When these conceptual
artists presented text within the context of an artwork, they were forcing their audiences to become a part of the artwork by imploring them to read the composition, almost like a script that adds an element of the theatrical.
Not exact matches
Presented as a collection of
texts, edited and introduced by a scholar years after the
artist's death, the book unfolds through extracts from Burden's notebooks and conflicting accounts from others about her life and work.
Spanning the nineteenth century to the
present, this selected history of influential black American
artists introduces their careers and work with detailed sidebars, stunning graphics, and a compelling
text.
This beautiful book
presents over 100 paintings of our much - loved feline companions, interspersed with short
texts about the
artists and their subjects, as well as meaningful cat quotes, The Book of the Cat is a must for cat and art lovers of all ages.
In an upcoming exhibition, Hong Kong's ZZHK Gallery will
present the photographs of Schweiger, alongside anecdotes relating to her journey with the
artists, visually mapping out the moments and contexts by combining clippings,
texts and printed materials.
The BMA
presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based
artist that examines the relationship between abstraction and representation through layered and fragmented
texts and images sourced from the
artist's personal library.
The wall
text, in light gray, stopped me in my tracks: This year, Lehmann Maupin Gallery is pleased to
present a selection of works by the female
artists from the gallery.
For the
artist's first solo exhibition in New York, C24 Gallery will
present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.»
Ranging from
text to installation, painting, sculpture, performance and sound, the selection
presents some of Lisson's leading
artists, of both the past and
present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
Thomas Chimes: Complete Circle, 2001
Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle
presents the early and later work of noted
artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.
Mana Contemporary's Middle East Center for the Arts (MECA) and Umm el — Fahem Gallery are pleased to
present a private viewing of Textile — Territory —
Text, a group exhibition that examines concepts of identity, belonging, abjection, and exile in contemporary textile art works by Middle Eastern
artists, with a special one - night only performance.
Several years ago, the iconic French author, poet, playwright and philosopher Hélène Cixous gave Grant one of her books, Philippines, as a source for imagery and entreated the
artist to make work about the concepts
present in the
text.
A recent large - scale clay diptych, photography and
text works were installed between the pillars of the hall, which — alongside a publication specially produced with the
artist for the occasion — showed works from every decade of Long's prolific career from the 1960s to the
present day.
The Spanish - born, Miami - based
artist presents constructions of collage on paper utilizing photography, fragments of
text, and cut - paper organic and geometric forms.
• Selections from French conceptual
artist Sophie Calle's series Les Aveugles (The Blind)(1986), which
presents photo - and
text - based installations based on the
artist's interviews with a dozen non-sighted individuals.
That particular
text discussed his recent solo exhibition at Lennon, Weinberg Gallery, a stunning show that
presented the
artist at the height of his talent and made clear that many of his late works can be counted among his most accomplished.
In collaboration with e-flux and Verso Books, the Guggenheim
presents the U.S. launch of two recent Verso publications: Hito Steyerl's Duty Free Art: Art in the Age of Planetary Civil War, a new volume of essays by the writer, filmmaker, and
artist; and Supercommunity: Diabolical Togetherness Beyond Contemporary Art, a collection of essays, poems, short stories, and plays by
artists and theorists selected from the eponymous 88 -
text issue of e-flux journal commissioned for the 56th Venice Biennale.
Steve Turner is pleased to
present Strings Attached, a solo exhibition by Amsterdam - based
artist Jonas Lund which will feature 24
text - based paintings that relate to the current «bubble moment» in contemporary art.
Pratt Manhattan Gallery
presents «We Are Grammar,» a large - scale exhibition of 2D, sculptural, installation, and video works by over 40 contemporary
artists who have been working with
text from the past decade.
The catalogue
presents a variety of archival images, as well as installation images from the exhibition at Kunsthall Stavanger, and commissioned
texts from writer Thomas Micchelli, Le Tigre member Johanna Fateman, and
artist Maurizio Cattelan.
The Third Mind: American
Artists Contemplate Asia, 1860 - 1989 illuminates the dynamic and complex impact of Asian art, literary
texts and philosophical concepts on American artistic practices from the late nineteenth century through the
present.
Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by
artists and designers from antiquity to
present day, this exhibition brings together 190 objects — including
texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by
artists and designers from antiquity to
present day, this exhibition brings together 190 objects — including
texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
It includes
texts and interviews of
artists presented in the exhibition as well as a large selection of archive images and installation views of the works exhibited.
This Fall at the Addison Gallery of American Art, located on the campus of Phillips Academy in Andover, MA,
artists Elaine Reichek and Jeanne Silverthorne will team up to
present Invisible Citings, an installation exploring their shared interest in
text and notions of invisibility...
