Sentences with phrase «artists presented text»

When these conceptual artists presented text within the context of an artwork, they were forcing their audiences to become a part of the artwork by imploring them to read the composition, almost like a script that adds an element of the theatrical.

Not exact matches

Presented as a collection of texts, edited and introduced by a scholar years after the artist's death, the book unfolds through extracts from Burden's notebooks and conflicting accounts from others about her life and work.
Spanning the nineteenth century to the present, this selected history of influential black American artists introduces their careers and work with detailed sidebars, stunning graphics, and a compelling text.
This beautiful book presents over 100 paintings of our much - loved feline companions, interspersed with short texts about the artists and their subjects, as well as meaningful cat quotes, The Book of the Cat is a must for cat and art lovers of all ages.
In an upcoming exhibition, Hong Kong's ZZHK Gallery will present the photographs of Schweiger, alongside anecdotes relating to her journey with the artists, visually mapping out the moments and contexts by combining clippings, texts and printed materials.
The BMA presents Front Room: Adam Pendleton, a dramatic installation of new and recent work by the New - York based artist that examines the relationship between abstraction and representation through layered and fragmented texts and images sourced from the artist's personal library.
The wall text, in light gray, stopped me in my tracks: This year, Lehmann Maupin Gallery is pleased to present a selection of works by the female artists from the gallery.
For the artist's first solo exhibition in New York, C24 Gallery will present texts from billboards that appeared on the streets of Berlin, London, and Paris as well as major new light works, and a large - scale «Fire Poem.»
Ranging from text to installation, painting, sculpture, performance and sound, the selection presents some of Lisson's leading artists, of both the past and present — beginning with monumental works such as one of Dan Graham's large - scale glass - and - steel pavilions, entitled Two Vs Entrance - Way (2016), which reflects and refracts visitors and its Brutalist architectural surroundings.
Thomas Chimes: Complete Circle, 2001 Text by David Cohen 54 pages, Softcover Published by Locks Art Publications ISBN: 1 -879173-49-2 Complete Circle presents the early and later work of noted artist Thomas Chimes: a series of metal box constructions from 1965 - 1973 paired with related new paintings.
Mana Contemporary's Middle East Center for the Arts (MECA) and Umm el — Fahem Gallery are pleased to present a private viewing of Textile — Territory — Text, a group exhibition that examines concepts of identity, belonging, abjection, and exile in contemporary textile art works by Middle Eastern artists, with a special one - night only performance.
Several years ago, the iconic French author, poet, playwright and philosopher Hélène Cixous gave Grant one of her books, Philippines, as a source for imagery and entreated the artist to make work about the concepts present in the text.
A recent large - scale clay diptych, photography and text works were installed between the pillars of the hall, which — alongside a publication specially produced with the artist for the occasion — showed works from every decade of Long's prolific career from the 1960s to the present day.
The Spanish - born, Miami - based artist presents constructions of collage on paper utilizing photography, fragments of text, and cut - paper organic and geometric forms.
• Selections from French conceptual artist Sophie Calle's series Les Aveugles (The Blind)(1986), which presents photo - and text - based installations based on the artist's interviews with a dozen non-sighted individuals.
That particular text discussed his recent solo exhibition at Lennon, Weinberg Gallery, a stunning show that presented the artist at the height of his talent and made clear that many of his late works can be counted among his most accomplished.
In collaboration with e-flux and Verso Books, the Guggenheim presents the U.S. launch of two recent Verso publications: Hito Steyerl's Duty Free Art: Art in the Age of Planetary Civil War, a new volume of essays by the writer, filmmaker, and artist; and Supercommunity: Diabolical Togetherness Beyond Contemporary Art, a collection of essays, poems, short stories, and plays by artists and theorists selected from the eponymous 88 - text issue of e-flux journal commissioned for the 56th Venice Biennale.
Steve Turner is pleased to present Strings Attached, a solo exhibition by Amsterdam - based artist Jonas Lund which will feature 24 text - based paintings that relate to the current «bubble moment» in contemporary art.
Pratt Manhattan Gallery presents «We Are Grammar,» a large - scale exhibition of 2D, sculptural, installation, and video works by over 40 contemporary artists who have been working with text from the past decade.
The catalogue presents a variety of archival images, as well as installation images from the exhibition at Kunsthall Stavanger, and commissioned texts from writer Thomas Micchelli, Le Tigre member Johanna Fateman, and artist Maurizio Cattelan.
The Third Mind: American Artists Contemplate Asia, 1860 - 1989 illuminates the dynamic and complex impact of Asian art, literary texts and philosophical concepts on American artistic practices from the late nineteenth century through the present.
Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
«Saturated: The Allure and Science of Color» Cooper Hewitt, Smithsonian Design Museum 2 East 91st Street OPENS: May 11 Exploring how color and color perception have been codified, manipulated, and employed to dazzling effects by artists and designers from antiquity to present day, this exhibition brings together 190 objects — including texts on color theory, psychedelic posters, Pantone decks, and vivid, 3D - printed sculptures — that illuminate the endless visual possibilities of a polychromatic palette.
