Sentences with phrase «artists in this exhibition such»

Havell's work, (who also created many of the landscapes for Audubon's famous birds) includes panoramic publications and paintings of the Hudson River and the Thames like other artists in this exhibition such as Thomas Cole (Father of the Hudson River School), and noted artists Jasper Cropsey and John Kensett, who favored the chain of cities, suburbs, and countryside along these two rivers, where horizontal planes and historical associations gave form to both artistic and cultural expression.

Havell, whose work includes panoramic publications and paintings of the Hudson River and the Thames, like other artists in the exhibition such as Thomas Cole, Jasper Cropsey and John Kensett, favored the chain of cities, suburbs and countryside along these two rivers, where horizontal planes and historical associations gave form to both artistic and cultural expression.

Not exact matches

Free cultural events, such as Art's Biennials exhibitions of famous artists of all continents, Cinema, Theater, Music and Dance International Festivals are great channels for non-formal dissemination of Global Citizenship values, mainly in respect and appreciation of cultural diversity.

Prof. Berndt's lecture will focus on three aspects: 1) the ir / relevance of traditional Japanese painting for contemporary manga; 2) manga museums compared to recent manga exhibitions in Japanese art museums; and 3) the unilateral interest in manga by contemporary artists such as Murakami Takashi and Aida Makoto.

For Laurie Ann Farrell, executive director of SCAD museums and exhibitions, this is a chance to flex some muscles in an expansive, flexible space, perfect for such upcoming shows as «Art x Fashion,» an examination of collaborations between designers and visual artists.

If you are an art lover the Museum, which opened in 2009, has exhibitions from world renowned Azerbaijani artists such as Altay Sadikh - Zadeh.

Ostensibly depicting scenes from everyday life — a windswept walk along beach, the artist's daughter, dancing, sewing or putting on a shoe — the works in this exhibition alert us to the endless nuance of bodily expression and the myriad ways in which we reveal ourselves and communicate emotion, such as happiness, sadness, confidence, doubt or even distraction, consciously or not.

An all female exhibition showcases artists working with traditional craft media such as ceramics, yarn, clay or wood in current and contemporary ways.

Artists in the exhibition range from lesser - known painters including Morris Hirshfield to contemporary art stars such as Kara Walker.

Works of modern and contemporary artists are regularly presented in group exhibitions such as Too Jewish?

The exhibition features 30 prints and drawings created in the 1930s and 1940s by artists such as Diego Rivera, José Clemente Orozco, David Alfaro Siqueiros, and Elizabeth Catlett.

Such performative excess has been integral to Madere's practice, and the most successful works in the gallery exhibition tapped into that impulse within the artist's new, more restrained parameters.

What follows, in the exhibition, are works by artists who have persevered in defiance of portrait fatigue, such as Alex Katz and Chuck Close, and some creative curating that asks us to think of 1970s Body Art, anonymous street photography, and certain still lifes as portraits.

The exhibition concludes with artefacts from the formation of Experiments in Art and Technology (E.A.T) in New York in 1966 which saw performances over nine evenings from artists such as Robert Rauschenberg, John Cage and Yvonne Rainer working together with engineers from American engineering company Bell Laboratories in one of the first major collaborations between the industrial technology sector and the arts.

According to ArtForum, Russian intrigue continues in Ghent: «A panel that was formed to investigate a number of allegedly fake Russian avant - garde works in the exhibition «From Bosch to Tuymans: A Vital Story» at the Museum of Fine Arts Ghent in Belgium — including pieces by artists such as Kazimir Malevich and Wassily Kandinsky that were on loan from the Dieleghem Foundation, a nonprofit founded by the Brussels - based Russian businessman and art collector Igor Toporovski — was dissolved only hours after meeting, reports Simon Hewitt of the Art Newspaper.

In addition to the founding stories of the RA and PAFA, this exhibition recognizes the other artist - founders of PAFA, West's role as the teacher of eighteenth - and early - nineteenth - century American artists, and the development of monumental history paintings such as Christ Rejected and Death on the Pale Horse.

Barragán was such a color expert; he was friends with [artist] Josef Albers, for example, and so some of what I did in this exhibition involved thinking about that relationship and translating three - dimensional space to a two - dimensional image.

Included in the exhibition are works by artists such as Johan Christian Dahl (1788 - 1857), Jean - Michel Cels (1819 - 1894), Carl Gustav Carus (1789 - 1869), Jean Charles Joseph Rémond (1795 - 1875), Johan Thomas Lundbye (1818 - 1848), Eugène Lous Boudin (1824 - 1898), and Eugène Isabey (1803 - 1886), among others.

