Sentences with phrase «artists paint box»

Dickie up cycled an artists paint box and made it into a jewellery box, wrapped it and put it under the tree.

Not exact matches

But it was from him - with his cool, long sideburns and aviator sunglasses, his packet of unfiltered Camels, and box of watercolor paints (and artist's paycheck)- from him we learned how to create beauty where none exists, how to be generous beyond our means, how to change a small corner of the world just by making a little dinner for a few friends.

I'm curious about how the trailing luminescence was accomplished — it really seems to gleam — and, less importantly, whether the artist also painted his own box of tissues.

There are several versions of the book on offer; The Classic Edition, The Collectors Edition — featuring a limited edition cover and slipcase, The Box Art Collection which includes a box art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James HarvaBox Art Collection which includes a box art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James Harvabox art collection of over 750 of the games published for the N64 and the Custom Zelda Edition Pack which includes a limited edition and signed Zelda Nintendo 64 custom painted by American artist, James Harvard.

Examples from Rythm Master were featured in light - box displays in «Mastry,» the artist's retrospective (2015 - 2017); the series inspired «Above the Line,» a hand - painted mural installed along the High Line, the elevated park in New York City (2015 - 2016); and was the subject of an academic paper by art historian and curator Ellen Tani, delivered in 2016 at the Black Portraiture [s] III conference in Johannesburg.

Painted on every conceivable kind of surface, from aluminum foil and corrugated cardboard boxes to cotton batting and artichoke leaves, these small works honor artists ranging from Alfred Jensen, who shares Martin's interest in numerology («Good Morning Alfred Jensen, Good Morning,» reads a 2005 - 07 painting whose rainbow of stripes frames, in Jensen-esque colors, a bikini - clad calendar model) to Dash Snow (a messy little canvas of 2006 - 07 titled Dash Snow Bombing, in which the late enfant terrible appears in a tiny blurry photo by Ryan McGinley, spray - painting a wall).

2016 «Cadence,» Three - Person Exhibit of Paintings and Monotypes, Gallery B, Bethesda MD «New This Week» 11/21/2016 Collection on Saatchi Art's homepage McLean Project for the Arts, Artfest, McLean VA «Art as Politics,» Touchstone Gallery, Washington DC «Not a Box» Installation Exhibit, Received Honorable Mention, Art League Gallery, Alexandria VA «Making Sense» Nora Atkinson, Juror, McLean Project for the Arts, McLean, VA Patricia Ladd Carega Gallery, Sandwich NH National Juried Exhibition, Delaplaine Arts Center, Frederick MD Auction Gala, Washington Project for the Arts Resident Artists Exhibition, Palette 22, Arlington, VA Print Portfolio, George Mason University Printmaking Dept.

I think the skeptics, at least over the past five years or so, were proven right with regard to the artists who are making abstract paintings that are perfect for the way they are consumed: They make a lot of them, there's a green one and a blue one and a pink one, and you can collect them all like toys in a Cracker Jack box, which is what they're all about.

Around the mid-1950s, the artist began to make abstract paintings using his fingers or sticks, combs, leaves and other makeshift utensils to push oil paint around the surfaces of Masonite boards or cardboard taken from packing boxes at the bakery where he worked.

Edna Andrade's Earth Day (1970), Richard Artschwager's paintings on celetox, Judy Chicago's Lifesaver series, Thomas Chimes» vinyl box constructions and Jasper Johns» lead reliefs all acknowledge the progressive ideas each of these artists pursued with subjects and materials.

Perhaps bridging the two, Chambers, who identifies as a genderqueer artist, says her acrylic paintings redirect the cultural tendency to organize people by age, gender, income and other «checked - off boxes» to the unruliness of the natural world: «I live with enough ambiguity projected onto me through assigned labels.»

Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.

German artist Kitty Kraus creates painted plywood boxes with light bulbs on top, a kind of Truitt - Flavin mash - up.

A set of four small paintings by American contemporary artist Anthony Leone from the artist's Black Box Series, which are currently featured in the artist's solo exhibition Grape Far...

Rahul Mitra: Race, Religion, Politics, Art and Sex at the end of the world The Houston artist presents paintings, drawings and box constructions exploring dystopian - inflected themes of poverty, ennui, custom, love, strangeness, technology and linguistics.

