Sentences with phrase «artists little opportunity»

Fashionable taste in 18th - century Britain was based on continental and traditional art forms, providing contemporary British artists little opportunity to sell their works.

Not exact matches

Even after Sestero's memoir The Disaster Artist and its big screen adaption provided more insight into Wiseau's personal life, Wiseau remains an enigmatic figure, so getting to pick his brain on moviemaking even a little bit more in - depth was a welcome opportunity.

I know this post was pretty brutal, but the advice I offer my friends / writers within the genre is because I want them to continue their development as artists and feel as little pain as possible along the way as well as not compromise any future opportunities.

It seemed to me that we had an opportunity to change the narrative a little bit, so we started to work with self - taught artists, with communities of artists who had developmental or mental disabilities, and with a lot of older artists, and we started to present all of this work simultaneously without making any kind of categorical or hierarchical distinctions.

Artist Residency and Studio Rental programs also provide opportunities for creators to access space, time, and resources at very little cost.

In those days there was little to no opportunity for younger artists in London.

The c3: Papermaking Residency was established in 2014 to engage artists with little or no experience in hand papermaking, and offer them an opportunity to learn the craft and stretch the limitations of what the medium can do.

There's no complete catalogue raisonné of the artist, and when there will be, people will realize how little there is, so it's an opportunity.

The context has only expanded since the biennial's founders — Austin - based artists Shea Little, Jana Swec, Jon Lawrence, and Joseph Philips — first sought to provide an exhibition opportunity for all artists in the state.

The Unexpected New is a rare opportunity to view little - known works by an important twentieth century artist.

«It is an opportunity to appreciate a too - little - known, yet very important 20th - century American artist.»

This exhibition of the artist's felt sculptures is the first to be presented outside of Europe, offering a rare opportunity to examine a significant, though little - known, body of work by one of the most important artists of the post-war generation.

Unveiling a lavish selection from a major body of work traversing thirty - six years, this exhibition offers New York audiences the opportunity to get acquainted with the work of an American artist little known in the U.S., yet enormously active internationally; she's been performing, teaching, and exhibiting around the globe for decades.

Initially serving to decorate the corridors it evolved into an institution that provided exhibition opportunities to artists in the GDR who received little or no government funding.

Also on view, however, is a sizable cohort of little - known, emerging artists like Stovall, for whom the biennial offers a new opportunity in the spotlight.

Instead of seeing broken windows and graffiti as a negative, David Yetman, broker owner of Century 21 Team One in Halifax, saw an opportunity to generate a little publicity for his company, but more importantly a novel way to promote local artists.