Crimp, then a grad student at the City University of New York, organized a group exhibition called «Pictures» at the
small downtown New York alternative
gallery Artists Space.
I saw a huge painting
in an art
gallery around here that was going for $ 29,000 and I immediately wondered if that
artist was ever going to see a profit for that painting because most people don't have the room for that size painting and unless one is very wealthy they're not going to pay that much money for a painting even though very beautiful, tucked away
in some
small art
gallery at a seaside resort!
You see, by examining how the blue - chip
galleries of an arts metropolis utilize social media and social networking tools, I thought perhaps
artists who are represented by
smaller galleries (or themselves) could glean some wisdom - after all, the
galleries I looked at do a very brisk business and many have been around since before Facebook was even a glimmer
in a Harvard student's eye - on what should and shouldn't be a part of their online marketing strategy.
This show was by Jacob Hashimoto, an
artist whose constructed paper installation fills the front
gallery like a cumulus forest and whose multilayered installation of
small, kite - or parasol - like shapes hugs the walls
in the large central
galleries.
Selected Group Exhibitions 2016 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2015 — «Wish List»,
Gallery Project, curated by Gloria Pritschet and Rocco DePietro, Toledo, Ohio and Ann Arbor, Michigan 2015 — «Roots», Linda Warren Projects, Chicago, IL 2015 — Noyes Cultural Arts Center, Evanston, IL 2015 — «Faculty Exhibition», Evanston Art Center, Evanston, IL 2014 — «National Contemporary Painting», Weatherhead
Gallery, University of Saint Francis, Fort Wayne, Indiana 2013 — «31st Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «30th Juried Art Show», Wilmette Public Library, Wimette, IL 2012 — «Narrative Fragments», Quidley & Company, Boston, MA 2011 — «Juxtaposed», juried by Alyssa Monks, Six Summit
Gallery, Ivoryton, CT 2011 — «Paintworks», Gowanus Ballroom, curated by Kristin Kunc, Courtney Jordan & Hyeseung Marriage - Song, Brooklyn, NY 2011 — «Space Invaders», co-curated by Virginia Rose and John Nickle, Rose Contemporary, Portland, ME 2011 — «Cinematic Bodies», curated by Jamie Adams, Zolla Lieberman
Gallery, Chicago, IL 2010 — «Snow», XL Projects, Syracuse University
Gallery, Syracuse, NY 2010 — «Women Painting Women», Robert Lange Studios
Gallery, Charleston, SC 2010 — «Remnants», Fuse
Gallery, New York, NY 2010 — «Highlights» Island Weiss
Gallery, New York, NY 2010 — «Conceptually Sound», Medialia Rack and Hamper
Gallery, New York, NY 2010 — «Chicago Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2010 — «Looks good on Paper», DFN
Gallery, New York, NY 2009 — «Water / Bodies», Eden Rock
Gallery, St. Barths, F.W.I. 2009 — «Summer Exhibition 2009», curated by Eric Fischl, Matthew Flowers, Anne Strauss, New York Academy of Art, NY, NY 2009 — «Old School», Jack the Pelican, Brooklyn, NY 2009 — Caldwell Snyder, San Francisco, CA 2008 — «
Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «City Lights», George Billis
Gallery, New York, NY 2008 — «Chicago Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2008 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2007 — «Summer Exhibition 2007», curated by Eric Fischl, Jenny Saville, Vincent Desiderio, New York Academy of Art, NY, NY 2007 — «Four Handed Lift: Advocacy, Art, Spirit and Community», Moti Hasson
