The artists in this exhibition similarly adopt commonplace items and established images as their points of departure.
Not exact matches
Similarly nomadic,
artists and curatorial duo Kieran Leach and Precious Innes, working under the moniker Show.me.up, have taken up residence
in the Paradise Works project space with their first
exhibition «Tipping the Scales», which looks at work - life balance, and how for
artists the two often overlap and become inseparable.
Similarly, Eric de Chassey,
in the catalogue that accompanies the
exhibition «Alex Katz: Small Paintings,» begins his essay by informing us that «Alex Katz is one of very few
artists working today capable of creating works that can be reconciled with the world, without seeming anachronistic.»
The allusion to Goya's famous etching The Sleep of Reason Produces Monsters (1799), which shows an
artist similarly burying his head
in his arms, draws a line between Bacon's and Goya's tortured subjects and sets the somber tone of the
exhibition.
Similarly, the
artists in this
exhibition are not bound by artistic protocol, and are either unaware of or see little value
in the dominant trends of the late 20th century.
Works from the collection are now on display
in an
exhibition at the Ogden Museum of Southern Art
in New Orleans, which
similarly draws attention to the important developments made by black
artists over the past 70 years or so, specifically relating to abstraction.
The selected
artists in this
exhibition share Kahlo's spirit of rebellion and
similarly assert themselves against the patriarchy as they insert their voices into dominant artistic discourses.
Brooklyn - based
artist Hugh Scott - Douglas
similarly considers questions raised by the immateriality of digital photography
in his solo
exhibition at Jessica Silverman Gallery
in San Francisco.
Similarly, while each
artist in the
exhibition has a unique practice and while these works are incredibly diverse both formally and conceptually, it is compelling that each
artist broadly addresses how a categorization of material can paradoxically generate more information rather than a simplification through didacticism.
This
exhibition of some seventy - five paintings also features work by Hood's daughter, Agnes Hood Miller (1908 — 1967), and other
artists who
similarly found their voices amid the convergence of modernist forces
in Philadelphia and New Hope.
The
exhibition considers the ways
in which
artists today
similarly react to a world
in turmoil by rejecting the autonomy of the art object
in order to harness, engage, or interrupt systemic flows, whether those are organic, social, or technological, on a distinctly material level.
In Rodriguez's first New York museum show, and similarly to how a 2013 exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between artist, artwork, and third - party agents (institution, caregiver, surrogate) in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin the
In Rodriguez's first New York museum show, and
similarly to how a 2013
exhibition took its cues from La Collectionneuse, a 1967 film related to art by Éric Rohmer, her new work The Maid takes a cinematic approach to sculpture, considering «the conditional relationships between
artist, artwork, and third - party agents (institution, caregiver, surrogate)
in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin the
in familial terms»: the evolved social dynamics of the artworld, and the laws that underpin them.
Similarly, this
exhibition is like a story made up of tangents that all coalesced at a certain moment
in an
artist's life.
Similarly, Hammarskjöld was a great admirer of Hepworth's work and bought the version of Single Form which Hepworth carved out of sandalwood, 1937 - 38 (BH 103), at the
artist's 1956 - 57
exhibition at the Martha Jackson Gallery
in New York.
Described
in February by the Daily Telegraph as «the under - appreciated hero of black British art», Himid made her name
in the 1980s as one of the leaders of the British black arts movement - both painting and curating
exhibitions of
similarly overlooked
artists.
An
exhibition of the finalists» work will open at Tate Britain on October 2, stirring much debate and controversy among the general public as to who is,
in fact, the best
artist, once again making me jealous that we don't have a
similarly popular art competition
in the US.
More than a dozen
artists working
in painting, photography, sculpture, and installation are represented
in this
exhibition, and their modes of abstraction are
similarly diverse.
The Mr and Mrs Frank G Logan prize was awarded to a jury selected exhibit at the American Paintings and Sculpture
Exhibitions held
in Chicago and a
similarly named prize was awarded to a local
artist at the annual Chicago and Vicinity
Exhibition for a selected exhibit.
The French - Algerian
artist Kader Attia, has explored
similarly strange juxtapositions
in his latest multimedia
exhibition at Lehmann Maupin, a gallery on the Lower East Side.