Sentences with phrase «artists moving to the city»

So, practically speaking, young artists moving to the city have more opportunities to develop significant relationships with curators, museum directors, and collectors.

Not exact matches

Lincolnwood - based artist Matthew Hoffman initially founded the «You Are Beautiful» movement when he moved from Ohio to remind people that they have value and to bring positive vibes to the city of Chicago.

A good friend of mine, Katie Joy, a visual artist and birth doula living in Brooklyn, tells Romper that as soon as she moved to the city, procuring house plants was absolutely essential: «I needed the balance with nature... it's my therapy.»

I'm an artist who moved from las Vegas to Kansas city for my work.

Badenhop, who has an artist studio in New York City, says she often visits with retailers in the city to see what moves and City, says she often visits with retailers in the city to see what moves and city to see what moves and why.

I closed that shop after seven years and moved to the city, NYC and artists lofts.

«I think that's why the postwar artists came out here — the migration mirrored the big move from cities to suburbs.»

In the early 1970s, Rauschenberg moved his permanent studio from New York City to Captiva Island, off the Gulf coast of Florida (Today, this site is in use as the artists» residency program of the Robert Rauschenberg Foundation).

MORE THAN 30 YEARS AGO, when Kerry James Marshall left Los Angeles to move to New York, his friend and fellow artist Carrie Mae Weems called Dawoud Bey, who was living in the city.

The American artist Trevor Paglen, at his studio in Berlin, became frustrated with New York City and accepted an invitation to move to Germany.

In 2013, Marfa Dialogues is moving from the desert to the city, where the project will continue to focus on climate change, integrating the work and voices of artists, writers, journalists, scientists and other participants from the academic, government and public interest sectors.

But even before they moved to New York City, the Buffalo contingent started knocking on the door at Artists Space, which Longo has said was the place every young artist wanted to show.

Osc ar Tuazon moved to Paris, where in 2007 he set up one of the most dynamic collective projects in the city — Castillo / Coralles — comprised of artists, curators, writers and critics.

«Hospital» marks a return to the city, for an artist who has long been moving away to that actual or mythical garden.

But it will still be fluid, adapting to the ideas of artists it shows — both Mexican and international — by moving around the city.

Paradise Works has been a lifeline for artists wanting to retain some proximity to Manchester's city centre, providing space for those displaced by Rogue's move, as well as various other closures such as The Penthouse, the ongoing project of Roseanne Robertson and Debbie Sharp.

At age 60, the artist was still moving into a nether world of neither sight nor touch, from city streets to his obsessive panoramas.

Moving to New York, she added, «will bring us back to the fundamentals of Kurimanzutto when it first opened in Mexico City, where we'll look for spaces around the city according to the artists» ideas and projects.&raCity, where we'll look for spaces around the city according to the artists» ideas and projects.&racity according to the artists» ideas and projects.»

