Sentences with phrase «artists over a glass»

Not exact matches

We enjoyed the company of artists and clients bonding over a glass of wine, discussing the merits of the show of the moment.

Where the rest of us saw only the empty overgrown meadow behind our house, riddled with groundhog holes, with a shallow, muddy stream running through it and a splintering wooden wagon that I had almost outgrown, he saw his friends: artists and teachers and butchers, scenic painters and Russian lighting designers, ship captains and hardware merchants all with a glass in hand, their laughter rising high above our heads and then evaporating into the canopy of maple leaves; the weeping willows shedding their leaf tears down the banks of the stream; fireflies and bagpipers arriving through the low clinging humidity of summer; a giant pit with four spring lambs roasting over apple - wood coals; the smell of wood smoke hanging in the moist summer nighttime air.

Over 100 local artists and craftsmen sell and display their work, including paintings, sculpture, pottery, glass, textiles, jewelry, wood and metal furniture, and more.

Though many shops open earlier, Art After Dark officially starts at 6 p.m., with galleries inviting you to visit, have a glass of wine and a few nibbles, browse, and buy until 9 p.m.. On a typical Art After Dark, over 20 galleries and non-traditional art venues (think restaurants, boutiques, and salons) spotlight established and emerging local artists.

These glass cabinets offer a mode of presentation where artworks and historical documentation come together, offering an insight into the working methods, influences, collaborators and supporting institutions, and the significance of women artists in the broader cultural field, such as Patrick who co-founded the Glasgow Women's Library over two decades ago, of which photographs from the 1990s are also on display.

This exhibition features works completed over the past two years from twenty - four artists in Tyler School of Art's nine MFA programs: Ceramics, Fibers and Material Studies, Glass, Graphic and Interactive Design, Metals / Jewelry / CAD - CAM, Painting, Photography, Printmaking, and Sculpture.

Initiated in the 1990s and spanning four continents, Reality Hacking consists of over 300 interventions to date, including such varied works as RH No. 320 (Snow Monsters)(2015), a constellation of twelve marble snowmen in various stages of melting that occupied the plaza outside of the Flatiron Building in New York City; RH No. 202 (2002 — 2003), a composition performed by the Ensemble for New Music Zurich based on a recording the artist made of a glass shelf filled with crystal objects crashing down a flight of stairs; RH No. 200 (2002), an artificial doughnut - shaped island built at the delta of a river in Switzerland using rocks and earth from the construction of a nearby tunnel; and RH No. 244 (2007), a snowman installed at the southernmost point of the African continent.

«I think if I could get a great house, I could definitely see myself moving here for a few years to work,» Mexican artist José Dávila tells me the following night over glasses of 20 - year - old Santiago rum at a party inside a coquina stone fort off the Malecón presided over by local superstar DJ Wichy de Vedado.

ELIGIBILITY Craft Hilton Head 2018, 6th National Juried Fine Art Craft Guild Exhibition is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

On the other side of the island, Scotland + Venice have taken over an elaborate Venetian palace where artist Graham Fagan has developed a carefully choreographed display which leads visitors through opulent rooms of Murano glass chandeliers and views over the Grand Canal, culminating in a multi-channel video installation entitled The Slaves Lament.

The artist scales up and over its surfaces, her high heels ringing, bearing generous glass cylinders of paint.

The films use a variety of cinematic techniques: fast cuts, tracking and close - ups that slide over random objects the artist has collected or inherited, such as coins, golden bangles, glass vessels, stone heads, heavy dark chains, crystals and lipstick cases.

An exhibition of the wildly imaginative and incredibly layered work of Einar and Jamex de la Torre, glass artists born in Mexico and now exhibited all over the world.

Moishe Mana, founder of the moving company, and his right - hand man Eugene Lemay have converted 150,000 square feet of the 1.5 million industrial space they own in Jersey City into the impressive Mana Contemporary, a center that houses over 250 artists» studios, numerous art galleries, Richard Meier's Model Museum, Gary Lichtenstein's Editions printing studio and shop, in addition to dance studios, an art book shop, a bistro, designer studios, a recently completed spectacular column - free 50,000 - square - foot separate glass gallery, and who knows what else?

A range of work from over 20 independent artists and makers is for sale including prints, painting, textiles, ceramics, decorations, jewellery, books, cards, glass, wood, homeware and bath products.

The artist encourages that visitors can step on and walk over the glasses as they did at his past solo exhibition Cycles, at Entrance, NY last year however he adds that «the shoe soles might get destroyed afterwards.»

Situated within a mirrored environment that is at once brilliant and disorienting, Bunker — M. Bakhtin is paired with an obsessively intricate structure made of glass, crystals, and aluminum suspended in midair — an homage to the visionary Weimar architect Bruno Taut, whose «peculiar fusion of futurist fantasia, utopian manifesto, and private obsessions,» in the artist's words, seems to preside over the exhibition as a whole.

Metal sculptor and multi-media artist Mark Attebery worked previously in stained glass, with over one hundred glass works installed throughout California.

The artist has laid out over ten tons of turquoise - colored, crushed glass on the floor of the gallery.

