Sentences with phrase «artists in this exhibition create»

The six artists in the exhibition create works that question the ways in which identities are altered within this digital realm.

The 29 artists in this exhibition create work that portrays seemingly free - form or random daubs and spots through methodical and controlled processes.

Using pictures taken by others, the ten artists in this exhibition create new narratives that explore ideas about history, memory and identity.

Not exact matches

We are especially interested in this exhibition on artists creating new business models, an open house at City Hall, a talk on craft, and a tour of public art in Lynn.

Berlin, Germany — May 25, 2016 — Lulu.com, the first and largest self - publishing platform in the world, is pairing again with the American artist Michael Mandiberg to upload the 3406 volumes of German Wikipedia to create Mandiberg's newest exhibition — PrintWikipedia: from Aachen to Zylinderduckpresse — to tell the story and show the incredible extent of Wikipedia in German.

Curated by FOR - SITE Foundation Executive Director Cheryl Haines, the thematic, site - responsive exhibition will be installed in former military structures overlooking the San Francisco Bay — some open to the public for the first time — and brings together work by 16 contemporary artists and collectives from around the globe to reflect on the human dimensions and increasing complexity of national security, including the physical and psychological borders we create, protect, and cross in its name.

Ai's work was previously presented in the Golden Gate National Recreation Area in 2010 — 11 as part of the FOR - SITE exhibition Presidio Habitats, for which artists and designers created animal habitats.

Ai's work was previously presented in the Golden Gate National Recreation Area in 2010 - 11 as part of the FOR - SITE exhibition Presidio Habitats, for which artists and designers created animal habitats.

This is the largest art gallery in the Maldives and forms the epicentre of the country's art scene, with numerous exhibitions of local as well as international artists that create everything from conceptual art to photography to be displayed on the museum.

In 1986, he created the Socrates Sculpture Park, where he and a coalition of community members and artists transformed an abandoned landfill in Queens into an exhibition space and studio for artists, as well as a park for community residentIn 1986, he created the Socrates Sculpture Park, where he and a coalition of community members and artists transformed an abandoned landfill in Queens into an exhibition space and studio for artists, as well as a park for community residentin Queens into an exhibition space and studio for artists, as well as a park for community residents.

For part of his exhibition The Gay Nineties West at the Kohn Gallery in Los Angeles CA, American artist Mark Ryden created Memory Lane — a strange and wonderful diorama that accepts a penny and plays the 1890s hit song Daisy Bell while President Lincoln rides by on a bicycle and Barbie enjoys the attention of many admirer.

From his lush early paintings of the Arkansas nature conservancy Grassy Lake and the Texas Gulf Coast; to his reliefs, sculptures, and assemblages created in a variety of materials; to his most recent paintings depicting survivors of Hurricane Katrina, self - portraits, and a return to still life, this exhibition provides an in - depth look at the work of a unique and significant American artist.

First - year graduate students at the Center for Curatorial Studies at Bard College (CCS Bard) work with Bernd Krauss, artist - in - residence at the Center this fall, to create a process - oriented and heterogeneous exhibition at the Woodstock Byrdcliffe Guild employing a wide range of media and extending beyond the physical space of the gallery.

The Swiss artist creates wall drawings that span entire galleries, and in this exhibition he reacts not only to the space but also to the art on display.

Create sculptural and architectural models in this three - session class taught by contemporary artist Allyson Vieira and inspired by the integrated spatial and decorative forms in the exhibition Pierre Chareau: Modern Architecture and Design.

In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine.In this two - session workshop taught by artist Sheryl Oppenheim, create authentic marbled paper and collaged sculptures inspired by the use of decorative paper as an art form in the exhibition Marc Camille Chaimowicz: Your Place or Mine.in the exhibition Marc Camille Chaimowicz: Your Place or Mine...

The image - rich volume «Thornton Dial in the 21st Century» coincided with a 2005 exhibition at the Museum of Fine Arts, Houston, that included a series of large - scale works Dial created in tribute to the Gee's Bend artists, and «Thornton Dial: Thoughts on Paper» explores his early drawings.

In LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISIn LONDON, starting October 2012, Laurent Delaye Gallery presents Experiment in Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISin Time, a new exhibition that creates new dialogues between exceptional early works from the Sixties by British artists Norman DILWORTH, Stephen GILBERT, Anthony HILL, Peter LOWE, Victor PASMORE, Jeffrey STEELE and Gillian WISE.

Featuring nearly one hundred drawings spanning the artist's career to date, the exhibition will include Barney's earliest drawings made in the late 1980s, drawings created in conjunction with the CREMASTER film cycle (1994 — 2002), and those related to his current project RIVER OF FUNDAMENT.

For her solo exhibition at Ameringer McEnery Yohe in New York, the artist has created the large - scale painting Untitled (2014), alongside six smaller paintings comprising extracts of the first.

Black Light: The exhibition created by California College of the Art graduate students in curatorial practice addresses the relationship between cultural institutions and black artists.

The artists in this exhibition employ a diversity of media to create intriguing experiences that engage the senses, activate the imagination, and provide connections between the viewer and the work of art.