Gallery, New York, NY 2007 — «
Small Works», Sarah Bain
Gallery, Anaheim, CA 2008 — «Chicago Art Fair», shown by Linda Warren
Gallery in Chicago, Illinois 2006 — «Contemporary Imaginings, The Howard A. and Judith Tullman Collection», Mobile Museum of Art, Mobile, Alabama 2006 — «Night of a Thousand Drawings», Group Show,
Artist's Space, New York, NY 2006 — «AAF», shown by DFN
Gallery, New York, NY 2006 — «Salon 2006», New York Academy of Art, New York, NY 2006 — «LA Art Fair», shown by Linda Warren
Gallery in Chicago, Los Angeles, CA 2005 — «New Works», curated by Eric Fischl, Jane
Gallery, St. Barthelemy, F.W.I. 2005 — «A Terrible Beauty: Figurative painting
in the 21st Century», Grey McGear Modern, Santa Monica, CA 2005 — «
Small Works», Sarah Bain
Gallery, Brea, CA 2005 — «Cityscapes», Sarah Bain
Gallery, Brea, CA 2005 — «Take Home a Nude» Art Auction at Phillips de Pury & Company, New York, NY 2005 — «Go Figure», George Billis
Gallery, New York, NY 2004 — «Postcards from the Edge, Visual Aids Benefit», Brent Sikemma
Gallery, New York, NY 2004 — «Night of a Thousand Drawings», Group Show,
Artist's Space, New York, NY 2004 — «Points of Muse», Linda Warren
Gallery, Chicago, IL 2004 — «Separate Visions», Sarah Bain
Gallery, Brea, CA 2004 — «Still Life», Sarah Bain
Gallery, Brea, CA 2004 — «27th
Small Works Exhibition», New York, NY 2003 — «Space Invaders», curated by Peter Drake, Fish Tank
Gallery, New York, NY 2003 — «26th
Small Works Exhibition», New York, NY 2002 — «National Arts Club 26th Annual Student Show», National Arts Club, New York, NY
Selected Group Exhibitions 2017 Ted Stamm / Gerrit Rietveld, OV Project, Brussels, Belgium 2017 Painting on the Edge: A Historical Survey, Stephen Friedman
Gallery, London 2012 Times Square Show Revisited, Hunter College Art Galleries, New York, NY 2010 Black & White, Galleri Weinberger, Copenghagen, Denmark 1987 Recent Acquisitions, Guggenheim Museum, Brooklyn, NY 1987 Recent Acquisitions, Brooklyn Museum, New York, NY 1985 Art Heritage at Hofstra, Emily Lowe
Gallery, Hofstra University, Hempstead, NY 1985 Constructures: New Perimetries
in Abstract Painting, Nohra Haime
Gallery, New York, NY 1984 Fourth Annual Anniversary Show, John Davis
Gallery, Akron, OH 1984 Fifteen Abstract New York Painters, Susan Montezinos
Gallery, Philadeiphia, PA 1984
Small Works, Muhlenberg College, Allentown, PA 1984 Mail Art, Franklin Furnace, New York, NY 1984
Artists Call, Judson Memorial Church, New York, NY 1984 Process Black, LIU South Hampton, New York, NY 1984 A Decade of Art,
Artists Space 105 Hudson, New York, NY 1984 Offset: A Survey of
Artists Books, New England Foundation for the Arts, Wakefield, RI 1983 David Reed, Sean Scully, Ted Stamm; Zenith
Gallery, Pittsburgh, PA 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; 1708 East Main Street, Richmond, VA 1983 Abstraction Two Views: Davis and Stamm, The Contemporary Arts Center, Cincinnati, OH 1983 Second Anniversary Exhibition, Harm Bouckaert
Gallery, New York, NY 1983 Hundreds of Drawings,
Artists Space, New York, NY 1983 A More Store, Jack Tilton
Gallery, New York, NY 1983 Donald Alberti, Russell Maltz, Olivier Mosset, Ted Stamm; Condeso / Lawler
Gallery, New York, NY 1983
Artists for Nuclear Disarmament, Colburn
Gallery, Burlington, VT 1982 A Look Back: A Look Forward, Aldrich Museum, Ridgefield, CT 1982 Pair Group, Art Galaxy, New York, NY; travelled to Jersey City Art Museum, Jersey City, NJ 1982 Destroyed Prints, Pratt Manhattan Center, New York, NY 1982 Annual Holiday Invitational, A.I.A.