It includes texts and interviews of artists presented in the exhibition as well as a large selection of archive images and installation views of the works exhibited.
This Fall at the Addison Gallery of American Art, located on the campus of Phillips Academy in Andover, MA, artists Elaine Reichek and Jeanne Silverthorne will team up to present Invisible Citings, an installation exploring their shared interest in text and notions of invisibility...
Robert Barry, Inert Gas: Neon, 1969 Two photographs and text Yvon Lambert presents an exhibition of works made from 1962 through 2008 by American artist Robert Barry.
Presenting work by four artists under the guise of a solo show is a way to exhibit the artist in relation to his precedents, like a text with footnotes.
Coupled with these writings are original texts from each artist collected in the form of a journal / exhibition catalog and presented as part of the exhibition.
This lavishly illustrated, 240 - page catalogue, also titled Zoo, contains an introduction by the show's curators, Marie Fraser and François LeTourneux, texts presenting each of the artists, and a typology describing the relationship between humans and animals as reflected in natural history, philosophy, fiction, and science.
Victoria Miro presents British artist David Harrison's second solo exhibition at the gallery to coincide with the publication of a major monograph on the artist with texts by Alistair Robinson, an introduction by Lucinda Lambton and an interview with Peter Doig.
Inside the Work presents, in text and image, the curatorial practice and outreach work that make the Kunsthaus Bregenz stand out, and tracks its exhibitions through short artist statements and large - format illustrations.
Engaging with the idea that adaptation is necessary for survival, the artists in this exhibition present films, sculpture and text - based works that reflect on new and hybrid forms of architecture, technology, biology and language.
+ Second, Sable Elyse Smith presented a reading from Blue is Ubiquitous and Forbidden, a limited edition zine, which takes its title from the artist's current exhibition in the + / - Project Space, considering the trauma of mass incarceration by scaffolding perspectives and proximity — through image, video, voice, and text.
All projects are presented alongside researched texts developed with the artists to offer tangential and alternate readings of the work.
At Astrup Fearnley Museet, New Theater will present a text, installed in collaboration with artist Lena Henke, which struggles with representing a city and deals with the economics of the artist - run space.
Crumb also offsets the bawdy images with breathless pseudo-high-falutin'texts which send up the artist's own desires, academic commentaries on art, and how the media present women.
Presenting a painting from his well - known body of work «Black Dada» as well as a work from a series layering text and images on mirrored stainless steel, Adam Pendleton's works in this exhibition give material form to the artist's engagement with a dynamic idea of history; one that is ever mutable and reflective of subjective and infinite narrative potentials.
The show centers on a text Krakow wrote, entitled Shine, which is presented in its entirety as an artist's book, and incorporated as fragments in her video of the same title.
Working in collaboration with Lehyt, an artist of a later generation, the performance - lecture transposes Zurita's texts onto the present through a live reading and the creation of a new wall drawing by Lehyt made in response to them.
Copenhagen - based artist Lotte Rose Kjær Skau is presenting her first solo exhibition, United We / I Stand Etc. at London's Image Music Text Gallery, running January 23 to March 2.
This handsome volume contains wonderful texts by Medvedow, Molesworth, Eggerer, Lajer - Burcharth, and Marcus that explore different aspects of Sillman's development as an artist from the mid-1990s to the present, and also includes a facsimile insert of one of the artist's «zines.»
Simultaneously with the work of artists will be on display and a small part of archival and documentary material with photos of the marine life of Patmos, from major monuments and ceremonies of island associated with water as well as images and texts associated with the collection, the management and the consumption of water in Patmos in the past and the present.
Including texts by Germano Celant, Lynn Cooke, Peter Schjeldahl and Thomas McEvilley written since the 1980s, Anthony Cragg: Parts of the World concludes in the present, with an essay by Jon Wood and a recent interview with the artist.
Sculpture Now assembles essays, statements, interviews, letters, poems and other texts by artists from all over the world on sculpture as it has been developed and practiced from 1990 to the present.
The Iranian - born, US - based artist presents a new body of work — including 3D sculptures, text, moving image and a public research program in a reading room and online public archive — as part of an ongoing activism practice concerned with «Digital Colonialism and «re-Figuring» as a Feminism and activism practice».
All projects are presented alongside researched texts developed with the artists to offer tangental and alternate readings of the work.
The Gallery at R&F is pleased to present Snippets: Visual Text, a group exhibition of works by five visual artists and two poets working collaboratively on a visual project.
The presented works will be connected with texts on the artists, written by Josef Strau, partly already published, partly in a more fragmented form of some collected notes.
Presented by: Amanda Sanfilippo, Curator in Residence at LegalArt Participants are encouraged to bring relevant books, texts and examples of artists and exhibitions relative to the topic of discussion.
Mixed Messages presents over 40 text - based works by visual artists and designers whose reactions to and connections through HIV / AIDS reflect the contemporary moment's tenor on the pandemic.
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