Sentences with phrase «artists in this exhibition seeks»

To exhaust the existential madness the artists in this exhibition seek to fill the great mystery with a higher purpose.

Through performance, photography, video, sculpture, and installation, the artists in the exhibition seek alternative ways to articulate their narratives.

Searching for alternatives to museum - based exhibition practices, the artists in this exhibition sought to engage directly with local communities, often incorporating popular strategies from film, architecture, and theater, and grappling with political oppression.

Through the medium of painting, each of the nine artists in this exhibition seeks to shed light and dark on this elusive and intriguing subject.

Not exact matches

Founded by prominent collector Ella Fontanals - Cisneros in 2002, CIFO has sought to bring wider attention to artists working in Latin America and Latinx artists with its exhibition space in Miami.

The exhibition at the Society Club in Soho features 18 limited edition darkroom prints taken from Griffin's highly sought after out - of - print book, © Brian Griffin 1978, which was created in collaboration with artist Barney Bubbles, who had achieved cult status for his illustrations of punk record sleeves.

Each of these artists has already made a name on their own through winning numerous awards and participating in various group and solo shows, however for this exhibition they sought to come together as a collective -LSB-...]

«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The museum organizes and presents leading - edge exhibitions that travel to institutions worldwide, including Southern Accent: Seeking the American South in Contemporary Art (2016 - 17), Archibald Motley: Jazz Age Modernist (2014), Wangechi Mutu: A Fantastic Journey (2013), The Vorticists: Rebel Artists in London and New York, 1914 - 1918 (2010) and Barkley L. Hendricks: Birth of the Cool (2008).

Lucy Austin (b. 1966 Leeds UK) studied at Harrogate College of Art (1984 - 85), The London College of Printing (1985 - 88), Qualifications and training 1995 Fine Art Fellow Printmaking, Cheltenham & Gloucester College of Higher Education, Cheltenham 1993 MA Fine Art Printmaking, Manchester Metropolitan University, Manchester Solo exhibitions 2008 Drawing in Space, The Pound Art Centre, Corsham, Wiltshire 2008 Drawing Together, The ArtGym, Bristol 2005 Mare's Tales, Jerwood Project Space, London 2004 Cumulus, Gloucester Cathedral, Gloucester Group exhibitions 2012 Mivart Raw, Mivart Street Studios, Bristol 2011 Home, Core Gallery, Deptford SE8 2011 Sketch Drawing Prize 2011, Rabley Drawing Centre, Marlborough 2010 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2010 Celebrating Paper, Royal West of England Academy (RWA), Bristol 2010 The London Art Fair, Rabley Contemporary Drawing Centre, London 2008 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2008 Prize Drawing, ArtSpace, Southwell, Nottingham 2007 The Jerwood Drawing Prize, Jerwood Space, London (& UK tour) 2007 Open Sculpture Competition, Royal West of England Academy, Bristol 2006 Hide & Seek, Mivart Studios, Bristol 2003 View, ArtSway, Sway, New Forest 2002 Angelwing, Eyepoppers, Gloucester, First Prize 1997 Oriel Mostyn Open, Oriel Mostyn Gallery, Llandudno Artist talks 2011 Show and Tell, Core Gallery, Deptford SE8 Residencies 2005 Flock, Bristol Central Library, Bristol

If the artist is organizing their history for a retrospective or large scale exhibition, publication, or documentary film, CALL Services will seek to work with the museum, arts organization, publisher, dealer or collector, to raise additional funds in support of this work.

Originally published in 2010 on the occasion of Against the Wall, Dumas's first solo presentation at David Zwirner in New York, this much sought - after exhibition catalogue — which sold out shortly after publication — has been reprinted to coincide with the artist's 2014 — 2015 European retrospective exhibition The Image as Burden, organized by Tate Modern, London in collaboration with the Stedelijk Museum, Amsterdam and the Fondation Beyeler, Basel.

Despite PrintMatters» launching during the worst recession since the Great Depression, what started with a small exhibition of work by the five founding artists has grown so much that in 2014, members voted to seek 501 (c)(3) nonprofit status so they could pursue grants and expand programming.

