Sentences with phrase «artists present images»

In «Magical Thinking» these six artists present images which thrust the viewers back in time to their childhoods where they recall such similar instances of creative denial or solution.

Not exact matches

But director and co-writer Nicolas Winding Refn is an artist and, as an artist, forces a virile reaction to the powerful images and situations he presents.

And since Geoffrey Rush is the spitting image of the artist and Armie Hammer is utterly convincing as his sitter, the American writer James Lord, you feel as if you are present in the studio eavesdropping on the actual encounter.

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wall space gallery is pleased to present a new exhibition featuring gallery artist Barbara Parmet paired with guest artist Christa Blackwood expanding the notion of photographic object and image.

Pictures at an Exhibition presents images of one notable show every weekday.Today's show: «THEM» is currently on view at Schinkel Pavillion in Berlin and features the work of seven artists — Alina Szapocznikow, Alisa Baremboym, Aleksandra Domanović, Sarah Lucas, Katja Novitskova, Carolee Schneemann,... Read More

The coveted Photographer of the Year title was presented to British artist Alys Tomlinson for her series Ex-Voto, a personal project that encompasses formal portraiture, large format landscape and small, detailed still - life images of the «ex-votos» (offerings of religious devotion) found at pilgrimage sites of Lourdes, Ballyvourney (Ireland) and Grabarka (Poland).

All of the artists have started making their mature work, if not lived their entire lives since the advent of Postmodernism; the interaction between the history of images and present production is ingrained in how they approach the canvas.»

Most of the sites I've put up have been for artists and the main requirement has been how to present galleries of images — preferably in simple, orderly rows and columns.

The most authentic statement of Manet's sense of his situation as a man and as an artist may well be his two versions, painted in 1881, of The Escape of Rochefort, in my opinion unconscious or disguised self - images, where the equivocal radical leader, hardly an outright hero by any standards, is represented in complete isolation from nature and his fellow men: he is, in fact, not even recognizably present in one of the paintings of his escape from New Caledonia.

BOOKSHELF In his new book, «Today I Shall Judge Nothing That Occurs: Selections from the Ektachrome Archive,» Lyle Ashton Harris presents images of «emblematic figures shot in the 1980s and»90s,» alongside his journal entries and contributions from a diverse slate of curators, writers, and fellow artists.

New York - based artist KEVIN BEASLEY presents mixed - media sculptures inspired by two very different cultures and time periods — Bernini's 17th century Baroque alter piece in Rome and an iconic image of Black Panther Huey P. Newton.

The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.

The Artist's Museum begins with this impulse to collect and connect, bringing together large - scale installations, photography, film, and videos that employ artworks from the past as material in the present, animating existing artworks, images, and histories to reveal art's unexpected relationships and affinities.

Object / Image Kathy Butterly, Andrew Masullo, John Newman, Thomas Nozkowski, George Ohr, Leslie Wayne March 10 — April 16, 2011 The Tibor de Nagy Gallery is pleased to present an exhibition of six artists, three sculptors and three painters.

Thomas Dane Gallery presents an exhibition of new works by Venezuelan - born artist Arturo Herrera, whose practice combines found images and objects with drawing, collage, sculpture and paint.

«Beyond their value as a personal document of a historically significant period, Harris's images and journals exemplify the nascent development of the artist's aesthetic sensibility, embodying a convergence of transgressive ideas and theoretical positions that continue to resonate and impact the present.»

Amy Granat, Chemical Scratch (Return of the Creature), 2003 16 mm film transfered to DVD, sound May 24 — June 28, 2010 Arranged by Front Desk Apparatus Participating Artists: John Cage, Jesse Cohen, Quentin Curry, Philippe Decrauzat, Matias Faldbakken, Amy Granat, Gareth James, Jacob Kassay, Jutta Koether, Amir Mogharabi, Steven Parrino, Seth Price, Josef Strau, Andy Warhol Every image is offered our gaze is only presented, in its very obviousness, by means of the disconcerting economy -LSB-...]

In pursuing this direction of modern art, these artists wanted to present each painting as one unified, cohesive, monolithic image often within series» of related types.

The artist will present «Son» (2018), a video projected in the main gallery that interweaves appropriated and handmade still images into a long - duration animation inspired by the 2017 solar eclipse.