We settled down in front of her new paintings, still life paintings featuring plasticine figures placed in domestic scenes in cardboard boxes, chandeliers, fading flowers, and an ancient artist's sink.

Triangular and hexagonal pieces of gold - painted sheetrock in artist - made and painted wooden box, 27 x 50 x 50 cm (enclosed), 1975

Several galleries in Survey will feature strong political presentations, including The Box who will show early drawings and paintings by Judith Bernstein (b. 1942), an artist who explores political landscapes and elements of power and aggression in society.

Sigmar Polke was one such German artist, and although he was mostly known for his paintings and photographs, his artistic oeuvre also contains films, performances, and works like large, three - dimensional light boxes.

Later works include Warhol's black - and - white photographs of newspaper vending boxes, his grids of «sewn» photographs featuring newspaper headlines, significant silkscreened paintings, and his collaborations from the 1980s with younger artists Haring and Jean - Michel Basquiat.

But each of the artists» works are also about the misjudgment of a real environment — a real chair made out of special rope (Campana); a box made of terracotta and glaze (Cherubini); a lamp made out of found metal (Coolquitt); an abstract painting titled after a transsexual (Ferris); and collage, deceptively flat - looking, made from among other things, feather and beads (Alvarez).

Haim Steinbach: Untitled (baby), 2004; plywood box, glass, painted synthetic material baby; 51 x 36 x 17 in.; courtesy the artist and Sonnabend Gallery.

The exhibition will show some sixty works by this hitherto little noticed «artists» artist», including groundbreaking series such as his Ice Box Paintings, his comics narratives and Vietnam paintings from the 1950s and 1960s, as well as never - before - exhibited drawings and selected late works from the 1980s to thePaintings, his comics narratives and Vietnam paintings from the 1950s and 1960s, as well as never - before - exhibited drawings and selected late works from the 1980s to thepaintings from the 1950s and 1960s, as well as never - before - exhibited drawings and selected late works from the 1980s to the 2000s...

Alternative Figures in American Art, 1960 to the Present, Curated by Dan Nadel, Matthew Marks, New York, NY 1995 Pacific Dreams: Currents of Surrealism and Fantasy in Early California Art 1934 - 1957, Oakland Museum, UCLA Hammer Museum of Art and Nora Eccles Harrison Museum of Art, UT 1993 Selections from the Permanent Collection - California: Art from the 1930s to the Present, San Francisco Museum of Modern Art 1989 Forty Years of California Assemblage San Jose Museum of Art, Fresno Art Museum and Joslyn Art Museum 1986 California Sculpture: 1959 - 1980, San Francisco Museum of Modern Art 1985 Art in the San Francisco Bay Area 1945 - 1980, Oakland Museum 1984 Contemporary American Wood Sculpture, Crocker Art Museum, University of Arizona Museum of Art, Huntsville Museum of Art and Chrysler Museum The Dilexi Years 1958 - 1970, Oakland Museum 1982 100 Years of California Sculpture, Oakland Museum Northern California Art of the Sixties, De Saisset Museum, University of Santa Clara 1976 California Painting and Sculpture: The Modern Era, San Francisco Museum of Modern Art and National Collection of fine Arts, Smithsonian Institution 1975 Masterworks in Wood: The Twentieth Century, Portland Art Museum First Artists» Soap Box Derby, San Francisco Museum of Modern Art 1971 Continuing Surrealism, La Jolla Museum of Art 1969 An American Report on the Sixties, Denver Art Museum American Sculpture of the Sixties, Grand Rapids Art Museum 1968 On Looking Back: Bay Area 1945 - 62, San Francisco Museum of Art The West Coast Now: Current Work from the Western Seaboard, Portland Art Museum, Seattle Art Museum and De Young Museum 1967 FUNK, University Art Museum, Berkeley, and Institute of Contemporary Art, Boston American Sculpture of the Sixties, Los Angeles County Museum of Art and Philadelphia Museum of Art 1966 Twenty Drawings: New Acquisitions, Museum of Modern Art, New York Two - Dimensional Sculpture, Three - Dimensional Painting, Richmond Art Center, CA 1964 Annual Exhibition of Contemporary American Sculpture, Whitney Museum of American Art 1962 Fifty California Artists, Whitney Museum of American Art, Walker Art Center, Albright Knox Art Gallery and Des Moines Art Center Public Collections

We've commissioned 15 limited edition box sets of prints, sculptures, drawings, and paintings by a stellar selection of wonderful artists.