Metabolism and Communication, Zentrum fur Kunst und Medientechnologie, Center for Art and Media, Karlsruhe, Germany 2003 Love, Magazin4 Vorarlberger Kunstverein, Bregenz, Germany Patty Chang, Tracy Emin, Naomi Fisher, Paul McCarthy, The Moore Space, Miami, FL (performance, April 26) Water, Water, curated by Lilly Wei, The Rotunda Gallery, Brooklyn, NY Awakenings, Center for Curatorial Studies at Bard College, Annandale - on - Hudson, NY Feminine Persuasion, The Kinsey Institute and the School of Fine Arts Gallery, Indiana Univeristy, Bloomington, Indiana 2002 Videos in Progress, The RISD Museum, Providence, Rhode Island Le Plateau Frac Ile - de-France (performance only, November 7), Paris, France Mirror, Mirror on the Wall, MASS MoCA, North Adams, MA The Body Electric: Video Art and the Human Body, Cheekwood Museum of Art, Nashville, TN Americas Remixed, La Fabbrica del Vapore, Milan, Italy (performance / exhibition) Extreme Existence, curated by Klaus Ottmann, Pratt Manhattan Gallery, NY (performance / exhibition)(catalogue) Moving Pictures, Guggenheim Museum, New York Fusion Cuisine, Deste Foundation Centre for Contemporary Art, Athens, Greece (performance / exhibition), (Catalog available) Time Share, Sara Meltzer Gallery, NY Le Studio, Yvon Lambert, Paris, France Oral Fixations, curated by Sandra Firmin, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Panorama, curated by Carmen Zita, Room Interior Products, NY Superlounge, curated by Andrea Salerno & Mari Spirito, Gale Gates, Brooklyn, NY About the Mind (Not Everything You Always Wanted to Know), Video Cafe, organized by Hitomi Iwasaki, Queens Museum, NY Mirror Image, curated by Russell Ferguson, UCLA Hammer Museum, Los Angeles, CA Traveled to: Bard College, Center for Curatorial Studies Museum, Annadale - on - Hudson, NY Perspectives: Artists of Chinese Descent in New York, Queens College Art Center, NY Traveled to: Firehouse Art Gallery, Nassau Community College, Garden City, NY, March - April 2003 2001 Bodily Acts, curated by Jennifer L. Gray, Center for Curatorial Studies, Bard College, Annandale - on - Hudson, NY Circus Maximus, BeganeGrond, Center for the Contemporary Arts, Utrecht, Holland Group Show, Hamburg Kunstverein, Germany (performance) Mimic, Gale Gates et al., Brooklyn, NY Casino 2001, 1st Quadrennial of Contemporary Art, Stedelijk Museum Voor Actuele Kunst and the Bijloke Museum, Gent, Belgium (performance / exhibition) Looking for Mr. Fluxus: In the Footsteps of George Maciunas, Art in General, NY La Hijas de la Tierra (The Daughters of the Earth), IODAC Museum of Contemporary, Spain Panic, Julie Saul Gallery, New York Video Jam, Palm Beach Institute of Contemporary Art, Lake Worth, Florida (brochure) 2001 Art + Performance + Technology, in conjunction with the 19th International Sculpture Conference, Wood Street Galleries, Pittsburgh, PA (performance) WET, Luise Ross Gallery, New York Trans Sexual Express Barcelona, Centre d'Art Santa Monica, Barcelona, Spain Smirk: Women, Art, and Humor, curated by Debra Wacks, Firehouse Art Gallery, Nassau Community College, New York 2000 Uncomfortable Beauty, Jack Tilton / Anna Kustera Gallery, New York Cross Female, Kunstlerhaus Bethanien, Berlin, Germany (performance / exhibition): Traveled to: Kunst - und Kunstgewerbeverein Pforzheim, Germany (April / May 2001) The Art of the Screen Saver, Stanford Art Museum / Cantor Art Center, Stanford, CA Traveled to: ICA, London, England (Feb - March 2002) Steamroller, performance festival organized by Galerie MXM, Prague, Czech Republic (Catalog available) Soma, Soma, Soma, The Sculpture Center, New York Performance Festival, Kunstpanorama, Lucern and USINE, Geneva The Standard Projection: 24/7, Standard Hotel, Los Angeles Deja vu, Art Miami 2000, Miami Beach Convention Center, Miami Beach Galerie Fons Welters (two person exhibition with Atelier van Lieshout), Amsterdam ID / y2k, Identity At The Millennium, Castle Gallery, College of New Rochelle, NY 1999 - 2000 Illusion Delusion Denial, 450 Broadway Gallery, New York Mug Shots, Center for Visual Art and Culture, University of Connecticut, Storrs, CT. 1999 IDENDITAT, hat man doch zu viel, Ort halle fur kunst, Feldstr.

Then she moved to New York City and found her own artistic voice, working alongside David Hare and Mark Rothko who taught her at the experimental school The Subjects of the Artist.

