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Not exact matches
How does his theory of symbolic
reference affect our understanding of the
artist's creative
work?
The space features the
work of talented and in - demand Brooklyn graffiti
artist Nicholas Forker and incorporates Bloomfield historical
references.
Referencing the
work of Swiss - German
artist Paul Klee, it's crafted to a linear shape with asymmetric lines for an off - kilter twist, while the rouleau loop - fastening high neck adds extra elegance.
The always - great Toni Collette does possibly the best
work of her career as Annie Graham, an
artist (she designs miniature models that often replicate her own home life, which is clearly a
reference to a filmmaker producing a film that he's admitted comes from his own personal life) and mother of two.
Whether or not you catch every
reference or understand every choice in the video, however, it has a greater symbolic meaning than even the messages it's packed into that short running time: black
artists are gaining - creating for themselves - increasing freedom to explore and articulate controversial (read: threatening to white America) themes in their
work.
It gives them a
reference point of the
work the
artists produce with the answers.
Architecture Art using found and recycled objects Color theory Abstraction Conceptual art Drawing styles Figure drawing and sculpture Masks Monochrome drawing Natural forms Portraiture Structures Each unit of
work provides a lesson by lesson plan, homework suggestions, materials lists,
artist references, health and safety and links to thinking skills.
Examples of repeat pattern designs made using
artists referenced / powerpoint presentation / how to guides / guide for unit of
work.
- Small and medium tattoos only, have an idea of what you want, bring
references, and your
artist can
work with you.
Barcelona's Joan Miró Foundation has managed to become a major point of
reference in the world art scene and offers its visitors not only the greatest and most complete single collection of Miró's
work but also a pioneering exhibition space named Espai 13, which stimulates research and experimentation among young
artists and offers impressive exhibitions of contemporary experimental and avant - garde
artists.
Here's a fascinating post about a relatively early Christopher Williams
work, with a
reference to Gay Morris's 1981 ARTnews article «When
Artists Use Photographs: Is it fair use, legitimate transformation, or rip - off?»
She is an
artist working in a wide variety of mediums, and sharing tutorial videos (she started on YouTube), live streams,
reference photos from her videos.
Curators Patricia Spergel and Shazzi Thomas selected
artists for this exhibition who
reference garden and landscape in their
work in a variety of ways — traditional observational painting,
works with subtle satirical and political commentary and paintings that lean towards abstraction.
While Johnson's
works are grounded in a dialogue with modern and contemporary art history, specifically abstraction and appropriation, they also give voice to an Afro - futurist narrative in which the
artist commingles
references to experimental musician Sun Ra, jazz great Miles Davis, and rap group Public Enemy, to name just a few, with various symbols including that of Sigma Pi Phi (also known as the Boulé), the first African American Greek - letter organization, and writings by civil rights activist W. E. B. Du Bois, among others.
Selected by curator Lauren Cornell and
artist Ryan Trecartin, the 150
works by 51
artists and collectives include paintings of humanoid heads warping amid patterned fields (Sascha Braunig); a 3 - D - printed figural sculpture of
artist Juliana Huxtable (Frank Benson); and an aquarium housing two coral - encrusted letters E (Antoine Catala), obliquely
referencing an emotional relic from our analog past - empathy.
Several of Ai's recent
works make
reference to the travel restrictions and surveillance imposed on the
artist following his detention.
Emerging in the early 1970s, Austrian - born
artist Franz West (1947 — 2012) developed a unique aesthetic that engaged equally high and low
reference points and often privileged social interaction as an intrinsic component of his
work.
Rounding out the catalogue are numerous details and installation views, atmospheric color photographs of the
artist's studio and materials, and an illustrated visual appendix showing a selection of Frecon's
reference sources for the comprised
works, including insightful commentary written by the
artist.
The
reference monograph on Michelle Grabner, this volume offers an expansive look at an
artist whose body of
work and sphere of influence continue to gain recognition.
But rather than focusing on a specific
artist or time period, as in the previous Thiebaud and Early American
works, the new series
references a pictorial convention within painting as a whole.
With various colour reproductions of paintings /
works and
reference material, foldout - pages, texts and interviews by the
artist in English and German.
Following a non-linear narrative, the film brings together mainstream network news, activist footage,
artists»
works, and popular entertainment,
referencing regimes of power that precipitated a generation of AIDS and queer activism and continues today with international struggles for freedom and expression.
Whilst taking Neel's
work as a point of
reference, the exhibition aims to open up possibilities for reading figuration and portraiture in contemporary painting, to assert the continued relevance of these modes of practice, and to re-consider Neel's
work in relation to
artists working today.
Taking this intergenerational artistic milieu as its point of departure, this exhibition brings together
works by
artists whose output subverts a rigorous formalism through
references to subjectivity, narrative, and process.
«Bad Mannerism»
references the sixteenth century Mannerist movement, showing contemporary
artists working with similar ideas today.
This year, the result includes about 20 solo exhibitions (nearly half showing the
work of female
artists); first - time appearances by Galerie Perrotin, Freedman Fitzpatrick, Triple Canopy magazine, and The New Museum; and a general trend of art from or
referencing the»80s.
It should be noted that while the overall effect of Murray's
work is one of abstraction, and the
artist described herself as an abstract painter in an interview included in the 1987 catalogue, there are many representational elements and
references in her paintings, in a stylized style emerging from cartoons, comics, and graffiti as well as from pop
artists like Claes Oldenburg:
works are shaped like shoes or cups and contains stylized abstracted but identifiable figuration and still - life imagery.