Robert Barry, Inert Gas: Neon, 1969 Two photographs and
text Yvon Lambert
presents an exhibition of works made from 1962 through 2008 by American
artist Robert Barry.
Presenting work by four
artists under the guise of a solo show is a way to exhibit the
artist in relation to his precedents, like a
text with footnotes.
Coupled with these writings are original
texts from each
artist collected in the form of a journal / exhibition catalog and
presented as part of the exhibition.
This lavishly illustrated, 240 - page catalogue, also titled Zoo, contains an introduction by the show's curators, Marie Fraser and François LeTourneux,
texts presenting each of the
artists, and a typology describing the relationship between humans and animals as reflected in natural history, philosophy, fiction, and science.
Victoria Miro
presents British
artist David Harrison's second solo exhibition at the gallery to coincide with the publication of a major monograph on the
artist with
texts by Alistair Robinson, an introduction by Lucinda Lambton and an interview with Peter Doig.
Inside the Work
presents, in
text and image, the curatorial practice and outreach work that make the Kunsthaus Bregenz stand out, and tracks its exhibitions through short
artist statements and large - format illustrations.
Engaging with the idea that adaptation is necessary for survival, the
artists in this exhibition
present films, sculpture and
text - based works that reflect on new and hybrid forms of architecture, technology, biology and language.
+ Second, Sable Elyse Smith
presented a reading from Blue is Ubiquitous and Forbidden, a limited edition zine, which takes its title from the
artist's current exhibition in the + / - Project Space, considering the trauma of mass incarceration by scaffolding perspectives and proximity — through image, video, voice, and
text.
All projects are
presented alongside researched
texts developed with the
artists to offer tangential and alternate readings of the work.
At Astrup Fearnley Museet, New Theater will
present a
text, installed in collaboration with
artist Lena Henke, which struggles with representing a city and deals with the economics of the
artist - run space.
Crumb also offsets the bawdy images with breathless pseudo-high-falutin'
texts which send up the
artist's own desires, academic commentaries on art, and how the media
present women.
Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering
text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the
artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.
The show centers on a
text Krakow wrote, entitled Shine, which is
presented in its entirety as an
artist's book, and incorporated as fragments in her video of the same title.
Working in collaboration with Lehyt, an
artist of a later generation, the performance - lecture transposes Zurita's
texts onto the
present through a live reading and the creation of a new wall drawing by Lehyt made in response to them.
Copenhagen - based
artist Lotte Rose Kjær Skau is
presenting her first solo exhibition, United We / I Stand Etc. at London's Image Music
Text Gallery, running January 23 to March 2.
This handsome volume contains wonderful
texts by Medvedow, Molesworth, Eggerer, Lajer - Burcharth, and Marcus that explore different aspects of Sillman's development as an
artist from the mid-1990s to the
present, and also includes a facsimile insert of one of the
artist's «zines.»
Simultaneously with the work of
artists will be on display and a small part of archival and documentary material with photos of the marine life of Patmos, from major monuments and ceremonies of island associated with water as well as images and
texts associated with the collection, the management and the consumption of water in Patmos in the past and the
present.
Including
texts by Germano Celant, Lynn Cooke, Peter Schjeldahl and Thomas McEvilley written since the 1980s, Anthony Cragg: Parts of the World concludes in the
present, with an essay by Jon Wood and a recent interview with the
artist.
Sculpture Now assembles essays, statements, interviews, letters, poems and other
texts by
artists from all over the world on sculpture as it has been developed and practiced from 1990 to the
present.
The Iranian - born, US - based
artist presents a new body of work — including 3D sculptures,
text, moving image and a public research program in a reading room and online public archive — as part of an ongoing activism practice concerned with «Digital Colonialism and «re-Figuring» as a Feminism and activism practice».
All projects are
presented alongside researched
texts developed with the
artists to offer tangental and alternate readings of the work.
The Gallery at R&F is pleased to
present Snippets: Visual
Text, a group exhibition of works by five visual
artists and two poets working collaboratively on a visual project.
The
presented works will be connected with
texts on the
artists, written by Josef Strau, partly already published, partly in a more fragmented form of some collected notes.
Presented by: Amanda Sanfilippo, Curator in Residence at LegalArt Participants are encouraged to bring relevant books,
texts and examples of
artists and exhibitions relative to the topic of discussion.
Mixed Messages
presents over 40
text - based works by visual
artists and designers whose reactions to and connections through HIV / AIDS reflect the contemporary moment's tenor on the pandemic.