Art Klub 1941 Arts St., 70117 Scavengers http://artklub.org/p4scavengers/ Cree McCree, artist talk, Jan. 3 http://artklub.org/calendar/2018/1/3/artist-talks-cree-mccree 13th Night Scavenger Costume Sale and Show, Cree McCree Jan 7 http://artklub.org/calendar/2018/1/7/13th-night-scavenger-costume-sale-show Ryuta Iwashita artist talk, Jan. 10 http://artklub.org/calendar/2018/1/10/artist-talks-ryuta-iwashita Ultra Mogoloids, Ryuta Iwashita, Jan 12 http://artklub.org/calendar/2018/1/12/ultra-mongoloids Artivism Dance Theatre Fundraiser and Performance, Jan 13 (NOT DEC 2) http://artklub.org/calendar/2017/12/2/emerge-fundraiser-artivism-dance-theatre Aesthetics of Garbage Lab 3, Flock, Jan. 14 Meryl Murman http://artklub.org/calendar/2018/1/14/the-aesthetics-of-garbage-lab-3 In Box Out Can We Be Contained, St. Suzan Baltozer, Jan. 19 http://artklub.org/calendar/2018/1/19/in-box-out-can-we-be-contained Chris Lawson, artist talk, Jan 24 http://artklub.org/calendar/2018/1/24/artist-talks-chris-lawson Voice Beyond Portrait, Amy Bryan Jan 27 http://artklub.org/calendar/2018/1/27/voice-beyond-portrait Aesthetics of Garbage Lab 4, Flock, Jan. 28 Nick Shamblott http://artklub.org/calendar/2018/1/28/the-aesthetics-of-garbage-lab-4 Collage Painting, Keith Duncun, Jan 28 http://artklub.org/calendar/2018/1/28/collage-painting Amy Bryan artist talk, Jan 31 http://artklub.org/calendar/2018/1/31/artist-talks-amy-bryan Aesthetics of Garbage Lab 5, Flock, Feb 4, Caitlin H. Adams http://artklub.org/calendar/2018/2/4/the-aesthetics-of-garbage-lab-5 Keith Duncan, artist talk, Feb 7 http://artklub.org/calendar/2018/2/7/artist-talks-keith-duncan Jacquline Ehle Inglefield, artist talk, Feb 15 http://artklub.org/calendar/2018/2/14/artist-talks-jacqueline-ehle-inglefield Aesthetics of Garbage FINAL PRESENTATION, Flock, Feb. 17 http://artklub.org/calendar/2018/2/17/the-aesthetics-of-garbage-final-presentation Scavengers Closing Reception and Throw Down Party, Feb. 24th http://artklub.org/about-scavengers/

And the oils are not so different from those in the Whitney show, enigmatic fragments of landscape painted with exquisite skill and heavily framed by the artist in stagey black boxes that make the scenery bits of theater.

For fun, let's run this in reverse: Below left is a 1957 painting by abstract artist James V. Harvey that would fit perfectly into Deitch's Armory booth, and on the right the circa 1959 Brillo Pad box that Harvey himself designed on his day job.

Artists like Carl Andre, Donald Judd and Frank Stella would often use common, everyday materials such as bricks and house paint, and their works would draw from shapes that one would encounter just as regularly, such as the ubiquitous cube or box - shape.

Artists will have access to a painting studio, sculpture studio, digital media studio, dance studio, music and recording studio, writers» studio, black box theatre and library.

The 1990s saw the series Masks and Montagne Sainte - Victoire, the latter a clear reference to Cézanne and a total reflection on painting.The following Nagjma series, meaning «star» in Arabic, are the fruit of the artist's long periods in Tangier, a sort of re-enactment of Paul Klee's or Henri Matisse's journey to the south, and the series entitled Box, made from cardboard boxes, which show Pardi's increasing interest in painting, although still combined with geometric elements and architectural references.

