Sentences with phrase «artists responding to the work»

Through a newly commissioned work, each artist responds to the work of a classical composer stripped of the usual operatic traditions and storytelling; open to audiences that may not have engaged with opera before.

«Uprising, Voice,» Violin and Cello, Hyde Park Art Center, Chicago, IL, 2007 «Plate Convergence,» Hyde Park Art Center, Chicago, IL, September 3 — November 11, 2007 Recreation of the Candy «Stow,» Acquisition and renovation of a small South Side commercial building for dinner interventions; recycled materials, local labor, Chicago, IL, 2007 «Life After Qualls,» African American Artists Respond to the works of Michael Qualls.

Her recent major exhibitions and catalogues at SDMA include Eleanor Antin (2008); Animated Painting (2007); Transmission: The Art of Matta and Gorson Matta - Clark (2006); Past in Reverse: Contemporary art of East Asia (2004); She was adjunct curator of Contemporary Links, a series in which contemporary artists respond to works in SDMA's collection.

The understanding and fluidity of the organization is incredible: it responds to artists in the same manner that artists respond to their work.

Artists respond to the work of Ray Johnson in a group show.

Over at the Serpentine Sackler, we have SPEAK, an exhibition of four radical video artists responding to his work.

Not exact matches

1, Respond to work from other artists and cultures.

Pupils research and respond to several artists, learning how to create a successful sketchbook and body of work focusing on «Identity» and 2D techniques.

Learn how to rephrase the performance objectives of college and career ready standards for the visual, performing, and media arts into good questions that will engage students to create, perform, respond to, and connect works presented in various formats and mediums, by various artists, in different contexts, and from different cultures.

Either authors are responding to their «clients» customer service complaints, or they are artists who should stand back while the world appreciates or criticizes their work, in which case they are not to be expected to behave like businessmen.

One of the most prominent artists of the 21st century, Ai Weiwei is an architect, sculptor, photographer, filmmaker, curator, writer, and activist whose work often responds to conditions in China, including the government's repression of free speech and expression.

«@Large: Ai Weiwei on Alcatraz continues a dynamic history of collaboration between the FOR - SITE Foundation, the National Park Service, and the Parks Conservancy to engage artists in the development of new work responding to historic park sites,» said Greg Moore, president and CEO of the Parks Conservancy.

Whether it was the history, the weather, or other elements of site, each participating artist responded to this location with work intended for that place and time, and created a multi-faceted and innovative experience.

But the artist who takes the emotional risk of putting themselves out and showing their work to the world gets the benefit of finding the people who respond to their work, and helpful feedback from other artists who can help them make their work better.

Dan Coombs responds to the exhibition Matter at APT Gallery, London, a show of artists whose works «display abstract qualities, have a strong material presence and use their own materiality as subject.»

As a photographic artist, I hope someone in the gallery business or other fine art photographer who have successfully been through this will read and respond to comments regarding «How To Work With Galleries»to comments regarding «How To Work With Galleries»To Work With Galleries».

I have responded to a few threads (i didn't miss your point: — RRB --RRB- but am still formulating what i want / can afford re courses etc. i love that it has opened up a new world of possibilities to me and also I know about other successful artists such as Melissa Dinwiddie and have been following her work too.

Encompassing some 100 works in painting, sculpture, video, and installation, «The Everywhere Studio» presents over 50 artists from the past five decades to reveal the artist's studio as a charged site that has both predicted and responded to broader social and economic changes of our time.

He is renowned for being one of the first artists to make the radical gesture of taking the canvas off the stretcher and hanging it directly on the wall in works such as Purple Octagonal 1967, as well as making provocative sculptures such as Third Rope Piece 1974, the intimate scale of which directly responds to traditional ideas of monumental art.

The Untitled Space gallery is pleased to present exhibition, UPRISE / ANGRY WOMEN, curated by Indira Cesarine, featuring the work of 80 female contemporary artists responding to the current social and political climate in America in light of the recent presidential election.

Launched today to coincide with the Whitechapel Gallery's landmark exhibition Electronic Superhighway (2016 - 1966), a new work by Swedish artist Jonas Lund (b. 1984), Fair Warning (2016), invites the public to respond to a series of over 300 questions online.

Following in the steps of the artist's seminal solo exhibitions at Tate Modern, London (2017), Fondation Beyeler, Basel (2017), Kunstverein in Hamburg (2017), and most recently his first show in Africa at the Musée d'Art Contemporain et Multimédias in Kinshasa (2018), this presentation features a broad selection of works that respond to their surroundings while at the same time embodying a self - contained environment.

The work on view focuses on artists in the collection whose practices respond to issues of identity, gender, class, power, and the values that contribute to our social fabric.

Responding to these conditions, MoMA PS1 curator Peter Eleey brings together more than 70 works by 41 artists — many made prior to 9/11 — to explore the attacks» enduring and far - reaching resonance.

It is a significant example of an artist in the 1960s employing abstraction for a work that responded to current politics.

She is the second artist to participate in the RSVPmfa series, in which the Museum invites artists to respond to and work among its collections, architecture, and landscape in order to acknowledge that art today often extends beyond traditional gallery walls.

Their living legacy will better prepare the participating artists to respond to grant proposals, calls for exhibitions, and present their works to curators during studio visits; thus enabling them to further their careers by taking advantage of opportunities at home and outside the Deep South.

Responding to themes and issues relating to homelessness (isolation, property, security, space) leading artists Tracey Emin, Antony Gormley, Yinka Shonibare, Jonathan Yeo, Gillian Wearing, Bob & Roberta Smith, Nika Neelova and Nathan Coley will all donate new works for the exhibition.