Gallery, New York, NY 1982 Group Exhibition, Roy Boyd
Gallery Chicago, Merwin
Gallery, Illinois Wesleyan University, Bloomington, IL 1982 Pair Group II, Jersey City Museum, Jersey City, NJ 1982 Black and White, Freeport Mc Mo Ran, New York, NY 1982 Faculty Exhibition, Hillwood Commons
Gallery, C.W. Post, Greenvale, NY 1981 Drawings, Roy Boyd
Gallery, Chicago, IL 1981 Abstract Painting: New York, Hofstra University, Hempstead, NY 1981 Arabia Felix, Art Galaxy, New York, NY 1981 Words and Images: Contemporary
Artist's Books, Southern Alleghenies Museum of Art, Loreto, PA 1981 Love: Hate: Fear and Suicide, University of Brussels, Brussels, Belgium 1981 New Directions, Commodities Corp..
Art Basel Miami Beach, with GAVLAK Los Angeles / Palm Beach, Miami, FL (catalogue) Ten Year Anniversary Show, Gavlak, Palm Beach, FL and Los Angeles, CA Re (a) d, curated by Ryan Steadman, Nathalie Karg
Gallery, New York, NY The Valentine's Day Cardiovascular, Geoffrey Young
Gallery, Great Barrington, MA Puente, KINMAN, London, UK 2014 The Go Between: Selections from the Ernesto Esposito Collection, Museo di Capodimonte, Naples, Italy Art Basel Miami Beach, Gavlak booth, Miami Beach, FL 100 Painters of Tomorrow: New York Exhibition, One Art Space, New York, NY Inaugural Exhibition, Gavlak, Los Angeles, CA The Armory Show, Gavlak Booth, Pier 94, New York NY Painting: A Love Story, Contemporary Arts Museum Houston, Houston, TX (catalogue) 2013 Art Basel Miami Beach, Gavlak Booth, Miami Beach, FL (catalogue) This is the Story of America, Brand New
Gallery, Milan, Italy Rema Hort Mann Foundation LA Arts Initiative Auction, Hannah Hoffman
Gallery, Los Angeles, CA Acid Summer, Curated by Matthew Craven, DCKT Contemporary, New York, NY All Fucking Summer, Gavlak, Palm Beach, FL Whitney Museum Art Party Benefit Auction, Whitney Museum of American Art, New York, NY MiArt2013, Gavlak Booth, Milan, Italy The Armory Show, Focus: USA, Gavlak Booth # 908, New York, NY (catalogue) Art Rotterdam, Office Baroque
Gallery, Rotterdam, Netherlands My Echo, My Shadow, Gavlak, Palm Beach, FL 39 Great Jones, Galerie Eva Presenhuber, Zurich (catalogue) 239 Days, School of Visual Arts MFA Alumni Show, Allegra LaViola
Gallery, New York, NY 2012 News From Chicago and New York City, Curated by Henning Strassburger, Fiebach Minninger, Cologne, Germany Time, After Time, Curated by ARTNESIA, Ronchini
Gallery, London, UK (catalogue) SUNY New Paltz Alumni Show, Dosky Projects, Long Island City, NY What's the Point, Jen Bekman
Gallery, New York, NY It's a
Small,
Small World, Curated by Marilyn Minter and Organized by Hennessy Youngman, Family Business, New York, NY The Virgins Show, Curated by Marilyn Minter, Family Business, New York, NY Just the Tip, SVA MFA Fine Arts Thesis Exhibition, Organized
in Collaboration with Mike Egan, Visual Arts
Gallery, New York, NY (catalogue) 2011 MFA Fine Arts Fall Open Studios, School of Visual Arts, New York, NY Sentimental Education, Gavlak, Palm Beach, FL Things Fall Apart, Curated by Asya Geisberg, Visual Arts
Gallery, New York, NY Abstract Means, Curated by Richard Brooks, Visual Arts
Gallery, New York, NY MFA Fine Arts Spring Open Studios, School of Visual Arts, New York, NY Celebrating 15 Years: Young
Artists at Heckscher, Heckscher Museum of Art, Huntington, NY College Art Association New York MFA Exhibition, Hunter College / Times Square
Gallery, New York, NY Vuu Collective W / S 2011 Show, K&K
Gallery, Brooklyn, NY 2010 MFA Fine Arts Winter Open Studios, School of Visual Arts, New York, NY Emerge to be Seen, Westside
Gallery, New York, NY Marks That Matter, Juried by Gillian Jagger, Muroff Kotler Visual Arts
