Sentences with phrase «artists in these exhibitions use»

Drawing from the four pillars of design — shape, form, pattern, and color — each artist in the exhibition uses various medium and technique resulting in a range of works that expand upon thought - generative concepts that push against assumptions of design.

Many of the artists in the exhibition use photography as a means to document ephemeral moments.

Exploring the apparent increasing similarity between mediated reality and reality itself, the artists in the exhibition use humor, irony and subversion to investigate how our reality is constructed by media, advertisements and the products we consume, as well as the repercussions these may have on the construction of the self and identity.

The artists in this exhibition use fragments and found objects to create a new artistic reality.

The artists in this exhibition use poetics as a tool to manipulate the conceptual and structural elements of language and the social contexts in which language is employed, appropriated, and abstracted.

Artists in this exhibition use color as a predominate component of their artwork.

Moving beyond traditional ways of representing the world, artists in these exhibitions use novel approaches such as abstraction, performance, and manipulation of the senses.

Not exact matches

The Chevrolet Metro was used in the 17th Biennale of Sydney (2010) exhibition in an experiment made by Cai Guo - Qiang, a Chinese artist from Fujian, where nine Chevrolet Metros were suspended in the air through animation.

As an «artist in residence», you may want to organise a pop - up exhibition of your work using the easels provided.

Tokyo Exhibition Turns Game Carts Into Pop Art Game Life from Wired.com «Held in May at Tokyo retro game specialist store Meteor, the show invited artists to contribute their own cartridge art using the carts themselves as the medium.»

In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine.In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine.in the exhibition Marc Camille Chaimowicz: Your Place or Mine...

Three works were included in You Are Looking at Something That Never Occurred, a group exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction.

In the selection of the mixed media on paper included in the exhibition, the theme of the car - often used by the artist as a provocation against consumerism - starts to appeaIn the selection of the mixed media on paper included in the exhibition, the theme of the car - often used by the artist as a provocation against consumerism - starts to appeain the exhibition, the theme of the car - often used by the artist as a provocation against consumerism - starts to appear.

P.S. 1 will also use the works in the exhibition as a basis for a symposium this spring to encourage a lively dialogue between artists and art historians in New York.

The keen balance of intellect and intuition Jackson has displayed in prior exhibitions was here injected with levity and wisdom, revealing another facet of an artist adept at using fantastic imagery and meticulous processes to probe psychological mysteries and metaphysical dramas.

PRIZES > SPSCC purchase award (up to $ 1500) > Merit Awards ($ 100 / each and inclusion in the Merit Award Group Show during the upcoming exhibition season) > Viewer's Choice (winning artwork will be used for publicity the following season) > All submitting artists will receive an exhibition catalogue.

Jong Oh joins four other artists in Point Counter Point, an exhibition that uses the spatial form... Read More

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

This initiative aims to use original artworks, exhibitions, programs, and engagements with artists to increase understanding and inspire new narratives in contemporary Mississippi.

Labor intensive doesn't begin to describe the technique New York - based artist Stephen Dean uses to create the large - scale «Crossword» watercolor compositions featured in this exhibition of recent works.

The artists included in this exhibition, including Josef Albers, Tauba Auerbach, Robert Barry, Amanda Means, and Kim Tschang - Yeul, have used many different strategies to draw attention to the act of perception and to encourage us to question the truth of our vision.

Akdogan often utilizes objects counter to their intended use — traditionally, colored gels for cinematic and theatrical lighting create distinct light conditions while remaining hidden from view; the artist extracts and edits the atmospheric and surface properties of these materials, often directly in the exhibition space — manipulating layers of color pigments, print, and light sources.

Haynes is co-curator of an important Alma Thomas exhibition currently on view at the Studio Museum and is co-editing a comprehensive catalog about the artist known for her powerful use of color working in abstraction, which is expected to be published in November.

The exhibition will highlight the artist's signature use of gesture and force demonstrated in her works from the 1950s to -LSB-...]

The exhibition will highlight the artist's signature use of gesture and force demonstrated in her works from the 1950s to the 1970s.

Six works by Wolfgang Tillmans spanning 2000 - 2012 were included in You Are Looking at Something That Never Occurred, a group exhibition exploring how artists have used the camera to blur boundaries between past and present, fact and fiction.

My use of the term Lyrical Abstraction is not meant to refer to Larry Aldrich's maligned exhibition at the Whitney Museum, but to the new sensibility and phenomenon of what Aldrich actually observed in the artist studios that he visited in the late sixties.

