Sentences with phrase «artists is interested in working with»

When you do find an artist you're interested in working with, research their portfolio and résumé to determine their level of expertise.

Not exact matches

Indicative of Brewer's own interests as a young white artist in tune with black culture, it's an overarching melting - pot approach, and it somehow works, even if it kowtows to the unspoken Hollywood rule that the color not apply to the marquee characters or their families.

But even more fascinating - at least to anyone who's interested in how artists and theater work - are the interviews with «Hamilton»'s actors.

British film director Steve McQueen's 2008 debut film, Hunger, is notable for many reasons: It is a great film, a great debut film, uses an innovative narrative structure, uses interesting cinematography in concert with its soundtrack, makes the best use of ambient sound to have the best non-musical soundtrack I've heard in a long time (if not ever), is the work of a black artist that is not obsessed with black only topics, and shows a maturity and grace that goes beyond even the first films of directors like David Gordon Green, in George Washington, and Terrence Malick, in Badlands.

The idea of artists openly dismissing ideas they disagree with isn't new — certainly not for Godard, anyway — but there is something interesting about how film in 2014 has brought us several works that openly discuss the nature in which artists perceive harsh and brutal criticism.

Many of our CAPE teaching artists begin their work with us as professional working artists who are interested in collaboration, engagement, and transformation.

The reality seems to be simply that their interests run parallel; for example, before they even met, she did her Oxford thesis on compulsive collector - artist Joseph Cornell, and Foer created a poetry anthology inspired by Cornell's work; and both their family histories are rooted in the Holocaust, but they are both uncomfortable with having their books pigeonholded as «Jewish fiction».

Brabner works with Gerta Oparaku, a Muslim artist who lives in Albania, and she is particularly interested in bringing more women and Muslim cartoonists into the mix.

if you sell one or two pieces to a person that is one thing — but to become of interest to a serious collector who is interested in investing large sums of money in a piece or a group of pieces to add to his collection — there must be some consistent history where the body of work that the artist has created along with the existence of a sufficient aftermarket for the work — has been built up — will make anything that you are selling eventually obtain great value --

He's interested in examining the exchange between artist and viewer; his reviews provide readers with the intellectual and historical context that informs both the artist and the work.

Murphy said it was Ivanka who was interested in working with Irwin and Pace Gallery, which represents the artist, in making sure the refurbished version of 48 Shadow Planes made an impression when the hotel opened.

the interview was very informative and it makes good sense to approach selling art with a good business mind, I felt relief as I enjoy both the arts and commerce skills and see that selling is an art and an artist should not have trouble in designing a path that will work out sales special interest groups in other social networks this is just another journey a new color on the canvas I can do this thanks Cory your channel has been an inspiration I printed and sold 6 prints the first time I pitched I was selling prints of my work all with in a week end among friends I have now professionally digitized my work for reproduction online and want to offer a nice web gallery and this is where it's scary I'm an artist not enjoying computer mode I moved from an area with an art culture in Cincinnati to rural where artist is odd man in town so this is nice chatting with creative people thank you to Melissa for her uplifting input as well blessings to all

The class is perfect for video editors, aspiring directors, filmmakers, visual effects artists, and basically any person with a curious mind just interested in learning more about how green screen actually works.

Lehmann Maupin is honored to open it's fall season in Hong Kong with the first solo show in China of acclaimed American artist Teresita Fernández, whose conceptual, experiential works are often characterized by an interest in perception and the psychology of looking.

Gili's current interest lies in working with architects and landscape artists in a cross media partnership reminiscent of the collaborations between artists, designers and architects that characterised This is Tomorrow.

As visitors to his full - dress, full - floor Whitney retrospective will perceive from the moment they get off the elevator and are confronted by the mural - length 1999 painting Das Erdbeben in Chili [M # 3], the 79 - year - old artist has evolved to embrace riotous colors, unwieldy materials, and explosive forms in his recent work — even as younger artists with an interest in abstraction obsess over the rigorous formalism of his early years and pore over the compositional strategies in his 1986 book Working Space.

With the majority of work having been made between 1964 and 2014, the exhibition brings together a group of thirty - five intergenerational American artists who share an interest in the U.S. South as a location both real and imagined.