When a Date Painting is not exhibited, it is placed in a cardboard box custom - made for the painting, which is lined with a clipping from a local newspaper from the city in which the artist made the pPainting is not exhibited, it is placed in a cardboard box custom - made for the painting, which is lined with a clipping from a local newspaper from the city in which the artist made the ppainting, which is lined with a clipping from a local newspaper from the city in which the artist made the paintingpainting.

... Well we'll be releasing a two - color riso zine by Brooklyn based artist James Ulmer called «Grid Paintings» and a 4 - color glossy book of Mark DeLong «s salvaged produce box collages entitled «Stars Above, Snakes Below.»

But most artists are good at multi-tasking and thinking out - of - the - box in order to come up with ways to support themselves until their painting alone can sustain them.

A camera positioned surveillance - style shows the artists engaged in a series of preparatory and exhaustive actions: spilling Yves Klein bluish paint on the floor to reveal the reflection of overhead lights, holding a box in the corner and letting it fall to the ground, and lassoing a bucket of tennis balls.

Other artworks in the apartment are small enough to walk off with: a beautiful wall - mounted Donald Judd no larger than a bread box; a tabletop set of Richard Pettibone miniatures of paintings by other famous artists; a Cy Twombly drawing on a chrome stand by the window.

We are not going to see the main exhibition at the Aishti Foundation until tomorrow but we visit the «secret» Aishti storeroom to look at an installation by Lebanese artist Walid Raad, who has painted storage boxes with easily identifiable iconic works of modernism including Jasper John's flag and Kenneth Nolan's bulls eyes.

The artist has focused an incredible level of precision to replicate every element of a particular box, on an identical flattened box, built of acid - free cardboard, painted to look like naked corrugated cardboard.

Using a unique technique of resin layering and acrylic paint, the London based artist meticulously builds layers to create three - dimensional insects in transparent boxes.

Known for abstract paintings that combine mesmerizing colors with multilayered texture, Los Angeles - based artist Mark Grotjahn (b. 1968, United States) has created a series of sculptures out of discarded cardboard boxes.

Reception: June 14, 6 p.m. Solo exhibitions by Seattle - area artists Buffy Cribbs (box paintings) and Adde Russell (oil paintings).

Group Exhibitions 2018 Official Selection, Garden State Film Festival, Asbury Park, NJ 2017 Worm's Work, curated by Mild Climate, The Finishing School, Athens GA Unloaded, Marcia Wood Gallery, Atlanta GA Official Selection, 5th Annual Short Shorts, White Space Atlanta GA Official Selection, Best Shorts Competition (Award of Recognition), La Jolla, CA Official Selection, The World's Independent Film Festival, San Francisco, CA 2016 Acts of Sedition: A Group Exhibition, White Box, NYC, NY Transitions: States of Being, Zuckerman Museum of Art, Kennesaw GA Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA 2015 Drawing Experiment, Chastain Gallery, Atlanta GA Birdwatching, Gallery Walk at Terminus, Atlanta GA 2014 Exquisite Exhibit, curated by Joey Orr, Atlanta Contemporary Art Center, Atlanta GA Score: Artists in Overtime, MOCA GA, Atlanta GA 2013 Ant Linkage, Welch Gallery, Georgia State University, Atlanta GA Drawing Inside the Perimeter, High Museum of Art, Atlanta GA 2012 Paper Moon, Clayton Gallery, Kennesaw State University Museum and Galleries, Kennesaw GA Soltem Os Bichos, Atlelie397, Sao Paulo, SP, Brazil 2011 Watching Hands: Artists Respond to Staying Healthy, David J. Spencer Museum at the CDC, Atlanta GA Something Along The Lines of Rock «N» Roll, Solomon Projects, Atlanta GA New Media from the Permanent Collection, MOCA GA, Atlanta GA 2010 Hand to Hand, AthICA, Athens GA Limitless, Agnes Scott College, Dalton Gallery, Decatur GA Everything and the Space between Everything, Agnus Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Chaffee Art Center, Rutledge VT 2009 More Mergers and Acquisitions, Atlanta Contemporary Art Center, Atlanta GA Accessing the Artist's Brain: Drawing as Metaphor, AVA Gallery, Chattanooga TN Three Small Deaths (film screening), DiverseWorks, Houston TX Everything and the Space between Everything, Jackson - Hartsfeild Airport, Atrium Gallery Atlanta and Agnes Scott College, McCain Library, Round Wall Gallery, Decatur GA Hand to Hand, Western Kentucky University Gallery, Bowling Green KY 2008 The World's Smallest Art Fair, Anna Kustera Gallery, NYC NY Hand to Hand, Spruill Gallery, Atlanta, GA 2007 Little Things Mean A Lot, Swan Coach House Gallery, Atlanta GA Tablet: Contemporary Southern Painting, Tanner Hill Gallery, Chattanooga TN Tenth Annual Arizona State University Art Museum Short Film and Video Festival, ASU Museum of Art, Tempe, AZ Exile From The Land Of Reason, Eyedrum, Atlanta GA The Petrified Man, Welch School of Art and Design Art Gallery, Georgia State University, Atlanta GA 2006 Flamingo Sculpture Garden, Scope Art Fair, Miami FL Run For Your Lives, DiverseWorks, Houston TX Hand to Hand, Ruby Green Gallery, Nashville TN 2005 Toy, Fe Gallery, Pittsburgh PA SouthXeast: Contemporary Southeastern Art, University Galleries, Florida Atlantic University, Boca Raton FL Gas, Food, Lodging: Imagining Escape, Welch School of Art and Design Art Gallery, Ga..