Gallery, SUNY Ulster, Stone Ridge, NY The New, Art (That Matters), Oyster Bay, NY New York Art & Culture Exhibition Series, Albany International Airport, Albany, NY 2009 No Girls Allowed: BFA Thesis Exhibition, Samuel Dorsky Museum of Art, SUNY New Paltz, New Paltz, NY Best of Show: 2009 Best of SUNY Exhibition, State University Plaza, Albany, NY 2008 Crit 3: Work from Students and Alumni of SUNY New Paltz, Curated by Kathy Goodell, Spencertown Art
Gallery, Spencertown, NY Somewhere I Have Never Traveled, Smiley Art
Gallery, New Paltz, NY Three, Smiley Art
Gallery, New Paltz, NY SPECIAL PROJECTS 2013 Shinola x Andrew Brischler, Installation & Capsule Collection, Tribeca Flagship Store, New York, NY Converse Footwear for Publicolor, organized by Grey Area COLLECTIONS Norton Museum of Art, West Palm Beach, FL AWARDS AND HONORS 2015 Painting Fellowship, New York Foundation for the Arts
M E N is a contemporary art
gallery located
in the Two Bridges neighborhood of New York City, presenting singular artistic gestures by emerging and mid-career
artists in a purposefully -
small storefront exhibition space.
And rather than visiting individual
galleries — and perhaps discovering new talent — collectors are focusing on market - tested trophy works carried by major dealers; are sometimes buying from Instagram or other online images without seeing the work
in person; and are less willing to gamble on the emerging
artists represented by
small and midsize
galleries.
The Harlem - based
artist - who grew up
in Jamaica, immigrated to the United States at the age of 12 and now teaches at Hunter College - set up a «reading room»
in the
small, dingy basement of Deitch Projects» sprawling Wooster Street
gallery; a rectangular wooden table sprinkled with salt, upon which he arranged bits of dried, malodorous fish
in a decorative pattern.
In the National Portrait Gallery's current exhibition: Hide / Seek: Difference and Desire in American Portraiture, a small portion of an artist's... Read Mo
In the National Portrait
Gallery's current exhibition: Hide / Seek: Difference and Desire
in American Portraiture, a small portion of an artist's... Read Mo
in American Portraiture, a
small portion of an
artist's... Read More
In most cases,
artist - run
galleries, project spaces, and newer,
smaller galleries will be grateful for your business, and you won't have to jump through hoops to work with them.
Las Vegas Weekly, The Barrick's «Plural» Teams Local and International
Artists for an Engaging Show, April 26, 2018 East Hampton Star, 23 Successes
in «A Radical Voice», Jennifer Landes, March 20, 2018 Elle Décor, «Hitting Her Groove», Kate Betts, September 2014 Hamptons ArtHub, Best Exhibitions of 2013», December 2013 Hamptons ArtHub, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, September 2013 WhiteHot Magazine, «Almond Zigmund: Interruptions Repeated», Janet Goleas, September 2013 Huffington Post, «Almond Zigmund: Interruptions Repeated», Gabrielle Selz, August 2013 Elle Décor, «Arbiter of Style», Cynthia Frank, May 2013 NY H&G, «Mondo Condo» May 2013 Long Island Pulse, «
Artist VIP», Nada, August 2011 Southampton Press, «Shifting Perceptions
in Parrish Installation», Pat Rogers, November 8, 2007 East Hampton Star, «An
Artist «Remembers the Future»», Jennifer Landes, November 1, 2007 East Hampton Star, «Industrial Strength Beauty, Jessica Frost, July 19, 2007 Las Vegas Sun, «Coloring Her World», Kristen Peterson, February 24, 2006 Southampton Press, «Tracing the Genealogy of Ideas», Eric Ernst, December 15, 2005 Columbus Dispatch,» Texture Enlivens Minimalist Exhibit», Kaizaad Kotwal Sunday, July 17, 2005 Southampton Press,» Avram
Gallery Offers Quiet Space for Show», Eric Ernst, Nov. 25, 2004 Los Angeles Times, «Sweet Nostalgia Projected Onto Metal», Holly Meyers, Feb 1, 2002 Flash Art, «Aperto», David Pagel, March - April 2002 Art