In his essay «Light in the Dark» Robert Long looks at each piece in the exhibition and explores the artists particular use of black to heighten the intensity of the worIn his essay «Light in the Dark» Robert Long looks at each piece in the exhibition and explores the artists particular use of black to heighten the intensity of the worin the Dark» Robert Long looks at each piece in the exhibition and explores the artists particular use of black to heighten the intensity of the worin the exhibition and explores the artists particular use of black to heighten the intensity of the work.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

Situated in a townhouse, the new gallery is used to curate historic exhibitions by artists within the Petzel program, as well as focus on curatorial projects and publishing activities.

While portraiture has illustrated political and social circumstances throughout history, the artists in this exhibition try to transform portraiture into a genre that can hold its own weight amongst the innovations of the contemporary art world by using Neel's portraiture as inspiration means to address the complexities of personal identity.

The event will feature hands - on art making using water - based media, artist demonstrations of watercolor painting techniques, and interactive tours of the gallery exhibition «2018 Mid-Atlantic Regional Watercolor Exhibition,» on view in the Kaexhibition «2018 Mid-Atlantic Regional Watercolor Exhibition,» on view in the KaExhibition,» on view in the Kay Gallery.

In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practicIn the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practicin their practice.

Curated by Charlotta Kotik, the former chairman of the Department of Contemporary Art at the Brooklyn Museum, the exhibition will feature approximately forty works, the majority of them large in scale, by ten New York artists who use eccentric and frequently obsessive techniques to create singular works on paper.

Name, address and contact details of painter - Where you heard about Beep2016 (name of magazine, website, etc.)- A submission of up to TWO paintings (high quality JPEGS) with title / s, dimensions in cm, medium, year - 250 words maximum statement (Word document or in an email) on the submitted paintings relating to the theme and a brief artist biography (this will be used for the online catalogue)- link / s to website or recent works (this will only be used by exhibition judges if needing additional information picking a winner)

After gaining inspiration from the artists included in the Museum's current exhibition Architecture as Muse: The Grand Tour, Adventurers will use pencil, pen, and...

He humorously describes the potential of the drawn line beyond its basic use for language and communication, a line that has a sense of humour and a personality, like the artists included in the exhibition.

Works by Hamilton and Smith are currently on view at the museum in the exhibition «Fictions,» which highlights the use of narrative in works by artists of African descent.

Using basic artistic principles, five Caribbean - American artists evoke a sense of identity and borders, space, and history in this exhibition co-curated with FEEGZ and Art in FLUX.

-- NYTimes The Larry Gagosian Effect — Wall Street Journal World's Biggest Museum Opens in China — Studio 360 Top Exhibitions of 2010 — The Art Newspaper Recent Art News - Texas Week of 03/27/11 Ed Ruscha at the Modern Museum of Fort Worth — CBS New: Sunday Morning (Video) Simpsons Takes Shots at Dallas Football, Arts District — FrontRow A work in progress: The Dallas Arts District gathers trophy buildings, but still searches for urban vitality — Chicago Tribune James Turrell mound at Rice University - Glasstire Richard Serra, Pushing the Boundaries of Drawing — ARTnews Recent Art News - National - International Week of 03/27/11 Ed Ruscha Street Photography — LATimes Stephen Colbert Exposes Himself to Art (the Appropriate Way)-- NYTimes (Video) Jerry Saltz on Andy Warhol's Portraits of Liz Taylor — NYMag Eduardo Souto de Moura, Architect from Portugal, Wins Pritzker — NYTimes Recent Art News - Texas Week of 03/20/11 Neiman Marcus to feature artwork in Windows — FrontRow MAC director resigns — Glasstire Recent Art News - National - International Week of 03/20/11 Jerry Saltz: How a Joyride in Gavin Brown's Volvo Became Art — NYMag Walker Art Center to Acquire Merce Cunningham's collection — Art in America Cultural Complex in Santiago di Campostela is expensive mistake - The Art Newspaper Toshiko Takaezu, Ceramic Artist, Dies at 88 — NYTimes Recent Art News - Texas Week of 03/13/11 Artpace San Antonio — YouTube Crow Collection To Expand, Add Asian Sculpture Garden — FrontRow Donor's Son Sues Dallas Museum Over Art Collection, 25 Years Later — NYTimes Recent Art News - National - International Week of 03/13/11 Abramovic wins two - year copyright battle — The Art Newspaper Scents and Sensibility, Artists use scent to create new experience in museums — ARTnews Spark: How Creativity Works, by Julie Burstein, Kurt Andersen — Amazon.com (Book) Michelangelo's David «could collapse due to high - speed train building» — Telegraph Recent Art News - National - International Week of 03/06/11 Norman Foster to Design Huge Hong Kong Cultural District — NYTimes Recent Art News - Texas Week of 02/27/11 AMOA leaving downtown, focusing on Laguna Gloria — Austin 360 Recent Art News - Texas Week of 02/13/11 Amon Carter's Director of Education Named National Educator of the Year — Amon Carter Museum Blanton curator heads to National Gallery of Art — Austin 360 Director Dana Friis - Hansen departs from the Austin Museum of Art — The Austin Chronicle Dallas Architecture Forum wins AIA National Collaborative Achievment Award — Dallas Archicture Forum Recent Art News - National - International Week of 02/13/11 Egyptian Archeological Sites Were Looted, Says Antiquities Minister — NYTimes Tracey Emin, the visionary, emerges as Margate's answer to William Blake — Guardian What's The Matter With Kansas... This Time?