Smith's exceptional «Black Box» was the centerpiece and one of Smith's first works cast in steel — most of the artist's sculptures remained in painted plywood mock - up form until recently.

For «The Box», Zhang's second exhibition with Hauser & Wirth in London, the artist will present his first - ever sculptural installation alongside a new series of paintings.

Zero Hero Yolo Solo is a solo exhibition of new paintings by Baltimore artist Dominic Terlizzi at Chicken Box, a Station North art space.

Houston artist Jonathan Leach's Don't Let Go, candy - colored acrylic strips on a plastic box jutting out from the wall, is the best of the weakest genre, abstract painting, which suffers the most in the crowded conditions.

Inscribed «GABO» on wooden backing Plastic, metals and cork set into wooden box, 24 x 11 x 23 (61 x 28 x 58.5) Presented by the artist 1977 Exh: Gabo: konstruktive Plastik, Kestner - Gesellschaft, Hanover, November 1930 (20) as «Konstruktive Raumgestaltung für eine Wandnische» 1930; Constructions by N. Gabo, London Gallery, London, January 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo: Constructions in Space, Wadsworth Atheneum, Hartford, March 1938 (5) as «Constructive Treatment for an Interior Niche» 1930; Gabo - Pevsner, Museum of Modern Art, New York, February - April 1948 (works not numbered) as «Construction in a Niche» 1930; Naum Gabo: The Constructive Process, Tate Gallery, November 1976 - January 1977 (27) as «In a Niche» 1928 - 9 Repr: Herbert Read and Leslie Martin, Gabo: Constructions, Sculpture, Paintings, Drawings, Engravings (London 1957), p. 42 as «Construction in a Niche» 1930

Ingrid Calame's intricate drawing and painting of tracings along the Los Angeles River bank, Richard Long's fingerprint Avon River mud works, and Hiraki Sawa's video, titled Record, of places in transition — both real and imaginary (and to be viewed inside a small antique game box)-- brings to mind different ways in which artists record memory and the passage of time.

Aitken's work draws on many other artists — text and image paintings by Ed Ruscha; video ruminations on animal intelligence by Diana Thater (Aitken's fellow student at Art Center College in the late 1980s); Bruce Nauman's insistent demand to audiences to «Please Pay Attention,» repeated in an Aitken light - box; Bill Viola's technical video - theatrics; Jack Pierson's faded wall texts composed from scavenged commercial signage; the mirrored sculptures of Robert Smithson, avatar of entropy; Yayoi Kusama's infinity chambers, and more.

These incorporated materials such as nails, wood, newspaper cuttings and other bits and pieces to alter the painting surface, a technique he developed from a 1952 tour of Europe and North Africa with the artist Cy Twombly during which he started collecting junk like bits of rope, stones, sticks, bones which he exhibited in Rome and Florence under the title «scatole contemplative,» or thought boxes.