A mid-career, full time artist, Christie Scheele has been painting devotedly since receiving her BFA, and started painting her atmospheric, minimalist landscapes just before moving to the Catskills from New York City a decade later.

The layers of ideas the artist explored in his early performance art, conceived of as existential explorations and social commentaries, have carried through to the more traditional studio practice he embraced upon moving to Shanghai in 2005, after living and working for eight years in New York City.

She then moved to New York City in 1967, where she had many artist friends who were experimenting with different techniques and approaches to art.

In 1952, the artist moved to New York City, and quickly became interested in the work of abstract expressionist painters.

With Salerno I (1990), an image of the Italian city's busy industrial port — which, Gursky admits to photographer Jeff Wall (in a conversation printed in the exhibition catalogue), was captured in the last few minutes before sunset shadows moved in — the artist first experimented with the «all - over focus» technique that would come to define his practice.

J.B. Blunk: Curriculum Vitae Chronology 1926 Born August 28, Kansas City, MO 1946 Moved to California 1949 B.A. University of California, Los Angeles 1949 — 1950 Drafted, Korean War 1952 — 1954 Lived and worked in Japan as potter's apprentice 1954 — 1955 Artist in Residence at Palos Verdes College 1955 Moved to Northern California 1957 — 1962 Built house in Inverness, California 1962 Began working with wood 1969 — 1970 Travel to Mexico and Peru 1971 Apprenticeship Grant from Louis Comfort Tiffany Foundation 1979 Cultural Exchange Travel Grant to Indonesia, U.S.I.C.A. 1983 Travel to Japan 1986 California State Art in Public Places Program competition award for sculpture 1999 Lectured at California College of the Arts, San Francisco, CA 1990 Art Consultant to Land Studio Landscape Architects and MW Steele Group 2002 Died June 15, Inverness, CA

Moving to New York City from Philadelphia in 1970, Beckley was one of the artists (along with Gordon Matta Clark, Rafi Ferrer, Barry Le Va, Jeffery Lew, Bill Bollinger, and Alan Saret) who organized the first exhibition of the legendary gallery 112 Greene Street Workshop in SoHo in October 1970.

In the mid 1960s the artist moved to New York City where he began to create more intimate studio works in fiberglass, rubber, and lead.

He left New York City in 1967 for a teaching position at Cornell University, and then moved to Cambridge, Massachusetts as visiting artist at the School of the Museum of Fine Arts in Boston from 1976 to 1983.

In New York City, aside from filling stations with mosaic art, the MTA's Arts & Design program commissions artists each year to design posters that hang next to advertisements in cars; the Poetry in Motion series also displays verses on their moving walls.

Combining a fast - moving, provocative approach to exhibitions with the direct involvement of artists, MoMA PS1 presents an extensive program of exhibitions and events in its nearly 125,000 - square - foot repurposed school building in Long Island City, Queens.

