Sentences with phrase «artists on an international scale»

«The laboratory approach» of the Marina Abramović Studio has the goal of supporting the growth of performance art by promoting the works of emerging artists on an international scale, organizing and collaborating on events using a network of people converging at Location One.
«This selection represents a fresh approach to radical works that impacted future generations of artists on an international scale.

Not exact matches

Rhoades, who received his MFA from UCLA in 1993, studied with seminal artists Richard Jackson and Paul McCarthy, and cites Dieter Roth as a major influence, but, unlike these artists, never achieved in his own lifetime the far - reaching commercial notoriety and success that they did on an international scale.
Villar Rojas, who is described by the Serpentine curators as being «on the brink of gaining international renown for his dramatic, large - scale sculptural works», 1 operates in the tradition of Merz and her fellow Arte Povera artists in focusing his work on clay and brick, but with a contemporary twist of conceptualism and site - specificity.
A figure parallel to such artists as Louise Bourgeois, Méret Oppenheim, and Eva Hesse, Rama became widely recognized on an international scale relatively late in life; in 2003, she was awarded the Golden Lion for Lifetime Achievement at the 50th Venice Biennale.
The German artist has garnered international acclaim for her expressive large - scale watercolour and oil works on paper featuring figures in various states of repose.
In this space, SiTE: LAB focuses on presenting large - scale, site - specific work by both local and international artists.
On another wall, four international artists as well as two graffiti artists from the east and west coasts of the United States, will also produce a large - scale and site - specific collaborative mural prior to the exhibition opening.
Other featured artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses on the verge of collapse to create scaled pieces — from very tiny wall pieces to very large installations and large - scale sculptures — for his brightly - colored «Shim» series.
The upper and far more grandly scaled floors devoted to painting and sculpture are distinctly less oriented toward the West Coast, devoted instead to artists found on the international museum circuit: Ellsworth Kelly, Gerhard Richter, and Agnes Martin, among others.
He has worked with international artists, galleries, and museums on large - and small - scale print publishing projects.
For the exhibition, YBCA commissions local, regional and international artists to use the literal aspects of YBCA's architectural space, built in 1993 by acclaimed architect Fumihiko Maki, as a starting point to create new large - scale works directly on the walls of both its galleries and its public spaces.
New Romanian Art», curated by Ewa Gorządek and designed by Jarosław Kozakiewicz, is a comprehensive presentation of the latest works from Romanian artists of the younger generation, who since the mid-2000s have begun to manifest their presence in the art scene, locally as well as on an international scale.
The exhibition presents works of artists who represent contemporary art in Turkey on an international scale such as Nil Yalter, Sarkis, İnci Eviner,: mentalKLİNİK and Ayşe Erkmen, and is curated by Levent Çalıkoğlu, the chief curator of İstanbul Modern.
The MATRIX format — spontaneous, flexible, small - scale, and short - term — was «key to engendering experimentation on the part of both the artists and the institution, resulting in a mix of exhibitions that defied categorization and kept Berkeley at the forefront of international contemporary art,» according to the BAM / PFA website.
Commemorating the period when Caro first came to international recognition, his large - scale abstract works from the 1960s and 70s were revolutionary as the first freestanding sculptures to be set directly on the ground and for using found objects such as ploughshares and I - beams which the artist then painted uniformly.
The Hermitage Museum residency in St. Petersburg enriched the artist much and introduced him to the circumstances on the local scene, while the OCAD University off - campus studies in Florence gave him a similar insight of the circumstances on an international scale.
Organized by Anne Wilkes Tucker, The Gus and Lyndall Wortham Curator of Photography at the MFAH, and Karen Sinsheimer, Curator of Photography at the Santa Barbara Museum of Art, Chaotic Harmony features large scale photographs by 40 Korean artists, many of who have never before exhibited in international museum exhibitions and whose work will be on view in the United States for the first time in this show.
Italian architect Ippolito Pestellini Laparelli, partner at OMA working on preservation, scenography and curation, is both leading OMA Urban Studies, as well as the team of creative mediators, which includes the Swiss contemporary art curator Mirjam Varadinis, who works in Kunsthaus Zurich and was co-curator of TRACK, a large scale city - wide international exhibition in the tradition of «Chambres d'amis» in Ghent, Belgium; Spanish architect, artist and scholar based in New York and Madrid, Andrés Jaque, the founder of the Office of Political Innovation, working on the intersection of research, politics and design; and Dutch filmmaker and journalist Bregtje van der Haak, who has been directing international documentaries and transmedia projects on long - term social change with a special focus on urbanisation and technological culture.
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