It was clear that the young
artists saw no distinction between their online and off line lives — they move between the two seamlessly — with little evidence of the concerns, we as adults occasionally have.
Not exact matches
The «Annual» exhibitions seek to eliminate any categorical or hierarchical
distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally
seen, or the seniority of an individual
artist, etc.) The works included in the exhibition might have originally been encountered in exhibitions at galleries, not - for - profit spaces, or during visits to
artists» studios, etc..
«Looking Back» seeks to eliminate any categorical or hierarchical
distinctions we might place upon artworks (e.g. based upon the circumstances in which they were originally
seen, or the seniority of an individual
artist, etc.) These works might have been originally encountered in exhibitions at institutions, galleries, and not - for - profit spaces, or during visits to
artists» studios etc.....
These exhibits intended to bring recognition to a marginalized group of
artists, but were largely
seen in critical literature to have perpetuated the binary
distinctions and terms of difference that originated and maintained that marginalization.
Dodd's
distinction as an
artist remains today what it was when she began painting as a young woman in the 1940s, during the early days of America's post-war love affair with abstraction and later pop art and minimalism: She paints what she
sees.