Shows cancelled or postponed • Baltimore, Walters Art Museum, «Jean - Léon Gérôme», February - May 2010, cancelled • Boston, Museum of Fine Arts, «Subversion of the Images: Surrealism and Photography», spring 2010, cancelled • Chicago, Field Museum, «Lucy's Legacy: the Hidden Treasures of Ethiopia», planned for 2009 - 10, dropped • Denver, Denver Art Museum, «Imperial Mughal Albums from the Chester Beatty Library», July - September 2009, cancelled • Honolulu, Contemporary Art Museum, «Japan Fantastic» (11 contemporary artists), December 2009 - March 2010, cancelled • Houston, Museum of Fine Arts, «Cildo Meireles», June - September 2009, cancelled • Kansas City, Kemper Museum of Contemporary Art, «Rafael Lozano - Hemmer», February - May 2009, cancelled • London, Tate Britain, «Johann Zoffany», autumn 2010, cancelled and moved to Royal Academy • Los Angeles, Getty Museum, «Franz Messerschmidt», September 2009 - January 2010, postponed • Los Angeles, Los Angeles County Museum of Art, «Heavy Light: Recent Photography and Video from Japan», August - November 2009, cancelled • Los Angeles, Los Angeles County Museum of Art, «Cildo Meireles», November 2009 - February 2010, cancelled • Los Angeles, Los Angeles County Museum of Art, «Arshile Gorky: a Retrospective», June - September 2010, cancelled • Minneapolis, Minneapolis Institute of Arts, «Surreal Things: Surrealism and Design», February - May 2010, cancelled • New York, Brooklyn Museum of Art, «Donald Saff and the Art of Collaboration», September 2009 - January 2010, cancelled • New York, Metropolitan Museum, «Duncan Phyfe: America's Legendary Cabinetmaker», January - April 2010, postponed • Paris, Centre Pompidou, Indian contemporary art, 2010, postponed to 2011 • Philadelphia, Philadelphia Museum of Art, «The Kingdom of Aragon» (15th - century Spanish painting), spring 2010, postponed to 2011 • Reykjavík, National Gallery of Iceland, «Off the Beaten Track: Violence, Women and Art», September - December 2009, cancelled • Toronto, Art Gallery of Ontario, «Cildo Meireles», March - June 2010, cancelled • Vienna, Albertina, «Jörg Immendorff», October 2009 - January 2010, cancelled ``

The two young artists soon grew weary of Albers's methodology and the isolation of country life at Black Mountain; after the 1949 summer session they moved to New York, finding inspiration in the city's thriving urbanity.

The artist left Japan in 1959, moving to Mexico City and then to Paris before settling in New York City.

After graduating from the University of Oregon, Andrew Birk moved to Mexico City where he and Mexican - born artist Debora Delmar founded No Space, a prolific project space that has since closed.

After travelling to Europe and serving in the Korean War, the artist moved to New York City in the 1950s, where he pursued his interest in design at Seventeen magazine and worked as a graphic designer in the office of architect I.M. Pei.

Moishe Mana, founder of the moving company, and his right - hand man Eugene Lemay have converted 150,000 square feet of the 1.5 million industrial space they own in Jersey City into the impressive Mana Contemporary, a center that houses over 250 artists» studios, numerous art galleries, Richard Meier's Model Museum, Gary Lichtenstein's Editions printing studio and shop, in addition to dance studios, an art book shop, a bistro, designer studios, a recently completed spectacular column - free 50,000 - square - foot separate glass gallery, and who knows what else?

It's the first - ever outdoor Experiment, and we've got it all: cartoons curated by Hooliganship, a giant game of Twister, multimedia artists the Video Hippos, Master of Ceremonies Jimmy Joe Roche, Wham City's «Ultimate Reality,» and a surprise guest who'll get you to dust off those old moves.»

Abstract painter James Hyde was born in Philadelphia, and moved to New York City at eighteen years of age to pursue a career as an artist.

He became an artist after moving to Mexico City in the mid-1980s and being confronted by the social unrest and inequalities of his adopted country.

Born in Hong Kong, British Empire, Pak - Kei had since stationarily moved to Hong Kong, China and subsequently Providence, RI and then New York City, received BArch and BFA at Rhode Island School of Design, studied in Rome and in London at Architecture Association School of Architecture, as well as artist residency at the Flux Factory in NYC.

The artist studied painting at Princeton University before moving to New York City.

The critic Dave Hickey once cited his friend and fellow critic Peter Schjeldahl's prescription for making it as an artist: «You move to a city.