Aside from the record sales Ligon registered at the Nov. 11 auction, interest in lots by black artists so far this week has been fairly tepid to average, with most works selling safely within estimates.

The surfaces of these works are hyper - refined in some passages, offset by several visibly distinct layers of paint, and Reynolds manages to capture the awe - inspiring mountain sky and light with exceptional accuracy, nodding to the Light and Space artists» interest in tempered atmosphere.

Gaines» interest in systems aesthetics can be related to the systematized work of minimalist, Fluxus and early conceptual artists, yet his works differ in their preparedness to engage directly with prosaic, social, political and philosophical propositions.

The genesis of the Green Gallery was Robert Scull's interest around 1959 in discovering and securing works by new artists directly, without having to deal with a gallery.

Do you expect the mural - sized works to be of particular interest to artists in our post-election moment, when many artists are struggling with how to respond to the political turmoil in the world?

Our conflict of interest policy is long but clear: We do not publish reviews regarding an artist with whom the writer has a close personal relationship; the work of an artist, gallery, or institution with whom the writer has a current or previous financial relationship or internship; any gallery that represents his / her work; any gallery institutionally related to the organization employing the writer; or a colleague in the institution employing the writer.

The work is a reflection of Abdu'Allah's interest in transformation, states of consciousness and experimentation with multiple forms of printing, inspired by the work One and Three Chairs (1965) by American conceptual artist Joseph Kosuth.

In 2005, Blacks In Government (BIG) established the Evangeline J. Montgomery Scholarship Program, a fund for artists who are interested in working with the government to promote the artIn 2005, Blacks In Government (BIG) established the Evangeline J. Montgomery Scholarship Program, a fund for artists who are interested in working with the government to promote the artIn Government (BIG) established the Evangeline J. Montgomery Scholarship Program, a fund for artists who are interested in working with the government to promote the artin working with the government to promote the arts.

The point of departure for the exhibition is a particular shade of violet that all three artists coincidentally found themselves using, with this coincidence inspiring an interest in seeing their work side by side, to draw a line between their practices and their innovative approaches to painting.

Although the artist showed with the Rosamund Felsen Gallery in Los Angeles in the 1980s (where gallery mates included Richard Jackson, Mike Kelley and Chris Burden) and received significant press and collector interest (works are in the collection of Eli Broad), after moving to New York Burkhart's independence and rigor confounded art world context.

For example, when I chose to work photographically I felt that I was siding with the many women artists I was interested in who had also chosen to work photographically, such as Barbara Kruger, Louise Lawler, Barbara Bloom, Sherrie Levine, and Sarah Charlesworth.

(Plus, overuse of art - speak often comes across as an amateur who's showing off terminology s / he just discovered) * An artist statement should ideally describe the work well enough that a person could guess with reasonable accuracy which work in a group show goes with the statement * The statement should be interesting enough to make someone want to seek out the work and learn more I'm definitely going to point people to this post as well, as there are some great ideas heres showing off terminology s / he just discovered) * An artist statement should ideally describe the work well enough that a person could guess with reasonable accuracy which work in a group show goes with the statement * The statement should be interesting enough to make someone want to seek out the work and learn more I'm definitely going to point people to this post as well, as there are some great ideas here.

Being in a classroom environment allowed me to be around all kinds of diverse young artists with many different interests, and also to discover artists I had not studied before who were using writing — linguistic abstract gestural expressionism, such as calligraphy — in their contemporary works of art.

The panel will explore the timeliness of this recent iteration of digital abstraction, with three artists who variously work through issues such as: how gesture, expression, and authenticity might continue to be possible in a contemporary image - based culture; whether our digital era truly produces an ahistorical condition in which images and marks have no specific reference and no relevant point of origin; how structures of and interfaces with digital technologies have necessitated new models for thinking about memory, distribution, and reproduction, as well as degradation, rupture, breakdown, and the void; and how the ubiquity of the screen in all aspects of life has given rise to a renewed interest in the relationship between two - dimensional and three - dimensional space, with a refreshed focus on tromp l'oeil and «topographical» painting.

I'm a contemporary visual artist interested in the high life and lowlifes of everyday culture working with public spaces to stimulate a dialogue between non-traditional art audiences and the incidental viewer.

