«The laboratory approach» of the Marina Abramović Studio has the goal of supporting the growth of performance art by promoting the works of emerging
artists on an international scale, organizing and collaborating on events using a network of people converging at Location One.
«This selection represents a fresh approach to radical works that impacted future generations of
artists on an international scale.
Not exact matches
Rhoades, who received his MFA from UCLA in 1993, studied with seminal
artists Richard Jackson and Paul McCarthy, and cites Dieter Roth as a major influence, but, unlike these
artists, never achieved in his own lifetime the far - reaching commercial notoriety and success that they did
on an
international scale.
Villar Rojas, who is described by the Serpentine curators as being «
on the brink of gaining
international renown for his dramatic, large -
scale sculptural works», 1 operates in the tradition of Merz and her fellow Arte Povera
artists in focusing his work
on clay and brick, but with a contemporary twist of conceptualism and site - specificity.
A figure parallel to such
artists as Louise Bourgeois, Méret Oppenheim, and Eva Hesse, Rama became widely recognized
on an
international scale relatively late in life; in 2003, she was awarded the Golden Lion for Lifetime Achievement at the 50th Venice Biennale.
The German
artist has garnered
international acclaim for her expressive large -
scale watercolour and oil works
on paper featuring figures in various states of repose.
In this space, SiTE: LAB focuses
on presenting large -
scale, site - specific work by both local and
international artists.
On another wall, four
international artists as well as two graffiti
artists from the east and west coasts of the United States, will also produce a large -
scale and site - specific collaborative mural prior to the exhibition opening.
Other featured
artists include Anita Arliss, whose mixed - media canvases are included in the permanent art installations at Hartsfield - Jackson Atlanta
International Airport; Bethany Collins, who recently completed a residency at the Studio Museum in Harlem; and Justin Rabideau, who salvages wood from new construction sites and houses
on the verge of collapse to create
scaled pieces — from very tiny wall pieces to very large installations and large -
scale sculptures — for his brightly - colored «Shim» series.
The upper and far more grandly
scaled floors devoted to painting and sculpture are distinctly less oriented toward the West Coast, devoted instead to
artists found
on the
international museum circuit: Ellsworth Kelly, Gerhard Richter, and Agnes Martin, among others.
He has worked with
international artists, galleries, and museums
on large - and small -
scale print publishing projects.
For the exhibition, YBCA commissions local, regional and
international artists to use the literal aspects of YBCA's architectural space, built in 1993 by acclaimed architect Fumihiko Maki, as a starting point to create new large -
scale works directly
on the walls of both its galleries and its public spaces.
New Romanian Art», curated by Ewa Gorządek and designed by Jarosław Kozakiewicz, is a comprehensive presentation of the latest works from Romanian
artists of the younger generation, who since the mid-2000s have begun to manifest their presence in the art scene, locally as well as
on an
international scale.
The exhibition presents works of
artists who represent contemporary art in Turkey
on an
international scale such as Nil Yalter, Sarkis, İnci Eviner,: mentalKLİNİK and Ayşe Erkmen, and is curated by Levent Çalıkoğlu, the chief curator of İstanbul Modern.
The MATRIX format — spontaneous, flexible, small -
scale, and short - term — was «key to engendering experimentation
on the part of both the
artists and the institution, resulting in a mix of exhibitions that defied categorization and kept Berkeley at the forefront of
international contemporary art,» according to the BAM / PFA website.
Commemorating the period when Caro first came to
international recognition, his large -
scale abstract works from the 1960s and 70s were revolutionary as the first freestanding sculptures to be set directly
on the ground and for using found objects such as ploughshares and I - beams which the
artist then painted uniformly.
The Hermitage Museum residency in St. Petersburg enriched the
artist much and introduced him to the circumstances
on the local scene, while the OCAD University off - campus studies in Florence gave him a similar insight of the circumstances
on an
international scale.
Organized by Anne Wilkes Tucker, The Gus and Lyndall Wortham Curator of Photography at the MFAH, and Karen Sinsheimer, Curator of Photography at the Santa Barbara Museum of Art, Chaotic Harmony features large
scale photographs by 40 Korean
artists, many of who have never before exhibited in
international museum exhibitions and whose work will be
on view in the United States for the first time in this show.
Italian architect Ippolito Pestellini Laparelli, partner at OMA working
on preservation, scenography and curation, is both leading OMA Urban Studies, as well as the team of creative mediators, which includes the Swiss contemporary art curator Mirjam Varadinis, who works in Kunsthaus Zurich and was co-curator of TRACK, a large
scale city - wide
international exhibition in the tradition of «Chambres d'amis» in Ghent, Belgium; Spanish architect,
artist and scholar based in New York and Madrid, Andrés Jaque, the founder of the Office of Political Innovation, working
on the intersection of research, politics and design; and Dutch filmmaker and journalist Bregtje van der Haak, who has been directing
international documentaries and transmedia projects
on long - term social change with a special focus
on urbanisation and technological culture.