Sentences with phrase «artists of all stripes»

The subscription VOD service focuses on selectively curated collections of films put together by filmmakers and artists of all stripes, so you're not endlessly shuffling...

The way the scene plays out, though, feels like a lazy narrative cheat, especially given a pop landscape in which older artists of all stripes lust after the very sort of back - to - basics career reboot that renders Danny inexplicably paralyzed with fear.

One of the core tenets of Venus Patrol, and Offworld before it, and really basically all my work over the past several years is that bringing in artists of all stripes not traditionally immersed in the world of games can (and has) only ever resulted in some of the most sublime work videogames can offer.

Slava Rubin of IndieGoGo was also kind enough to lend me some of his formidable insights into successful crowdfunding, and I'll also have some case studies from artist of all stripes who have employed the techniques he recommends in cool and effective ways.

It's a question that artists of all stripes wonder.

This year marks the 20th anniversary of the Watermill Annual Summer Benefit, celebrating the Southampton center that artist and theater impresario Robert Wilson founded as a place to bring artists of all stripes together in a spirit of creative exchange.

As the Trump presidency spins further into catastrophe, artists of all stripes are taking on the administration in unusual ways.

In 2015 David Richard Gallery launched DR Projects to provide a platform for artists of all stripes — international, national, local, emerging and established — to present special solo projects or participate in unique collaborations or thematic exhibitions.

Abe is the recipient of a Guggenheim Fellowship, he has shown at the Museum of Modern Art in New York, and continues to produce both paintings and sculptures while supporting fellow contemporary artists of every stripe.

But art lovers certainly tried, clogging the main arteries of Chelsea and the Lower East Side to push into shows by artists of all stripes, and even by one world - renowned poet.

Once home to working class Jewish immigrants, the Lower East Side has become a hotbed of creativity for artists of all stripes.

But in the end, Brad and I just want to be close to artists of all stripes, and in continuous proximity to their ideas, work, and processes.

We invite artists of all stripes to submit... Continue reading →

We invite artists of all stripes to submit work that excites by forging new connections, and surprises by discovering unexpected juxtapositions.

Not exact matches

An artist's impression based on the microwave data reveals a striking feature: Some of the stripes are visible deep into the cloud layers.

The collection was inspired by Michael's surroundings and the work of artist Sean Scully with his repetitive stripe sequences and bold color.

Instead of our ordinary, subtle, stripes, dots and geometric prints (they existed back then too though), they went kind of surrealistic with a lot of collabs between designers and artists.

It's a film that will be relatable to artists and writers, creators of all stripes.

Authors, artists, creatives of all stripes can make a huge impression by reaching across the web to talk with fans.

The New Money Flow The abuse of writers by con - artist agents easily rivals the abuse of writers by publishers of any stripe.

Turns out these talented people I get to call my friends are also artists and musicians and creators of all stripes.

When it opens to the public on November 3, the Menil Drawing Institute will showcase the work of Jasper Johns, the American artist best known for his interpretations of the stars and stripes.

Made between 1961 and 1985, the eight enormous acrylic - on - canvas paintings by Gene Davis in this show - all composed of vertical bands and stripes - testify to the artist's devotion to color.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

As their hometown metastasized and Brasília started to rise, São Paulo artists such as Geraldo de Barros and Luiz Sacilotto painted totally abstract compositions — spiraling curlicues in the former's case, cascading black - and - white stripes in the latter's — that aimed to give form to the utopian dreams of a new Brazil.

The sculpturesʼ stripe scheme not only invokes familiar patterns of the popular imagination, such as those on Barack Obamaʼs ties or 1970ʼs Hang Ten shirts, but also the headily disorienting reaction often experienced when facing the canvases of artists such as Bridget Riley or Kenneth Noland.

The artist strips color from flags of African and African diaspora countries, leaving only the graphic stripes, stars, crescents, and shields, applied in black acrylic paint directly on raw canvas.

In this rendition of the West German flag, the normally equal divisions into black, red and gold have been readjusted; the enamel panel provides the key: the narrow black and barely discernible red stripes represent respectively the middle class and, in the artist's words, «the remaining households,» while the gold stripe, now swollen to 7/8 of the flag, represents big business.

Created in close collaboration with the artist, the publication's beautifully produced color plates offer a selection of the iconic works, including Riley's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette, and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

This retrospective of the work of artist Sean Scully looks at his continued fascination with stripes and the spaces in between.

More recently, the British artist Ian Davenport has poured stripes of paint down canvases using syringes, letting the colors mix and pool together towards the bottom of his abstract paintings.

Over still - wet layers of red, blue, green, white and black, the artist drags his paintbrush in vertical and horizontal stripes, creating a windowlike structure that invites the viewer to peer through to the marbled veils of colour beyond.

Published on the occasion of the major exhibition at David Zwirner in London, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past 50 years, focusing specifically on her recurrent use of the stripe motif.