in America, «Report From Sante Fe — Sin City Sampler», Sarah S. King, July 2002 Kunst; «Verdachtig ist, wer sich nicht bewegt», Jurg M. Meier, 2002 Samatag, «Orte des Durchgangs sichtbar gemacht», Susanne Neubauer, Jan 26, 2002 The Art Newspaper, «Las Vegans», Sarah Douglass, No 121, January 2002, p. 9 The Southampton Press, «
Artists in Spotlight at Parrish», October 25, 2001, Miami Herald, «Altoids Artworks
Small, But Strong», Elias Turner, Sept 10, 2001 Florida Today, «Altoids offers an exhibit of curiously fresh art», Pam Harbaugh, 2001 Exhibit: a, «The Big American Issue», June 2001, p. 28 illustration Las Vegas Weekly, August 5, 1999 «
Artists Bios», p. 20, illustration Las Vegas Weekly, February 3, 1999 «Great Art BiDesign», p22 New York Contemporary Art Report, Jan / Feb 2000, p. 52, illustration
Mediating a collaboration with
artist Tsuyoshi Osawa, curator of the miniature so - called «Nasubi
Gallery» which takes its form from the once - common Japanese milk - box, the self - appointed «Smallest Gallery in the World» was first launched in 1993 as a parody and protest against the prevailing commercial gallery
Gallery» which takes its form from the once - common Japanese milk - box, the self - appointed «
Smallest Gallery in the World» was first launched in 1993 as a parody and protest against the prevailing commercial gallery
Gallery in the World» was first launched
in 1993 as a parody and protest against the prevailing commercial
gallery gallery system.
Formats are likely to vary with each project; some will be printed
in small editions while larger editions may be sold under the
gallery's publication program (precedents include
artists» books by Bradford and Paul and Damon McCarthy).
Supplementing the established canon of German
artists (Max Beckmann, Käthe Kollwitz, Otto Dix and George Grosz) and the rather
smaller one of Allied
artists (of whom the best known is the British painter and printmaker C.R.W. Nevinson), Farrell included an unusual selection of prints along with illustrated books and periodicals, posters, trade cards, photographs and textiles; even more unexpected
in the context of the museum's prints and drawings
galleries are the medals, trench lighters, helmets and gas masks — objects that provide a glimpse of the artifacts of war, which can not be divorced from its arts.
If you're
in the beginning stages of building your collection, start off supporting
smaller galleries that show emerging
artists.
Saturday was marked by migrating crowds of various sizes that moved from building to building, from floor to floor taking
in exhibitions at
small make - shift art collective show spaces,
artist studios and some more clearly identified art
galleries like the Fuchs Project and Robert Henry Contemporary.
The cross-pollination of artistic venues during this time exemplifies how communities overlap, thrive, and otherwise extend themselves
in multitudes of directions — be it through
artists» books, periodicals, and publications,
in performance spaces, within
gallery - like venues, or
in public spaces as
small as alleyways and as expansive as Times Square.
John Walker: Recent Paintings, the current exhibition at the Alexandre
Gallery, features seven large pictures as well as numerous
smaller ones, including more than a dozen compact oils made on discarded Bingo cards, which the
artist found
in the former grange hall that became his studio
in Seal Point on the coast of Maine.
Her latest exhibition at Jack Fischer
Gallery's Minnesota Street Project location presented an assortment of the
artist's stuffed fabric sculptures
in small - to - medium scale, along with three works cast
in bronze.