Featuring several newly commissioned artworks and installations, the exhibition explores some of the ways sculptural materials and forms are changing as artists respond to the mediated and virtual realities of the world in which we live and work.

The two works by Isamu Noguchi, the best known of the Asian - American artists here, are from the 60s, one a signature stone shape, in this case red travertine, and the other in cast bronze, both smaller works that respond to the pictorial images around them.

ABOUT CURATOR INDIRA CESARINE Indira Cesarine's work as a curator for The Untitled Space gallery includes exhibitions (HOTEL) XX for SPRING / BREAK Art Show 2018,» Secret Garden,» presenting the female gaze on erotica; «SHE INSPIRES,» a group show of 60 artists exhibiting works honoring inspirational women; the internationally - celebrated group shows «UPRISE / ANGRY WOMEN,» and «ONE YEAR OF RESISTANCE» responding to the political climate in America since the election of Donald Trump as well as numerous other critically - acclaimed exhibitions.

It was rewarding that both Greek and non-Greek artists responded with enthusiasm to the call — especially since the majority of them were showing their work outdoors for the first time.

I would argue it's impossible to respond only to the subject depicted — in any work of art, by any artist — as soon as we know even a tiny bit about the maker.

Since Ritchie exhibited «The Universal Adversary» at Andrea Rosen Gallery in 2006, his work has been included in numerous exhibitions including: the Venice Architecture Biennale; the Seville Biennale; the Havana Bienal; «Matthew Ritchie, The Iron City,» St. Louis Art Museum; «Wunderkammern» Museum of Modern Art, New York; «The Guggenheim Collection,» Guggenheim Bilbao, Spain; «Not For Sale» PS1, New York; «Confines,» IVAM, Valencia, Spain; «The Shapes of Space,» Guggenheim Museum, New York; «Between Art and Life,» San Francisco Museum of Modern Art; «The Kaleidoscopic Eye,» Mori Art Museum, Tokyo; «In the Beginning: Artists Respond to Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diegto Genesis,» Contemporary Jewish Museum, San Francisco; «Experimental Marathon Reykjavik, Reykjavik Art Museum; «The Last Scattering, Phase Two,» London, «To the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San DiegTo the Milky Way by Bicycle,» Staatliche Kunstsammlungen Dresden, Germany; «The Architectural Imaginary in Contemporary Art,» Museum of Contemporary Art, San Diego.

Do you expect the mural - sized works to be of particular interest to artists in our post-election moment, when many artists are struggling with how to respond to the political turmoil in the world?

Challenged by gallery owner Janet Lehr to «Think Red,» the living artists with work on view in the «Valentine & Art: Together Forever» exhibition at Janet Lehr Fine Arts responded with breathtaking results.

A new exhibition at the Hayward Gallery presents work by London - based artists which responds to the dynamic and disorientating character of everyday cosmopolitan life.

On the artists, Dayton Director Ian Berry said, «You'll see work by Mike Bidlo, David Hammons, Amy Podmore, and Millie Wilson, who are responding directly to Duchamp, alongside artists like Sheila Metzner and Anya Kielar, whose links to Duchamp can be seen through the context of the exhibition.»

We hope all the artists submitting work understand this and continue to respond to future calls.

Her best - known work R.S.V.P. (1975)-- so called because the artist really wanted people to respond — was an installation of sand - filled, dark - hued pantyhose knotted and stretched into all directions.

The visionary director of the French School in Athens, Alexandre Farnoux, responded with enthusiasm to my proposal, and so the gardens and its secret pathways became the backdrop to bring together Greek and non-Greek artists into the public realm with works of art that reconnect the human with the animal.

How are artists responding to seismic changes in the arts and culture market, and what are the new models they are developing to support the production of their work, and the dissemination of their ideas?

A timely addition to the 2017 exhibition calendar, the British Museum's print - centric show brings together works by Jasper Johns, Ed Ruscha, Louise Bourgeois and Kara Walker to reveal how artists have responded to key events in US history over the last 50 years — from the assassination of JFK to the Vietnam War, the campaign for civil rights to the AIDS crisis.

We invite you to respond with ideas or examples grounded in your own formative experiences — as an artist, and also as someone who teaches art — while being responsive to the ways in which art and education have informed your work and shaped value systems in your own context.

In their aesthetic and conceptual choices for the work exhibited in Data / Transfer / Object the artists will respond to and interact with one another, each picking up a concept where the other leaves off.

He has recently created a new series of work titled (after Cattelan) which was the result of an invitation by the artist Maurizio Cattelan to respond photographically to six of his most famous sculptures.

By doing so, the Permanent Collection acts as a springboard for artists to respond in a variety of ways and media - from sharing new work inspired by the Permanent Collection's themes and then placing them in conversation with one another.

Keith Haring (1958 - 90) was one of the most renowned of the young artists, filmmakers, performers and musicians whose work responded to urban street culture of the 1980s.

Beginning March 1, the foundation's Lounge Gallery will feature Bottrop's line - drawing paintings responding to the architecture of the Lounge Gallery itself alongside works from Oehlen's Computer Paintings, a series that the artist began in the early 1990s, which is now regarded as a turning point for contemporary painting.

For the exhibition Portrait Gallery in Genova, the artist will show a new series of works; the installation situates the paintings, with their brooding and centripetal masses, in dialogue with the rooms of the villa responding to its monumentality and mimicking the classical display of a picture gallery.