Sentences with phrase «artists share a desire»

All of the featured artists share a desire for a certain level of process or ritual in their forms, with works by Eric Amouyal, Ryan DaWalt, Robert Otto Epstein, Rico Gatson, Tamara Gonzales, Sheryl Oppenheim and several others.
At that time, Celant gathered together artists sharing a desire to abandon traditional painting as an art form, who wished to create objects / sculptures and to question artistic practices through actions and performances.

Not exact matches

Artists and record labels share a desire to see the creator paid for his or her work, but the new - found love - in between musicians and the businessmen who represent them (and take ownership of their work) is a new development in what has historically been a relationship fraught with tension.
Video chat with thousands of models, artists, camgirls, amateurs, pornstars and female content Adult Phone Chat Night Exchange is where adults come to share their most intimate desires and have fantasy chat.
This is not to exclude the subtle differences between any artists, nor to ignore the importance of shared aspirations, wants, needs, and desires.
The artists in «Trigger» share a desire to contest repressive orders and to speculate on new forms and aesthetics — a desire to picture other futures.
The Abstract Expressionists, sometimes called the New York School, were never a formal association, but they shared a desire to break away from conventional subjects and techniques and, significantly, to produce a completely abstract art that reflected in dynamic, gestural form the unique personality, psyche and emotions of the artist.
Representing no single point of view, and in some cases contradictory positions, «Trigger» assembles a diverse group of artists (from rising L.A photographer Paul Mpagi Sepuya to breakout Connecticut star Tschabalala Self) for their shared desire to contest repressive orders and to create new aesthetics — beyond the binary.
Although not a historical survey, the show presents a collective desire to use the body to destabilize systems of representation shared by artists from Latin America working in conceptual modes from 1967 to 1978.
Come meet Artist Resident Anya Mitchell during her Open Studio hours and discuss shared desires regarding the idea of «home»
Come meet Artist Resident Anya Mitchell during her Open Studio hours and discuss shared desires regarding the idea of «food»
Autistica, the UK's leading autism research charity and Mehta Bell Projects, are pleased to announce «An Infinitely Beautiful Mind», a charity art sale and exhibition which will present the works of artists ranging from modern masters, contemporary and emerging talents through to outsider art, whose work share the desire to represent the human experience through highly detailed and laborious artistic techniques.
Franklin Street Works will be working with five New York City - based guest curators in 2017 and 2018, originating six new group exhibitions around themes such as: shared strategies of the labor and LGBTQ movements; economic and political refugees; ways artists animate desire in abstract painting; art that explores political and personal paranoia; and more.
«Aeroplan and the AGO founded the prize with the shared desire to create more than a traditional art prize, for both the artists nominated and the audiences experiencing the works.
This interest was shared with many artists during the 1930s, whose use of them for artistic purposes reflected a desire for a modernist synthesis of science and art.
George Segal desired to reunite art and everyday life following Abstract Expressionism and the long banishment of representation from the realm of serious art — an aim he shared with many other Pop artists during the 1960s.
With a shared emphasis on materiality and experimentation, each of the artists exposes in their work the desire to break down false limits and the range of human emotions that come when confronting the unknown.
A shared desire for change doesn't always signal shared political sentiments and positions within and across generations of artists.
The three artists in this exhibition share a desire to confound the viewer while at the same time investigating processes and searching for what lies beneath surfaces — the beyond of what we can see.
Somewhat recently, both Rosenberg and Steele independently moved to Cincinnati and reconnected over a shared desire to bring artists from their networks into conversation with their new city.
The press release, found only on the artist - run curatorial collective's various web platforms, as well as in Facebook posts shared by Life Babies curator, Gabrielle de la Puente is an italicised description of the desire to bring together work made by artists that needs «sharing carefully and handling slowly».
What the artists of the Modernist Left shared above all was the desire to advance the practice of non-figurative art and to promote that art as a species of realism; that is, a higher form of realism that encompassed the democratic and progressive potential of abstract art to provide an image, as the art historian Martin James put it, of an implicit order of a future society.
«it is this flash itself that seduces» is an exhibition part of Friends with Books Programmes, the artists» works all elicit a shared interest in books and publications and the differing forms of «pleasure» they may evoke, such as voyeurism, the desire for knowledge, escape, and material possession.
As artists with disabilities, their themes can range from loss, love, past trauma, travel, and family to favorite TV characters and pop culture references, but they all have one commonality — a desire to share their story and unique perspective with the world.
At the same time, all of the artists selected for the exhibition share one thing in common, namely, their desire to measure themselves against Picasso and his work.
Viewers will recognize the artists» shared desire to create startling and evocative juxtapositions using material from the everyday world to alter the way we think about reality.
The participating artists and designers share the desire to challenge and overstep each other's artistic domains and experiment in a CROSS-OVER FIELD where it is no longer possible or relevant to categorize and define the objects.
Gallery Project's Wish List, a dual - site, multi-media exhibition in which 50 local, regional, national artists share their visions for a desired future state.
The collective desire for communication — for sharing perspectives — is evident through the subjects dealt with by each artist.
The artists in Rethinking History were brought together because they share a common desire to challenge one mode of thought and, to change what and who history is, thereby enabling revision for the past and inclusion for the future.
The two artists (who bonded over their interest in the moving image) shared a desire to merge the black box screening experience with the white - cube gallery setting.
A contemporary of Picasso, he shared with progressive artists of that generation the desire to create a truly renovated art expression that would be in tune with the emerging sensibility.
He shares with other artists of Arte Povera the desire to incorporate into art the real factors of time and energy.
The title Ghost: Rhythms itself is an homage to the stories and tales Binion's mother and aunts would tell in his childhood of ghosts and family history, a tradition that stuck with the artist and influenced his desire to use visual language to continue to share narrative.
These artists share a collective desire to represent human experience through detailed and highly laborious artistic techniques.
Working in the Atelier at WSS provides artists a wonderful opportunity to work either alone or with other advanced artists, sharing models and still life set ups, critiquing each other's work and discussing issues relating to art, if desired.
Taken together, these artists» works demonstrate a shared desire for rendering expression in physical form.
Ahead of his solo exhibition DEAR (2018) at the Sabrina Amrani Gallery in Madrid this March, I sit down with UBIK to discuss his beginnings as an artist in Dubai, his thoughts on labour, identity and «work» as an artist, and his desire to use Instagram as a platform to share and exhibit his art.
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