We are not currently accepting new artists into the gallery stable, but are always interested in familiarizing ourselves with new, dynamic work.

Picking out my highlights of 2018, I'd recommend taking a look at the work of three promising artists that I have been following with great interest: Ian Cheng, Magali Reus, and Sanya Kantarovsky, whose solo shows will open in London and Basel next year.

That's why I found it very interesting in «Urgent Painting» how a lot of artists revisited the idea of wall paintings, which are basically works that disappear with the exhibition.

The painting, similar in feel and composition to Flooded River with Red Maple, was purchased directly from the artist around 20 years ago and provides an interesting comparison to recent works that make up the majority of the exhibition.

We are flexible in the range of creative initiatives that interest us, personal in the way we work with individual artists, quick in making decisions, energetic in development and implementation of projects, keen to be involved in multidisciplinary collaborations.

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

The market for Lucio Fontana, the prolific Argentine artist who spent the most important part of his career in Italy, peaked last year during the October Italian sales when 26 works were offered and 21 sold for a combined total of # 36.6 m. With a large body of work — the slashes — that is both easily recognizable and was created in a seemingly endless variation of color and slashes, Fontana looked to be riding a wave of interest in Italian abstract artists to become a market - driving figure, a bellwether of the global Contemporary art market.

Later he got interested in power and institutions and roles, working with people like Mike Kelley... I don't know another artist who was that prescient in how he could see the position of things in real time.

In keeping with He's dynamic and experimental practice, the works shown at Qiao Space are rooted in the artist's interest in sensory perception and in developing visual devices to influence and disrupt the viewer's reactions to his worIn keeping with He's dynamic and experimental practice, the works shown at Qiao Space are rooted in the artist's interest in sensory perception and in developing visual devices to influence and disrupt the viewer's reactions to his worin the artist's interest in sensory perception and in developing visual devices to influence and disrupt the viewer's reactions to his worin sensory perception and in developing visual devices to influence and disrupt the viewer's reactions to his worin developing visual devices to influence and disrupt the viewer's reactions to his work.

Cage's work was also a notable influence on artists affiliated with Fluxus and Happenings, who were similarly interested in chance and the everyday; among the students in Cage's «Experimental Composition» class at the New School for Social Research in the 1950s were artists such as Allan Kaprow, George Brecht, and Dick Higgins.

A painting in progress at Douglas Melini's studio «PR was introduced to the paintings of Douglas Mellini from The Difficult Shapes of Possible Images, the 2006 show he organized at ZieherSmith, that was a collective preview of some of the most interesting NYC - based artists working with abstraction today.

That same year Byars was accepted as artist - in - residence at the Hudson Institute, where he worked with Herman Kahn to collect «the one hundred most interesting questions in America at the time.»

Please contact the gallery director if you handle the estate of a former Viridian Artist and are interested in maintaining a relationship with us and keeping that artist's work «alive&rArtist and are interested in maintaining a relationship with us and keeping that artist's work «alive&rartist's work «alive».

Marco Chiandetti is a London - based artist working across various media and discipline, with a primary interest in performative actions and their physical manifestations.

This professional - level class on Sunday afternoons during the 2018 - 19 academic year is a unique opportunity for young artists interested in developing their observational skills in painting from nature and working with other exceptional young artists.

His work can be seen in the files of Museo del Barrio, N.Y.; Drawing Center, N.Y.; the flat files at Pierogi 2000, Brooklyn N.Y.; and Heskin Contemporary, N.Y. Currently he co-manages «Rumpelstiltskin,» an exhibition art space for aesthetic research in south west Guadalajara, Mexico, where he has curated Paranormal Bureu, a multimedia show with three artists from Brooklyn N.Y. My unorthodox practice links me to a generation of artists with a very wide range of approaches to art, that question the interest of the establishment particularly in museums and commercial venues.

He and the construction worker are doing something superficially similar, but the difference in scale is significant: The bulldozer, a machine that can destroy a lot of material quickly and indiscriminately, represents the authority of central planners, and political and business interests; the artist, who works with only the tools and friends available to him, represents a kind of everyman.

Maryam Jafri is an artist working in diverse media, with a specific interest in questioning the cultural and visual representation of history, politics, and economy.