In the National Portrait Gallery's current exhibition: Hide / Seek: Difference and Desire in American Portraiture, a small portion of an artist's... Read MoIn the National Portrait Gallery's current exhibition: Hide / Seek: Difference and Desire in American Portraiture, a small portion of an artist's... Read Moin American Portraiture, a small portion of an artist's... Read More

The Exhibition Advisory Panel (EAP) of the Fort Worth Arts Center (FWCAC) is seeking exhibition proposals from artists and curators for our 2019 season, with a focus on regional artists in Texas, New Mexico, Oklahoma, Arkansas, and Exhibition Advisory Panel (EAP) of the Fort Worth Arts Center (FWCAC) is seeking exhibition proposals from artists and curators for our 2019 season, with a focus on regional artists in Texas, New Mexico, Oklahoma, Arkansas, and exhibition proposals from artists and curators for our 2019 season, with a focus on regional artists in Texas, New Mexico, Oklahoma, Arkansas, and Louisiana.

For others of this era, the communication gap between city policy and artist initiatives proved insurmountable at the time: Fugitive Art Projects sought physical space in 1999 to cultivate exhibitions, studios, and artistic dialogue, but eventually closed their Fugitive Art Center venue in 2005 after struggling to work with building codes and facility issues.

«Tate Britain brings together over 100 beautiful works by Monet, Tissot, Pissarro and others in the first large - scale exhibition to chart the stories of French artists who sought refuge in Britain during the Franco - Prussian War.

Retrospective features works by the most sought after AC Gallery LA artists from the past 3 years of exhibitions in Hollywood!

EMERGENCY is aspex's biennial open submission group exhibition, which seeks to highlight the work of emerging visual artists working in any media.

For the 14th Istanbul Biennial, in keeping with her Documenta strategy of hiring agents to advise on the show — she will draft the exhibition with help from various artists, curators and others: «seeking the artistic advice of Cevdet Erek, the intellectual rigor of Griselda Pollock, the sensitivity of Pierre Huyghe, the curatorial imagination of Chus Martinez, the mindfulness of Marcos Lutyens, the acute gaze of Füsun Onur, the political philosophies of Anna Boghiguian, the youthful enthusiasm of Arlette Quynh - Anh Tran, the wise uncertainties of William Kentridge and manifold qualities and agencies to come as the process develops».

Juried by artist Jiha Moon, MINT's annual juried exhibition seeks to showcase the work of some of the most dynamic and innovative emerging cultural producers currently working in the United States.

Curated by Charles Gaines, Adkins» close friend and frequent collaborator, this exhibition seeks to illuminate a revolutionary oeuvre through fresh eyes, grounded in the conceptual and personal rapport between these two groundbreaking artists.

From December 29, 2011 — March 18, 2012, CoCA will present its 22nd annual juried exhibition seeking work from emerging as well as established artists in a wide variety of visual media.

A.I.R. PROGRAM & EXHIBITION The Henry Luce III Center for the Arts and Religion (LCAR) Artist - in - Residence program accepts applications from visual artists seeking to create within the community of Wesley Theological Seminary.

The exhibition explores expanded narratives of sculpture through works in which artists have sought to replicate the literal, living presence of the human body.

Other exhibition highlights on view in October include Little Black Dress, curated by SCAD trustee and Vogue contributing editor André Leon Talley; Addio del Passato, presenting photographs, sculpture and film by Yinka Shonibare MBE; Stretching the Limits, a group exhibition by fiber - based media artists; Reveal the secrets that you seek, featuring installations by Bharti Kher; and Figures, four large - scale wall hangings by renowned American sculptor Lynda Benglis.

The CraftTexas series, which is hugely popular with visitors, provides artists the unique opportunity to have their work seen by three established jurors and included in an exhibition that seeks to broaden the understanding of contemporary craft.

Since 1993, when Goldsworthy presented his first solo exhibition in New York City, the artist has sought to find a way to convey the nature in urban environments.

Artist Homer Shew seeks to show you in his new solo exhibition, presented by chashama.

Rather, this exhibition seeks to find resonance among these artists, and to trace a trajectory of abstraction in the South through the rise of female voices in the visual arts.

