Sentences with phrase «artists present debated»

Rosenfeld points out that Norman Lewis (1909 - 79) participated in the landmark symposium organized in 1950 by Robert Motherwell and Lewis's friend Ad Reinhardt and held at Studio 35 in New York, where the artists present debated what to call the new art movement.

Rosenfeld points out that Norman Lewis (1909 — 79) participated in the landmark symposium organized in 1950 by Robert Motherwell and Lewis's friend Ad Reinhardt and held at Studio 35 in New York, where the artists present debated what to call the new art movement.

Not exact matches

Kunsthal NORD inaugurates and presents guided tours in the current exhibition, artist talks, debates, art performances, art sessions and masterclasses for professional artists and curators.

From June 3 through August, 28 in the main gallery, Artists Jerri Allyn and Inez S. Bush, with collaborating artists Juna Amano, Micol Hebron, Michele Jaquis, Carol McDowell, Marissa Mercado, Rosalyn Myles, Shana Nys Dambrot, Juliana Ostrovsky, Beth Peterson, Karl Jean Petion, Erika Reynoso, Trinidad Ruiz, Marjan Vayghan, and Erich Wise will present Debating Through the Arts: Exhibition & Performance 3, during the summer based on a model United NArtists Jerri Allyn and Inez S. Bush, with collaborating artists Juna Amano, Micol Hebron, Michele Jaquis, Carol McDowell, Marissa Mercado, Rosalyn Myles, Shana Nys Dambrot, Juliana Ostrovsky, Beth Peterson, Karl Jean Petion, Erika Reynoso, Trinidad Ruiz, Marjan Vayghan, and Erich Wise will present Debating Through the Arts: Exhibition & Performance 3, during the summer based on a model United Nartists Juna Amano, Micol Hebron, Michele Jaquis, Carol McDowell, Marissa Mercado, Rosalyn Myles, Shana Nys Dambrot, Juliana Ostrovsky, Beth Peterson, Karl Jean Petion, Erika Reynoso, Trinidad Ruiz, Marjan Vayghan, and Erich Wise will present Debating Through the Arts: Exhibition & Performance 3, during the summer based on a model United Nations.

This second exhibition delves into the artist's notion of being an «immigrant,» how he or she responds to the present immigration debate as it is carried out in personal, public, and political spaces, and what approaches the artist takes, from the subtle and conceptual, to the blatantly political.

After much debate and feedback from artists, we feel that holding GOS to coincide with The Other Art Fair will give us even more of an opportunity to present our work to an audience of art buyers and enthusiasts that will be in the neighborhood during this time.

He has been at the forefront of experimentation and political debate within the visual arts — performance artist, painter, writer, Professor at the Slade School of Art — with an enduring influence on many of the present generation of younger British artists.

While there's no precise formula for a good pavilion — though let's just say quiet and subtle are not good approaches with so much competition — the national arts bodies generally responsible for nominating artists and presenting their pavilions are also in the sway of government agendas, domestic debates and the artist's commercial interests, which can make for some very delicate dances behind the scenes.

«Behjat Sadr: Trace through the Black» explores the artistic and intellectual heritage of the Iranian artist Behjat Sadr, with archival material, and presenting a rare selection of works: from her early debate with «abstraction informelle» in the 50s to her experimentations around organic forms, trace making, and hallucinatory networks of lines throughout the «60s and «70s up until her «collage» years throughout the (inner) exile and the irrepressible return to her world of futuristic nostalgia.

To contextualize Saar's works, this volume includes writings by the artist from the 1970s to the present day as well as a recent interview with Saar in which she discusses her artistic practice and her views on history, including the current debate about police violence in the US.

Current debates on the influence of the GDR period, and how to present an unbiased debate on the quality of art and artists associated with the GDR are being discussed.

The gallery joins the international contemporary artistic debate presenting artists of different generations, alternating Italians and foreigners, in order to both create a dialogue and allow comparisons.

Significant Voices This event is presented by Iniva in association with / A.R.I.A / Artist Residency in Algiers and is part of Iniva's Significant Voices series where guest speakers from the creative and cultural world generate space for new debates.

Today, the programme facilitates local and global critical debates while supporting underrepresented artists, collaborating with established and emerging practitioners to present varied formats for exhibition making.

The Value of Nothing presents artists who contribute to the current debate on the commercialization of society, expose the underlying mechanisms, or propose alternative strategies.

Curator Hans Ulrich Obrist has chosen maps as the theme to this year's Marathon at the Serpentine Gallery, a now annual event and part of Frieze, in which leading artists, scientists and thinkers debate and collaborate as they present their interpretations on a given theme.

Our 2012 fall visual arts exhibition, Carbon 13, presents newly commissioned works by artists that propose a creative response to climate change aimed at stimulating discourse and a wider engagement with the climate debate.

The Museum of Modern Art presents Art Institutions and Feminist Politics Now, a day - long symposium on May 21, 2010, that will bring together an international group of leading artists, writers, curators, historians, and activists to explore the impact of recent debates about art and feminism on museum exhibitions, collections, pedagogy, and cultural politics.