Sentences with phrase «artists in this exhibition share»

The selected artists in this exhibition share Kahlo's spirit of rebellion and similarly assert themselves against the patriarchy as they insert their voices into dominant artistic discourses.

The three artists in this exhibition share a desire to confound the viewer while at the same time investigating processes and searching for what lies beneath surfaces — the beyond of what we can see.

All three female artists in this exhibition share an interest in inventing individual aesthetic languages to articulate the contemporaneity of each time period.

Though disparate in formal resolution, the artists in this exhibition share an impulse to transform traditional social roles.

Not exact matches

CAPE shares arts integration work by students, teachers, artists, staff and researchers in many formats, including but not limited to: exhibitions, websites, published articles, workshops, whole school events, and / or conference presentations.

In the exhibition, 23 - year - old Chicago artist Darius Airo's bright, poppy paintings will be displayed near classics by the influential painter Ed Paschke, and whimsical semi-figurative works by the recent School of the Art Institute of Chicago M.F.A. graduate Jenn Smith will share space with those of Hairy Who founding member Jim Nutt.

For the interview published in the May / June 2013 issue of Art New England (available online here) Miler depicts Lemieux in the studio preparing an exhibition of works that homage her artistic heroes — artists who share an approach that Lemieux describes as «the conceptual, the playful, the «why not»?»

«It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an abstract expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The exhibition explores the fellowship that the two artists — a Romantic nineteenth - century Briton and an Abstract Expressionist twentieth - century American — share in paint across their temporal divide.

With the majority of work having been made between 1964 and 2014, the exhibition brings together a group of thirty - five intergenerational American artists who share an interest in the U.S. South as a location both real and imagined.

Presented in association with Emillions Art, the exhibition will showcase work by six artists to share their visions of the mystical forces that compel humans to take action.

This group exhibition presents the work of four artists - Strauss Bourque - LaFrance, Caitlin Keogh, Pam Lins, Sean Raspet - who share an interest in surface, artifice, perception, and seriality.

Painting, music, sculpture and dance come together with shared ideas, influence, friendship and love in this exhibition, which details the fruitful relationships between Marcel Duchamp, composer John Cage, choreographer Merce Cunningham, and artists Jasper Johns and Robert Rauschenberg.

And we shared a lot of interest in artists like Luther Price — who also had a major solo exhibition at Thread Waxing Space, which was an installation, but also a marathon, three - day film - screening series.

The artists exhibited fragments of their shared artistic practice and conversation in the exhibition WHO KNOWS WHERE WE ARE at Apartment Project.

Whether focusing attention on the artists» personal beliefs and experiences, on shared cultural narratives, or on the overlooked, the works included in this exhibition illuminate the times in which they were made while also resonating in the present day.

The carefully selected works included in the exhibition juxtapose varied conceptual interests that reveal the shared sensibility of the three artists.

London gallery to warn visitors of graphic material in exhibition that demonstrates artists» shared values

The exhibition brings together works in diverse media by three artists - Iran do Espírito Santo, Callum Innes and Wolfgang Laib - which, whilst seemingly very different, share many conceptual, intellectual, formal and emotional resonances.

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, FeldstIn the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstin conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

This exhibition brings together a small group of large works by Philip Guston, Peter Saul, Robert Colescott, and Carroll Dunham — artists who share an affinity for depicting the figure in a cartoonish, comic style.

A lavishly - illustrated exhibition - in - print, each issue of New American Paintings results from a highly selective juried competition and aims to share the work of deserving artists to a wider audience.

This exhibition brings together a small group of large works by artists who share an affinity for depicting the figure in a cartoonish, comic style.

The New Media Gallery will be the first of its kind in Western North Carolina, offering innovative artists including those featured in Prime Time: New Media Juried Exhibition the opportunity to share their work with the community while developing new audiences and gaining recognition for their contribution to the modern art scene.

We look forward to seeing how the artists in this exhibition will respond to this need for «Renewal» that we all share.

Over three dozen artists fill an entire museum, sharing nothing more than abstraction — plus those suitably profound nouns in the exhibition subtitle.

Kamrooz Aram, a Brooklyn - based artist whose works often challenge a modernist disdain for decoration, shares his thoughts on ornament and its complex relationship to modernist painting and exhibition design as demonstrated in his own varied practice in which painting, collage, sculpture, and the art of display operate as equals.

Artists chosen for exhibition in the two spaces may or may not share commonalities in their work but, nonetheless, will create an interesting and provocative dialogue between them.»

I'm glad to share a panel with two artists who, like others in this exhibition and in so many ways, are dealing forcefully with the headlines.

Using the opportunity of this exhibition to start a shared journey of exchanging memories, they have told each other stories in the tradition of Shahrezad and her sister Shahrnavaz, culminating in collaborative works which include drawings, prints, artist books and installations.

As Curator - at - Large, she will work with the Tang's team to plan and implement exhibitions and artist projects, produce inventive programs at the Tang and in New York City, expand interdisciplinary research and scholarship, advise the Museum on key acquisitions, and share her expertise with Skidmore faculty, staff, and students.