Considering Moss» artistic relationship with Mondrian is a way of reconsidering her impact, but also the other conversations represented in the & Model exhibition, with British Construction and Systems artists such as Norman Dilworth, Anthony Hill, Peter Lowe, David Saunders, Jeffrey Steele, Gillian Wise and others, form part of a bigger and very necessary exchange artists are making now with modernist positions that are far from redundant.

This is simply a wonderful exhibition and Alice Neel an exceptional artist - a master painter with a sense of compostion and an empathetic, but never ingratiating view of humanity» (Dagens Nyheter); «This is such a show that I did not know how long in advance I longed for.

Exhibition catalogs such as «We Wanted a Revolution: Black Radical Women 1965 - 85» and «Soul of a «Nation: Art in the Age of Black Power,» and the scholarly publication «South of Pico: African American Artists in Los Angeles in the 1960s and 1970s,» document the Black Arts Movement and the artists and works that defined the Artists in Los Angeles in the 1960s and 1970s,» document the Black Arts Movement and the artists and works that defined the artists and works that defined the period.

She first received public recognition in New York when her richly - colored canvases holding single shapes were prominently featured in the New Image Painting exhibition at the Whitney Museum in 1968 with works by artists such as Susan Rothenberg and Joe Zucker.

In the 1970s, Matta - Clark participated in numerous group exhibitions and community projects, such as his role as a founding member of the artist - run restaurant Food in New York's SoHo neighborhooIn the 1970s, Matta - Clark participated in numerous group exhibitions and community projects, such as his role as a founding member of the artist - run restaurant Food in New York's SoHo neighborhooin numerous group exhibitions and community projects, such as his role as a founding member of the artist - run restaurant Food in New York's SoHo neighborhooin New York's SoHo neighborhood.

After being shown at prestigious museums such as Moderna Museet in Stockholm, and the Hamburger Bahnhof in Berlin, the exhibition comes to Museo Picasso Málaga, presenting for the first time in Spain the work of this unusual artist, with more than 200 works that summarize her complex, consistent and radical career.

There, he staged solo exhibitions and participated in group shows at such noteworthy nonprofit venues as Artists Space, Exit Art, and Judson Memorial Church.

Beginning with significant historical works from artists such as Richard Long, who was one of the first artists to make walking his art form, to Ana Mendieta, who carved and shaped her own figure into the earth and documented these private sculptural performances, to Michelangelo Pistoletto's performance, Walking Sculpture, in which he and a group of people walked a large newspaper ball down the streets of Turin, the exhibition will include works from all decades since the 60s and commission artists to create new work for 2017.

The Arts Council memorial exhibition that opened a year later — largely due to the efforts of the artist's widow, Lilian Holt, Joanna Drew of the Arts Council and the critic Andrew Forge — commenced the reappraisal of Bomberg's work, although the show was an uneven account of his career, entirely omitting the monumental early works such as In the Hold and The Mud Bath.

Although several sculptures employ crackle glaze and other nods to traditional pottery, the works in this exhibition are notable for the wide range of effects achieved with such contemporary materials as epoxy resin, catalyzed polyurethane, and high - gloss automotive paint mixed to the artist's specifications and applied with an airbrush.

Conceived as a series of interrelated and rotating stand - alone exhibitions, this presentation will highlight major singular works from the collection, such as a newly acquired monumental cut - paper silhouette tableau by Kara Walker, as well as the Barbara Lee Collection of Art by Women, groupings of work by artists held in depth such as Louise Bourgeois and Nan Goldin, and thematic and art - historical groupings.

Grants have been given in categories such as visual arts programming, professional development, exhibitions, artist publications, and website development.

The National Endowment for the Arts (NEA) granted $ 10,000 to Artists Space for the exhibition, but when the catalogue appeared with an essay by David Wojnarowicz that excoriated politicians and the clergy for their inaction in the face of the crisis — or for their outright attacks on people with AIDS — the NEA came under fire from ultraconservative politicians such as Senator Jesse Helms.

The exhibition will include Looking for the Map 8 2013 - 14, a new work shown in the UK for the first time on display alongside works made in situ by the artist such as the re-making of the key sculpture Ten Kinds of Memory and Memory Itself 1972 as well as international loans from museums and private collections.

Works in the exhibition include works by Washington Color School notables such as Gene Davis, Howard Mehring and Alma Thomas; alongside newer acquisitions from artists such as Michael Craig - Martin, Robin Rose and Susan Roth.

Those members came from various different artworld backgrounds (critic, curator, historian, artist, etc), and the programme, as stated on its still - live website, «eschewed solo exhibitions in favor of thematically, conceptually and politically driven group exhibitions and projects», such as its inaugural outing, modestly named Part One, which featured Andrea Fraser's May I Help You?