Unspooling more scenes of demolition related to the Pacific Building, the artist's Backwards series presents 18 mirrored photographic transfer images.

In keeping with his then current practice, Warhol took a sequence of Polaroid photographs of the German artist, and the present work results from the distillation of color and contour of one of those images.

The other was that the artist, anticipating the bared knives of critics, hired an image consultant and began an expensive campaign to build his brand in the press, giving self - glorifying interviews and taking out full - page ads in the leading art publications presenting himself as an offbeat yet successful guru - like visionary.

The images, which range from 1968 to a 2016 print by Sheila Pree Bright (an artist committed to the idea of art as a vehicle for confronting racism), all speak to the present with immediacy and authority.

Image: George Shaw, The New Houses (2011), BALTIC presents Turner Prize 2011 © BALTIC & the artist Photo: Colin Davison

«Suspended Animation: Moving Images in Print,» organized by Lotte Allen, presented short animations by nine artists alongside related prints — in many cases those from which the animations were built.

Artists included in the show from Chicago, Milwaukee, and Minneapolis present a range of image and content - borrowing strategies, from the critical to the open - ended, the humorous imitation to the urgent copy.

For Bernstein, this piece, presented in counterpoint to her large - scale images within the gallery, proclaims her presence and confronts egotistical posturing of artists within the art world and society.

Call me only if you are in the gutter, Grice Bench, Los Angeles, CA Exalted Position, curated by Vlad Smolkin, Peter Blum Gallery, New York, NY Pipe Dream, presented by Night Gallery and Rachel Uffner Gallery, 170 Suffolk Street New York, NY Gallery Artist Group Show, Rachel Uffner Gallery, New York, NY TDW: Three Way Weekend, Blum & Poe, Art Los Angeles Contemporary, and ROGERS, Los Angeles, CA 2015 The John Riepenhoff Experience, Misako & Rosen, Tokyo, Japan Intimacy in Discourse: Unreasonable Sized Paintings, School of Visual Arts Chelsea Gallery, New York, NY Let's Be Real, Projekt 722, New York, NY 2014 The Crystal Palace, Rachel Uffner Gallery, New York, NY QUALIA, FJORD Gallery, Philadelphia, PA 2013 The Room and its Inhabitants, organized by Patrick Howlett, Susan Hobbs Gallery, Toronto, Canada The 2013 deCordova Biennial (with Dushko Petrovich), deCordova Sculpture Park and Museum, Lincoln, MA 2012 Love, curated by Stephen Truax, One River Gallery, Engelwood, NJ Art on Paper 2012, curated by Xandra Eden, Weatherspoon Art Museum, Greensboro, NC Take Shelter in the World, curated by Dushko Petrovich, Boston University Art Gallery, Boston, MA In Plain Sight, organized by Nicole Russo and Lumi Tan, Mitchell - Innes & Nash, New York, NY 2011 The Idea of the Thing That it Isn't, curated by Rachel Uffner, Halsey McKay, East Hampton, NY Channel to the New Image, Friedrich Petzel Gallery, New York, NY Exhibition of Work by Newly Elected Members and Recipients of Honors and Awards, American Academy of Arts and Letters, New York, NY Paper A-Z, Sue Scott Gallery, New York, NY Invitational Exhibition of Visual Arts, American Academy of Arts and Letters, New York, NY Battle of the Brush, organized by Corporate Art Solutions at Bryant Park, New York, NY 2010 The Pencil Show, Foxy Production, New York, NY ITEM, Mitchell - Innes & Nash, New York, NY S (l) umm (er) ing on Madison Avenue, curated by Jo - ey Tang, The Notary Public, New York, NY Kristin Calabrese, Andy Parker, Mary Weatherford, Roger White, Kathryn Brennan Gallery, Los Angeles, CA 2009 What's Bin Did and What's Bin Hid», curated by Ryan Steadman, 106 Green Gallery, Brooklyn, NY Cave Painting: Installment # 2, organized by Bob Nickas, Gresham's Ghost, New York, NY The Audio Show, organized by Seth Kelly, Friedrich Petzel Gallery, New York, NY 2008 The Merits of Silence, Gallery Min Min, Tokyo 2007 Heralds of Creative Anachronism, D'Amelio Terras, New York, NY The Price of Nothing, EFA Gallery, NY 2006 Mystic River, Southfirst, Brooklyn, NY / Arcadia University, Glenside, PA 2005 Kevin Bruk Gallery, Miami, FL You Are Here, Ballroom Marfa, Marfa, TX The Most Splendid Apocalypse, PPOW Gallery, New York, NY Crits» Pix, Black and White Gallery, Brooklyn, NY 2004 Halloween Horror Films,, Southfirst Gallery, Brooklyn NY Summery Summary, 58 N3, Brooklyn, NY 2003 Dreamy, ZieherSmith Gallery, New York, NY Escape from New York, New Jersey Center for Visual Arts, Summit, NJ Late to Work Everyday, Dupreau Gallery, Chicago, IL 2001 Learnedamerica, P.P.O.W. Gallery, New York, NY Tirana Bienalle 1, National Gallery, Tirana, Albania 2000 Columbia University M.F.A. Thesis Show, Brooklyn, NY 1999 All Terrain, Friedrich Petzel Gallery, New York, NY Wight Biennial, UCLA Wight Gallery, Los Angeles, CA 1998 Episode 1, Gair Building, Brooklyn, NY