These
works also address classic feminist critiques of body language (the socialized differences of behavior between men and women) and
reference the many
works made by women
artists that deploy imagery of hands: a symbol of domestic labor, idealized femininity, craft, and self - image.
Situating itself within current art historical and political debates, the exhibition considers
work by self - taught, spiritually inspired and incarcerated
artists, alongside other projects based in performance, socially engaged practice and the archive, as well as painting, drawing, sculpture and assemblage, that make insistent
reference to place.
CIMA's first two - person exhibition pairs the Metaphysical painter Giorgio de Chirico with the contemporary conceptual
artist Giulio Paolini, who has described de Chirico as an «illustrious model» and has incorporated overt and coded images and
references to de Chirico in his
work for years.
Continuing the Warholian
reference, on show will be a series of large scale unique silkscreened portraits of the
artist as Che Guevara, Joseph Beuys, Elvis Presley amongst others, as well as
works based on Warhol's urine oxidation paintings, abstract
works made by pissing on copper metallic painted canvas Turk takes a Gestalt approach to cliché and iconic imagery subverting our sense of what we think we are seeing.
Non-Chinese
artists making
work about Chinese culture or concepts, collaborations between Chinese and non-Chinese
artists drawing on cultural
references.
In some paintings the letters «ESP» - a recurring motif or tag in his
work - float in and out of vision,
referencing at once the subconscious doodles of the
artist's hand as well as a literal abbreviation of «Extra Sensory Perception».
117 2014 — The Figure: Painting, Drawing and Sculpture — Contemporary Perspectives, Skira Rizzoli 2014 — Visual Intelligence, Catalog Essay, Accesso Galleria Pietrasanta 2014 — Review: David Humphrey, ARTPULSE, NO. 21, Vol 5, 2014 2014 — MFA Catalog Intro, New York Academy of Art 2013 — Living and Sustaining a Creative Life: Essays by 40
Working Artists, Intellect Books, p. 152-156 2013 — Urbanfuse Berlin, Catalog Essay, Janine Bean Gallery 2013 — From Beijing, Catalog Intro, New York Academy of Art 2013 — Wildscapes, Mario Davalos, Book Prologue 2006 — Low, Dishonest Times, In Conversation, Laurence Hegarty, Cynthia Broan Gallery 2006 — Uprising, Catalog Essay, LMCC / Parsons The New School For Design 2005 — Primed, Catalog Essay, Parsons The New School 2005 — Stories, Amy Bennett, Catalog Essay, Linda Warren Gallery 2003 — The Burbs, Catalog Essay, DFN Gallery 2003 — Articulation and Iconography, Bryan LeBoeuf, Catalog Essay, FishTank Gallery 2003 — Ceramics Art and Perception,
Referencing, Susan Budge, Issue 53 2003 — Reconstruction, Space Invaders, Catalog Essay, FishTank Gallery 2001 — Manchildren, Mark Mennin, Catalog Essay, Howard Yezerski Gallery 1987 - 88 — Flash Art Magazine, NY Staff Critic, Two Exhibition Reviews Monthly 1986 — Flash Art Magazine, Published Interview with Ross Bleckner
A «catalogue raisonné» is a systematic and comprehensive scholarly
reference text in which each
work known to have been executed by a particular
artist is illustrated, thoroughly documented and described, giving information such as title, alternative titles, date, medium, size, inscriptions, provenance, exhibition history, and publication history, and in which each
work is assigned a permanent
reference number.
Known for
work that is darkly playful and melancholic, Detroit - based
artist Hernan Bas often employs
references to literature, from Moby Dick to the Hardy Boys to French Romantic writing, reimagining the texts through the figure of the young homosexual dandy.
The energy in these
works radiate not from the center seam, but rather from the typography itself, a trope that in each case
references the
artist, his name, his individual authorship, and his concrete identification in the art market.
The
work of the twelve selected
artists are displayed firstly with
reference to photorealism.
Each series or group of
works is presented as a separate chapter with its own commentary covering the genesis of the
works as well as
references to both Kippenberger's own
work and that of other
artists.
There are many
artists,
works, films, music, sound, writings that are
references on different levels.
Additionally, the
work is layered with
references to literature, film and other
artists, including David Hockney and Derek Jarman, whose paintings also feature in the exhibition.
Titled Unrealism — as much to indicate the show's focus on the heightened and surreal as to comment on the ubiquitous label «untitled», which serves as a lazy catch - all for
work too of - the - moment to
reference history, antecedents or fully thought - out ideas — the show was a not - to - miss tour de force, a revelation of the power of extreme figuration to elucidate the human condition — Tala Madani, Emily Mae Smith and Jonathan Gardner were among the standouts, with Jenny Saville, Richard Prince and John Currin among the 11
artists upholding the Gagosian brand.
This publication explores the relationships between
works by 21 contemporary women
artists and the women writers they acknowledge and
reference, from Mary Wollstonecraft to Octavia Butler.
She often creates her
works based on literary
references and preferably in cross-boundary collaborations with other
artists.
Kass, a Brooklyn - based
artist who creates
works that are historically and politically analytical, draws on a variety of art historical and popular culture
references, and speaks poignantly about the state... read more... «Deborah Kass interview at Thirsty Beach»
The central
reference point of the exhibition is the
work of Polish
artist Alina Szapocznikow (1926 - 1973), which has gained international recognition in recent years.
Vernon Fisher: Flaubert's parrot Schrodinger's cat hey look monkeys throwing shit The celebrated painter unveils a new body of
work with «a wide range of pop cultural and literary
references that highlight the
artist's play with imagery, association, and possible meaning.»