The artists» shared exhibition history, with Peláez showing her work alongside the new abstract generation in the 1950s, challenges the art historical narrative of a rupture between the early

Artists have a flexible schedule and availablity for studio visits Monday - Friday, 10 am - 5 pm, 2 - 3 times a month (occasionally on weekends); as well as, attend monthly meetings Tuesday - Thursday, 6 - 8 pm, to share work in progress with peers and participate in group critiques of solo exhibitions on view.

The artist, who was born in 1958, grew up on the outskirts of Warsaw, and first showed in the UK at the end of the 1980s, in Possible Worlds, a groundbreaking exhibition of new European sculpture that was shared between the ICA and the Serpentine Gallery.

The exhibition features works produced between 1964 and the present, in order to situate these artists» practices as in part a reaction against the misogyny present in the art world in the 1960s and 1970s, as well as to celebrate the fortitude and dogged artistic activism that these artists have shared for nearly five decades...

It is the excitements of this conjunction between a Romantic nineteenth - century Briton and an Abstract Expressionist twentieth - century American that the exhibition seeks to evoke, revealing the fellowship that the two artists share in paint across their temporal divide, and the vibrant correspondences which uncover something of the timeless cerebral foundations of landscape art.

The exhibition examines the objects themselves but also looks at the personal narratives of the mask sellers, drawing on the artist's own migration from Kenya to Canada in a series of works that create a shared history of identity and origin.

Co-curators Peter John Brownlee (Curator of the Terra Foundation for American Art in Chicago) and Valéria Piccoli (Chief Curator of the Pinacoteca do Estado de São Paulo in Brazil) share their thoughts on some of the artists, explorers and artworks in the exhibition.

Experimental Jetset, Lucky Dragons, Tomás Saraceno, and others share how 1960s artists featured in the exhibition Hippie Modernism have influenced their work and thinking today.

The artists included in this exhibition will present a diverse selection of works that are linked by a shared engagement with figurative representation in contemporary art.

An exhibition that pays homage to the very first artists in residency in Qatar 15 years ago, it includes installations, photographs and videos of what Doha's inaugural art residences were like, introducing visitors to a part of Qatar's recent history that has never been shared so extensively before.

A counterpoint to Wave Hill's lush summer gardens, this exuberant exhibition features four artists who share an interest in pattern derived from cultural and botanical sources to create fantastic hybrid forms.

Participating Artists: Diana Gabriel, Magalie Guerin, Alexander Herzog, John Phillips, Melody Saraniti, Christopher Smith, Scott Stack January 25 — February 21, 2015 Reception: Sunday, January 25, 3 6 pm Curated by Karen Azarnia The Riverside Arts Center is pleased to present All In, a group exhibition featuring artists who share a love for painting and a reverence for abstrArtists: Diana Gabriel, Magalie Guerin, Alexander Herzog, John Phillips, Melody Saraniti, Christopher Smith, Scott Stack January 25 — February 21, 2015 Reception: Sunday, January 25, 3 6 pm Curated by Karen Azarnia The Riverside Arts Center is pleased to present All In, a group exhibition featuring artists who share a love for painting and a reverence for abstrartists who share a love for painting and a reverence for abstraction.

Recognizing that their work shared formal color relationships and rhythmic patterning within a unified single plane, Peter Selz, chairman of the art department at Pomona College, offered the four independent artists a group exhibition at the college in the mid-1950s.

This exhibition will change progressively over its duration, becoming a space that allows artist and audience to share in collective dialogue.

The exhibition at 540 West 26th Street comprises the work of three artists — Hernan Bas, Anne Chu, and Klara Kristalova — connected by a shared interest in the wildly imaginative nature of storytelling, and the visual fusion of fantasy and reality in a narrative context.

As the artist makes clear in her exhibition statement: «I work from the simple assumption that the collective story of my little piece of geography with its many inhabitants shares fundamental similarities to other closely observed locations.

Vermonters» shared history in land and pride for the local lay the groundwork for this exhibition, featuring works from over 40 international and Vermont - based artists.

This exhibition reconsiders the state of contemporary art in Latin America, investigating the creative responses of artists to complex, shared realities that have been influenced by colonial and modern histories, repressive governments, economic crises, and social inequality, as well as by concurrent periods of regional economic wealth, development, and progress.

In this lecture held at the National Gallery of Art on May 21, 2017, in conjunction with the exhibition, artist Mitch Epstein shares how the distress of the New England industrial town of his childhood and the vibrancy of the city of New York, where he's lived for 45 years, have informed his photographic sensibilitIn this lecture held at the National Gallery of Art on May 21, 2017, in conjunction with the exhibition, artist Mitch Epstein shares how the distress of the New England industrial town of his childhood and the vibrancy of the city of New York, where he's lived for 45 years, have informed his photographic sensibilitin conjunction with the exhibition, artist Mitch Epstein shares how the distress of the New England industrial town of his childhood and the vibrancy of the city of New York, where he's lived for 45 years, have informed his photographic sensibility.