New to the fair was a sector called Survey, bringing gravitas with a deliberately digital - free zone that called on 13 galleries to present tightly curated historical projects — the standout, New York artist Alison Knowles's The Boat Book, 2014, eight 8ft - high, wood - framed movable pages covered with images described by her dealer, James Fuentes, as «seminal social sculpture» that is «read» by crawling through it.

In a series of landmark exhibitions ending in the late 1970s, these artists presented a dynamic, celebratory vision of transnational Africanism, which, as described in the 1969 AfriCOBRA Manifesto, encompassed «Definition: Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.&Images that deal with the past; Identification: images that relate to the present; and Direction: images that look to the future.&images that relate to the present; and Direction: images that look to the future.&images that look to the future.»

He organized award - winning exhibitions and publications including solo presentations by Lynda Benglis, Judith Godwin, Jane Hammond, Joseph Marioni, Rashaad Newsome, Chuck Ramirez, and Sandy Skoglund, among other artists, as well as American Art Since 1945: In a New Light; New Image Sculpture; Andy Warhol: Fame and Misfortune; Beauty Reigns: A Baroque Sensibility in Recent Painting; Made in Germany: Contemporary Art from the Rubell Family Collection; Telling Tales: Contemporary Narrative Photography, and Something to Say: The McNay Presents 100 Years of African American Art.

The Blue Mountain Gallery presents the work of seven artists — new to the gallery — in a varied and exciting show.See individual artist pages for additional images.

Chelsea NY: Viridian Artists is pleased to present «RECEIVED IMAGES», a solo exhibition of mixed media works by the artist ELIZABETH FEATHERSTONE HOFF.

Artist Statement The images presented in this series were created for a unisex clothing label founded by my sister and I in 2018.

1994 Don't Look Now, Thread Waxing Space, New York (catalogue) Cross and Square Grids, Museum of Modern Art, Saitama, Japan Abstraction: A Tradition of Collecting in Miami, Center for the Fine Arts, Miami, FL (catalogue) Das Americas, Galeria Luisa Strina, São Paulo, Brazil (catalogue) Elvis + Marilyn: 2 x Immortal, Institute of Contemporary Art, Boston, MA (catalogue) Come dire, splendori, Pontormo Rosso Gallery, Carmignano, Italy Notational Photographs, Metro Pictures, New York Rudiments d'un musée possible, Musée d'Art Contemporain, Geneva Le Constanti Nell» Arte, Galleria Lia Rumma, Naples (catalogue) 30 Years: Art in the Present Tense, Aldrich Museum of Contemporary Art, Ridgefield, CT (catalogue) The Assertive Image: Artists of the Eighties, Armand Hammer Museum and University of California, Los Angeles The Use of Pleasure, Terrain Gallery, San Francisco, CA (curated by Robert Nickas) Punishment + Decoration, Hohenthal und Bergen, Cologne, Germany Katarina Fritsch, Peter Halley, Hubert Kiecol, Imi Knoebel, Sherrie Levine, Richard Prince, Jablonka Galerie, Berlin

In this MOVING IMAGE EXPO, STUK is delighted to present the work of visual artist Emre Hüner.