THIS YEAR»S SELECTION of the Best Black Art Books includes 12 volumes that in various ways are reframing art history — from scholarly works shedding light on major cultural moments and volumes of groundbreaking photography, to exhibition catalogs surveying broadly the work of important artists such as Kerry James Marshall and Alma Thomas.

Also featured in the exhibition will be a series of paintings based on memorabilia from the American punk scene of the 1970 - 80s and other works that use early Modernism as a starting point to address topics such as fascism, sex and boredom, which the artist likens to «Suprematism on poppers.»

From acclaimed surveys of 20th century masters, such as Jean Arp, Anthony Caro, Jay DeFeo, Willem de Kooning, Leon Kossoff, Kenneth Noland, Roy Lichtenstein, and Nicolas de Stael, to solo exhibitions of Sarah Braman, Keltie Ferris, Daniel Lefcourt, Pope.L, Martha Rosler, and Jessica Stockholder, Mitchell - Innes & Nash has proven expertise in both advancing the careers of emerging artists and maintaining the superior standard set by established artists.

From the influences of African art on the Modernist forms of artists like Picasso, to the work of contemporary artists such as Kara Walker, Ellen Gallagher and Chris Ofili, the exhibition will map out visual and cultural hybridity in modern and contemporary art that has arisen from the journeys made by people of Black African descent.

Before Winer came to New York in 1975, she was the college's gallery director and presented exhibitions of artists such as William Leavitt, Bas Jan Ader and Allen Rupersberg.

Throughout his distinguished career the artist's work was showcased in solo exhibitions worldwide at prominent venues such as The Museum of Modern Art, NY, the Stadtisches Kunsthalle, Düsseldorf, Germany, and the Fundació Antoni Tàpies, Barcelona, Spain, among many other places.

In the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practicIn the wake of the 2016 presidential election, where news media was deemed the «the enemy of the people,» and The New York Times directly attacked and labeled as «fake news,» FLAG began developing an exhibition examining how seminal artists, such as Robert Gober, Ellsworth Kelly, Lorraine O'Grady, Fred Tomaselli, and others, who have used and been inspired by this newspaper in their practicin their practice.

With over thirty years of experience in the arts, Baker has worked on more than 300 exhibitions with over 800 artists including both emerging artists and world - renowned figures such as Richard Serra, Cy Twombly, Mark di Suvero, Chris Burden and Damien Hirst and historical exhibitions of work by Henry Moore, Alexander Calder, Joan Miró, and Andy Warhol.

A «catalogue raisonné» is a systematic and comprehensive scholarly reference text in which each work known to have been executed by a particular artist is illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each work is assigned a permanent reference number.

Said the board, «Ghez has played a pioneering role in the field by introducing and giving young artists such as Jeff Wall, Mike Kelley, Isa Genzken, Thomas Struth, and Kara Walker their first museum exhibitions.»

Students start with a collaborative project — one that results in an exhibition or public presentation — led by artists such as Andrea Bowers, Suzanne Lacy or Rick Lowe.

The Sidney Janis Gallery held an early Pop Art exhibit called the New Realist Exhibition in November 1962, which included works by the American artists Tom Wesselmann, Jim Dine, Robert Indiana, Roy Lichtenstein, Claes Oldenburg, James Rosenquist, George Segal, and Andy Warhol; and Europeans such as Arman, Baj, Christo, Yves Klein, Festa, Rotella, Jean Tinguely, and Schifano.

The exhibition is a lively collection of works from a group of impressive and challenging artists, many of whom have influenced and worked with each other in the past, such as Holzer and Barbara Kruger, or Hammons and Nauman.

A large portion of the exhibition features works already seen in past solo exhibitions worldwide, for example works such as Grapes (2011), Divina Proportione (2012), and Study of Perspective (2014)-- while this could potentially be perceived by trained audiences as a disappointment, the artist's engagement with the topical refugee issue, in particular his engagement with the group of local photographers, transforms Ai Weiwei at Cycladic into a riveting exhibition.

This show comes 20 years after pivotal exhibitions such as Memorias Intimas Marcas — initiated by Fernando Alvim, in collaboration with Gavin Younge and Carlos Garaicoa, which looked at the residue of trauma caused by the Angolan Civil War — and the 2nd and last Johannesburg Biennale, curated by Okwui Enwezor, which unusually for the international art world at the time included many artists from the Global South.

The Museum is home to one of the finest collections of modern and contemporary art in the United States and has an astonishing exhibition history, having played host to artists such as Karla Black, Matt Mullican, Cady Noland, Bridget Riley and Robert Rauschenberg.