Also in Feburary 2017 issue: — Ed Emberley and the legendary children's book artists career — Scott Albrecht putting the pieces together, coast to coast — Robert Montgomery's street poetry — Talita Hoffman's Sao Paulo vision — Andrew Luck and his new move Eastward — Murals and meals in Sacramento, California's burgeoning art city — French Fred's unique vision of skateboarding — Sneaker Culture comes to the Bay — Pop Art goes to Orange County — Post Street Art exemplifies the moment... — ... and Geronimo Balloons makes us float away

Since moving to the states in the early»90s, much of artist Do Ho Suh's work has explored the concepts of space and displacement, most notably through massive installation structures that re-create places such as his childhood home in Korea or an old New York City apartment.

Video by BAL Productions / / Jan. 09, 2018 Swiss artist Olaf Breuning spent 16 years developing his practice in New York City before moving Upstate to find a measure of solitude in his work environment.

2010 3 minute wonder series, Broadcast commission, Channel 4 (27,28,29,30 Sept; 18, 19, 20, 21 Oct) 06.2010 Persistence of Vision, FACT, Liverpool, UK 05.2010 Steps into the arcane, Kunstmuseum Thurgau, Switzerland 05.2010 It has to be this way ², National Gallery of Denmark, Copenhagen [commissioned solo show] 03.2010 Hands on, (curated by John Hilliard) Galerie Raum Mit Licht, Vienna, Austria 02.2010 Depatterrn, Galleri Erik Steen, Oslo, Norway 10.2009 Performance, Film Weekend: The Jarman Award at KunstHalle, Zurich, Switzerland 09.2009 Performance, Whitechapel Gallery, London, UK06.2009 Mostravideo, Itau Cultural Institute, Sao Paulo, Brazil 02.2009 Altermodern, Fourth Tate Triennial, Tate Britain, UK 01.2009 It has to be this way, Matt's Gallery, London [commissiond solo show] 12.2008 Performance, Event Horizon, Royal Academy of Art [commissioned solo show] 06.2008 Performance, Happy Hand, British Film Institute, London, UK 10.2007 Cinemart, The Auditorium, Rome, Italy 09.2007 Foreign Bodies, White Box, New York, USA 07.2007 Swallowing Black Maria, Smart Project Space, Amsterdam [commissioned solo show] 02.2007 The Believers, Touring show to five cities in Norway, with performances in Stavanger, Forde and Bergen 09.2006 The truth was always there, The Collection, Lincoln [commissioned solo show] 07.2006 UBS Opening, Tate Modern (with Laurie Simmons, Guerilla Girls etc), UK 05.2006 Performance, Human Camera, Mali Salon, Rijeka, Croatia (solo show) 05.2006 I can't tell you, Grundy Gallery, Blackpool [commissioned solo show] 04.2006 Metropolis Rise, CQL Design Centre, Shanghai; DIAF 2006 @ 798 Space, Beijing, China 04.2006 Performance, Inside, Great Eastern Hotel, Masonic Temple, London, UK 03.2006 Performance, Don't Look Through Me, Y Theatre, Leicester, UK 03.2006 Don't look through me, City Gallery Leicester [commissioned solo show] 03.2006 Performance, Screening at Witte de With / Tent, Rotterdam, Holland 03.2006 John Skies or Sally Swims, UKS Gallery, Oslo, Norway 02.2006 Wandering Rocks, Gimpel Fils Gallery, London 11.2005 Image in Me, Market Gallery, Glasgow (solo show) 10.2005 Eyes of Others, Gallery of Photography, Dublin [commissioned solo show] 10.2005 Wunderkammer, The Collection (curated by Edward Allington), Lincoln, UK 09.2005 I saw the light, Gasworks Gallery, London [commissioned solo show] 09.2004 Adam, Smart Projects, Amsterdam, Holland 11.2004 Mind the Gap, La Friche, Triangle, Marseille, France 08.2004 