Sentences with phrase «artists into architecture»

Not exact matches

In addition to all of the window boxes and beautiful architecture, the neighborhood's artists are bringing their works out into the streets, alleys, and patios of Beacon Hill for the afternoon!

Many of the artists share Deschenes» interest in architecture and the sculptural potential of photography — either creating an image of three - dimensional space, such as the work of Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

Taught by artist Allyson Vieira and inspired by the architecture and design in the exhibition Pierre Chareau: Modern Architecture and Design, translate Chareau's modern vision of integrated spatial and decorative forms into mixed media works.

For the two - part work, the artist meticulously crafted and inserted into the Contemporary Wing's architecture aluminum and reflective glass that allows you to see unexpected views of fellow visitors, art works, and galleries above, below, and across from you.

Uniting painting with architecture, New York based artist MarkusLinnenbrink has transformed two exhibition spaces at the kunsthalle, nürnberg into a walk - all - over canvas.

While highlighting works by some of the most celebrated Japanese print artists from the 18th and 19th centuries, this exhibition also offers insight into this source of inspiration for Wright's architecture.

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding...

The historic architecture of Gallery 2 at the Whitechapel Gallery, originally built as the reading room of the former Whitechapel Library, will be transformed into a stage set by Russian artist Sergey Sapozhnikov (b. 1986).

The first US solo exhibition of Guadalajara - based artist Luis Alfonso Villalobos features painting, video, and installation that opens an inquiry into the functions of architecture and art, while also expanding into ideas of history and place.

These works continue the artist's engagement with the massive volumes of architecture by using rectangular iron blocks to translate body space into mass.

Artists from a performative community in Bushwick, Brooklyn colonize the vast architecture with site - specific works, distilling what resources they have — themselves — into new ways to survive, create, communicate, nourish, and destroy.

Croatian artist David Maljkovic's disarming photographic montage continues his exploration into the ongoing legacy of modernist architecture in the former Yugoslavian state.

The curators asked artists Alan Butler, Mark Durkan and Eilis McDonald to create a kind of architecture or «intervention» for the work to be shown within, so that all the pieces were pulled together into a collective, multimedia installation.

To renovate the building artist Robert Irwin collaborated with the architecture firm OpenOffice, working with the building's original design, emphasizing natural light, and essentially converting the space into a white - walled, hardwood floored (I was wearing wooden heels and each step echoed through the spacious galleries) heaven of a museum.

Learn how to incorporate architecture into your art with guest artist Gideon Bok, an artist in You Can't Get There From Here: The 2015 PMA Biennial.

However, Overby's work quickly diverged from those experiences and developed into a more psychological and narrative attitude that saw domestic space and architecture as metaphorical extensions of bodily decay, and that lead the artist to refer to his practice as «Baroque Minimalism».

As a Van Lier Visual Artist Fellow, Chams has drawn inspiration from Wave Hill's environs into his practice, responding to its architecture and landscape.

Uniting painting with architecture, New York based artist Markus Linnenbrink has transformed two exhibition spaces at the Kunsthalle, Nürnberg into a walk - all - over canvas.

These three artists embed forms associated with modernist architecture and design as well as Minimalism into their sculptures and works on paper.

On the one hand, I have questioned male artists like Matthew Barney and Cai Guo - Qiang who show off by trashing the gallery between installation and architecture or, like Carsten Höller, turning it into an amuseument park.

Constructed with an an attention to detail, with a heavy emphasis on design and architecture, the artist elaborates «For this series, I focused on certain properties of a bridge and broke them down into simple components, re-arranged them and transformed them into a new geometric configuration.»

This new exhibition provides new insights into the artist's practice, particularly how it was influenced by the architecture within which it was produced.

Contained within them are delicate sketches of his travels, of landscapes, architecture and ideas, some of which the artist has developed into sculptures and drawings.

Between January 18th and March 1st, artist Rob Voerman will transform Upstream Gallery into one big art installation inspired by the ideology behind modernist architecture.

Céline Condorelli is an artist who works with architecture, combining a number of approaches from developing structures for «supporting» (the work of others, forms of political imaginary, existing and fictional realities) to broader enquiries into forms of commonality and discursive sites, resulting in projects merging installation, exhibition, politics, fiction, display, public space, sound, writing, and whatever else feels urgent at the time.

«Widely recognised as a modern day Renaissance man, incorporating painting, architecture, sculpture, film and photography into his oeuvre, Schnabel has gained a cult following amongst a generation of young artists and filmmakers alike,» offered the founders.