It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an Abstract Expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

Through the visions of SunTek Chung, Larry Bamburg, Deborah Grant, Andrew Guenther, Hilary Harnischfeger, Adam Helms, Matthew Day Jackson, Karyn Olivier, Sigrid Sandstrom, Allison Smith, Ian Sullivan, Will Villalongo, Roger White, Raphael Zollinger, and an exhibition essay by Mary Robbins, this exhibition seeks to address a collective and individual response to a particular moment in time: artists as social and cultural cartographers.

The exhibition specifically seeks to include some lesser - known artists, but there are some established names as well, including El Anatsui, 2013 Turner Prize nominee Lynette Yiadom - Boakye and Ibrahim Mahama, who showed in Venice in 2015 and currently has an exhibition at White Cube Bermondsey, London.

Life in the big city, with its bustling crowds and towering skyscrapers, is widely recognized as a key influence, but this exhibition reveals how American artists also canvassed the country, seeking inspiration from wide - open spaces and small - town culture across the United States.

The works in exhibition seek to exist between genres of figurative or abstract, highbrow or lowbrow, sentimental and academic, and all the other limiting binaries of interpretation to be both volatile and conservative, soulful and austere, containing elements that appeal to both sides in these paintings, or as the artist puts it, «ambassadors between the two mindsets.»

Another artist that was much sought after was Gerald Laing, currently showing as part of Tate Modern's «The World Goes Pop» exhibition, whose Commemoration (1965) had not been seen in public since 1965 and sold for # 1,202,500 / $ 1,860,268 / $ 1,630,590, breaking the artist's previous record set at Christie's last year.

The artist's work has been shown in galleries and museums across the United States, Europe and Asia, including a solo exhibition, Tohu vaVohu at Hebrew College in Boston, and Becoming at the Yale Slifka Center and NYU Bronfman Center and the retrospective Seek My Face at UCLA's Dortort Center.

Ever since MAM re-opened as an expanded museum in 2006 the exhibition staff has sought out artists working in installation and large - scale sculpture to create original works for the new beautiful spaces.

Artspace Location: Raleigh, NC Artspace is seeking innovative artists working in all media for solo and / or group exhibitions.

Following the success of the inaugural competition last year, aspex seeks emerging artists, designers and makers working in all media for its open submission exhibition CRAFT EMERGENCY.

This exhibition — the first critical examination of the significant, albeit brief, work of the four artists in 1967 — seeks to reexamine the group by placing its work in context with the broader conversations surrounding institutional critique, performance, and the role of painting as a political medium.

Through an annual open call, we seek exhibitions featuring the work of emerging and underrepresented contemporary artists and the curators who seek to exhibit these artistsʼ work in a clear and concise context.

One of the most sought - after exhibition venues in the region, the Cincinnati Arts Association's Weston Art Gallery is acclaimed for its eclectic mix of emerging and professional artists presented in museum - quality environs in the heart of downtown Cincinnati's restaurant and theater district.

Molly Soda, Signe Pierce, and Arvida Byström are just three of the women net artists in the exhibition whose work seeks to carve out a space for femininity online.

The foundation seeks to achieve this goal through educational initiatives and an interdisciplinary programme of exhibitions and special projects in collaboration with internationally acclaimed artists, designers, and architects.

Later joined by fellow German artist Günther Uecker in 1961, the three sought to reinvent art in the postwar era and create a vision toward a transformed future through myriad artistic forms: performance, painting, sculpture, exhibition, publication, film, and installation.

NEON and Marina Abramovic Institute are seeking established and practicing Greek artists working in all forms of performance to create new long - durational performances for an exhibition in March and April 2016.

Open Sesame was the first in a series of publication research resource documents in which Tate and Uclan in collaboration have sought to develop their work around the impact of past, current and possible future exhibitions, displays, competitions and collecting strategies initiated by Tate in relation to artists of African, Asian and Caribbean descent.

The «Annual» exhibitions seek to eliminate any categorical or hierarchical distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally seen, or the seniority of an individual artist, etc.) The works included in the exhibition might have originally been encountered in exhibitions at galleries, not - for - profit spaces, or during visits to artists» studios, etc..

Unofficial histories, suppressed memories and strategies of resistance all converge in our new major group exhibition, which seeks to redress the legacy of the Russian Revolution on its centenary by exploring how contemporary artists are responding to the state of the «New East» today.