Shattered Love, Keith Talent Gallery, London 04.2004 Eating at Another's Table, Metropole Galleries, Folkestone (performance / exhibition) 04.2004 Tonight, Studio Voltaire, London (curated by Paul O'Neill) 03.2004 Performance, A Variety Night of Ventriloquism, FACT, Liverpool (with Ken Campbell, Aura Satz, Andrew Hubbard) 03.2004 Mesmer, Temporarycontemporary, London 02.2004 Haunted Media, Site Gallery, Sheffield (with Susan Hiller, Susan Collins, Scanner, Thompson / Craighead, S Mark Gubb) 09.2003 The Physical World, APT, London, (with Ian Dawson, Katie Pratt) 09.2003 Sphere, Presentation House Gallery, Vancouver, Canada (with Paul McCarthy, Bruce Nauman, Laurie Simmons and Allan McCollum) 09.2003 You said that without moving your lips, Limerick City Gallery, Ireland (solo show) 08.2003 Calidoscopio, Museo del Barro, Asuncion, Paraguay (solo show) 04.2003 A Taste for Sham, Studio 1.1, London (with Jo Bruton, Kirsten Glass) 01.2003 The Lost Collection of an Invisible Man, The Laing Art Gallery, Newcastle (curated by Brian Griffiths) 09.2002 History Revision, Plymouth Arts Centre (including Terry Atkinson) 06.2002 Nausea: encounters with ugliness, London Print Studio 04.2002 Dramatic Events, Kent Institute of Art and Design 03.2002 Photoscoptocus, Camden Lock / Henley - on - Thames (Public commission) 03.2002 Nausea, Djangoly Art Centre (with Dave Burrows, Beagles and Ramsay, Margarita Gluzberg, Mark Hutchinson) 08.2001 Trinity College, Zwemmer Gallery, London 05.2001 Black Bag, Old Operating Theatre Museum (+ monograph BBC programme, «Lindsay Seers, Artist's Eye», Rory Logsdail) 03.2001 For the dead travel fast, Worcester City Museum and Art Gallery [commissioned solo show] 02.2001 Molotov, Dilston Grove Gallery, London (with Kirsten Glass, Diann Bauer, Annie Whiles, Helen Paterson, Lisa Fielding Smith) 09.2000 Tow, Camden Lock, Millennium Commission Project (with Tim Head, Diana Edmunds, Janice Howard, Zoe Brown) 10.2000 Assembly, Stepney City, London 07.2000 A Shot In The Head, Lisson Gallery, London 07.2000 Unfound, Chisenhale Gallery, London 06.2000 City Projects, Artomatic, London (with Jemima Brown, Marcel Price) 05.2000 The Double, The Lowry Centre, Salford (with Thomas Ruff, James Reilly and Alice Maher) 05.2000 On the rock, APT Gallery, London (with Annie Whiles, Diann Bauer, Kirsten Glass, Helen Paterson) 09.1999 Nerve, ICA, London (with Jeremy Deller, Martin Creed, Dave Beech, John Isaacs, John Beagles, Dave Burrows, Clive Sall) 07.1999 Quotidian, Paper Bag Factory (curated by Julia Lancaster) 06.1999 Autocannibal, Laure Genillard Gallery, London (solo show) 04.1999 Cabin Fever, Gallery Herold Bremen, Germany, (with Caroline Macarthy and Mairead Maclean) 10.1998 Multiples, Temple Bar Gallery, Dublin 09.1998 Cannibal, Old Museum Art Centre, Belfast (solo show) 08.1997 Knock, Knock, Artists Work Programme, Irish Museum of Modern Art, Dublin 11.1996 Stick Your Hands Up, Acorn Storage, Hammersmith, London 10.1996 Ghost, ACAVA Open Studios, Denmark St, London 09.1996 Ad Hoc, London Artforms.

About the artist: Originally from Argentina, where he studied at the Institute of Art Josefina Conte in Corrientes, Máximo González moved to Mexico City in 2003.

In 1982 My wife and I moved to Jersey City where I started a studio tour, and co-founded The Cathedral Arts Festival and an artist organization called Pro Arts.

In 1936, he moved to New York City and studied with radical artist, art critic and modernist proponent, Walter Pach.