Over the past 10 years Krakowski has served as Artist in Residence and staff member at the Pilchuck Glass School, WA.

Finch's talk at the New School will focus on the artist's various public and large - scale installations like A Certain Slant of Light (2014 - 15), a site - specific installation at the Morgan Library inspired by its collection of medieval Books of Hours; Trying to Remember the Color of the Sky on That September Morning (2014), a commission for the National September 11 Memorialand Museum composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation on New York's High Line featuring an existing series of windows which Finch transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

is open to all artists over 18 years of age, submitting entries of 2D and 3D fine art crafts in sculpture, basketry, glass, fiber sculpture and wall hangings (including paper), metal works, works in clay, handmade artist books, jewelry, weaving, wood, and assemblage.

Well known artists have participated over the years by submitting designs for labels and glasses to the company.

Alison Jacques, a London dealer, has given her booth over to the Brazilian artist Fernanda Gomes, whose art consists of minimal, almost offhand interventions in the gallery: a twig, a glass of water, a ping - pong ball.

The booth features Wally Hedrick's black paintings, a series in which the artist painted over existing paintings in black paint every time the U.S. invaded another country, culminating in The War Room, an installation he made in the late 1960s; preliminary drawings from performance artist Simone Forti's «News Animations» series, her way of understanding and dealing with world news (one drawing reads «Reason, fear, hatred, compassion, survival» drawn on a figure); and Judith Bernstein's phallic sculptures and 2D works, including a modified American flag topped with phallic balloons contained in glass - covered frames.

♦ Mitchell - Innes & Nash: Alexander Liberman's target - like «Black and Red Circle» from 1960, a 24 by 30 oil on canvas, sold in the $ 50,000 range; Anthony Caro's glass, bronze, and steel «Display,» from 2011 - 12, went for a bit over $ 100,000; and among the living artists, Virginia Overton's Arte Povera - like «Untitled» wall piece sold for around $ 25,000.

Among previous projects are A Certain Slant of Light (2014 - 15), a large - scale installation at The Morgan Library & Museum inspired by its collection of medieval Books of Hours; Trying To Remember the Color of the Sky on That September Morning (2014), composed of 2,983 individual watercolors representing the artist's recollection of the sky on September 11, 2001; There Is Another Sky (2014), which transformed a formerly dark alley into an urban forest sanctuary at South Lake Union, Seattle; Painting Air (2012), an installation of more than 100 panels of suspended glass inspired by the colors of Claude Monet's garden at Giverny; and The River That Flows Both Ways (2009), a permanent installation composed of an existing series of windows transformed with 700 individual panes of glass representing the water conditions on the Hudson River over 700 minutes in a single day.

(The inaugural exhibition is by Paris artist Jean Michel - Othoniel whose lyrical, jewel - like glass works will take over the entire building.)

Over the last ten years, the artist has studied the ancient techniques of the Venini glass dynasty which was founded in Murano in 1921 by the «grandfather» Paolo Venini.

A little over a year ago when Rice University officially opened the large, sunlight - streaming glass doors of the 50,000 - square - foot, $ 30 million facility, it quickly became apparent that the «something new» meant a chance for students, faculty, visiting artists and the entire city of Houston to explore, experiment, and create outside their familiar zones.

You can discover all this of this at another Richter phenomenon, namely his website. www.gerhard-richter.com provides a superbly organised and fully illustrated overview of everything Richter considers part of his oeuvre: for example well over a thousand paintings; his vast Atlas archive of source material (maybe 8,000 newspaper clippings and photos), drawings, overpainted photographs, works on paper, watercolours, artist's books, works of glass, and sculptures.

One is as a poignant rendezvous of some of the New York artists who have formed Mr. Close's wide circle — Philip Glass, in a well - known image of a wild - haired young composer, who will watch protectively over commuters as they descend an escalator; Lou Reed and Cindy Sherman, along with the painter Cecily Brown, the artist Kara Walker (above) and the painter Alex Katz, who is going strong at 89.

The fair is comprised of over seventy international galleries presenting works of all forms of contemporary art including painting, sculpture, photography, design, fine art glass, video and installations from modern art to new cutting - edge artists.

Produced to be broadcast as individual, mini-documentaries on the artists and their work, Logue's short interpretive video pieces feature a prime - time selection of over twenty New York performance artists, composers, dancers and writers, including Mayanne Amacher, Robhert Ashley, David Behrman, John Cage, Lucina Childs, Douglas Ewart, Simone Forti, Jon Gibson, Philip Glass, Spalding Gray, Joan Jonas, Bill T.

Other than Stella, no other artist is more fully represented in the Glass House's permanent collection, and yet a solo show had never been dedicated to the eight Schnabel paintings, created over the course of five decades, collected by Johnson and Whitney.

About Blog Founded in 1996 by glass artist Russ Gilbert, Fusion Art Glass has grown to represent over one hundred and fifty North American artglass artist Russ Gilbert, Fusion Art Glass has grown to represent over one hundred and fifty North American artGlass has grown to represent over one hundred and fifty North American artists.