Selections from the Venice Beach Biennial, Echo Park Film Center, Los Angeles, California Abstract - Nature: Selected Parkett
Artists» Editions, 1984 - 2013, Parkett Space, Zurich, Switzerland Made
in Space, curated by Peter Harkawick and Laura Owens, Venus Over Manhattan / Gavin Brown's Enterprise, New York, New York The Cat Show, White Columns, New York, New York Wir Drei, Guggenheim
Gallery, Chapman University, Orange, California
Small Gems, Crown Point Press, San Francisco, California Finisce e Continua uno, Gesso Artspace, Vienna, Austria
Nevertheless Robert Motherwell; Early Collages, which runs through January 5, is well worth seeing and these works, placed today
in a
small gallery on the Lower East Side,
in the guise of having just come out of the studio of some young
artist, would appear completely viable and credible as contemporary works because there are so many
artists today, here
in New York showing on the LES and Bushwick as well as elsewhere
in the United States and Canada and perhaps globally, still working
in the orbit of the aesthetic consensus of post-War formalism.
Park Life
Gallery proudly presents the work of a
small group of
artists that work
in the field of both abstract and figurative.
Considered
in terms of the social history of American art, however, he's an important figure, because, as the art historian David Driskell writes
in the exhibition catalog, he was «among a
small number of African - American painters
in the nation working abstractly at the time, and he was among the few
artists of color who were represented by a mainstream
gallery in New York.»
The exhibition, the
artist's fourth show at the
gallery, will include approximately 100
small paper mounted on canvas paintings as well as 25 collage constructions and a set of sketches
in response to Francisco Goya's drawings including his Los Desastres de la Guerra series, all dating from 2009 to the present.
The
artist's installation, conceived
in conjunction with Swedish designer Louise Kugelberg, reverses the order
in which visitors typically navigate the
galleries and also includes a visually arresting, salon - style hanging of
smaller, early abstractions made during the mid-1940s.
Opening tomorrow, October 3rd at Gregory Lind
Gallery in San Francisco is Dannielle Tegeder's «The Library of Abstract Sound,» bringing together the
artist's large - and
small - scale drawing, as well as animation and sound.
As winter closes
in, we will fill the
gallery with
smaller works by the
artists whose sculptures punctuate Lynden's landscape.
In BILL MURRAY: a story of distance, size and sincerity, artist Brian Griffiths presented an ambitious new commission that took in BALTIC's vast Level 4 gallery with a contrastingly small - scale productio
In BILL MURRAY: a story of distance, size and sincerity,
artist Brian Griffiths presented an ambitious new commission that took
in BALTIC's vast Level 4 gallery with a contrastingly small - scale productio
in BALTIC's vast Level 4
gallery with a contrastingly
small - scale production.
Now
in its third year, the fair has bumped its number of exhibitors from last year's 125 to 137 international
galleries, including 115
in the main section of the fair and 22 younger exhibitors displayed
in the Exposure section,
in slightly
smaller single or two -
artist booths.
In her latest show at Blue Mountain
Gallery, which opens on October 5th with a reception for the
artist October 7th from 5 - 8, Margaret Grimes shows three large canvases and a series of
small ones all depicting woods and thickets.
Artist couple Jessica and Oliver Ralli curated a small gallery of artist in their cozy home, leading down to some amazing «garage» oil paintings by Carla A
Artist couple Jessica and Oliver Ralli curated a
small gallery of
artist in their cozy home, leading down to some amazing «garage» oil paintings by Carla A
artist in their cozy home, leading down to some amazing «garage» oil paintings by Carla Avruch.
Blue Mountain
Gallery will present work by emerging and established
artists in an exhibition of
small works on paper from August 3 through 24.
Focusing on textiles and originally delineated as
small studio spaces for
artists with a
gallery in front; Øgaard...
Too, many of our
artists have books, cards and
small works available for $ 99 and under,
in Ye Olde Arte Shoppe
in the corner of the
gallery.
So too have areas of
smaller stands for less - established
galleries or
artists,
in this case the aforementioned Spotlight, which features single -
artist presentations of 20th - century
artists.
Pieces of the history have been gathered before, most notably
in Joellen Bard's «Tenth Street Days: The Co-ops of the 50's,» a
small 1977 book about the formation of the D.I.Y and at times gonzo
gallery district near Cooper Union largely built by
artists banding together against commercial and critical indifference.