Artists in the show are Chris Gallagher, whose gently curving stripes suggest the celestial, like rings around Saturn; Kim MacConnell, with saturated abstractions reminiscent of Matisse and Picasso; and Shari Mendelson, whose chandelier - like sculptures play with light and shadow.

The inclusion of a few classic Bearden collages, installed in the same gallery space as the undated Untitled (multicolor stripes), complete the story of a painter who arrives at his signature work through the slow meandering that defines most artist's lives.

As Yale Union's head curator from 2012 — 2016, Snowden produced experimental projects, special commissions, and in - depth shows with artists such as sculptor Park McArthur, printer William Oorebeek, assemblage artist Yuji Agematsu, and experimental musician and artist Charlemagne Palestine, among other creators of all stripes.

These include the artist's first stripe works in color from the 1960s, a series of vertical compositions from the 1980s that demonstrate her so - called «Egyptian» palette — a «narrow chromatic range that recalled natural phenomena» — and an array of her modestly scaled studies, executed with gouache on graph paper and rarely before seen.

For Martin, the austere visual language of horizontal stripes of alternating value was not an end in itself but was the most direct way for the artist to convey her emotional and spiritual response to life.

Published on the occasion of Bridget Riley's major exhibition at David Zwirner in London in the summer of 2014, this fully illustrated catalogue offers intimate explorations of paintings and works on paper produced by the legendary British artist over the past fifty years, focusing specifically on her recurrent use of the stripe motif.

Her stripe paintings have been extremely well received by critics and even led to comparisons with renowned artists such as Gene Davis, the man responsible for the famed «Franklin's Footpath» in front of the Philadelphia Museum of Art, or National Medal of Arts recipient Agnes Martin.

For more than 30 years the French artist Daniel Buren established a «visual vocabulary» of uniform 8.7 cm wide colored and white stripes as being the central features of his conceptual works and site specific installations in public space and in numerous art institutions.

Arranged in snugly painted linear strips, one alongside the next, Number 4 - 32 is distinguished by its wide range of commingled stripes — one of the artist's more complex and varied arrangements — containing no less than ten different colors.

One of the artist's most recent avenues for the exploration of abstraction and color takes the form of stripes, realized in 2011 through a piece titled Strip.

Some parts of her paintings are comprised of patterns created and printed by the artist herself, such as fish scales and wood grain, or appropriated from existing materials, the stripes in bedding and in the webbing from a lawn chair, for example.

Hadley Holliday: One with the Sun, New Paintings at Carl Solway Gallery, by Karen Chambers, Aeqai, February 2013 XYZ The Geometric Impulse in Abstract Art, exhibition catalog, Torrance Art Museum, 2012... might be good, Issue # 199, Technicolor from Coast to Coast, by Emily Ng Art on Paper 2012, exhibition catalog, Weatherspoon Art Museum, 2012 Hadley Holliday Sets New Sights at Taylor de Cordoba, Huffington Post, March 2012 Hadley Holliday Wows with Striking Abstractions, by Angelica Martin, Societe Perrier, March 2012 Get Lost in a Patterned Wonderland, by Lilian Min, Refinery 29, February 2012 Rainbow Connection, by Sierra Feldner - Shaw, Style Section LA, March 2010 Hadley Holliday: Paintings at Solway Jones, by George Melrod, Art Ltd., November 2009 Artist of a Totally Different Stripe, by Holly Myers, Los Angeles Times, September 18, 2009, p. D23 West Coast Painters, Korea Times, June 23, 2009 Gravity and Transformation at Kristi Engle Gallery, ArtWeek, Sept 2008 Notes from the Overpass, by Adam Schwartz, Open Studio Magazine, April 2008 Supersonic: One Wind Tunnel, Eight Schools, 120 Artists, exhibition catalog, Art Center College of Design, Pasadena, CA, 2004

Whether my suggestion about the meaning of Buren's stripes has validity or not, I would not go as far as to suggest that the two artists would have subscribed to it.

«Ed, Linda, and Mark's Adventures at the Modern Art Museum of Fort Worth» promises to inform artists and art enthusiasts of all stripes about the adventures of three overlapping careers in art.

By the 1980s however Scully began to experiment with the formal constraints of painting, creating sculptural works where the stripe expanded to become a building block, ultimately paving the way to the artist's celebrated Wall of Light paintings of the 1990s.

With their oddly indefinable palette and arrangements of circles, stripes, triangles and curves, they often seem more like the work of some long - forgotten Futurist or a 1930s Bauhaus member, rather than one of today's most sought - after contemporary artists.

Mitchell - Innes & Nash (booth C09) will present a selection of horizontal Stripe abstractions from the 1960's by a seminal Post War American artist and one of the central figures of Color Field painting — Kenneth Noland (probably better known for his circular, target - like paintings).