«Borrowed» Art Gets Show — For «Thanks,» his new group show at Lu Magnus Gallery about the ways in which artists crib ideas and inspiration from each other, artist and curator Adam Parker Smith used unusual means to acquire works for the exhibition: he stole them, surreptitiously absconding with everything from paintings to personal articles during studio visits with other artists (he plans to return them after the show).

Around Drawing is rosenfeld porcini's fifth themed exhibition, following WOOD, which grouped four artists who all sculpt with wood, yet use the medium in diverse ways, both technically and from a narrative point of view.

In his third solo exhibition at Jack Shainman Gallery, the artist furthers his experiment with alternative materials in sculpture in addition his use of children as his subject matteIn his third solo exhibition at Jack Shainman Gallery, the artist furthers his experiment with alternative materials in sculpture in addition his use of children as his subject mattein sculpture in addition his use of children as his subject mattein addition his use of children as his subject matter.

In advance of the exhibition, artists, curators, and scholars will gather for «Using the Self to Imagine the World» — a two - day symposium taking place at ICA on March 16 and 17 dedicated to reexamining Morton's enduring impact.

The Artist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model, a portfolio of twelve intaglio prints, is published by Sylvan Cole at Associated American Artists, New York; receives a Tamarind Artist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist Fellowship and travels to the Tamarind Lithography Workshop in Los Angeles, where he produces thirty - four editions of primarily black - and - white lithographs that continue the Artist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model theme; begins using the airbrush, which he had learned from the artist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kenartist Billy Al Bengston while at Tamarind; sees the exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,exhibition Edgar Degas: Monotypes at the Fogg Art Museum and subsequently begins making monotypes; in Boston co-founds Artists against Racism and the War and collaborates with Fred Stone on The American Way Room (fig), an antiwar installation piece that is shown throughout the Boston area and subsequently travels to New York, Atlanta, Syracuse, and Philadelphia; solo exhibitions: Associated American Artists, New York (The Artist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, KenArtist and the Model); Comsky Gallery, Los Angeles; group exhibitions: Contemporary American Graphic Artists, Rijksakademie van Beeldende Kunsten, Amsterdam (travels); New Expressions in Fine Printmaking, National Collection of Fine Arts, Washington, D.C. (travels in Germany and Belgium); 16th National Print Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Brooklyn Museum, New York; Annual Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington,Exhibition, Whitney Museum of American Art, New York; Graphics» 68: Recent American Prints, University of Lexington, Kentucky.

In parallel with the exhibition, MUMA presents Found Sound — a series of live performances by Australian musicians and sound artists using found sound, every Saturday during the Melbourne Festival (12 - 26 October).

Recent projects such as Crash Pad for the 8th Berlin Biennial, Every End is a Beginning at the National Museum of Contemporary Art in Athens and Fin de Siècle at Swiss Institute will be used to highlight aspects from Angelidakis's exhibition practice where the artist becomes curator, the exhibition becomes a medium and the exhibition device an exhibited object.

The exhibition Dissecting Nature criss - crosses through the terrain of artists using nature in their art questioning what is seen as nature and what is seen as art.

EZTV was a pioneer in independent desktop video production, microcinema, self - distribution, artist - based curating, public practice, multimedia live performance and the use of video projection in exhibition settings.

The only requirement to be on view in the exhibition was that artists needed to use the gallery - supplied 10» x 10» panel.