This summer New Art Exchange in Nottingham, UK, presented Dub Versions, a solo exhibition of Anderson's new and recent paintings paired with related source materials to illustrate the artist's uniquely forensic approach to image - making.

These beautifully composed images accomplish another inversion in the form of their perspective: while the builders of these hulking edifices designed them to be admired by viewers looking up from the ground, the artist presents them as a view from on high — or at least from the helicopter cameras he witnessed as they panned the buildings during a commercial break from the Tour de France.

We believe that artists should be free to present their chosen images without censorship.

The exhibition includes prints from Siemon Allen «s Records series, in which the artist explores images of South Africa through the collection and archiving of music records from the beginning of the 20th Century to the present day.

EAST HAMPTON, NY: Eric Firestone Gallery presents MirrorMirror, a group exhibition featuring works by artists concerned with reflective surfaces, the quality of a mirrored object's reflection, and doubled images.

«New Photography 2010 presents four artists — Roe Ethridge, Elad Lassry, Alex Prager, and Amanda Ross - Ho — whose photographs mine the inexhaustible reservoir of images found in print media and cinema.

In pursuing this direction of modern art, artists wanted to present each painting as one unified, cohesive, monolithic image.

For example, while the press release presents «Proof» as «a three - person show featuring prints and artist's books made by master printers Ruth Lingen, Jennifer Melby and Leslie Miller,» the exhibition checklist does not credit individual works to particular printers but, as is conventional, credits only the «artists,» e.g. Elizabeth Murray, James Siena, Vija Celmins, Henrik Drescher (See the images above from Planthouse's website.

The project culminated in a comprehensive showing presented in 1991 at the National Gallery of Art that included the ROCI USA (Wax Fire Works) series based on images collected by the artist in the United States.

Although Rauschenberg's motivation for taking the photos is unknown, these images present an evocative portrait of de Kooning's work environment, as though Rauschenberg wished to capture a glimpse of the inner life and working methods of an artist he greatly respected.

In these eight collages created from snippets of textbooks and fan zines, the artist is able to reverse her typical time - based cinematic practice and «present time and movement within a single fixed image.»

Be sure not to miss booths by Benrubi Gallery from New York, a leading gallery with a focus on 20th Century and contemporary photographs; Blindspot Gallery from Hong Kong, a gallery with a primary focus on contemporary image - based works; Bryce Wolkowitz Gallery from New York, a gallery with a major commitment to representing new media artists who are exploring the intersection of arts and technology; Dittrich & SCHLECHTRIEM & V1 from Berlin, a gallery representing emerging, mid-career and established artists from around the world; Fraenkel Gallery from San Francisco exploring photography and its relation to other arts; Gagosian Gallery from New York, Hong Kong, Beverly Hills, Athens and Rome; Hamiltons Gallery from London, one of the world's foremost galleries of photography; Galerie Lelong from Paris focusing on an international contemporary art and representing artists and estates from the United States, South America, Europe, and the Asia - Pacific Region; Magda Danysz from Paris, Shanghai and London dedicated to promoting and supporting emerging artists and favouring a larger access to contemporary art on an international level; Mai 36 from Zurich focusing on trading and presenting international contemporary art; Pace Prints / Mac Gill, a publisher of fine art prints and artist editions affiliated with the Pace Gallery; Richard Saltoun Gallery from London specialising in post-war and contemporary art with an interest in conceptual, feminist and performance artists; Roman Road from London; Rosegallery from Santa Monica, an internationally recognized gallery of 20th and 21st century works on paper; Taka Ishii Gallery from Paris, Tokyo, and New York devoted to exploring the conceptual foundations and implications of contemporary (photo) graphic practice; White Space from Beijing; and Yumiko Chiba Associates from Tokyo, among others.

Constructing Realities: Photography, Film, Video, and the Internet follows six artists from the 1960s through the present as they create new images using the ever - widening range of technological media available today to create six entirely diverse landscapes of the real.