Homatorium (Home / Sanatorium — artist's coinage) is Chamberlain's ongoing investigation into architecture's promise to meet psychological needs for safety, possibility and belonging.

Combining audio, architecture, sculpture, installation and performance, «Daniel Arsham: Hourglass» will extend the artist's investigation into how we interpret history through physical artifacts and will immerse audiences in environments that reflect on the relationship between past and present.

One might think that including works of art alongside works of architecture would present a perfect opportunity to showcase Portman's range of styles and techniques while offering a more intimate look into the artist's mind.

Although the works utilize architecture, «they are not about flatness as a starting point,» according to the artist; rather, they are «the projection of thought into space without the constraint of architecture.»

Her talk on Thursday evening is sure to add insight into our exploration of Hans Hofmann's public mural projects, and the artist's unique relationship with art and architecture.

Stingel's carpets actually function more as interventions into surrounding architecture, in a manner related to the methods of the French artist Daniel Buren, who has installed his striped paint ngs and banners on walls, ceilings, windows, storefronts, and outdoor benches, partly to call attention to their environments, both physical and political.

She has no qualms about injecting the pop culture of comics into an exhibition that also includes a Samuel Beckett play, Rem Koolhaas's architecture and installations by esteemed contemporary artists like the nonagenarian Louise Bourgeois.

In later years, Mondrian's spare, reductive abstraction was adopted by the Minimalist artists of the 1960s, which was translated into painting, sculpture and architecture.

We caught up with the artist to find out more about her interest in reflecting images, and how she has been working to incorporate the architecture of Bluecoat into the show.

Many of the artists share Deschenes» interest in architecture and the sculptural potentials of photography — either creating an image of three - dimensional space, such as Kalpakjian, or with the incorporation of sculpture into their practice, as in the works of both Tonsfeldt and VanDerBeek.

Beginning in 1946 and continuing well into the 1970s, Smith taught at institutions with noteworthy art and architecture schools, including Hunter College (now part of the City University of New York [CUNY]-RRB-, Cooper Union, Pratt Institute, and New York University, where he taught up - and - coming artists Larry Rivers and Robert Goodnough.

Widely recognised as a modern day Renaissance man, incorporating painting, architecture, sculpture, film and photography into his oeuvre, Schnabel has gained a cult following amongst a generation of young artists and filmmakers alike»

The most comprehensive survey of the artist's work to date, the exhibition includes early work Oo Fifi, Five Days in Claude Monet's Gardens (1992), which breaks footage into the primary colors of video (RGB), as well as the recent work Life is a Time - Based Medium (2015), in which the architecture of the gallery converges with the Galtaji Temple in Jaipur, India, and is populated with monkeys.

LISTE is defined by such strong architecture that it often turns into a test of how artists and gallerists deal with space.

These motifs will extend into the building's architecture, where the artist has created new Victorian - like fretwork for the porch (corbels, gable decorations, and column brackets), with ornaments that are «deadly» beautiful and irresistible.

Her fusion of photography, paint, architecture and found objects into the realm of sculpture has influenced generations of artists.

Through abstraction, hints of architecture, and residues of bodies and histories, the artists present an unexpected fullness, packing what seems like the maximum of marks, material, and people into a given frame.

This exhibition will provide a rare opportunity to experience two large - scale presentations by Flavin and Judd that demonstrate both artists» unique ability to unify form and material while incorporating — through their deliberate installation and use of light and color — the surrounding architecture into the perception of the works themselves.

Rubinstein and visual artist Heather Bause insert these narratives into the interior and exterior architecture and landscape of the University of Houston campus using large - scale building graphics, outdoor canvases, and vinyl «pages» affixed to paths and stairways.

Anticipating the arrival of his touring retrospective at the Whitney in June, the conceptual artist Dan Graham has organized a small group show that nudges his art - or - architecture puzzles into a more contemporary context.

When we look back into the university, we consider what influence the rhythms of SFU's architecture, pedagogy, politics and community have had on artistic practice and how artists inform the social space of the university.

Seventy years after his death, this exhibition provides new insights into the artist's practice, particularly how it was influenced by the architecture within which it was produced.

Often using iconic paintings, stained glass windows, or frescos as source material, the artist re-contextualizes these masterpieces by transforming brush strokes, sculpture and architecture into algorithmically derived abstract geometry, moving image and sound.

For Melt to Earth, Los Angeles — based artist Aaron Curry (born 1972) engaged the architecture of New York's Lincoln Center for the Performing Arts, transforming an urban plaza into a sculptural theater - in - the - round.