The contemporary artists included in this exhibition do not represent or describe specific events, rather, they have created art that embodies the tensions and fears that are flooding our collective conscious on a daily basis.

Developed in close consultation with the artists, the exhibition features original works by Rachel Harrison, Joseph Kosuth, Paul McCarthy, Whitney McVeigh, Raymond Pettibon, and Adrian Piper created specifically for the show and shown here for the first time.

Yet the compositions of lines and empty spaces in Charlie Was a Sailor hark back to the Tombeaux, a series of works created by the artist between 1987 and 1994 (two of which are included in the exhibition).

Featuring works — over a third of which are newly created — by an international and intergenerational group of artists, the exhibition explores blackness as a highly evocative and animating force in various approaches to abstract art.

«storefront: NOAH DAVIS: Imitation of Wealth» @ Museum of Contemporary Art, Los Angeles, Grand Avenue Los Angeles Paying homage to the artist - run store front spaces common in Los Angeles, each year, MOCA LA invites artists to take over a museum space, creating a «storefront» exhibition.

Those who commit themselves will receive an official I AM NO LONGER AN ARTIST badge designed by Bob and Roberta Smith, and shall be invited to create one final drawing for inclusion in the Art Amnesty gallery exhibition, using materials provided onsite.

EXHIBITION In New York's Madison Square Park, «Big Bling» by MARTIN PURYEAR stands 40 feet high and is the largest outdoor sculpture the artist has created.

The exhibition features 30 prints and drawings created in the 1930s and 1940s by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Elizabeth Catlett.

This exhibition brings together artwork created in the Dieu Donné studio by twenty artists who have participated in the organization's prestigious residency programs.

Labor intensive doesn't begin to describe the technique New York - based artist Stephen Dean uses to create the large - scale «Crossword» watercolor compositions featured in this exhibition of recent works.

The exhibition at the Society Club in Soho features 18 limited edition darkroom prints taken from Griffin's highly sought after out - of - print book, © Brian Griffin 1978, which was created in collaboration with artist Barney Bubbles, who had achieved cult status for his illustrations of punk record sleeves.

Bryan Graf's second full - scale gallery exhibition, Broken Lattice, will open at Yancey Richardson Gallery on April 11, 2013, featuring a series of new photograms and camera-less images created in the artist's studio and in the field.

Each artist combines notions inherent in the practices of art and architecture, in an experimental exhibition that includes site - specific installation, sculpture, painting, photography and video to create five very different and exciting works.

Wave Hill commissions a diverse group of emerging New York - area artists to create a new body of work or site - specific project for a solo exhibition in the Sunroom Project Space.

The exhibition's focus on progression and change in Seliger's oeuvre is a fitting tribute to an artist for whom process, transformation, and the notion of becoming were central to both his subject matter and his approach to creating art.

The exhibition «Donald Judd: Paintings» presents 14 paintings created by the artist between 1959 and 1961, which were vital transitional years for Judd in his experimentation in form and color.

Meanwhile, nine other artists, including Mark Handforth and Huma Bhabha, have each created a sculptural jewelry display for the show based on the primitive - looking steel masks Calder made for an exhibition in 1940.

For the occasion of that exhibition, the artists created a monumental Soft Shuttlecock spanning 32 feet long and six feet in diameter which appeared suspended from the museum's skylight with its feathers draped over the railings of the building's renowned rotunda.

Akdogan often utilizes objects counter to their intended use — traditionally, colored gels for cinematic and theatrical lighting create distinct light conditions while remaining hidden from view; the artist extracts and edits the atmospheric and surface properties of these materials, often directly in the exhibition space — manipulating layers of color pigments, print, and light sources.

These artists will be commissioned to create new works on view in exhibitions at the PinchukArtCentre in Kyiv and the Venice Biennale, curated by Björn Geldhof (artistic director, PinchukArtCentre).

EXHIBITION «Witness: Art and Civil Rights in the Sixties» opens at the Brooklyn Museum on March 7 and brings together the work of 66 artists (including Barkley L. Hendricks, above) from diverse backgrounds who were compelled to create by groundbreaking events that were transforming the nation.

The IMPULSE section presents galleries invited by a committee to present solo exhibitions of exhibitions of artist's work created in the past two years.

Featuring four artists from the exhibition and moderated by MAM director Lora Urbanelli, the panel examines the insights achieved by, and challenges inherent in, creating a history of a relatively recent era, many of whose key issues — surrounding identities, digital technologies, and globalization — remain urgent today.

The exhibition began with early portraits created in Havana and paintings made in the 1930s when the artist was living in New York's Greenwich Village.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

The first major museum exhibition to explore graphite as a medium in works beyond drawings, Graphite includes sculpture, drawing, and installation works created over the past decade — including several newly commissioned works — by emerging and established contemporary artists.

Today, the majority of these artists are best known for the large - scale, daring abstractions they created in the 1950s and 1960s, but the careers of each painter featured in the exhibition began to take off in the 1930s and early 1940s, when surrealism still held a central place among the avant - garde.

Following discussion and close looking in the exhibition Modigliani Unmasked, learn printing and stamp - making techniques to create an edition of cards in this intensive one day workshop taught by contemporary artist Timothy Hull.